GB Hajim talks about his latest film “Mermaids’ Lament” and his cult classic “Strange Frame”

GB Hajim is man behind the 2D animated, sci-fi lesbian, musical Strange Frame (2013), which features an all-star cast from Claudia Black to Cree Summer, Tim Curry to George Takei, Academy Award winner Gary Rizzo for sound, and Roger Waters of Pink Floyd for music. It is among the top 250 sci-fi films ever made as ranked on IMDb.

His latest film tells the story of two women who find strength in each other despite their personal struggles, MERMAIDS’ LAMENT follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, attempts to help Oee overcome her delusions and connect with reality. As they bond over their experiences, they learn to be resilient like the ocean and embrace the power of imagination to navigate the chaos of the world.

Media Mikes had a chance to chat with GB about MERMAIDS’ LAMENT, which premieres at the Dances with Films festival at the TCL Chinese Theater in Hollywood, CA on June 25th! You can buy tickets here and be sure to check out our review as well, here.

New Trailer for GB Hajim’s “Mermaids’ Lament”

MERMAIDS’ LAMENT is the latest upcoming film from GB Hajim (Strange Frame), which premieres on June 25th at 9:30pm at the TCL Chinese Theater as part of Dances with Films festival. You can get tickets here. Check out our raving review here and the latest trailer below!

The story of two women who find strength in each other despite their personal struggles, MERMAIDS’ LAMENT follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, attempts to help Oee overcome her delusions and connect with reality. As they bond over their experiences, they learn to be resilient like the ocean and embrace the power of imagination to navigate the chaos of the world.

Blu-ray Review: “Dungeons and Dragons: Honor Among Thieves”

 

Roll for charisma, strength, wit, action, adventure, humor, and excitement with “Dungeons and Dragons: Honor Among Thieves!”  Chris Pine, Michelle Rodriguez, and Hugh Grant headline a genuinely fun and wildly entertaining should-have-been-huge blockbuster – and you don’t have to be a “Dungeons and Dragons” fan to enjoy it. One of the most popular franchises of all time in tabletop gaming finally gets a genuine crack at a truly cinematic adaptation. After the disastrously bad 2000 film, the likes of a “Dungeons and Dragons: Honor Among Thieves” felt like a long shot. Thankfully as the gaming community has grown exponentially over the last two decades, the time was right for a new take on familiar material with a pair of filmmakers Jonathan Goldstein and John Francis Daley who clearly love the source material but know how to make a film everyone can enjoy.
The film picks up with our clever hero Edgin (Chris Pine) and his warrior friend Holga Kilgore (Michelle Rodriguez) pleading their case for clemency having served two years in prison. After making a daring escape, the duo set off on a quest to recover a talisman of resurrection and reunite Edgin with his daughter Kira (Chloe Coleman). Only problem is their old friend Forge (Hugh Grant) has aligned himself with the evil red wizard Sofina (Daisy Head) to enrich his own pockets and keep the talisman for himself and Kira as his daughter. For our thieves to accomplish their mission they’re going to need a little help from the struggling magician Simon (Justice Smith) and the tiefling Doric (Sophia Lillis) to break in, rescue Kira, get the talisman, and maybe make off with Forge’s treasure if there’s time.
Some bad movies make gobs of cash at the box office while great flicks roll short. I don’t get why some movies are hits and others aren’t but “Dungeons and Dragons: Honor Among Thieves” deserved a bigger box office take than it managed to conjure up. Granted I am guilty of not seeing this film in theaters. Despite good reviews and word of mouth, I just couldn’t make time and then I was never really sold on the trailers. After watching through I feel the trailers did a pretty pisspoor job of showcasing exactly what this movie was going to be. Suffice it to say, I had a blast with this movie. Honor Among Thieves was far better than the movie the trailers sold. It’s also a damn shame Wizards of the Coast had their issues with D&D that may have influenced some true fans to stay away. Which is a damn shame because this movie is a love letter to gamers of all ages. Top to bottom the cast is great playing their respective roles and character functions with aplomb. It’s a grand fantasy with the scale of Lord of the Rings but the fun and excitement of a heist movie like Ocens11 and with the action of an Indiana Jones movie. My lone complaint really is that the film feels a little long and could have been tightened up a bit, but that’s a small triviality compared to the rest of the show. I do hope this film takes off on streaming and home video, I’m ready to roll again (sequel) with this particular band of heroes.
The Blu Ray is a marvel to behold, though I suspect that the 4K version is even better. Sound is wonderful even though with the Blu Ray, you don’t get a Dolby Atmos track. Still, it will give your speakers a great workout. The surround and front channels get plenty of attention for the biggest and most exciting action sequences – and there are a lot of those. From the opening escape to the dungeon pits to the final battle with Sofina, there are some great channel movement and object-based effects moving and swirling around the front/center, side, and rear channels.
If you’re in need of a damn good time at the movies, “Dungeons and Dragons: Honor Among Thieves” delivers.   You don’t need to play the game to feel the love and fun of gathering your best friends and allies for a grand adventure. The cast is great, the action exciting, and the jokes are genuinely funny. This should have been a bigger hit at the box office because we deserve a sequel. If you’re looking to add another disc to the collection, this Blu-ray conjures up a beautiful transfer and an amazing Dolby Surround mix. “Dungeons and Dragons: Honor Among Thieves” is a winner! 

