GODSMACK RETURN WITH NEW SINGLE “SURRENDER”

SINGLE FOLLOWS GLOBAL SUCCESS OF
2018 GOLD-CERTIFIED ALBUM
WHEN LEGENDS RISE

Multi-platinum Grammy-nominated hard rock band GODSMACK have released the first glimpse of their forthcoming eighth studio album with their new single “Surrender” via BMG. The track marks the first release from the band in four years, following their globally acclaimed & gold-certified 2018 album, When Legends Rise, which earned the band a #1 spot across US Hard Rock, Rock, and Alternative album charts.

“‘Surrender’ is a very cut and dry song,” says vocalist and guitarist Sully Erna. “It’s simply about the exhaustion we can all feel in relationships at times from the redundancy of fighting with each other. At a certain point in our lives, we submit to putting aside who’s right or wrong, we just want it to STOP! So we wave the white flag.”

Check Out “Surrender” Here

With over 20 years of chart-topping success, the Boson rock band has cemented themselves as 21st-century hard rock titans. To date, they’ve accomplished a staggering 11 #1 singles at mainstream rock radio, including “Bulletproof,” “Unforgettable,” “When Legends Rise,” and “Under Your Scars,” all from the band’s most recent album. Additionally, they’ve enjoyed 20 Top 10 hits at the format–the most of any act since February 1999–as well as four Grammy nominations, and were named Billboard Music Award’s Rock Artist of the Year in 2001. Selling over 20 million records worldwide, the band has released seven studio albums; All Wound Up… (1997), Godsmack (1998), Awake (2000), Faceless (2003), IV (2006), The Oracle (2010), 1000hp (2014), and When Legends Rise (2018).

GODSMACK is Sully Erna (vocals, guitar), Tony Rombola (guitar), Robbie Merrill (bass), and Shannon Larkin (drums).

Photo by Kamal Asar

Product Review: Donner DST-400 Electric Guitar

 

Donner DST-400 Electric Guitar

• Alder Body with Transparent Finish
• One DONNER Seeker Series Pro Humbucking Bridge Pickup with Coil-Split System; Two DONNER Seek Series Pro Single-Coil Middle and Neck Pickups
• AAA Canadian Maple Neck
• Satin Slim-C Neck Profile
• 9.5” Radius Fingerboard
• 2-Point Tremolo Bridge with Vintage-Style Saddles
• Vintage-Style Tuning Machines
• Includes Gig Bag, Strap, Cable, Set Up Tools

Our score 4.5 out of 5 stars

Since 2012 Donner Music has been making affordable, quality instruments for all level of musicians and they continue that with the release of their Seeker Guitar model. Based on the popular S-Style guitar The DONNER Seeker Series DST-400 sports a two-single coil, 1 tapped humbucker pickup configuration which offers players sonic flexibility capable of both traditional single coil twang and modern humbucking crunch all one instrument making it the perfect tool to express your musical vision without breaking the bank.

Construction-
I had been aware of the Donner company since the company’s introduction in 2012 however I had never tried one of their products until recently. Given the vast number of manufactures trying to enter the music gear market it can be a little daunting when trying to search for that new piece of equipment. Many companies offer lower to mid-priced options while sadly sacrificing tone and quality. I can safely say that the Donner DST-400 does none of those things. Right out of the box the instrument looked great. From its high-quality chrome parts and high gloss transparent teal finish to the satiny smooth neck I could tell this was not just another run of the mill sub $300 priced guitar. Aside from finding a small gap in the neck pocket, several dull frets and the rosewood fret board needing some oil the guitar structurally is solid and almost ready to go right out of the box

Sound-
Before plugging the DST-400 in I wanted to check out the guitar’s overall resonance. A feature common with budget line guitars is a thicker polyurethane finish which while providing a stronger finish can deaden some of the guitar’s natural resonance and tone. After just a few strums I was hooked as both single notes and chords rang out with impressive volume and sustain with an excellent level of clarity. Plugged in the DST-400 continued to accel. The single coil tone is what is to be expected as both the neck and middle position pickups provided a nice mid to low level sound with just the right amount of snappy treble twang. The bridge position humbucker can cover everything from over-driven sizzle to molten high gain and with the pull of the second tone pot you can expand your tone pallet even further as your humbucker is now a single coil allowing you to cover even more tonal territory without switching guitars.

Playability-
Even with higher end guitar models you must allot for a break in period. Frets need to be worked in, adjustments need to be made to various components and players must get comfortable with the over all feel of an instrument. My first sit down with the DST-400 was as though I had been playing this guitar for years. The neck had a nice smooth feel with no rough fret ends whatsoever. The 9.5” radius allowed for fast runs and effortless string bending. The body contours were all in the correct spots making sitting or standing feel very nature. The guitar is not overly heavy and is balanced nicely. The traditional control layout puts your volume, tones, and switch all with in easy reach while the polished, rolled edge, two-point bridge provides a nice resting spot for your palm. The only issues I came across here was that the pull knob to engage the humbucker coil tap can be a little difficult to operate due to the knobs lower profile and the fact that it is a pull pot as opposed to a push pot. The other flaw I noticed was based around the tremolo bar. I loved that it’s a simple push in bar and not a screw in type however the bar can get pushed down a little bit too far which results in less bridge travel due to the bar hitting on your control knobs. I as was able to remedy this issue with just pulling out on the bar some after which it seemed to stay in place without any problems.

The musical gear market can be very daunting. As more and more companies look to capitalize and expand their budget friendly offerings it can add to the confusion of where to start and who to buy from. I would highly suggest starting with the Donner brand. If you are looking for an S shaped guitar that offers high end features and top-notch craftsmanship all while not breaking the bank, then the DST-400 should be at the top of your list. The company may not have the name recognition like some other instrument makers but what they do provide is a comfortable, great sounding instrument at an affordable price.

For more information on Donner or to Purchase a DST-400 visit www.donnerdeal.com

Dream Theater Guitarist John Petrucci Discusses His Upcoming Solo Tour With Mike Portnoy and Dave Larue

 

John Petrucci is the guitarist for the Grammy Award winning Progressive-Metal band Dream Theater. In support of his most recent solo album “Terminal Velocity” Petrucci has announced a multi date tour which will feature bassist Dave Larue and former Dream Theater drummer Mike Portnoy. Media Mikes had the chance to speak with Mike recently about the album, reuniting with his former drummer and what we can expect from the upcoming tour which kicks off October 5th.

Adam Lawton: What can you tell us about your most recent solo album “Terminal Velocity”

John Petrucci: I did my first solo album “Suspended Animation” back in 2005. That album came about after performing on the “G3” with Joe Satriani and having to write songs to perform on that tour. Those songs ended up becoming the first album. Being so busy with Dream Theater I never really put much emphasis on doing a follow up record despite getting asked quite often about it. As years went by, I just never seemed to have the time but when the pandemic hit and all touring stopped, I knew there was going to be some time. I had been stock piling ideas and riffs since my last record, and I knew if I didn’t do this now it was probably never going to happen. I put all the material I had together and recruited Dave Larue and Mike Portnoy to play on. It was a lot of work, but I think it turned out really cool.

AL: What was it like going back and revisiting this material that you had been collecting for so long?

JP: A lot of these ideas were not full songs. When I am playing guitar and something hits me, I will just hit record. The quickest way is usually through my iPhone. I am pretty organized, and I keep everything in a folder, so I had the seeds of songs to start with. From there I was able to go back through my collection and pick out different things that I thought would work. I started with idea number one and just began working from there re-learning what I had while also adding to it.

