Enter to Win Passes to the Kansas City Screening of “Thanksgiving.”

 

Media Mikes has teamed up with their friends at Tri-Star Pictures to give (75) readers and their guests the opportunity to see the new Eli Roth film, “Thanksgiving” at a special screening on Wednesday, November 15, 2023 at the Screenland Armour Theatre in North Kansas City, Missouri.  The screening will begin at 7:00 pm.

 

All you have to do is click HERE.  The first (75) people to do so will receive a pass for (2) to attend the film.

 

As a bonus, if your name is John Carver, bring your driver’s license with you.  If you can prove that’s your name you’ll receive a special prize pack!

 

This is a first come/first serve giveaway.  Once the allotted number of passes have been claimed the giveaway has ended.  GOOD LUCK!

 

THANKSGIVING” opens in theatres everywhere on November 20, 2023.

#ThanksgivingMovie

Win a Free Blu-ray Copy of “Justified: City Primeval” – Season 1

Media Mikes has teamed up with its friends at SONY home video to give one lucky reader the chance to win a Blu-ray copy of the first season of the popular series, “Justified: City Primeval.”

 

All you have to do is let us know below who your favorite television lawman is.  Matt Dillon?  Sam McCloud?  Walker (the Texas Ranger)?  It’s that easy.

 

At the end of the giveaway one random entry will be chosen.  That person will be contacted by email and will receive their Blu-ray.  This giveaway ends at 12:00 midnight on Sunday, November 19, 2023.

 

GOOD LUCK!

Win a Free Blu-ray Copy of Season One of “For All Mankind”

Media Mikes has teamed up with its friends at SONY home video to give one lucky reader the chance to win a Blu-ray copy of the first season of the popular series, “For All Mankind.”

 

All you have to do is let us know below your favorite space-themed television program.  “Star Trek?”  “Lost in Space”  “Battlestar Galactica?”  It’s that easy.

 

At the end of the giveaway one random entry will be chosen.  That person will be contacted by email and will receive their Blu-ray.  This giveaway ends at 12:00 midnight on Sunday, November 19, 2023.

 

GOOD LUCK!

Film Review: “The Marvels”

  • THE MARVELS
  • Starring:  Brie Larson, Teyonah Parris and Iman Vellani
  • Directed by:  Nia DaCosta
  • Rated:  PG 13
  • Running time:  1 hr 45 mins
  • Walt Disney

 

GIRL POWER!  Twenty-five years ago, that was the motto of the popular series “Powerpuff Girls.”  For a new generation, those words will belong to the Marvels.

 

On an unnamed planet, an excavation is taking place.  A large object is removed from beneath the surface.  Once broken open, it reveals the treasure being sought – a single, magical bracelet.  On Earth, in her Jersey City bedroom decked out in her Captain Marvel fan artwork, superfan Kamala Khanfff Vellani) wears a similar bracelet. It will soon take her on the adventure of her life.

 

Even with wall-to-wall action, “The Marvels” feels almost formulaic in its story.  An issue with a space portal causes Kamala, astronaut hopeful Monica Rambeau (Parris) and Captain Marvel (Larson) to randomly change places with each other whenever they use their powers.  The situations lead to some exciting flight scenes, but they are edited so quickly that it’s often hard to keep track of who is fightin who.  Thankfully, when the film pauses to catch its breath, there are some genuinely sweet and humorous moments to enjoy before the next battle.  Highlight to me was Kamala choosing to be called Ms. Marvel, hoping she can avoid any copyright issues.

 

 

The cast try their best and the trio of leads have a fun chemistry, especially Ms. Vellani, who can’t help but show her youthful exuberance of being near her hero.  And you can never be disappointed anytime Samuel L. Jackson is on your movie screen.  As with all films in the MCU, the visual effects are first-rate.  I especially enjoyed the image of dozens of cats floating helplessly in zero gravity.