 

Film Review “Mermaids’ Lament”

It’s not very often that I get really excited for a film these days. We are filled in a world of remakes and sequels, which are fine but I always look out for anything original coming out. Let’s travel back to 2012 for a minute, I got a screener for a then little known film “Strange Frame: Love & Sax”, which was written, produced, shot and directed by a guy named G.B. Hajim. So I watched this film and was literally blown away. It is like nothing I have ever seen before and it has stuck with me over the last 10+ years. If you haven’t seen it, I highly recommend doing so immediately, click here. So when I saw that G.B. had a new film on the horizon, I got excited right away. This guy has a vision and his films are extremely unique.

MERMAIDS’ LAMENT deals with some serious topics such as depression and anxiety. Tell me, who doesn’t deal with these issues in their own life. G.B. brings these into the light and shows us how everyone struggles daily with their own demons. The film also focuses on our oceans and the effects of pollution and waste. MERMAIDS’ LAMENT is beautifully shot with some amazing underwater sequences as well. You can tell that G.B. has an eye for beauty that is seen throughout this film.

Official Premise: The story of two women who find strength in each other despite their personal struggles, MERMAIDS’ LAMENT follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, attempts to help Oee overcome her delusions and connect with reality. As they bond over their experiences, they learn to be resilient like the ocean and embrace the power of imagination to navigate the chaos of the world.

Dayva Summer Escobar, who played the role of Oee really delivers an epic performance. Without speaking much, she takes us on a journey of the struggles of mental health and the beauty of the ocean. Justina Mattos, who played Dr. Nell Jamison also brings it home with a deep and caring performance. This is a film that I could watch over and over. It is a heartfelt and moving story that takes us through the power of imagination and the strength that comes from human connection.

If you are in the Hollywood, CA area, I would highly recommend checking out the MERMAIDS’ LAMENT as it will be screening on June 25th at 9:30pm at the TCL Chinese Theater as part of Dances with Films festival. You can get tickets here. This is a film that needs to be seen by everyone and experienced on the big screen. It is not a $100 million dollar blockbuster but you can tell that it was a real labour of love for everyone involved. I can’t wait to see what G.B. is going to do next but count me in for damn sure!

FIlm Review: “The Flash” – SPOILER FREE

 

  • THE FLASH
  • Starring:  Ezra Miller, Sasha Calle and Michael Keaton
  • Directed by:  Andy Muschietti
  • Rated:  PG 13
  • Running time:  2 hrs 24 mins
  • Warner Bros.

 

Whoever said that breakfast was the most important meal of the day must have known Barry Allen.  Because of his quick metabolism, brought about due to the fact that he is the fastest person on Earth, Barry must constantly eat.  And when his usual sandwich maker takes a day off, things quickly go from bad to worse for the Scarlett Speedster.

 

I promised a SPOILER FREE review so here goes…

 

Action packed from beginning to end, “The Flash” is the DC movie fans have been waiting for.  We find Barry Allen (an excellent Miller) working at a crime lab while continuing to prove the innocence of his father (Ron Livingston), who is in prison after being found guilty of killing his wife.  Barry can’t help but think back to a better time when he was a young boy and Sundays were spent in the kitchen with his mother.  While zooming around Barry discovers that, if he can generate enough speed, he can go back in time.  Despite a warning from his friend Bruce Wayne (Ben Affleck), Barry decides to turn back the clock, hoping to prevent his mother’s death.  But things are never as easy as they seem.