AL: What led to you asking Mike Portnoy to play on the album?

JP: I like to keep my solo stuff separate from what I do with Dream Theater. Even though I had played live with both Mike Portnoy and Mike Mangini on “G3” outside of Dream Theater I really wanted to keep things with the solo album totally separate from the band. I wanted the album to be just about guitar and given the fact that Mike Portnoy is no longer in Dream Theater this followed the rule I set for myself. Mike’s a very busy guy and because of the Pandemic he also had some free time so when I asked him if he would be interested, he said yes.

AL: Did you have what you wanted laid out for both Mike and Dave or were they able to bring in their own ideas?

JP: While I was writing and recording the guitars my engineer James Meslin would program drums. Either he or I would then play the bass so even before Dave and Mike were involved the songs existed as completed pieces. We could have released the album just like that, but it is so much better having these guy play on there. When they came in they basically just had to learn compositions. At one point Mike asked me if I wanted things exactly as they were, and I told him these were basically just a guide and that he could do what he felt would make the song work. With Dave it was the same way. The two of these guys really brought the album to life and I was very happy with the end result. Even though we recorded the parts separately I think the album has a live energy and feel to it.

AL: Being very much a “tone” guy when it comes to guitar, how did you approach that aspect of the record?

JP: Dream Theater recently built a new facility to accommodate all of the bands needs. This included a studio space. My solo album was the first album that was recorded there. It was a little bit new however the guitar recording approach was very similar to how I do it with Dream Theater. I am a purest and have been playing my signature Ernie Ball Music Man guitars for 20 years now. I plug that into my signature Mesa Boogie head and then let the engineer mic up my 4×12 cabinet and we are off to the races. After we finished the solo record we went and did “Liquid Tension Experiment 3” in the same studio as well as Dream Theater’s “A View From the Top of the World” which we won a Grammy for! Having recorded guitar for those three very different projects the guitar stayed consistent from one thing to the next. We do experiment with different microphones and such but its basically me plugged straight into my amp. I like to keep things as pure as I can and capture that sound as it is.

AL: When did the idea to tour behind the release present

JP: That was always something I wanted to do. I had done a lot of “G3” tours but never an actual solo tour. Once I put the record out everyone started asking if I was going to tour behind it. When things started to open back up my priority was Dream Theater, so we got back into our cycle so once again I was left with no opportunity to tour solo despite wanting to. I generally know five or six months out what my schedule is going to look like and I saw that there was going to be a small window in the fall that I was going to have free. I asked my booking agent if we could get something scheduled and he was on it.

AL: Were Mike and Dave onboard with touring right away?

JP: Dave has been touring with me since 2001. He has done all the “G3” tours and of course both my solo albums. We had this running joke about if we were ever going to do an actual solo tour. Prior to that I think the joke was if I was ever going to do a second solo album. (Laughs) Dave said he would be there when the time came and he we are. With Mike we hadn’t played together live since he left Dream Theater twelve years ago. It was in my mind right away to ask him and when I did ask him, he said Yes.

AL: You are bringing out the reunited Meanstreak with you on the run. Can you tell us how that came together?

JP: The history there is the Dream Theater guys met the ladies from Meanstreak many years ago. My wife and I have been married 29 years. Both my wife and Mike Portnoy’s wife played guitar in Meanstreak while John Myung’s wife Lisa played bass. We all kind of got married and had families around the same time. We have been this big family for quite some time. Meanstreak’s disbanded and haven’t played for some time so when I started thinking of doing the solo tour, I mentioned to my wife about the ladies getting back together and opening for me. I am very excited for this. In all the years my wife and I have been together we have never toured together. We have played together a few times but never anything like this. This tour is going to be fun for fans on a few different levels as not only will they get to see Mike and I play together again but a lot of people will be getting to see Meanstreak for the first time as well.

AL: Any other projects or releases you might want to mention?

JP: There have been a lot of big things that happened for me personally over this last year. I have a new line Ernie Ball Majesty and JP15 guitars that came out in June. I released a Neural DSP plug-in that was a lot of fun as well. We just released out first video from the record for the song “Temple of Circadia” it’s an animated “Wayne’s World” meets “Indiana Jones” type story. (Laughs) Dream Theater will be touring next year and will be releasing more info on that later on but the biggest thing right now is this upcoming solo tour which kicks off October 5th in Providence, RI.

For more information on John Petrucci and all his projects visit www.johnpetrucci.com

THE WAIT IS OVER!!! STEEL PANTHER CROWN EIGHT FINGERED (AND DOUBLE THUMBED) FREAKAZOID SPYDER AS THEIR NEW FULL-TIME BASSIST

Band Announces Claus & Paws Holiday Party US Tour Dates
Adding to Previously Announced Canadian Res-Erections Run This Fall
https://steelpantherrocks.com/pages/tour

Steel Panther L to R: Stix Zadinia (Drums), Spyder (Bass), Michael Starr (Vocals), Satchel (Guitars) Photo Credit: David Jackson

Just as England recently announced a new King, California rock legends Steel Panther have crowned Spyder as the new R.O.L.E…Ruler Of Low End.

The story of Spyder and Steel Panther is like one pulled from any great American love story. If you have seen The Notebook or Jaws, then you know exactly what we mean. Spyder and the guys have known each other for decades. But it was in 2018 that Spyder did his first live show with the band. Little did they know that those shows would be a foreshadowing of what destiny had in store for their collective futures. In 2021, the band found themselves in a pickle, they needed a bass player. An exhaustive search brought many submissions and fans were treated to a variety of bassists on different tours.

The band had even considered a few well-known bassists to fill the void. Throughout the five-week European tour in summer of 2022, it became quite evident to all four guys that this lineup was unstoppable. A few more months of touring together perfected the new lineup and now anyone that has seen the band recently knows that Spyder is the perfect addition for Steel Panther. In other words, Spyder is the chocolate to Steel Panther’s peanut butter.

“We wanted it to be you. We wanted it to be you so badly. So, it’s not gonna be easy. It’s gonna be really hard. We’re gonna have to work at this every day, but we want to do that because we want you. We want all of you, forever, you and us, every day. To us, you are perfect. You had us at hello. You complete us. We’re gonna need a bigger boat,” explains Steel Panther.

To coincide with the new bassist announcement, the newly whole Steel Panther are announcing a new US tour, Claus & Paws Holiday Party. The eight-city tour will kick off In late November after the band wraps up their recently announced Canadian leg of the Res-Erections tour 2022. The holiday shows will be sure to bring out the ho-ho-hoes to Michigan, Ohio, Indiana, New York and Connecticut. More information on tickets and purchase links for all shows can be found at: https://steelpantherrocks.com/pages/tour.

Res-Erections 2022 Fall Tour Dates

10/28 – Calgary, AB – Grey Eagle Casino
10/29 – Enoch, AB – River Cree Casino
10/30 – Grand Prairie, AB – The Bowes At Bonnetts Energy Centre
11/1 – Saskatoon, SK – The Coors Event Centre
11/3 – Regina, SK – Casino Regina Show Lounge
11/4 – Winnipeg, MB – Burton Cummings Theatre
11/5 – Minot, ND – The Original Bar & Grill *
11/7 – Green Bay, WI – Epic Event Center
11/9 – London, ON – London Music Hall
11/10 – Toronto, ON – History
11/11 – Ottawa, ON – Algonquin Commons Theatre
11/12 – Montreal, QC – Corona Theatre

* Steel Panther Only/No Black Stone Cherry

A Claus & Paws Holiday Party Tour Dates

11/26 – Sault St. Marie – Kewadin Casino
11/27 – Grand Rapids, MI – 20 Monroe Live
11/29 – Warren, OH – Packard Music Hall
11/30 – Ft. Wayne, IN – Piere’s Entertainment Center
12/2 – Waterloo, NY – Del Lago Casino *
12/3 – Poughkeepsie, NY – The Chance Theater
12/4 – New Haven, CT – Toad’s Place
12/29 – Vancouver, BC – Commodore Ballroom
12/30 – Vancouver, BC – Commodore Ballroom

* On Sale Soon

Steel Panther has been hard at work at new material that will be released throughout 2022.