 

I will say that this was the first film in the MCU where I was uncertain of some characters or their back story.  I haven’t watched any of the various Marvel-themed shows on Disney + and apparently that is where Kamala was introduced to fans.  Despite my reservations with the film, I found her to be a fun character and I may have to give “Ms. Marvel” a watch.

 

On a scale of zero to five, I give “The Marvels” ★★★

Film Review: “Killers of the Flower Moon”

 

  • KILLERS OF THE FLOWER MOON
  • Starring:  Leonardo DiCaprio, Robert De Niro and Lily Gladstone
  • Directed by:  Martin Scorsese
  • Rated:  R
  • Running time:  3 hrs 26 mins
  • Apple Studios

 

Is there a greater living filmmaker working today than Martin Scorsese?  He has been nominated for a directing Academy Award nine times, second only to William Wyler, who received twelve nods.  A staggering number which should be higher considering he wasn’t nominated for “Taxi Driver.”  I predict that nomination number ten is right around the corner with the release of his latest film, “Killers of the Flower Moon.”

 

It’s the early 1920’s, and we find members of the Osage Tribe meeting on their land.  Suddenly there is a loud noise as the earth opens up, spewing oil into the air.  That’s right.  Oil.  Black gold.  Texas Tea.  Soon it is the tribe members who are wearing the fanciest of clothes and driving the nicest automobiles.  But when the original rights owners, as they are called, begin to die mysteriously, the government in the form of the newly formed Federal Bureau of Investigation, shows up to find out why.

 

Newly returned from the Great War, Ernest Burkhart (DiCaprio) is put to work by his uncle, William Hale (De Niro), who goes by the moniker “King.”  Over the years Hale has been a friend to the Osage people and he is highly regarded by the members of the tribe.  Yet behind that image of caring and kindness lies a darker vision of greed, one that can never be satisfied.  After Ernest finds work driving tribal members around town on their errands, he is encouraged by King to woo  one and marry.  Should anything happen to the missus, the land – and its oil, would go to the husband.  The plan appears to be working when Ernest meets Mollie, who lives with her mother and sisters.  But King never expected Ernest to fall in love.

 

A sprawling epic, “Killers of the Flower Moon” boasts award winning performances by the three leads, who breathe life into characters that would come off as two dimensional in the hands of lesser actors.  DiCaprio, who has never given a bad performance, supberb as Ernest, a man whose heart and conscious are constantly attacked.  His face in an almost constant frown, all he wants is to make a home for his family.  As Mollie, Ms. Gladstone, a member of the Blackfoot nation, is strong and proud.  She sees what is going on around her yet she refuses to believe her husband is part of the problem.  As for De Niro, as King, he reminds us all why he is regarded as one of the greatest film actors of all time.  King has many faces, and De Niro wears them all, sometimes simultaneously, without skipping a beat.

 

The script is tight and Scorsese’s pacing keeps the nearly three and a half hour long film moving at a steady pace .  The production values are top notch, with Scorsese once again mastering the look of a period piece.

 

Even though the events in this film are based on a true story, I must shamefully admit that, as someone that considers himself a history buff, I knew very little about the happenings in Osage County, Oklahoma.  This film is an eye opener as it looks at some of the darker days of this country’s past.

 

On a scale of zero to five, I give “Killers of the Flower Moon” five stars.      

Film Review: “The Burial”

 

  • THE BURIAL
  • Starring:  Jamie Foxx, Tommy Lee Jones and Jurnee Smollett
  • Directed by:  Maggie Betts
  • Rated:  R
  • Running time:  2 hrs 6 mins
  • Amazon Studios

 

As funeral home owner Jeremiah (Jerry) O’Keefe (Jones) celebrates his 75th birthday with friends and family, he reflects on what he has built and the hopes of leaving something for his children.  But, as he soon finds out, some things aren’t as simple as black and white.