 

 

I cannot begin to tell you how much I enjoyed this movie.  When I first heard the word “Multiverse” in previews I thought this would be a rip-off of “spider-man: No Way Home.”  I was wrong.  The script, by Christina Hobson and Joby Harold, is full of surprises, both good and bad.  New characters are introduced, most notably Kara Zor-El (Calle), cousin of a certain well-known Kryptonian.  We also see some familiar faces, including General Zod (the always solid Michael Shannon).  And, damn it, we get to reunite with the amazing Michael Keaton, returning as Batman.  He is older and wiser, certainly, but when he utters two words – “I’m Batman” – all is right with the world.  All of the performances are strong and I must give special kudos to Ezra Miller, who does double duty as both present day and past Barry.  To me, Miller’s dry-witted Flash was the highlight of the “Justice League” film.  In this film, two Millers are better than one!

 

Despite its length, the film moves quickly.  Director Muschietti, who helmed the two “IT” films, keeps a smooth pace, melding drama and action seamlessly.  The production design captures the various time periods well, and fans of 1989’s “Batman” will enjoy reuniting with some familiar modes of transportation!

 

Phew.  I did it.  NO SPOILERS!  No matter where you are in the multiverse, take a trip to the cinema and see “The Flash.”

 

“The Flash” earns five stars out of five.

 

“The Flash” opens on June 16, 2023.

Film Review: “Man & Witch”

 

  • MAN & WITCH
  • Starring:  Greg Steinbruner, Tami Stronach and Christopher Lloyd
  • Directed by:  Michael Hines
  • Rated:  PG
  • Running time:  1 hr 39 mins
  • Paper Canoe Studio

 

There is nothing like a good fairy tale.  From the beginning of time, these stories have entertained the world over.  A man yearning for love.  Talking animals.  A witch.  Sounds like this is going to be a good one.

 

While driving his cart home a Goatherd (Steinbruner, who also wrote the screenplay) spies a beautiful woman, clad in white and dancing to a tune only she can hear.  He is instantly smitten.  Nearby, a young child known as Love takes notice and notches an arrow onto his bow.  As he fires the cart hits a rock and the arrow misses its target.  All in all, it’s a typical day for the man who is convinced he will never find love.

 

 

Smartly written, with strong performances, “Man & Witch” could easily be described as “SHREK meets ‘The Princess Bride’” with a little bit of “The Wizard of Oz” tossed in for good measure.  The tale is narrated by Dog, voiced by Sean Astin.  He is a big sheepdog who spends his days with his fellow farm mates, including Goose (Jennifer Saunders), Donkey (Bill Bailey) and Sheep (Eddie Izzard), who has a habit of quoting movie lines when the situation warrants it.  Talking animals.  Ogres.  Royalty.  And what about the Witch?

 

There is a lot to like about this film.   The cast has fun with their roles, with special mention going to Miss Stronach, who gives the Witch a vulnerable side you don’t expect.  If her name seems familiar, it’s probably because she played the Childlike Empress in 1984’s “The NeverEnding Story.”  It’s always a treat to see Christopher Lloyd on the big screen.  His Alchemist is a nice companion character to both Doc Brown and “Taxi’s” Jim Ignatowsky.  The film was shot in Scotland and takes advantage of the beautiful countryside.

 

“Man and Witch” receives three and a half stars out of five. 

“Hollywood Dreams & Nightmares: The Robert Englund Story” directors talks about new documentary

Christopher Griffiths and Gary Smart, directors of “Hollywood Dreams & Nightmares: The Robert Englund Story” talks about their new documentary. The guys have also worked together on the following documentaries ” Pennywise: The Story of It” and “You’re So Cool, Brewster! The Story of Fright Night”. Media Mikes had a chance to chat with the guys about their love for Robert Englund and his amazing career.