More information for all things Steel Panther can be found at www.steelpantherrocks.com.

METALLICA: ALL WITHIN MY HANDS FOUNDATION PRESENTS THE HELPING HANDS CONCERT & AUCTION DECEMBER 16th

METALLICA’s ALL WITHIN MY HANDS FOUNDATION
Presents
THE HELPING HANDS CONCERT & AUCTION
DECEMBER 16 AT THE MICROSOFT THEATER IN LOS ANGELES

Tickets On Sale to the Public Friday, September 23 at 10:00am Local Time HERE

Metallica’s All Within My Hands foundation, a 501(c)3 non-profit foundation focused on creating sustainable communities by tackling issues including hunger and workforce education, brings its Helping Hands Concert & Auction back into the physical world for its third year: On December 16, Helping Hands will make its Southern California debut with Metallica and special guests performing at the Microsoft Theater in downtown Los Angeles.

Tickets will be on sale to the public from 10:00am local time Friday, September 23 with a two-ticket limit per customer. As always, 100% of proceeds from this years Helping Hands event—tickets, fees and auction items—will go directly to help those in need. For further information, pre-sales etc., go to: www.axs.com/events/449833?skin=microsofttheater

Metallica’s previous Helping Hands Concert & Auction was live-streamed November 14, 2020, raising more than $1.8 million—funds used to work with partners at Feeding America and the American Association of Community Colleges, as well as various COVID and disaster relief efforts. All Within My Hands was established in 2017 as a way for the Metallica family to give back to communities that have supported the band. All Within My Hands expenses are covered entirely by the band, the board, and friends who have worked with the band over many years, ensuring that 100% of proceeds go directly to help those in need. To date, All Within My Hands has donated over $5.8 million to critical local services and the fight against food insecurity, working with partners around the world to feed more than 10 million people. In addition, the foundation’s Metallica Scholars Initiative has pledged a total of $5.9 million in grants benefiting 33 community colleges across the USA.

For more about All Within My Hands, please visit allwithmyhands.org.

Acclaimed Rockers ALTER BRIDGE Release Epic Album Track “Sin After Sin”

New Lyric Video | Watch HERE

Third Track from Upcoming Album, Pawns & Kings
Album Scheduled for Worldwide Release on October 14 | Pre-Order HERE

Get Tickets for Pawns & Kings Tour Global Tour Dates HERE

[Photo Credit: Chuck Brueckmann]As the band’s current single, “Silver Tongue,” moves up the Active Rock radio charts and its music video crossed a million plays in less than a month, acclaimed rockers ALTER BRIDGE are back with another track from their upcoming seventh studio album, Pawns & Kings – scheduled for worldwide release on October 14 via Napalm Records. “Sin After Sin” is the latest epic track released by the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums. The song clocks in at 6:43 and is the second longest song on the new album. The lyric video was created by ALTER BRIDGE visual collaborator Wayne Joyner and can be seen below.

Watch the lyric video for “Sin After Sin” HERE:

From the opening riffs of “This Is War” to the title track album closer “Pawns & Kings,” ALTER BRIDGE returns with an album of intense tracks that were born after the cycle for their last album was cut short by the global pandemic. Songs like “Dead Among The Living,” “Holiday” and “Last Man Standing” showcase the signature songwriting the band is known for. The album offers numerous epic adventures, with three songs clocking in over six minutes each. The opus “Fable Of The Silent Son” clocks in at 8:29 and is the longest recorded song in the band’s catalog – a distinction held by “Blackbird” until now. Mark Tremonti steps out of his backing vocal role to take the lead on “Stay,” an introspective ballad that is sure to become a fan favorite live. The band released a lyric video for the title track that can be seen here: https://youtu.be/aTqN0nh7Avk.

Known for its signature dual-guitar attack backed by a driving rhythm section, the album’s fast-rising chart-climber “Silver Tongue” is one of the harder songs in the band’s recent catalog. Its animated music video was created and directed by Ollie Jones of Better Feeling Films (Myles Kennedy, Prodigy, Psychedelic Porn Crumpets) and can be seen here: https://youtu.be/snl8OANQ948.

Pawns & Kings found ALTER BRIDGE reuniting with longtime collaborator and producer Michael “Elvis” Baskette to create a collection of memorable new additions to the band’s impressive catalog.

The track listing for Pawns & Kings is:
1)  This Is War
2)  Dead Among The Living
3)  Silver Tongue
4)  Sin After Sin
5)  Stay
6)  Holiday
7)  Fable Of The Silent Son
8)  Season Of Promise
9)  Last Man Standing
10)  Pawns & Kings

ALTER BRIDGE’s Pawns & Kings is now available for pre-order in the following configurations:
-CD Digisleeve
-1 LP Gatefold BLACK Vinyl
-1 LP Gatefold INKSPOT BLACK/GOLD Vinyl w/Slipmat and Record Butler (Napalm mail order only, limited to 500 worldwide)
-1 LP Gatefold MARBLED WHITE/CRYSTAL CLEAR Vinyl (Napalm mail order only, limited to 400 worldwide)
-1 LP Gatefold MARBLED ORANGE/BLACK Vinyl (Band Shop only)
-1 LP Gatefold MARBLED WHITE/BLACK Vinyl (Band Shop only)
-1 LP Gatefold CRYSTAL CLEAR Vinyl (Band Shop only, limited to 300 only)
-Deluxe Box Set w/ CD Digisleeve, Pendant, Tote Bag, Guitar Pick tin (Napalm mail order only, limited to 700 worldwide)
-Music Cassette BROWN TRANSPARENT (Napalm mail order only, limited to 150 worldwide)
-Digital Album

Pre-Order Pawns & Kings HERE:

