2018 Vans Warped Tour, Presented by Journeys Celebrates Its History and Heart In Brand New Retrospective Video

2018 Vans Warped Tour®, Presented by Journeys®
Celebrates Its History and Heart
In Brand New Retrospective Video
Watch it now, here: http://smarturl.it/VWTRetrospec

Early Bird Tickets & Super Fan Bundles On Sale Now
Line Up To Be Announced on Thursday, March 1st
General Admission Tickets on Sale Thursday, March 8th

Los Angeles, CA, February 26, 2018 – Following the announcement that 2018 would be its final cross-country run, the Vans Warped Tour extended family has released a retrospective video celebrating the history and heart of the iconic tour. Fans can watch the video, which features founder Kevin Lyman, Vans VP of events and promotion Steve Van Doren, Fletcher Dragge (Pennywise), Silverstein, and more, here: http://smarturl.it/VWTRetrospective

On the upcoming shows, Lyman has shared: “I truly am happy to get the chance to travel around the country one more time to thank you for your support, and bring you another best day ever.”

“I have spent half of my adult life traveling alongside Kevin on the tour, connecting with bands and fans around the world,” Steve Van Doren recalls. “Bringing music and action sports to youth for over two decades has been a personal honor and I’m excited to hit the road on the last cross-country tour.”

Early Bird Tickets for the 2018 Vans Warped Tour, presented by Journeys, have gone on sale today at VansWarpedTour.com. Super Fan Bundles are also available and offer fans exclusive merchandise, including a limited edition poster, collector ticket laminate, and custom Vans Warped Tour Authentics.

As a bonus for early ticket buyers, the first 500 tickets sold for each show will be at the lowest price available and will include a digital download of the Official Vans Warped Tour 50-song compilation.

The line up for the 2018 Vans Warped Tour, presented by Journeys, will be announced this Thursday, March 1st. General admission tickets will be available on Thursday, March 8th.

The Vans Warped Tour is the largest traveling music festival in the United States, and the longest-running touring music festival in North America. Originally conceived by founder Kevin Lyman in 1995 as an eclectic alternative rock festival, with a focus on punk rock, over the years the tour has grown to include a multitude of genres, including metal, hip hop, reggae, pop and more. It remains one of the best tours to attend to discover emerging acts, to learn more about wonderful non-profits and companies who are working to make a positive impact on the world that surround them, and to meet like-minded friends.

Over the past two decades, Vans Warped Tour has built a legacy as the must attend summer festival for rock and music lovers alike. Since its start in 1995 it has provided a platform for established as well as up-and-coming artists, with past performers including blink182, No Doubt, Sublime, Beck, Katy Perry, NOFX, Limp Bizkit, Black Eyed Peas, Green Day, Eminem, Yellowcard, Bad Religion, and countless others.

In addition, the tour continues to host a wide array of amazing non-profits and educational workshops for attendees and 2018 will be launching The Preventum Initiative, focusing on youth and adolescent opioid prevention. Teens With a Purpose, American Foundation for Suicide Prevention (AFSP), Donate Life New England, Planned Parenthood, Keep A Breast, Testicular Cancer Foundation, To Write Love on Her Arms, and Project HEAL will all be involved this summer, just to name a few. Fans can see their favorite bands as well as become educated on these causes and how they can help.

“I am very excited about the upcoming year. With it being the last tour, the non-profit presence will be as big as ever. Groups who have been out in the past will be coming out in more markets, and hopefully we will attract new non-profits,” comments Sierra Lyman. “With more non-profits coming out there will be more options for our audience to hopefully get involved before, during, and after the tour. I am hoping that this last year encourages non-profits to partner with bands and for bands to partner with non-profits on their own events and tours once this summer is over.”

Early Bird Tickets and Super Fan Bundles for this year’s tour on are sale now and can be purchased at www.vanswarpedtour.com

The 38-date tour will commence June 21st in Pomona, CA and end on August 5th in West Palm, FL.