A classically trained actor and director, Robert Englund has become one of the most revolutionary horror icons of our generation. Throughout his career, Englund starred in many well-known movies, but shot to super-stardom with his portrayal of supernatural serial killer Freddy Krueger in the NIGHTMARE ON ELM STREET franchise. This unique and intimate portrait captures the man behind the glove and features interviews with Englund and his wife Nancy, Lin Shaye, Eli Roth, Tony Todd, Heather Langenkamp and more.

HOLLYWOOD DREAMS & NIGHTMARES: THE ROBERT ENGLUND STORY will be available on Screambox and Digital on June 6, 2023.

“Mermaids’ Lament”: A New Film by Director GB Hajim that Teaches about Resilience through Trauma and Imagination to screen Dances with Films June 25

FOR IMMEDIATE RELEASE

Director GB Hajim’s ode to Resilience through trauma and imagination, MERMAID’S LAMENT will screen at the Dances with Films film festival in Hollywood, California, June 25.

The story of two women who find strength in each other despite their personal struggles, MERMAID’S LAMENT follows two women: Oee (Dayva Summer Escobar) a traumatized woman who has lost her voice and may or may not be a mermaid. Her therapist, Dr. Nell Jamison (Justina Mattos) battles with anxiety herself, attempts to help Oee overcome her delusions and connect with reality. As they bond over their experiences, they learn to be resilient like the ocean and embrace the power of imagination to navigate the chaos of the world.

GB Hajim has been supporting the Hawaiian Renaissance through his multimedia work for over 25 years. He has produced over 150 Hawaiian language dramas, animations, documentaries, podcasts, and educational programs.


MERMAID’S LAMENT is GB’s second feature film, following the self-produced 2D animated sci-fi lesbian musical, “Strange Frame” (2013), which featured an all-star cast including Claudia Black, Cree Summer, Tim Curry, George Takei, Academy Award winner Gary Rizzo for sound, and Roger Waters of Pink Floyd for music.

GB is excited to bring his passion for storytelling and his love for the ocean to MERMAID’S LAMENT. He splits his time between working with the Hawaiian community, writing screenplays, freediving, and farming.

See the heartfelt and moving story that explores the power of imagination and the strength that comes from human connection, MERMAID’S LAMENT – screening June 25th at 9:30pm at the TCL Chinese Theater as part of Dances with Films.


Film Review: “Operation Fortune”

 

  • OPERATION FORTUNE: RUSE DE GUERRE
  • Starring: Jason Statham, Aubrey Plaza
  • Directed by Guy Ritchie
  • Rating: R
  • Running time: 1 hr 54 mins
  • Lionsgate
Before his military action drama “The Covenant” hit theaters recently, British director Guy Ritchie (“Wrath of Man,” “The Gentlemen”) released “Operation Fortune: Ruse de Guerre,” an entertaining action flick starring his often-used leading man Jason Statham, arguably the best action movie star around. “Operation Fortune” is a fun work of popcorn cinema by Ritchie who maintains a fast pace throughout. Much like director John Ford used to do with John Wayne films, Ritchie often reuses former cast members, and this ensemble does not disappoint with recognizable faces.
When a Ukrainian gang steals a mysterious device called “The Handle” from a secret facility, the British government takes action to retrieve it before it is sold to the highest bidder. A contractor named Nathan Jasmine (Cary Elwes) puts together a professional team to do the job. In steps calm and cool spy Orson Fortune (Statham) with a small team including American computer hacker Sarah Fidel (Aubrey Plaza, “Parks and Recreation”) and British sniper, J.J. Davies (Bugzy Malone, “The Gentlemen”).
While competing against a rival team whose employer is unknown, Orson and his group must get close to the charming, yet dangerous billionaire arms dealer Greg Simmonds (Hugh Grant, “The Gentlemen”) so they can intercept the sale. To increase their chances, they blackmail American movie star Danny Francesco (Josh Hartnett, “Wrath of Man”) to help them as Simmonds is a big fan of his. What transpires afterwards is a globe-trotting, action-packed adventure sprinkled with some good laughs and suspense.
Filled with unique, interesting characters, one of the many trademarks of Ritchie films, “Operation Fortune” has an “Ocean’s Eleven” vibe but takes it up a notch on the violence side. A couple of highlights include Grant’s enjoyable performance as a star-struck, yet ruthless gangster and Hartnett is delightful as a nervous movie star who wants to study Greg for his next part. The many action sequences are entertaining even if they are a little too choreographed and the high-tech gadgetry is reminiscent of what is displayed in the “Mission Impossible” series.
Overall, “Operation Fortune” does not disappoint and is definitely worth a couple hours of your time.
“Operation Fortune” receives three stars out of five.