ALTER BRIDGE will tour extensively in support of Pawns & KingsThe band announced a tour of Europe that will make 25 stops over the course of six weeks, kicking off November 1 in Germany and making stops in Denmark, Sweden, Spain and others before ending on December 12 at O2 Arena in the United Kingdom. Longtime friends Halestorm and Mammoth WVH will lend their support on the upcoming European tour. The band also just announced a North American tour for 2023 – their first in the market in almost three years. The 30-city tour – split into two legs – kicks off on January 25 in Tampa, FL and wraps up April 1 in Highland, CA, making stops in Nashville, TN (January 30); Toronto, ON (February 11); Kansas City, MO (March 11) and Seattle, WA (March 23). Mammoth WVH will join them as direct support on the entire tour, with rockers Red playing on the first leg of the tour and newcomers Pistols At Dawn playing on the second leg. Tickets for all shows are now available and more information on tickets and VIP experiences can be found at https://alterbridge.com/pages/tourEuropean Tour DatesNov 1 – HAMBURG, GERMANY – SporthalleNov 2  – COPENHAGEN, DENMARK – FalconerNov 4  – PARTILLE, SWEDEN – Partille ArenaNov 5 – OSLO, NORWAY – Sentrum SceneNov 7 – KATOWICE, POLAND – MCKNov 9 – ESCH-SUR-ALZETTE, LUXEMBOURG – RockhalNov 11 – BERLIN, GERMANY – ColumbiahalleNov 12 – HLAVNÍ MĚSTO PRAHA, CZECH REPUBLIC – O2 UniversumNov 14 – BUDAPEST, HUNGARY – Budapest ArenaNov 16 – PARIS, FRANCE – Palais Des SportsNov 18 – MADRID, SPAIN – VistalegreNov 20 – BARCELONA, SPAIN – Razzmataz1Nov 22 – MUNICH, GERMANY – ZenithNov 23 – ZÜRICH, SWITZERLAND – Samsung HallNov 25 – ASSAGO, ITALY – Mediolanum ForumNov 26 – ZAGREB, CROATIA – Dom SportovaNov 28 – VIENNA, AUSTRIA – Wiener StadthalleNov 30 – KÖLN, GERMANY – PalladiumDec 1 – AMSTERDAM, NETHERLANDS – Ziggo DomeDec 5 – NOTTINGHAM, ENGLAND – Motorpoint ArenaDec 6 – GLASGOW, SCOTLAND – OVO Hydro ArenaDec 8 – DUBLIN, IRELAND – 3 ArenaDec 9 – MANCHESTER, ENGLAND – AO ArenaDec 11 – BIRMINGHAM, ENGLAND – Resorts World ArenaDec 12 – LONDON, ENGLAND – O2 ArenaNorth American Tour Dates:Jan 25 – TAMPA, FL – Seminole Hard Rock *Jan 27 – ORLANDO, FL – Hard Rock Live *Jan 28 – ATLANTA, GA – Coca Cola Roxy *Jan 30 – NASHVILLE, TN – Ryman  Auditorium * Feb 1 – MONTCLAIR, NJ – The Wellmont Theater *Feb 2 – HUNTINGTON, NY – The Paramount *Feb 4 – SILVER SPRING, MD – The Fillmore Silver Spring *Feb 5 – PHILADELPHIA, PA – Franklin Music Hall *Feb 7 – WALLINGFORD, CT – The Dome at Toyota Oakdale Theatre *Feb 8 – BOSTON, MA – Roadrunner *Feb 10 – WATERLOO, NY – Del Lago Casino Resort (On sale soon) ^Feb 11 – TORONTO, ON – HISTORY ^Feb 14 – DETROIT, MI – The Fillmore *Feb 15 – INDIANAPOLIS, IN – Murat Theatre at Old National Centre *Feb 17 – PRIOR LAKE, MN – Mystic Lake Casino Showroom *Feb 18 – CHICAGO, IL – The Riviera Theatre *Mar 10 – QUAPAW, OK – Downstream Casino Resort #Mar 11 – KANSAS CITY, MO – Arvest Bank Theatre at The Midland #Mar 14 – CHESTERFIELD, MO – The Factory #Mar 15 – OKLAHOMA CITY, OK – The Criterion #Mar 17 – HOUSTON, TX – 713 Music Hall #Mar 18 – DALLAS, TX – South Side Ballroom #Mar 20 – DENVER, CO – Mission Ballroom #Mar 21 – SALT LAKE CITY, UT – Union Event Center #Mar 23 – SEATTLE, WA – The Paramount Theatre #Mar 25 – AIRWAY HEIGHTS, WA – Northern Quest Resort & Casino ^Mar 26 – AIRWAY HEIGHTS, WA – Northern Quest Resort & Casino ^ Mar 28 – ANAHEIM, CA – House Of Blues #Mar 29 – TEMPE, AZ – Marquee Theatre #Mar 31 – RENO, NV – Silver Legacy’s Grande Expo Hall #Apr 1 – HIGHLAND, CA – Yaamava Theater at Yaamava Casino Resort ^ALTER BRIDGE – Mammoth WVH ALTER BRIDGE – Mammoth WVH – RedALTER BRIDGE – Mammoth WVH – Pistols At Dawn

LAMB OF GOD Drops Heavy New Single “Grayscale”

The Omens Tour w/Killswitch Engage and More Kicks Off September 9
Omens Album Drops October 7

Photo: Travis Shinn

With potent and palpable intensity, the momentum continues for Omens, arguably Lamb Of God’s most aggressive and ambitious work to date … and today the Grammy-nominated goliath unleash their third single “Grayscale” from the forthcoming Omens album out October 7 on Epic Records.

Watch “Grayscale” here: https://youtu.be/jWyd_9LK75Y

Willie Adler says “‘Grayscale’ has just a smack you in the face, bit of hardcore feel to it. We had basically finished writing the record and I wrote this song thinking it won’t necessarily be a Lamb song. I sent it to Josh Wilbur, our producer, to check out and he responded with ‘Perfect, this is the last song we need for the record!'”

The heavy “Grayscale” includes Blythe’s vibrantly unhinged vocal attack plus Morton and Adler’s threatening riffage to challenge and devastate headbangers alike and also features Cruz and Campbell’s unstoppable rhythms.

Buy “Grayscale” here: https://Lamb-of-God.lnk.to/Grayscale

Across their career Lamb Of God grew from basement shows and grimy DIY venues to arena headliners. The New Wave of American Heavy Metal architects earned a reverence akin to musical forefathers (and road companions) Metallica, Slayer, and Megadeth. For millions of headbangers, Lamb Of God are simply the most important contemporary metal band in the world, whose timeless songs became anthems in the heavy metal songbook, with gargantuan vocals born from both righteous anger and devotion, and unrivaled riffs for the ages.

The new single is available everywhere for download and streaming. The Omens album arrives on October 7, 2022, on Epic Records. Don’t miss the gargantuan Omens Tour this fall.

Omens follows 2020’s self-titled No. 1 Hard Rock Album, saluted by the likes of Rolling Stone and NME. Omens is perhaps their angriest album yet. Produced by longtime collaborator Josh Wilbur (Korn, Megadeth), Omens is a vicious new testament for the Richmond, Virginia-based band, a furious entry in their beloved catalog. “The world is crazy and keeps changing. Omens is a reaction to the state of the world,” Blythe explains. “It’s a very pissed-off record.” He pauses for emphasis. “It is extremely pissed-off.”

The New Wave Of American Heavy Metal architects tracked Omens at Henson Recording Studios in Los Angeles, California, a location that birthed classics from The Doors, The Ramones, and Soundgarden, among others. “The inner workings of the band have never been better,” explains guitarist Mark Morton. “You can hear it in Omens. You can see it in our performances, and if you’re around us for five minutes, you can feel it.”

The Omens album pre-order is live now at Lamb-Of-God.com, boasting special bundles and several exclusive items, including colored vinyl, shirts, hoodies, box sets, and CDs with an alternate color cover.

Pre-order link: https://lamb-of-god.lnk.to/Omens

Omens tracklisting:

1. Nevermore
2. Vanishing
3. To The Grave
4. Ditch
5. Omens
6. Gomorrah
7. Ill Designs
8. Grayscale
9. Denial Mechanism
10. September Song

Tickets are on sale for The Omens Tour, featuring Lamb Of God and special guests Killswitch Engage, Motionless In White, Spiritbox, Baroness, Animals As Leaders, Suicide Silence, and Fit For An Autopsy joining on different legs. The tour kicks off on September 9th in Brooklyn, New York.