 

Based on real events, “The Burial” tells the familiar story of David vs Goliath combined with corporate greed and corruption, all told with a shade of racial injustice.

 

When financial matters go from bad to worse in his company, Jerry is approached by Ray Loewen (Bill Camp), a businessman who is slowly gaining a monopoly on funeral homes by buying up many of the mom-and-pop parlors in smaller towns.  Things seem to be on the up and up, but when Jerry doesn’t get paid he is told that, while a deal was in place, no contract was in place.  Jerry realizes that, facing the financial issues he’s dealing with, Loewen can wait him out and then get what he wants for a song.  With the help of his long time attorney (Alan Ruck), Jerry seeks out the help of the flamboyant – and very successful – Willie Gary (Foxx), a personal injury lawyer whose courtroom manner is a little, well, unorthodox.  As the trial proceeds, and the arguments become more personal, we are reminded again that things are never as simple as black and white.

 

Buoyed by stellar work from Foxx and Jones (both former Oscar winners), the film is full of strong performances.  Ruck, who thirty-seven years ago played Cameron in “Ferris Bueller’s Day Off,” is strong as Jerry’s long time friend and attorney who must put aside his ego as Gary and his team begin to take over the case.  Camp is the perfect villain while Amanda Warren excels as Willie’s loving wife, Gloria,  Also strong is Ms. Smollett, who is the leader of Loewen’s defense team.  She is a no-nonsense attorney who isn’t above bringing racial issues before a small, southern jury.  Questions are asked and answers given, helping fuel each side’s narrative of the case.  Nothing, from the on-going O.J. Simpson trial to family heritage, is off-limits, with both sides feeding on public perception.  I would be remiss if I didn’t point out that it was nearly five years ago that Ms. Smollett’s brother, Jussie, staged an attack on himself, which fueled racial fires for months afterwards. Again, nothing is as simple as black and white.

 

On a scale of zero to five, I give “The Burial” 4 stars.      

Actress Maeve Moynihan Talks About Her Role In “To Kill a Mockingbird”

 

It’s the greatest novel ever written (ok, that’s just my opinion but prove me wrong) that became a beloved film.  Sixty-three years later, Harper Lee’s “To Kill a Mockingbird” has been adapted into a play by Oscar and Emmy Award winning writer Aaron Sorkin.

 

The play features Richard Thomas as Atticus Finch and Mary Badham, who played Scout in the film, earning an Academy Award nomination for her performance, as the Finch’s cranky neighbor, Miss Dubose.  In this production, the role of Scout is played by Maeve Moynihan.  Ms. Moynihan recently took time while on the road to talk with Media Mikes about the show, her role and her journey to the stage.

 

MICHAEL SMITH:  How did you come to be cast in “To Kill a Mockingbird?”

 

MAEVE MOYNIHAN:  Its been kind of a wild journey for me.  I auditioned for the show in 2019 and went through a few rounds of auditions.  And then they offered me the tour.  I didn’t even know there was a tour so I was thrilled.  It was my first year in New York so it was really exciting.  I was cast in the ensemble and I was supposed to understudy Scout and Mayella as well.  Then COVID happened and I didn’t have an industry.  I waited two years to do the tour.  It was surreal that it even happened because I kept thinking it would never happen.  They would cancel it, then they kept changing the dates.  They kept everything on pause.  So, just to be in rehearsals in the room in New York was thrilling.  I toured with the show for a year and a half and then they offered me Scout.  It was super exciting.  It still doesn’t feel real. 

 

MS:  What drew you to acting?

 

MM:  I grew up with three siblings and our parents gave us free reign to try multiple things out,  Whether it was sports or the arts, they really wanted us to be exposed to things.  When I was about eight I enrolled in a theater class and I loved it.  That was at the Minneapolis Children’s Theater Company.  They were holding auditions for “The wizard of Oz” for the Munchkins.  My parents asked me if I wanted to audition and I told them “no.  But then I did it.  I didn’t think much of it but they offered me a role as one of the Munchkins and that was my first play.  Growing up I was so exposed to so many great theater companies, so in addition to being in some great productions I was also able to see a lot of them.  That had a huge impact on me as a young adult. 