Film Review: “Jazz Fest: A New Orleans Story

 

  • JAZZ FEST:  A NEW ORLEANS STORY
  • Starring:  Quint Davis, Jimmy Buffet, Verdine White
  • Directed by:  Frank Marshall and Ryan Suffern
  • Rated:  PG 13
  • Running time:  1 hr 35 mins
  • Sony Pictures Classic
 
They call it the Big Easy.  Home of Mardi Gras and Saints.  But New Orleans is known for one thing above all others…The New Orleans Jazz and Heritage Festival – a celebration of the music, food and culture that has defined the city and surrounding areas for centuries.
In the early 1960s, George Wein, the organizer of the famed Newport Jazz Festival, was asked to bring his talents to New Orleans.  Unfortunately, the climate of the times postponed the first ever New Orleans Jazz Festival until 1971.  “Jazz Fest” is a look inside the event on it’s 50th Anniversary as well as the events that shaped it.
An event that draws 100,000 people a day for many days, the Festival is probably the only place on Earth where you can see everyone from Tom Jones to Pitbull to Bruce Springsteen on the same bill.  Those performers and many more talk about their pride in being asked to perform as well as the profound effect their performances have on not only on the crowd but also the musicians.
The film is full of great performances, both from previous shows and the 50th, including musical numbers by Ellis Marsalis and his sons, Earth Wind and Fire, Katy Perry, B.B. King, Samantha Fish, Al Green, and many others.  Yes, this is called a JAZZ Festival, but all kinds of music, from gospel to soul to folk are well represented and well received.  And a quick detour to the swamps gives viewers a taste of Cajun and Zydeco music.  It is amazing how much of the area’s culture revolves around music, including funerals.  I hope when my time comes that my trip to the cemetery is led by dancers and a big brass section!  Even the devastation of Hurricane Katrina in 2005 was dealt with musically as musicians like Jimmy Buffet, Paul Simon and Bruce Springsteen took to the newly built stage to give hope to, as Springsteen sang, the City of Ruin.
Also featured is the amazing food found at the festival, with pretty much everything either fried or made with cream.  I want to find the guy making the pork cracklings.
Due to COVID, the festival skipped two years but came roaring back earlier this year, with more than 7,000 musicians on 14 stages and didn’t skip a beat.  If you can’t make it down in person, this film is a great way to enjoy the show.
“Jazz Fest: A New Orleans Story” receives five out of five stars.

Film Review: “Amsterdam”

 

  • AMSTERDAM
  • Starring:  Christian Bale, Margot Robbie and John David Washington
  • Directed by:  David O. Russell
  • Rated:  R
  • Running time:  2 hrs 14 mins
  • 20th Century Studios
 
They called it “the War to end all Wars.”  Of course, history will tell us that it wasn’t, but shortly after WW I things were looking up for a couple of former soldiers.  Burt (Bale) was a Park Avenue doctor who married above his station and only went to war when his father-in-law suggested that a man with medals would have some esteem.  Harold (Washington), now a lawyer, was part of the all-Black unit in Europe that Burt was given command of.  When their former commanding general dies suddenly, they are asked to investigate the death.  But they may not like what they find.
Smartly written, with a few odd quirks – the trademark of a David O. Russell film – “Amsterdam” is a who-dunnit with many possible suspects.  The trio of friends – Burt, Harold and Valerie (Robbie) – met shortly after the war, when Burt and Harold were patients in a hospital in which Valerie was the nurse.  Appalled by the treatment Burt and Harold received, Valerie takes them to a couple of bird-watching friends (Mike Myers and Michael Shannon), who treat them.  Because he lost an eye, Burt is given a box of premium glass ones, an item that becomes part of the plot every time Burt is punched – which is often – and they eye falls out.  Bale proves himself a fine master of physical comedy and, based on his work here, would be a great casting choice should they ever make a “Columbo” movie.
The cast is vast and at the top of their games, with fine supporting work by Rami Malek, Chris Rock, Zoe Saldana and Robert DeNiro.  Russell’s script is tight and he keeps the action moving at a nice pace.  You do have to pay attention, as every new twist takes you in a different direction.  That being said, head to the nearest cinema and book a ticket to “Amsterdam.”
“Amsterdam” receives five stars out of five.
 