Tickets & VIP Packages: http://lamb-of-god.com/tour

The Omens Tour dates are as follows:

Lamb of God w/ Killswitch Engage, Baroness, Suicide Silence

Sep 09 – Brooklyn, NY – Coney Island
Sep 10 – Camden, NJ – Freedom Mortgage Pavilion
Sep 11 – Alton, VA – Blue Ridge Music Festival
Sep 13 – Youngstown, OH – Youngstown Foundation Amphitheater
Sep 14 – Baltimore, MD – Chesapeake Employers Insurance Arena
Sep 16 – Atlanta, GA – Coca Cola Roxy
Sep 17 – Jacksonville, FL – Daily’s Place
Sep 18 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Sep 21 – Boston, MA – MGM Music Hall at Fenway
Sep 23 – Louisville, KY – Louder Than Life Festival *No KSE, No Suicide Silence
Sep 24 – Chicago, IL – Huntington Bank Pavilion at Northerly Island
Sep 25 – Sterling Heights, MI – Michigan Lottery Amp at Freedom Hill
Sep 26 – Indianapolis, IN – TCU Amphitheater at White River State Park
Sep 28 – Minneapolis, MN – Armory
Sep 30 – Denver, CO – Fillmore Auditorium

Lamb of God w/ Killswitch Engage, Motionless In White, Fit For An Autopsy

Oct 01 – Salt Lake City, UT – The Great SaltAir
Oct 02 – Grand Junction, CO – Amphitheater at Las Colonias Park
Oct 04 – Fresno, CA – Selland Arena
Oct 07 – Sacramento, CA – Aftershock Festival *No Fit For An Autopsy

Lamb of God w/ Killswitch Engage, Spiritbox, Fit For An Autopsy

Oct 09 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre
Oct 10 – Kent (Seattle), WA – Accesso ShoWare Center
Oct 11 – Portland, OR – Theater of the Clouds

Lamb of God w/ Killswitch Engage, Animals As Leaders, Fit For An Autopsy

Oct 13 – Inglewood, CA – YouTube Theater
Oct 14 – Phoenix, AZ – Arizona Federal Theater
Oct 15 – Albuquerque, NM – Isleta Amphitheater
Oct 16 – El Paso, TX – UTEP Don Haskins Center
Oct 18 – San Antonio, TX – Freeman Coliseum
Oct 19 – Houston, TX – 713 Music Hall
Oct 20 – Irving, TX – The Pavilion at Toyota Music Factory

Concert Review: Roger Waters: This is Not a Drill

 

 

Roger Waters: This is Not a Drill

T-mobile Center/Kansas City, MO

September 3, 2022

 

IN THE FLESH AND OUTSIDE THE WALL

 

Near the ceiling of the T-Mobile Center, the electronic signs warned patrons not to use offensive language and advised reporting people who engaged in that sort of discourse to management.

 

Thankfully, Roger Waters missed that note before hitting the stage last Saturday night. There were enough F-bombs to flatten Moscow.

 

Throughout his 2½ hour set, the former Pink Floyd bassist, lyricist, singer and driving force made his views on politics explicit. When some Pink Floyd fans lament the activist bent in his more recent music, it’s tempting to wonder if they had simply been using the Floyd for chemical recreation and missed Waters’ agitation in the words for “Us and Them” and the entire George Orwell-inspired album Animals.

 

At 78, Waters may be campaigning for the release of Wikileaks founder Julian Assange during his performances, and his set seemed like a refutation of some of the themes he and his former bandmates explored in The Wall.

 

This was for the best.

 

Waters conceived The Wall because he was disturbed by how fame and massive area shows (like the one he was giving when I saw him) had separated Pink Floyd from their audience.

 

Nearly 4½ decades later, Waters seemed sociable. The slender Englishman bounced around the stage. He quoted Wilbert Harrison’s “Kansas City” and made a point of thanking fans who had held onto their tickets for two years. Covid ruined a lot of plans. He even left the T-Mobile Center marching through the crowd with the band. He repeatedly acknowledged that his shows were for the fans, and they clearly returned the love.

 

For a guy who has written tunes about grief, alienation and even the price of nuclear war, Water came off as contagiously giddy. Even when he briefly tripped over the words to one of his newer songs, Waters’ enthusiasm buoyed the entire night.

 

Opening with “Comfortably Numb,” the performance of the offering from The Wall missed David Gilmour’s soaring and then ominous guitars solos. Nonetheless, it still sounded captivatingly eerie.

 

That song came with unsettling images of bombed out rooftops and people mindlessly waking through lines as the walked through lines mindlessly. The screens would be raised and lowered at strategic moments and supplemented the newer songs to illustrate why Waters had written pointed tunes line “The Powers That Be” and “The Bravery of Being Out of Range.” He ran a slide show of unarmed people across the world who had died in police shootings. The list seemed even more urgent that night because it included Donnie Sanders, who had died here in Kansas City.

 

The screens also enabled Waters to add backstory to songs he was performing from Wish You Were Here. Waters still mourns original Pink Floyd leader Syd Barrett and slides of the band’s early lineup made the tunes even more poignant. Seamus Blake’s passionate sax solos on those tunes and on “Money” and “Us and Them” certainly helped. The rest of the band delivered a solid, tightly rehearsed set. Apart from “Comfortably Numb,” they followed Gilmour, Nick Mason and Richard Wright’s original playing on the Floyd songs.

 

The dancing animated pigs on “Money” made of up for any lack of spontaneity.

 

In addition, longtime fans were rewarded with the expected lasers, giant inflatable pigs and sheep and theatrics that recalled Alan Parker’s movie of The Wall.

 

When Waters broke into songs from Amused to Death or Is This the Life We Really Want, the crowd lost none of its enthusiasm. It probably helped that the enormous screens displayed a disclaimer letting anyone who objected to his takes on indigenous rights or police shootings to “f**k off to the bar.”

 

It’s a nod to his newer song “The Bar,” which deals with being able to freely discuss difficult topics. Waters clearly knows how to entertain (who doesn’t love giant, floating pigs?), and much of his outrage is sadly warranted. His songs may have launched a thousand bong hits, but if Bob Dylan, whom he cited in his show, can write “Blowin’ in the Wind,” Waters can warn us about the urgency of addressing nuclear war.

 

I attended the show as a guest of Kansas City Veterans for Peace, Chapter 97. I’m merely a former military contractor (a cubicle jockey) who doesn’t want troops being put into peril for a fool’s errand, and nuclear conflict certainly qualifies. Waters correctly cited Kansas’ Dwight D. Eisenhower, who repeatedly expressed many of the same concerns.

 

That said, I’d like to have a beer with him at a bar sometime. I’m not sure how we’d get along, or if alcohol would be conducive to the topics at hand. I have quibbles about Mr. Assange, but challenging subjects don’t get the attention they need when people simply shut up and sing.

Concert Review: “Weird Al” Yankovic w/Emo Philips

 

 

  • “Weird Al ” Yankovic w/Emo Philips
  • Kaufman Center for the Performing Arts/Kansas City, MO
  • September 2, 2022

 

Roger Daltrey.  Tina Turner.  Robert Plant.  Freddie Mercury.

 

These amazing people possess some of the greatest and most powerful voices in the history of Rock and Roll.  To that list I humbly add Mr. Alfred Matthew Yankovic.  That’s right…”Weird Al.”

 

In a show that, except for the Talking Heads’ “Psycho Killer,” included only original songs – there was a brief medley of some of his more popular parody songs towards the end – Yankovic gave a show that I would put up against any concert I have ever seen.  After opening the show with “Fun Zone,” Yankovic reminded the audience that this was going to be a show that some fans have complained about, because he was doing the “funny” stuff.  He noted that “the name of the tour should have tipped you off.”  And he was right, as the show was billed as “The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour.”  Not a lot of leeway there.  And while I secretly hoped he’d break out his new “Hamilton” medley, I went home utterly amazed at what I’d just witnessed.