 

MS:  Prior to being cast in the show had you read the novel or seen the film?

 

MM:  I had read the novel, I think in ninth grade.  I had never seen the film but once I got cast I watched it.  Then I showed up at the table read, where we all sit down and read the script for the first time with each other and Mary Badham, who played Scout in the film and plays Miss Dubose in the play, was sitting across from me at the table.  I looked over at her and I thought, “Oh my gosh…that’s scout!”  I literally had just realized it.  I hadn’t put two and two together. 

 

 

MS:  I have not yet seen the show so the answer to this question may be revealed during the show.  At the end of the novel, Scout is eight.  You obviously are not.  How is that addressed in the show?  Or is it?

 

MM:  In our production, what Aaron Sorkin has done, is create this theatrical device for the three kids:  Scout, Jem and Dill.  They are all played by adult actors playing children and they serve as the narrators of the story.  They look on the audience as their confidant.  What I think is particularly  interesting about Scout is that you get to see her as a young child and you get to see her as an adult lawyer reflecting on her life and reflecting on the choices her father made.  I also think that with an adult actor you’re able to create a deeper sense of vulnerability that maybe as a child actor you can’t access.  You can also delve into certain areas that may be hard to explain or hard for a young actor to grasp. 

 

MS:  Any tips from Mary Badham?  Any notes after a show?

 

MM:  No, but she is really supportive and really encouraging.  She’s told me about her time with Gregory Peck and what it was like experiencing all that she did as a child.  I can’t even imagine being Oscar nominated at her age.  And she has such a great humility about her.  What I have really appreciated is that she has allowed me to make the role my own.  Obviously she’s there as a wonderful resource but she has also given me the time to figure it out myself.

 

MS:  Do you have a dream role?  Is there a role that, if they called you and sakd “would you like to play this?” you’d jump at it?

 

MM:  Oh my gosh, that’s such a hard question  (laughs).  Scout is pretty much a dream role, I must say.  It’s pretty fantastic.    I kind of feel like I’m already living out my dream now.  The classics, I guess.  Juliet.  Any of the Tennesse Williams plays.  Any of the really great writers.  There are some great roles you’d like to grow into, like Martha in “Who’s Afraid of Virginia Woolf.”  That’s the kind of role I someday hope to play.  But right now, this is definitely a dream. 

 

“To Kill a Mockingbird” opens at the Music Hall in Kansas City on Tuesday, October 24th.  For tickets and more information click HERE    

Film Review: “MR-9: Do or Die”

 

  • MR-9:  DO OR DIE
  • Starring:  Abm Sumon, Michael Jai White and Frank Grillo
  • Directed by:  Asif Akbar
  • Rated:  Not Rated
  • Running time:  2 hrs 4 mins
  • Premiere Entertainment Group

 

I have followed the career of filmmaker Asif Akbar since his eye-opening documentary “Top Priority: the Terror Within” in 2010.  In 2018, he made his solo feature directing debut with the sci-fi thriller “Astro,” a film he co-wrote.  As the years rolled on, his films became bigger and better.  And with his latest, “MR-9: Do or Die,” he has delivered the biggest and the best.

 

In a remote C.I.A. field office, a pair of agents are planning their upcoming mission.  After going through all the particulars, one says to the other, “Let’s not make a scene this time.”  Oops.

 

Action packed from start to finish, “MR-9: Do or Die” follows the adventures of B.C.I. (Bangladesh Counter Intelligence Agency) agent Masud Rana (Sumon), code name MR-9.  He is put to work to investigate a pair of brothers whose robotics company is up to no good.  As he literally travels the world to foil the brothers plot the body count grows.  And grows.  And grows!