VANS WARPED TOUR DATES:
6.21 POMONA, CA
6.22 SAN DIEGO, CA
6.23 MOUNTAIN VIEW, CA
6.24 VENTURA, CA
6.28 PHOENIX, AZ
6.29 LAS VEGAS, NV
6.30 SALT LAKE CITY, UT
7.01 DENVER, CO
7.03 ST. LOUIS, MO
7.05 BONNER SPRINGS, KS
7.06 DALLAS, TX
7.07 SAN ANTONIO, TX
7.08 HOUSTON, TX
7.10 NASHVILLE, TN
7.12 VIRGINIA BEACH, VA
7.13 CAMDEN, NJ
7.14 HOLMDEL, NJ
7.15 HARTFORD, CT
7.16 PITTSBURGH, PA
7.17 TORONTO, ON
7.18 CUYAHOGA FALLS, OH
7.19 CINCINNATI, OH
7.20 DETROIT, MI
7.21 CHICAGO, IL
7.22 MINNEAPOLIS, MN
7.23 MILWAUKEE, WI
7.24 INDIANAPOLIS, IN
7.25 DARIEN CENTER, NY
7.26 SCRANTON, PA
7.27 MANSFIELD, MA
7.28 WANTAGH, NY
7.29 COLUMBIA, MD
7.30 CHARLOTTE, NC
7.31 ATLANTA, GA
8.02 JACKSONVILLE, FL
8.03 ORLANDO, FL
8.04 TAMPA, FL
8.05 WEST PALM BEACH, FL

About Vans Warped Tour:
The Vans Warped Tour, presented by Journeys, is well known as America’s longest running touring music festival of the summer. Since 1995, the tour has been a showcase for both established and up and coming talent, across a wide range of eclectic sub-genres.

The tour has also cemented its place in history by bringing alternative rock and skate culture from the underground to the forefront of global youth culture, while at the same time helping those in need through non-profit and eco initiatives.

Alternative Press readers voted the Vans Warped Tour as the “Best Tour/Festival” and Rolling Stone called it “America’s Most Successful Festival”.

Learn more about the Vans Warped Tour:
www.vanswarpedtour.com

White Zombie’s Sean Yseult talks about her exhibit at Sacred Gallery in NYC, “Retrospective”

Sean Yseult is probably most recognized as the co-founder/bassist for the heavy metal band White Zombie, a group which dominated MTV with its hit song/video “Thunder kiss 65” in the early 90’s. Since the groups disbanding in 1998 Sean went on to play with several other acts such as The Famous Monsters and Rock City Morgue. In November of this year, Sean will showcase a different part of her artistic abilities in “Retrospective”- a love letter to her long-time muse, New Orleans which will be on display at Sacred Gallery in NYC through December 31st. Media Mikes had the chance to speak with Sean recently about the exhibits creation and her return to New York City.

 Adam Lawton: What can you tell us about your upcoming exhibit “Retrospective” which opens in November?
Sean Yseult: The exhibit is going to have a little bit of everything. There are pieces from shows I did in New Orleans 10 years ago. Mostly I am going to be showing my large 4ft by 6ft pieces I did recently for a show in New Orleans titled “SQIREE D’EVOLUTION”. It’s kind of a tongue and cheek yet morbid setting of a party in New Orleans set in the 1870’s. It’s based around a secret societies party that has gone wrong. It’s a really fun show. The exhibit will also have some pieces from my “MISSISSIPPI MERMAIDS” show where I figured out how to put girls inside of bottles on the ocean which is a little different. (Laughs) I also have some pieces from way back that are old black and white Polaroid’s done in the style of Joel-Peter Witkin and Bellocq. There is a lot to look at as they gave me a tone of space so I am going to fill it out. (Laughs)

AL: Where did your influences come from for “SQIREE D’EVOLUTION” and “MISSISSIPPI MERMAIDS”?
SY: I really don’t know where I got the idea for “MISSISSIPPI MERMAIDS” and having girls in bottles. Maybe I watched too much “I Dream of Jeanie” when I was growing up. (Laughs) For “SQIREE D’EVOLUTION” I was hugely influenced by the Dutch Masters. I made an enormous black back drop and the photos have a serious light/darkness to them with an intensity of color. A lot of people walk up to them thinking they are paintings. I am very happy with how those turned out. I definitely draw from a few different areas.