 

True fans of Yankovic are, of course, familiar with his parody hits, but also enjoy his original tunes as well.  On this night, he interspersed several of his more popular originals – “One More Minute,” “You Don’t Love Me Anymore” and “The Night Santa Went Crazy” with an array of great tunes, some done much differently then their album versions.  “Dare to Be Stupid” was done like a 60s lounge song, while “Craigslist” could have easily been included on an album by the Doors.  He really let his rock chops loose when he introduced a song he claimed he’d written for the band Rage Against the Machine.  Apparently, the band didn’t record it, so he did.  The song, “I’ll Sue Ya,” brought the audience to its feet with its growling vocals and kick ass music.  And I would be remiss if I didn’t point out that the musicians accompanying Yankovic on stage were amazing, showing the skill, and tightness, of a band that had been together for over four decades!

 

Opening the show was comedian Emo Philips, whose comedy I was introduced to late at night while listening to Dr. Demento with my friends.  I always enjoyed his style of comedy and it was a true treat to have the opportunity to see him in person.  Speaking of Dr. Demento, early next week (September 14th) will mark the 42nd Anniversary of when I heard “Weird” Al live on Dr. Demento’s radio show introducing his first big parody song, “Another One Rides the Bus.”  Wow!  I should write a book titled “Everything I Need to Know About Life I Learned from Dr. Demento!”

 

 

“Weird” Al’s “The Unfortunate Return of the Ridiculously Self-Indulgent, Ill-Advised Vanity Tour” continues through the end of October.  Many shows are sold out, but if you’re thinking about going – and after reading this review,  why the hell aren’t you? – click HERE

 

SET LIST:  Fun Zone, Close But No Cigar, Melanie, Bob, One More Minute, Dare to Be Stupid,  Dog Eat Dog, Velvet Elvis, Craigslist, You Don’t Love Me Anymore, I’ll Sue Ya, Franks 2000” TV, Don’t Download This Song, The Night Santa Went Crazy, Skipper Dan, Good Old Days, Albuquerque.  ENCORE:  Psycho Killer, UNPLUGGED MEDLEY – Amish Paradise/Smells Like Nirvana/White & Nerdy/Word Crimes/Yoda.

 

Stan Bush reflects on success of “The Touch” in “Transformers: The Movie (1986)”

“Worldwide icon of melodic rock Stan Bush is best known for his song “The Touch,” made famous by Transformers: The Movie (1986). An anthem for Transformers fans around the world, “The Touch” was remixed in 2013 by High Moon Studios for their hit video game Transformers: Fall of Cybertron. It has also been featured on ABC’s The Goldbergs, NBC’s Chuck, FOX’s American Dad, in RBN’s Guitar Hero, Deep Silver’s Saints Row IV and in the motion picture Boogie Nights. In 2014, Stan was inducted into the Transformers Hall of Fame.”

Visit stanbush.com to check out great merch and autographs! Also if you are located in the Florida area, Stan will be attending Hero Convention in Fort Myers during the weekend of November 18-20!

Concert Review: The HAPPY TOGETHER Tour

 

 

  • HAPPY TOGETHER TOUR
  • Kauffman Center – Kansas City, Missouri
  • August 21, 2022

 

Part two of my wonderful musical weekend!

 

What if I told you that you could see the Cowsills, the Vogues, the Buckinghams, the Association, Gary Puckett and the Turtles all in one night?  No, really!  They are all together on the most recent HAPPY TOGETHER tour, which made a stop in Kansas City this past weekend.

 

For those who may not know this, the Cowsills was a group made up of a mother and her musical children.  Sound familiar?  That’s right.  The Cowsills were the inspiration for television’s “Partridge Family.”  On this night, brothers Bob and Paul, along with sister Susan, opened the show with a set of the most popular songs.  They even threw in the theme to television’s “Love, American Style,” which I had no idea they’d done. 

 

The Vogues took the stage and opened with their classic “Five O’ Clock World.”  The group was in fine voice, with amazing harmonies.  The Buckinghams were represented by original members Nick Fortuna and lead singer Carl Giammarese, who was celebrating his 75th Birthday this evening.

 

Next up was the Association, who sounded as good on this evening as they did in their heyday.  Songs like “Cherish” and “Never My Love” filled the Kauffman Center, with the crowd signing along.  Next up was the amazing Gary Puckett.  I had seen him in 1986 when he opened for the Monkees.  He didn’t disappoint then, and he didn’t disappoint on this evening.  With his distinct voice, songs like “Young Girl” and “This Girl is a Woman Now” rolled over the audience.  Mr. Puckett noted that Carl Giammarese was 75 but that Susan Cowsill was 63.  He also noted that he had them both beat as he will be turning 80 later this year!

 

Closing out the night was the Turtles, whose hit “Happy Together” gives the tour its name.  A big bonus, for me anyway, was that Ron Dante was the lead singer.  Dante, who turns 77(!) today also was the lead vocalist on the biggest selling song of 1969, “Sugar, Sugar.”  Which means that I can legitimately tell people that I saw the Archies in concert!

 

The night ended with everyone one stage in a mini-medley of some of the night’s best moments.

 

The HAPPY TOGETHER tour continues through the year.  You can find tickets for it HERE.

 

SONG LIST:  Cowsills:  The Rain, the Park and Other Things, We Can Fly, Indian Lake, Love, American Style, Hair.  The Vogues:  Five O’Clock World, My Special Angel, Turn Around Look at Me, You’re the One.  The Buckinghams:  Don’t You Care, “Hey Baby (They’re Playing Our Song), Mercy, Mercy, Mercy, Susan, Kind of a Drag.  The Association:  Windy, Never My Love, Cherish, Along Comes Mary.  Gary Puckett:  Lady Willpower, Over You, This Girl is a Woman Now, Woman, Woman, Young Girl.  The Turtles:  She’d Rather Be With Me, You Baby, It Ain’t Me Babe, You Showed Me, Sugar, Sugar, Eleanor, Happy Together.

Concert Review: Boz Scaggs, Robert Cray Band, Jeff Leblanc

 

  • BOZ SCAGGS/ROBERT CRAY BAND/JEFF LEBLANC
  • Kauffman Center – Kansas City, Missouri
  • August 19, 2022

 

What an amazing weekend of music I just concluded.  Keep an eye out for my piece on the HAPPY TOGETHER show – this one is all about the night I got to listen to one of my all-time favorites and discovered a new one.

 

I had certainly heard of the Robert Cray Band, and was familiar with their biggest song, “Smoking Gun,” and I had known for years that Mr. Cray was the guitarist for Otis Day and the Knights in “Animal House.”  But I’d had no idea that he was a master of the guitar, with an amazing band to match him lick for lick.  I will mention here that my wife is a big fan and has told me for years that I didn’t know what I was missing.  She was right.  With Mr. Cray changing guitars for almost every song played, the music lept from his fingers and filled the sold-out Kauffman Center.  His band kept pace, with bass player Richard Cousins supplying the beat while changing instruments almost as much as Mr. Cray did.  The set ended with a bluesy rendition of Chuck Berry’s (You Never Can Tell) C’est La Vie.

 

After a short break it was time for headliner Boz Scaggs and his band to take the stage.  I’m old enough to remember when hits like “Ledo Shuffle,” “Lowdown” and “Look What You’ve Done to Me” – a great song to have on the turntable when you were “entertaining” a lady friend – were first released.  I played Mr. Scaggs’ “Silk Degrees” album constantly as a teenager and it was quite a joy to hear those songs – and others – performed live.   I just realized I may have confused our younger readers by using both words “turntable” and “album.”  Still the best way to listen to music.  Don’t believe me?  Ask your parents.