 

There are two kinds of action films.  One kind is horribly paced, with really nothing going on between the action scenes.  For an example I offer the George Clooney film, “The American,” which was such a snoofefest I had to think for a couple of minutes before I remembered the title.  An example of a great action film is this summer’s latest installment in the “Mission Impossible: series, “Dead Reckoning.”  As in that film, the action here is non-stop, with the characters only taking a few moments to catch their breaths, presumably to allow the audience to do the same.

 

The performances are strong and Akbar’s pacing spot on.  Like “MI: Dead Reckoning,” the extended running time moves quickly.  Another thing in common – there is more to this adventure to come.

 

The film is beautifully shot, with each of the global destinations captured in their own individual beauty.  Credit Director of Photography Mark David and Production Designer Chad Quick for the amazing look of the film and composer Ricky Kej for his Bondian-themed score, a perfect accompaniment for the action on-screen.

 

MR-9: Do or Die” receives four out of a total of five stars.

 

 

FIRST LOOK – Amazon Studios’ “Totally Killer”

 

 

(L-R): Anna Diaz as Heather Hernandez, Olivia Holt as Teen Pam, Liana Liberato as Tiffany Clark, Stephi Chin-Salvo as Marisa Song, Kiernan Shipka as Jamie Hughes in Totally Killer | Credit: Prime Video

 

Thirty-five years after the shocking murder of three teens, the infamous “Sweet Sixteen Killer“ returns on Halloween night to claim a fourth victim. Seventeen-year-old Jamie (Kiernan Shipka) ignores her overprotective mom’s (Julie Bowen) warning and comes face-to-face with the masked maniac and, on the run for her life, accidentally time travels back to 1987, the year of the original killings. Forced to navigate the unfamiliar and outrageous culture of the 1980s, Jamie teams up with her teen mom (Olivia Holt) to take down the killer once and for all, before she’s stuck in the past forever.

 

Julie Bowen as Pam Hughes in Totally Killer | Credit: Prime Video

 

Directed by Nahnatchka Khan

Written by David Matalon, Sasha Perl-Raver, Jen D’Angelo

Produced by Jason Blum, Adam Hendricks, p.g.a., Greg Gilreath, p.g.a.

Starring Kiernan Shipka, Olivia Holt, Charlie Gillespie, Lochlyn Munro, Troy Leigh-Anne Johnson, Liana Liberato, Kelcey Mawema, Stephi Chin-Salvo, Anna Diaz, Ella Choi, Jeremy Monn-Djasgnar, Nathaniel Appiah and Jonathan Potts with Randall Park and Julie Bowen

Jonathan Potts as Chris Dubasage in Totally Killer | Credit: Prime Video

 

Totally Killer will premiere globally on October 6, exclusively on Prime Video

Film Review: “Strays”

 

  • STRAYS
  • Starring the voices of:  Will Ferrell, Jamie Foxx and Isla Fisher
  • Directed by:  Josh Greenbaum
  • Rated:  R
  • Running time:  1 hr 33 mins
  • Universal

 

Meet Reggie (Ferrell), a terrier that worships his owner, Doug (Will Forte).  Because dogs love unconditionally, Reggie doesn’t realize that Doug hates him, blaming Reggie for the breakup of his latest relationship.  Which means that, when Doug repeatedly drives Reggie out into the country and tosses a tennis ball, Reggie thinks he’s playing a game.  He’s not.  Doug is, in a term all dogs hate to hear, “a bad boy.”  After one such game of fetch, Reggie finds himself lost.  But his life changes when he makes some new friends.