Film Review: “Till”

  • TILL
  • Starring:  Danielle Deadwyler, Frankie Faison and Jalyn Hall
  • Directed by:  Chinonye Chukwu
  • Rated:  PG 13
  • Running time:  2 hrs 10 mins
  • Orion Pictures
In August 1955, Emmet Till left his mother’s home in Chicago to visit his relatives in Mississippi.  He never saw his mother again.
We first meet Emmett (Hall), known as Bo to his family, as he prepares for his trip.  A friendly, smiling boy who loves music and impromptu dancing with his mother, Mamie – an Oscar-worthy Ms. Deadwyler.  As he packs for his trip, his mother reminds him that the rules in Mississippi are much different for Blacks then they are in Chicago.  Not that Chicago is a haven of equality.  We learn this when, while shopping for shoes at a downtown department store, Mamie is informed that they also sell shoes in the basement.  Still, with a self-assured smile, and a stylish hat, Emmett boards the train and begins the journey south.  He learns first-hand how different the rules are when, once the train crosses the Mason-Dixon line, all of the Black passengers get up from their various seats and make their way to the back of the car.
Emmett discovers a whole new way of life when he arrives in the small town of Money, Mississippi.  Instead of playing with his cousins, he finds himself in the field, picking cotton, taking the new adventure in stride.  A stop at a local store brings Emmett face to face with a white woman that Emmett finds so attractive he tells her she could be a movie star, emphasizing her beauty with an innocent wolf whistle.  His cousins are mortified by this and quickly spirit Emmett away, the boy still not understanding their reaction.  Tragically, he soon will.
An important film that tells an important story, “Till” is both heartbreaking and inspirational, filled with an amazing cast of actors.  As Mamie, Ms. Deadwyler is a revelation.  Whether dancing quietly with her only child, or grieving at the sight of Emmett’s broken body, there is not a false note in her performance.  Her grief is genuine, leaving not one dry eye in the house.  But Mamie also has a quiet strength – a strength that has taken her to where she is in her life – and she feeds off of that strength every time she needs to.  The supporting cast is just as good, with nary a false beat among them.  Director Chukwu’s camera makes us a witness to everything going on and the musical score, by Abel Korzeniowski, is pitch perfect in setting the necessary moods.
A film that takes an unflinching look at one of the most horrific times in this country’s history, “Till” is a tale of two worlds, 650 miles apart.  It is a film that needs to be seen by everyone!
“Till” receives five stars out of five.

Film Review: “CREED III”

 

  • CREED III
  • Starring:  Michael B. Jordan, Jonathan Majors and Tessa Thompson
  • Directed by:  Michael B. Jordan
  • Rated:   PG 13
  • Running time:  1 hr 56 mins
  • MGM

Sadly, it’s usually the third installment of a film series that doesn’t fare well.  Think “Jaws 3-D,” “Halloween III,” “Superman III” among others that, while they try hard, they tend to disappoint.  Welcome to the group, “Creed III.”

Having achieved greatness both in and out of the boxing ring, Adonis Creed (Jordan) is ready to relax.  However, that time off is interrupted when a mysterious man from his past returns and demands a shot at the title he thinks is rightly his.  Cue the music.

“Creed III” borrows a lot of its story from “Rocky III.”  The champion looking to quit, only to be bullied into “one more fight” and the emotional and physical damage this fight takes on everyone involved. All that is missing is a cameo from Mr. T.  The main thing missing is Sylvester Stallone’s Rocky.  Rocky was the heart of the first two films, and his presence is sorely missed, both on the screen and to the audience.  Because of this, there is not one likable person in the cast to root for, which makes the big fight moot, because you really don’t have a rooting interest.  Adonis and his wife are constantly bickering, his old pal Damian (Majors) is a bully and unlikeable.  It’s sad when the only character you root for is Ivan Drago’s son.

On the positive side, Jordan’s direction is fluid, and he covers the boxing scenes with the eye of an old pro.  He obviously has the chops to be behind the camera.  Unfortunately he didn’t spend enough time on character development, and the audience is stuck with one-dimensional character that don’t have a redeeming bone in their bodies, which is a shame for a franchise that earned it’s love by opening its heart.