 

Besides the hits, Mr. Scaggs also played a selection of songs from his latest album, “Let it Roll.”  The mixture of old and new was well received by the audience, as was the rousing “Ledo Shuffle” sing-along.

 

The evening began with a short set from singer/songwriter Jeff Leblanc, who easily engaged the audience with his stories, including a folksy rendition of Al Green’s (or, if you’re my son’s age – Tina Tuner’s) “Let’s Stay Together,” which he introduced as a song he had to learn for a wedding.  A budding talent who I’m sure we will all hear more about sooner than later.

 

For upcoming shows, please click HERE.  

Acclaimed Rockers ALTER BRIDGE Announce 2023 North American Run Of Their Pawns & Kings Tour

30-City Tour Will Feature Mammoth WVH As Direct Support
With Red On Leg 1 and Pistols At Dawn On Leg 2

Debut Single “Silver Tongue” Moving Up The Active Rock Radio Charts

Upcoming Album Pawns & Kings Scheduled for Worldwide Release on October 14th – Now Available For Pre-Order Here: https://lnk.to/PawnsAndKings

On the heels of their recently-announced seventh studio album, Pawns & Kings, acclaimed rockers Alter Bridge are announcing the North American run of their 2023 Pawns & Kings Tour. The 30-city tour – split into two legs – kicks off on January 25th in Tampa, FL and wraps up April 1st in Highland, CA, making stops in Nashville, TN (January 30th); Toronto, ON (February 11th); Kansas City, MO (March 11th) and Seattle, WA (March 23rd) to name a few markets. It has been almost three years since the quartet comprised of Myles Kennedy on vocals/guitars, Mark Tremonti on guitars/vocals, Brian Marshall on bass and Scott Phillips on drums has toured North America. Alter Bridge is also pleased to announce that Mammoth WVH – the Wolfgang Van Halen fronted band – will be joining them as direct support on the entire tour. Rockers Red will be playing on the first leg of the tour and newcomers Pistols At Dawn will be playing on the second leg. Tickets will be available everywhere starting Friday, August 26th. More information on tickets and VIP experiences can be found at https://alterbridge.com/pages/tour.

Jan 25 – TAMPA, FL – Seminole Hard Rock *
Jan 27 – ORLANDO, FL – Hard Rock Live *
Jan 28 – ATLANTA, GA – Coca Cola Roxy *
Jan 30 – NASHVILLE, TN – Ryman Auditorium *
Feb 1 – MONTCLAIR, NJ – The Wellmont Theater *
Feb 2 – HUNTINGTON, NY – The Paramount *
Feb 4 – SILVER SPRING, MD – The Fillmore Silver Spring *
Feb 5 – PHILADELPHIA, PA – Franklin Music Hall *
Feb 7 – WALLINGFORD, CT – The Dome at Toyota Oakdale Theatre
Feb 8 – BOSTON, MA – Roadrunner *
Feb 10 – WATERLOO, NY – Del Lago Casino Resort (On sale soon) ^
Feb 11 – TORONTO, ON – HISTORY ^
Feb 14 – DETROIT, MI – The Fillmore *
Feb 15 – INDIANAPOLIS, IN – Murat Theatre at Old National Centre *
Feb 17 – PRIOR LAKE, MN – Mystic Lake Casino Showroom *
Feb 18 – CHICAGO, IL – The Riviera Theatre *
Mar 10 – QUAPAW, OK – Downstream Casino Resort #
Mar 11 – KANSAS CITY, MO – Arvest Bank Theatre at The Midland #
Mar 14 – CHESTERFIELD, MO – The Factory #
Mar 15 – OKLAHOMA CITY, OK – The Criterion #
Mar 17 – HOUSTON, TX – 713 Music Hall #
Mar 18 – DALLAS, TX – South Side Ballroom #
Mar 20 – DENVER, CO – Mission Ballroom #
Mar 21 – SALT LAKE CITY, UT – Union Event Center #
Mar 23 – SEATTLE, WA – The Paramount Theatre #
Mar 25 – AIRWAY HEIGHTS, WA – Northern Quest Resort & Casino ^
Mar 28 – ANAHEIM, CA – House Of Blues #
Mar 29 – TEMPE, AZ – Marquee Theatre #
Mar 31 – RENO, NV – Silver Legacy’s Grande Expo Hall #
Apr 1 – HIGHLAND, CA – Yaamava Theater at Yaamava Casino Resort ^

^ Alter Bridge – Mammoth WVH
* Alter Bridge – Mammoth WVH – Red
# Alter Bridge – Mammoth WVH – Pistols At Dawn

Pawns & Kings – the band’s seventh studio album – is scheduled for worldwide release on October 14th via Napalm Records. The first single “Silver Tongue” has been making moves up the Active Rock charts. Known for the signature dual-guitar attack that is backed by a driving rhythm section, “Silver Tongue” is one of the harder songs in the band’s recent catalog. The music video for “Silver Tongue” was released 2 weeks ago and is approaching 1 million views to date. The animated music video for “Silver Tongue” was created and directed by Ollie Jones of Better Feeling Films (Myles Kennedy, Prodigy, Psychedelic Porn Crumpets) and can be seen here: https://youtu.be/snl8OANQ948.

Pawns & Kings is comprised of 10 all-new epic tracks that are sure to garner the band new fans around the globe while satiating their fervent supporters that have been patiently waiting for new music from the band. Pawns & Kings found Alter Bridge reuniting with longtime collaborator and producer Michael “Elvis” Baskette to create a collection of memorable new additions to the band’s impressive catalog.

The track listing for Pawns & Kings is:

1) This Is War
2) Dead Among The Living
3) Silver Tongue
4) Sin After Sin
5) Stay
6) Holiday
7) Fable Of The Silent Son
8) Season Of Promise
9) Last Man Standing
10) Pawns & Kings

Alter Bridge’s Pawns & Kings is now available for pre-order in the following configurations here: https://lnk.to/PawnsAndKings.

-CD Digisleeve
-1 LP Gatefold BLACK Vinyl
-1 LP Gatefold INKSPOT BLACK/GOLD Vinyl w/Slipmat and Record Butler (Napalm mail order only, limited to 500 worldwide)
-1 LP Gatefold MARBLED WHITE/CRYSTAL CLEAR Vinyl (Napalm mail order only, limited to 400 worldwide)
-1 LP Gatefold MARBLED ORANGE/BLACK Vinyl (Band Shop only)
-1 LP Gatefold MARBLED WHITE/BLACK Vinyl (Band Shop only)
-1 LP Gatefold CRYSTAL CLEAR Vinyl (Band Shop only, limited to 300 only)
-Deluxe Box Set w/ CD Digisleeve, Pendant, Tote Bag, Guitar Pick tin (Napalm mail order only, limited to 700 worldwide)
-Music Cassette BROWN TRANSPARENT (Napalm mail order only, limited to 150 worldwide)
-Digital Album

Alter Bridge will also tour extensively in Europe in support of Pawns & Kings, making 25 stops over the course of six weeks in November and December of 2022. More information on all tour dates and links to tickets can be found at www.alterbridge.com.