 

Crude, crass and incredibly funny, “Strays” follows the adventures of a quartet of dogs who learn that being a part of a pack isn’t always a bad thing.  Bug (Foxx) is the streetwise boxer, proud of being a stray, hiding a secret.  Reggie and Bug are joined by Maggie (Fisher) and Hunter (Randall Park), two dogs that have owners but feel neglected.  Maggie because her owner has gotten a new puppy and Hunter, who once trained to be a police dog, who now wears a cone around his neck.  Together they forge their way across rainy city streets and vast stretches of woods to get Reggie back to the undeserving Doug.  It’s like “Homeward Bound” if Chance and Sassy dropped F-bombs.  A lot.  “The Wolf of Wall Street” currently holds the record for most uses of the “F” word in one film – 715.  “Strays” may actually break that record.

 

 

The voice performers have fun with their roles, and their banter is often quite funny.  A word of warning though.  Despite the posters featuring cute dogs, “Strays” is not for children.  I was amazed at how many children were at the screening I attended.  I was even more amazed that not one parent took a child out. So, if you’re looking for an outrageous time at the movies, give “Strays” a watch.  But leave the kiddies home.

“Strays” receives a total of three stars out of five.   

 

 

Film Review: “The Last Voyage of the Demeter”

  • THE LAST VOYAGE OF THE DEMETER
  • Starring:  Corey Hawkins, Liam Cunningham and Javier Botet
  • Directed by:  Andre Ovrefal
  • Rated:  R
  • Running time:  1 hr 59 mins
  • Universal

1897.  At the docks in Carpathia the sailing ship Demeter prepares for its journey to England. A few men short, the Captain (Cunningham) goes into the local tavern to recruit some help.  All goes well as they fill the hold.  But what’s in that big box full of dirt?

 

Based on “The Captain’s Log” chapter in Bram Stoker’s classic novel, “Dracujla,” “The Last Voyage of the Demeter” is a fine entry in a series of Dracula inspired films dating back to 1929’s unauthorized classic “Nosferatu.”

 

One of the men taken aboard, Mr. Clemens (Hawkins), is an Oxford trained doctor whose skin color has prevented him from getting a job.  Needing to return to England, he takes the gig, seeing it as a free ride home.  On board is the usual assortment of colorful characters, including the loyal first mate, the precocious grandson of the captain, the loveable dog.  And someone else.  Or is it something?

 

The film is well paced, with occasional bits of humor interlaced with truly horrific moments.  The tension on board, especially at night, and during a storm, is so thick you can cut it with a knife.  As livestock, and then shipmates, are discovered dead, with their throats ripped out, the superstitious crew begins to paint fingers at anyone and anything.

The performances are strong, and the film goes out of its way to avoid many of the standard horror film tropes, which makes for quite a few “wow, I didn’t expect that” moments.

 

The production design is top notch, as are the visual and makeup effects.

 

A perfect combination of gore and terror, “The Last Voyage of the Demeter” is a trip you definitely want to take if you are a horror film fan.

 

“The Last Voyage of the Demeter” receives a total of four out of five stars.

Film Review: “The Baker”

  • THE BAKER
  • Starring:  Ron Perlman, Emma Ho and Harvey Keitel
  • Directed by:  Jonathan Sobol
  • Rated:  R
  • Running time:  1 hr 44 mins
  • Darius Films

 

While sitting in his car in a parking garage a man witnesses a brutal fight between a group of men that ends with everyone dead.  As he begins to call 911 he sees a large canvas bag.  He grabs the bag and runs.  Big mistake.

 

A film that shares a lot of movie DNa with “The History of Violence” and “Nobody,” “The Baker” tells the story of a man who is forced to return to a part of his life he thought he had left behind in order to protect his family.  Here the man (Lan always excellent Perelman) is a simple baker, quietly making rolls in his kitchen when his son unexpectedly drops by.  Also unexpected?  A granddaughter he never knew existed.  The son asks his father to watch the girl for a short while as he takes care of some business.  Reluctant to do so, but understanding the bond of family, the man agrees.  What’s the girl’s name, he asks?  Delphi.

