Sid Caesar, Comedy Legend, Dead at Age 91

Sid Caesar, whose live television show in the 1950s had, arguably, the greatest assembly of comedy genius’ ever assembled at one time, died today at his Los Angeles area home after a long illness. He was 91. His weekly 90 minute television program, “Your Show of Shows,” boasted the on-screen talents of Caesar, Imogene Coca, Howard Morris and Carl Reiner. The show’s writers room was filled with a virtual who’s who of comedy legends, including Mel Brooks, Selma Diamond, Neil Simon and Danny Simon. His next show, entitled “Caesar’s Hour,” boasted a staff that included Larry Gelbart and Woody Allen. The show was so beloved that it not only inspired the classic Peter O’Toole comedy “My Favorite Year,” which was produced by Mel Brooks, but Neil Simon’s long running play “Laughter on the 23rd Floor.”

Born Isaac Sidney Caesar on September 8, 1922 in Yonkers, New York, Caesar began his professional career as a saxophone player, having studied the instrument at the Julliard School of Music. After graduation he decided to try his luck as a professional musician in New York City but did not fare too well. One thing that went right for him: he met his future wife, Florence, there. They were married in July 1943. After 57 years of marriage Florence passed away in 2010.

After small roles in theatre and film he found his calling in television. In 1949 he and Imogene Coca starred in the variety program “The Admiral Broadway Review.” The show grew so popular that it was broadcast on both NBC and the Dumont Network. In fact, the show became so popular that the sponsor, Admiral Televisions, had to cancel it after 26 weeks because their factory could not keep up with the demand for new television sets. Later in life Casesar would recount how an Admiral executive told him that the company had to decide whether to build a new factory or keep sponsoring the show. They chose the cheaper option. On February 25, 1950, the first episode of “Your Show of Shows” premiered. The show ran through 1954 and was quickly followed by “Caesar’s Hour,” a similar themed show which is best remembered for the first appearance of Mel Brooks and Carl Reiner’s 2000 Year Old Man character. The show ran through 1957. For the rest of the decade Caesar would appear in several television specials.

In the 1960s he made his way to Broadway, starring in the musical “Little Me,” which boasted a script by Neil Simon and choreography by Bob Fosse. His performance, which included eight different characters and thirty-two costume changes, earned him a Tony Award nomination in 1963 for Best Leading Actor in a Musical. He lost to Zero Mostel, who earned Broadway immortality with his performance in “A Funny Thing Happened on the Way to the Forum,” which ironically was co-written by another one of Caesar’s former writers, Larry Gelbart. That same year he and Edie Adams co-starred as a married couple searching for a buried fortune in the film “It’s a Mad, Mad, Mad, Mad World.”

He spent the rest of the decade, and most of the 1970s, making occasional television and film appearances. In 1978 he introduced his talents to a new generation when he was hired to replace Harry Reems as Rydell High School’s Coach Calhoun in the film version of the Broadway musical, “Grease.” He later reprised the role in “Grease 2.” Other film appearances include “Silent Movie,” “Airport ‘75” and “History of the World, Part I.” In 1982 he returned to Broadway opposite Carol Channing and Tommy Lee Jones in the show “Four on a Garden.” The next year he hosted “Saturday Night Live” and received a prolonged standing ovation upon his entrance. After the show he was given a plaque naming him an honorary member of the cast. He is the only host to receive that honor.

He kept busy in the 1990s as well, appearing in “Vegas Vacation” and earning the last two of his eleven Emmy Award nominations in 1995 and 1997 for guest appearances on “Mad About You.” In his career he won two Emmy Awards.

 

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Interview with Sid Haig

Sid Haig has been appearing in over 100 films since the early 1960’s. More recently he has appeared in the new Fred Andrews film titled “Creature”.  Media Mikes had a chance to speak with Sid recently about his role in the film as well as his role in the upcoming Rob Zombie film “Lords of Salem”.

Adam Lawton: Can you tell us about your role in the film “Creature” and how the role came about?
Sid Haig: I play a wacked out, maniacal religious type fellow by the name of Chopper. My character worships this “Creature” who lives out in the middle of a swamp and is well fed. Someone stumbles across our path and decides they are going to come check things out. It’s your pretty standard formula for when people start to run into creature. (Laughs) I became involved with the project through the most simplest of ways as my manager submitted me for the role. The people running things said “Hell Yes!” and away we went.

AL: How was it working with Fred Andrews?
SH: Working with Fred was very cool. Fred has been in the business for a long time and has gotten to observe how different things are done when it comes to making a film. He really had a good idea of how he wanted things with this film which made the situation very easy to work in.

AL: Can you tell us about your work on Jesse Dayton’s film “Zombex”?
SH: I’m not too sure what the status of that project is right now however, I have seen some poster work for the film on the internet. It’s kind of strange sometimes when people want me to do a film but they feel they can’t afford me. I often will get brought in for a day and end up doing 3 days worth of work. I was in a number of scenes very briefly with people like Malcolm McDowell and Cory Feldman. We pretty much did our thing and got out. Jesse gave us an idea of what he wanted and we just went from there. There was quite a bit of improvisation work which I very much enjoy. Everything went smoothly.

AL: How does working on recent independent films compare to working on independent films from earlier in your career?
SH: When I first got involved in films around 1961 there was a lot more time as the budgets sort of matched the scripts. Nowadays a lot of films have been written that have more to them than the budget will allow. You often will be racing through stuff. It’s very similar to television where you have to do 20 plus set ups a day or your dead. You really don’t get time to interact with most of the cast. You are working with a small number of people for just a day or two. You often times will not know what happens before or after your scenes take place. I am usually just given the pages of the script that I am involved in. In my earlier films everyone got a full script. That just doesn’t happen that much anymore.

AL: What can you tell us about Rob Zombies new film “Lords of Salem”?
SH: I am sort of in the dark on that. I went in and worked on my scenes and that’s all I really know about the film. I didn’t get the immersed story but I have a feeling it’s going to be something very special. The entire look of the film is very different. There is a much more gothic look to everything. The section of the film that I was involved in could be considered the prologue.

AL: Can you tell us about any of your other upcoming projects?
SH: I have a variety of projects that are all in different stages of production. I have been a very active boy. My publicist who is also my wife keeps a lot of the stuff about me on the internet updated so if you see my named attached to a project the chances are pretty good that things are under way. She has a good lock on that stuff.