AL: With the pieces that are coming from different exhibits how did you go about choosing those selections?
SY: I looked at everything I had done and it all has this sort of timeless quality to it. You can’t really tell which era the pieces are actually from. Even my new pieces which are in full color and set in the 1800’s have those elements. It’s very hard to tell the time as they are a bit ghostly and a lot of them are portraits of women in various states of dress or undress. It all sort of fits together somehow. (Laughs)

AL: What is it that draws you to this type of subject matter?
SY: I moved to New Orleans and became entranced with the people and the beauty of the city. The city is in this sort of state of decay and things are falling apart. In the summer especially girls are running around in slips and things so it’s hard to tell really what period you are in. It’s pretty amazing. To me it’s just so beautiful and there are so many lovely people. I just enjoy photographing it all.

AL: Coming back to New York for your first solo show is sort of a home coming for you. What do you think the experience is going to be like?
SY: I am really excited! I originally moved to the city to attend Parsons School of Design for photography. Its finally coming full circle that I get to come back there with my photo’s after all these years. Parsons is where I met Rob and we started White Zombie which sort of derailed my photography for awhile but after the band broke up I moved to New Orleans and started back up with my photography. I have shown off and on at different galleries but it’s going to be so great to show at Sacred Studios. I have been making visits up there ever since I was offered the show.

AL: How did the opportunity to show at Sacred Studio actually come about?
SY: I was at an opening last spring at a private gallery at the Chelsea Hotel for Dee Dee Ramone. My old A&R guy from Geffen Records was there and he pointed out this artist that he loved named Vincent Castiglia. We started talking and he had shown at Sacred Gallery and thought they might like my work. He put me in touch with them and I talked with Kevin Wilson the gallery director and from there things moved pretty quickly.

AL: With being so involved with your photography as of late do you feel your music has sort of taken a back seat?
SY: Not always. I sort of flip flop back and forth depending on my schedule. For the last year though I would have to say yes. I spent 2 years putting together “SQIREE D’EVOLUTION” which was a lot of very intense work. Now I am more curating and gathering things to put a show like this together. I do have a new band called Star and Dagger which will be recording with the amazing Chris Goss later this year. We have a lot of songs written but just haven’t had time to get everyone together.

Book Review “Jack Davis: Drawing American Pop Culture- A Career Retrospective”

Author: Jack Davis
Hardcover: 192 pages
Publisher: Fantagraphics
Release Date: December 12, 2011

Our Score: 3.5 out of 5 stars

I recently had the privileged to interview Jack Davis himself and discuss his work with him. I have to tell you that it would honestly take hours of questions to barely scratch the surface on his work. This book is packed with really great high quality coverage of all of Jack’s work. It starts from the beginning  in the early days and gives a pretty thorough look at his career portfolio. I feel that the book work as a tribute to his work and would be enjoyed by his lifetime fans and newly founding fans alike.

Some of the work that “Jack Davis: Drawing American Pop Culture” covers is his comic work in EC, “MAD”, “Humbug”, “Trump”, and horror work like “The Vault of Terror” and Tales from the Crypt”. It focuses on his work with movie posters and albums covers including “It’s a Mad, Mad, Mad, Mad World”, “The Bad News Bears”, “Bananas” and record jacket art for musicians and bands like Hans Conreid and the Creature Orchestra’s Monster Rally and Spike Jones. Jack’s work has also been featured in magazine like Playboy, Sports Illustrated, Time and TV Guide. Lastly a main draw for the book has to be unpublished illustrations and and newly found drawings from Davis.

I did not think that one book would be able to encompass all of it all of Jack’s worth but this one does a decent job. The images though are very clear and crisp whether in black and white or color. You can even see the pencil marks on some of the pictures, which adds to the beauty of the images. After you finished enjoying all of his work, there is a great biography written about Jack to round up all of his work and delivers some great information about his career.  Fans of Jack’s and of art in general should definitely check this out if you are able to pick up a copy from Fantagraphics.