 

Packed with action and bolstered by the performances of the cast, “The Baker” rises above the standard “anything for my family” tropes by exploring both the amotional baggage of the Baker and Delphi (Ho).  We learn that the girl hasn’t spoken since the passing of her mother, silently chronicling all she sees with a small camera.  Even without words, the bond between grandfather and granddaughter grow.

 

I have been a fan of Ron Perelman’s since “Quest for Fire” and he has turned in some fine performances in film as diverse as “The Name of the Rose” and the “Hellboy” series.  As a young boy my son loved watching the television series “Beauty and the Beast,” even though he thought it was called “Beauty and the Priest.”  I once metl Perelman in New York and he signed a photo to my son, writing “the Priest” below his signature after I told him my son’s perception of the title.

 

Also standing out on screen, young Ms. Ho, who conveys more with her eyes then most actors can with an entire monologue.  And it’s always fun to see Harvey Keitel on screen, here chewing scenery as the bad guy behind the film’s opening brutality.

 

As summer winds down, and you are overwhelmed by all of the “Barbieheimer” social media posts, I recommend taking the time to seek out “The Baker.”  It “rises” to the occasion.

 

“The Baker” receives three and a half our of five stars.

New Book Review: “Soldier: From Script to Screen”

 

  • SOLDIER: FROM SCRIPT TO SCREEN
  • Author:  Danny Stewart
  • 134 pages
  • BearManor Media

 

Danny Stewart really loves the film “Soldier.”  I know this because, when he learned I had never seen it, he sent me a Blu-ray of the film.  Stewart has turned his love for this film into an entertaining book that not only covers the making of the film but includes interviews with the film’s writer as well as members of the cast and crew.

 

A 1998 release, “Soldier” has an impressive pedigree.  The film was written by David Webb Peoples, the Academy Award nominated writer of the Oscar winning Best Picture “Unforgiven.”  The book makes a case for “Soldier” being the first in a new sub-genre’ – the Sci-Fi Western.

 

Also included is a look at the extensive career of star Kurt Russell as well as the critical response the film received.  It’s fun to look back at how the film was viewed 25-years ago, as well as to read the reminiscences of those interviewed.  Fans of the film will also appreciate a full listing of the cast and crew credits.

 

At 134 pages, the book is a quick read and it’s obvious that Stewart has a great affection for the film.  Even if you’re not a fan of “Soldier,” the behind-the-scenes stories provide an interesting look at all that goes into making a movie.

Theater/Concert Review: “RAIN – a Tribute to the Beatles

 

  • RAIN – A MUSICAL TRIBUTE TO THE BEATLES
  • STARLIGHT THEATER – KANSAS CITH, MISSOURI
  • JULY 21, 2023

 

I was 9 years old when the Beatles broke up, almost four years after the band stopped touring so I never had the opportunity to see them perform live.  As a child of the 1960s, I was swept up in Beatlemania.  The very first record I ever bought with my own money was the “Hello Goodbye” 45 single.  I have a couple of older friends that did see the band live, one of which grew up in Liverpool and had the band play his school dance, back when the lineup included Pete Best and Stu Sutcliffe.  I’ve seen Paul McCartney live many times, and it’s always great to hear him do a Beatles song, but I always thought that was the closest I’d ever come to seeing the band on stage.  I was wrong!

 

A musical/multimedia celebration, RAIN is a two hour journey through the adventures of the Fab Four, from their appearance on “The Ed Sullivan Show’ to their final roof top concert.  Each song is performed flawlessly, both musically and vocally.  The show consists of four featured mjsicians – Steve Landes on vocals/rhythm guitar, Paul Curatolo (vocals/bas), Aaron Chazza (drums) and Alastar Mcneil (vocals/lead guitar).  Landes and Curatolo also handle piano duties.  They are joined by a very talented Mark Beyer, who handles the background instruments, including piano, strings and horns.    I look at him like Billy Preston.