Nov 1 – HAMBURG, GERMANY – Sporthalle
Nov 2 – COPENHAGEN, DENMARK – Falconer
Nov 4 – PARTILLE, SWEDEN – Partille Arena
Nov 5 – OSLO, NORWAY – Sentrum Scene
Nov 7 – KATOWICE, POLAND – MCK
Nov 9 – ESCH-SUR-ALZETTE, LUXEMBOURG – Rockhal
Nov 11 – BERLIN, GERMANY – Columbiahalle
Nov 12 – HLAVNÍ MĚSTO PRAHA, CZECH REPUBLIC – O2 Universum
Nov 14 – BUDAPEST, HUNGARY – Budapest Arena
Nov 16 – PARIS, FRANCE – Palais Des Sports
Nov 18 – MADRID, SPAIN – Vistalegre
Nov 20 – BARCELONA, SPAIN – Razzmataz1
Nov 22 – MUNICH, GERMANY – Zenith
Nov 23 – ZÜRICH, SWITZERLAND – Samsung Hall
Nov 25 – ASSAGO, ITALY – Mediolanum Forum
Nov 26 – ZAGREB, CROATIA – Dom Sportova
Nov 28 – VIENNA, AUSTRIA – Wiener Stadthalle
Nov 30 – KÖLN, GERMANY – Palladium
Dec 1 – AMSTERDAM, NETHERLANDS – Ziggo Dome
Dec 5 – NOTTINGHAM, ENGLAND – Motorpoint Arena
Dec 6 – GLASGOW, SCOTLAND – OVO Hydro Arena
Dec 8 – DUBLIN, IRELAND – 3 Arena
Dec 9 – MANCHESTER, ENGLAND – AO Arena
Dec 11 – BIRMINGHAM, ENGLAND – Resorts World Arena
Dec 12 – LONDON, ENGLAND – O2 Arena

Alter Bridge L to R: Brian Marshall, Myles Kennedy, Mark Tremonti, Scott Phillips         Photo Credit: Chuck Brueckmann

Alter Bridge have steadily climbed to the forefront of hard rock worldwide. They’ve exceeded all expectations and benchmarks with over a billion streams, millions of units sold, glowing critical acclaim, real estate on the covers of Classic Rock Magazine and Guitar World, and storied sets at Royal Albert Hall, the O2 Arena and Download Festival. On this journey, 2004’s debut LP One Day Remainsbowed in the Top 5 of the Billboard Top 200 and went gold. In 2007, Blackbird’s title track took flight on the wings of the “Greatest Guitar Solo of All Time,” as voted in Guitarist Magazine, while countless fans etched its lyrics and logo onto their bodies. That album also recently went gold in the United Kingdom. Critical plaudits surrounded the 2013 opus Fortress with “5-out-of-5 stars” from KERRANG!and Total Guitar, as well as Eddie Trunk’s declaration of, “A Top 10 album of the last 10 years.” 2016’s The Last Hero saw them return to the Top 10 on the Top 200. Maintaining this momentum, Walk The Sky made impressions around the globe when it reached #1 on the US Billboard Top Albums, Top 200 Alternative Albums, Top 200 Hard Rock Albums and Top 200 Rock Albums charts, as well as #1 on Canada’s Top Hard Music Albums chart. The album also hit #1 on the Swiss Album charts, landed in the Top 5 on the Canada, UK, Germany, Austria, Scotland and Switzerland charts and closed out the year on Loudwire’s “The 50 Best Rock Albums of 2019.” These musicians have unassumingly done all of this with a quiet dedication to writing meaningful songs and performing unforgettable shows (and they’ve delivered both with almost alarming consistency). Still, the influential quartet—Myles Kennedy [vocals, guitar], Mark Tremonti [guitar, vocals], Brian Marshall [bass], and Scott Phillips [drums]—ascend to yet another level on 2022’s Pawns & Kings[Napalm Records]. It is the culmination of almost two decades together soaked in blood, sweat, tears, and the triumph earned through never giving up. It represents the bandmates’ dedication to one another and their collective devotion to a devout fanbase.

This is GWAR Blu-Ray and DVD Coming October 25th!

This is GWAR Blu-Ray and DVD Coming October 25th!

 

The critically acclaimed documentary This is GWAR was released earlier this summer via Shudder, AMC Network’s premium streaming service for horror, thriller, and the supernatural. On October 25th, This is GWAR will be released on Blu-Ray and DVD. It is available for pre-order HERE. Both the Blu-Ray and DVD will be chock full of special features which are listed in detail below.

This is GWAR is the powerful story of the iconic heavy metal art collective, as told by the humans who have fought to keep it alive for over thirty years. The feature documentary includes interviews with the band members, both past and present, and other artists, including Weird Al Yankovic, Thomas Lennon, Alex Winter, Bam Margera, and Ethan Embry, including never seen footage of legendary GWAR frontman Dave Brockie (Oderus Urungus).

This is GWAR is directed by Scott Barber (Orange Years: The Nickelodeon Story), with producers Tommy Avallone (Bill Murray Stories) and Josh Goldbloom (V/H/S/94). Executive Producers include Bill Parks, Zach Blair, Matthew Helderman, and Luke Taylor.

Guitarist Brent Purgason on the upcoming release, “We are really happy to see This is GWAR available on Blu-Ray soon. While it’s impossible to tell the entire history of the band in one movie, the doc does an amazing job of showing the trials, tribulations, successes and losses of the legendary GWAR!”

“We’re really excited to get this out there, so people can add This is GWAR to their home collection. You can never have enough GWAR! We have a lot of really cool special features, we think folks will really love,” adds director Scott Barber.

Blu-Ray and DVD Special Features

1) Behind the scenes of a GWAR show
2) GWAR on Empire Records (As told by Ethan Embry)
3) The Legend of GWAR: The Story of the Scumdogs of the Universe
4) The Last Interview with Dave Brockie
5) GWAR From The Outside: Bonus Interviews
6) Four Pillars of GWAR: A brief deep dive into the origin of GWAR focusing on Hunter Jackson, Dave Brockie, Chuck Varga, and Don Drakulich
7) Slave Pit Walk Through with Michael Bishop
8) An Important Message from the Scumdogs of the Universe
9) This Is GWAR Commentary Track From Bob Gorman and Mike Derks

About GWAR
The story of GWAR is carved across the history of this hopeless planet, but GWAR themselves are not of this world…Their story begins far past Uranus, in the deepest reaches of space, where the beings known as GWAR were warriors in the Scumdogs of the Universe, an elite fighting force in the army of the Master of All Reality. But GWAR proved too reckless and powerful, and after a series of tragic but hilarious blunders, they were banished to the furthest reaches of the galaxy, with orders to conquer an insignificant backwater prehistoric mudball known as the planet Earth. Once here, GWAR, the original Ancient Aliens, shaped the face of the globe, wiping out the dinosaurs, and mating with apes to create the human race. Having accidentally given rise to all human history, the Master of All Reality froze them in Antarctic ice where they could do no more harm. It was there they were discovered by a shady entrepreneur known as Sleazy P Martini, who sat the band down in front of professional wrestling, late-night horror movies, heavy metal music, and a steady diet of crack cocaine until GWAR became the cultural force they are today!

About Shudder
AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers, and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia, and New Zealand.

Tia Carrere talks Easter Sunday with Jo Koy, Wayne’s World and Lilo & Stitch

Tia Carrere played Cassandra Wong in the films Wayne’s World and Wayne’s World 2; Juno Skinner in True Lies; Nani Pelekai in the Lilo & Stitch films and TV series; In addition to acting, Carrere has won two Grammy Awards for her music. Her new film Easter Sunday with Jo Koy comes out August 5, 2022 and is a ton of fun, check out our interview!

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