 

“Creed III” receives two and a half stars out of five.

Film Review: “WEIRD: the Al Yankovic Story’

 

  • WEIRD: THE AL YANKOVIC STORY
  • Starring:  Daniel Radcliffe and Lin-Manuel Miranda
  • Directed by: Eric Appel
  • Rated:  TV 14
  • Running time:  1 hr 48 mins
  • Roku

I often hear people talk about the music of their generation.  My dad grew up listening to Frank Sinatra.  My mom, Elvis.  I grew up in the time of the Beatles.  But there is another musician that influenced my life profoundly,  His name is Al Yankovic.

How do you make a film about a man whose stated life ambition is to write funny lyrics to existing songs?  It’s actually quite easy.  Picking various points of the accordion master’s life, it seems that

Al (a very good Daniel Radcliffe) has a talent that must be shared with the world.  Like my friends and I, Al was a fan of late-night radio host Dr. Demento (an unrecognizable Rainn Wilson) and sends him a tape of some of his songs.  Much to his surprise, the Doctor plays his stuff on the air, which leads to Al thinking this could really be the start of something big.

Of course, not everyone thinks Al is a musical genius.  Only after he is challenged by legendary DJ Wolfman Jack (Jack Black) to create, on the spot, a parody of Queen’s “Another One Bites the Dust” that he is able to quiet the naysayers.   Think Eminem at the end of “8 Mile” and you have a good idea of how things go.

The film plays fast and loose with facts, but fans of Al wouldn’t want it any other way.  If you’re a fan of “the Weird one,” then, by all means, give this one a look.

“WEIRD’ receives three and a half stars out of five.

Film Review: “Champioms”

 

  • CHAMPIONS
  • Starring: Woody Harrelson, Kaitlin Olson
  • Directed by Bobby Farrelly
  • Rating: PG-13
  • Running time: 2 hrs 4 mins
  • Focus Features
It is a tale as old as time – a coach, of varying past success, falls on hard times but finds redemption by helping a group of misfits overcome great odds to become a team that achieves some form of glory. “The Way Back.” “Hoosiers.” “The Bad News Bears.” “The Mighty Ducks.” Those are but a few examples of this tired cinematic theme. In his first solo directorial effort, filmmaker Bobby Farrelly, who has co-helmed such titles as “Shallow Hal” and “Me, Myself & Irene,” takes his own shot as the sports genre with “Champions.” Starring Woody Harrelson, “Champions” takes us on a cute journey as a disgraced basketball coach is forced to work with a group of young people with learning disabilities. Unfortunately, the story fails to pull the heartstrings, nor does it inspire one to jump up and down for joy.
Marcus Marakovich (Harrelson) has a history of success with his impeccable basketball knowledge. However, it’s been his inability to get to know his players that has been his downfall on several occasions. Of course, his hot temper hasn’t helped much either. One night, while serving as an assistant coach for a minor league basketball team in Iowa, he gets into an argument with the team’s head coach (Ernie Hudson) and shoves him to the court floor, which becomes the subject of national news. He then gets drunk and crashes into a police car. An unsympathetic judge sentences Marcus to 90 days of community service by coaching a team consisting of young people with learning disabilities called Friends.
Marcus is not at all enthusiastic about his current plight, but he tries to make the best of it while also trying to convince someone in the NBA to give him a shot as an assistant. As one might expect, the kids start to grow on him and he even starts a relationship Alex (Kaitlin Olson, “It’s Always Sunny in Philadelphia”), the older protective sister of one of his players. The dilemma that Marcus ultimately faces is whether to stay in Iowa or go off to fulfill his lifelong dream.
The supporting cast, who represent the players on the Friends team, are a delight to watch as the enthusiasm and joy they bring to the silver screen are palpable. Harrelson and Olson are pleasant together onscreen while the former delivers an okay performance. “Champions” is a nice attempt by Farrelly to do something different, but the story lacks emotional depth and is simply too formulaic for its own good. It’s just a slight variation to what’s been done a thousand times before.
Overall, “Champions” is a soft layup rather than a slam dunk.
“Champions” receives two stars out of five.

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