 

If you are wondering why I don’t list Mr. Landes as John, Mr. Curatolo as Paul, etc it’s because that is not how they are identified in the program.  I know from doing research on a Beatles themed book that the lads are very protective of everything of theirs, including their names.  Over newsreel footage from the past, familiar quotes by the lads are heard, but they are recreated comments.  The boys are even protective of their voices.

 

Each member is outstanding on their instruments, with Mr. Chazza providing a perfect backbeat.  Mr. McNeil had the licks down perfectly, but was indeed playing the “quiet” Beatle as none of Harrison’s songs were performed.  I do see that a couple of Harrison’s songs are noted In the program, so maybe the set lists change nightly.  One thing that did catch my attention was that, even though “Paul” was playing bass left handed, when he brought out the acoustic guitar to solo on “Yesterday,” he was playing right handed.  Which to me, someone who plays guitar, is an amazing feat!  I’ve never heard of an ambidextrous musician before, but Mr. Curatolo excelled on both instruments.

 

RAIN runs through July 23rd at Starlight Theater.  For tickets to these or future shows, please click HERE.

 

RAIN receives five out of a total of five stars!   

Film Review: “Tiger Within”

  • TIGER WITHIN
  • Starring:  Ed Asner and and Margot Josefsohn
  • Directed by:  Rafal Zielinski
  • Rated:  Not Rated
  • Running time:  1 hr 38 mins
  • Menemsha Films

 

I didn’t have to move to the Kansas City area to understand the power of the late Ed Asner.  A local boy from the Kansas side of the state line, Asner went on to an amazing acting  career, earning (7) Emmy Awards (tied for third place in most acting wins with his “Mary Tyler Moore Show” co-star Mary Tyler Moore).

I grew up watching him on such long-running shows as “The Mary Tyler Moore Show” (Emmy) and “Lou Grant” (Emmy) as well as such mini-series’ as “Rich Man, Poor Man” (Emmy) and “Roots” (Emmy).  On a more personal note, I had the amazing opportunity to interview him once and he loved the fact that I felt his best role was as Axel Jordache in “Rich Man, Poor Man,” especially because he felt the same way.  And even more personal, he is only the second celebrity who asked my permission to give my wife a kiss on the cheek – the other being Jay Osmond.   So when I learned that one of his final films was being released I jumped at the chance to see it.

Casey (Josefsohn) is the new girl in class.  No sooner does she sit down at her desk when, thanks to an obnoxious classmate, she is sent to the principal’s office.  Returning to the home she shares with her mother and abusive boyfriend, Casey feels the time has come to leave Ohio and visit her father in Los Angeles.  Soon she finds that things aren’t always sunny on the West coast.  Until she meets Samuel.

A true coming of age story, “Tiger Within” is the story of a girl who refuses to conform to anyone’s perception of who she should be.  Realizing that her father and his new family aren’t really excited at her arrival, Casey decides to strike out on her own in the big city, sleeping wherever she can find space, including a local cemetery that Samuel (Asner) visits often.  Concerned for the young girl, he offers to buy her lunch and let her clean up at his apartment.  As time goes by, the two develop a true kinship, one that allows Casey to conquer her fears and embrace the tiger within.

The film works in many ways, but the key are the performances of Asner and Josefsohn.  Samuel is a Jew who last most of his family during the Holocaust.  He is appalled that Casey has a swastika on her jacket and even more appalled that she not only thinks of it as just a way to say “F-you” but that she has been taught that the Holocaust was false.  The film is eye opening in this way, tackling other social issues, including sex trafficking.

The script is well written, with the occasional bit of humor to bring some levity to some serious issues.   The film moves smoothly and takes advantage of the fact that Casey is always drawing in her notebook by using animated versions of Casey’s art to denote scene transitions.

Though the film is not rated, it does deal with some serious issues.  But it is the handling of those issues, and Asner’s performance, that make this film a must see!

On a scale of zero to five I give “Tiger Within” four stars.