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Geoffrey Arend is known for his comedic roles in such films as “Super Troopers” and “The Ringer”. He is starring in the recently released horror film “Devil”. Movie Mikes had the chance to conduct Geoffrey’s first ever phone interview so it was an honor to speak with him about his roles and his new movie, “Devil”.

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Mike Gencarelli: You started your career as the stoner in “Super Troopers”, how did you get the role?
Geoffrey Arend: It’s funny this guy, Pete Lengyel, who is the Executive Producer on the movie, saw me in a play like two years before. He remembered me for two years and tracked down the pizzeria that I was working at in New York. He called me up like three or four times. Finally I called him back, I was like “Why is this creep calling me, who is this guy? He asked me to come and audition, which was pretty wild. I do not even think the casting director liked me, but the Broken Lizard guys did. Pete said “I am funding the movie, hire this kid!”. I only had one day on set for the first scene. They ended up calling us back then for the scene at the end. That first day was so fantastic, I have never been on a movie set before, it was pretty wild.

Mike Gencarelli: You stole the show in “The Ringer”, tell us about working on that film?
Geoffrey Arend: It was great. The Special Olympics were part of that movie, so half the cast was handicapped in some way. I have never had an experience like that before. I might have one or two great lines in the movie. For the most part I didn’t really have a part. Barry Blaustein, who directed it hired me. The movie was supposed to be made three years before it was made because I remember auditioning for it. When I auditioned in front of Barry, we were going through the script and at some point I was in character and I threw the script down in frustration. Barry is a funny guy, he used to write jokes for Eddie Murphy on SNL. Barry started asking me questions and I stayed in character and I started answering all of the questions. I was improving the whole thing for like five minutes. He called up and said “There are a couple of holes in the movie I want you to fill. I don’t have a character for you. I would love for you to play any of the characters in the movie but I really want you to come in and do what you did in that room for the entire movie”. The improv is difficult alone. But improv of a mentally handicap role, it was kind of making me a little crazy. You kind of can’t write it,  it is a kind of stream of consciousness. The ice cream line, “When the fuck did we get ice cream?” I remember I did it and everyone laughed, except Peter Farrelly. He started yelling “How am I supposed to make a movie, if everyone is going to laugh?!” I thought, “What happened, I finally came up with something that worked”.

Mike Gencarelli: You not only starred in “500 Days of Summer,” you also sang, did you enjoy working on that film?
Geoffrey Arend: I remember reading the script. After I finished it, I turned to my wife and said I really want to be in a nice movie like this. It was a really nice movie. I went in and met Marc Webb, who couldn’t have been a nicer guy. I went in three times. On the third time, I went in and read with Joe Levitt, who was awesome. The second time I went in, he made me do one of the scenes as an Indian guy. He was laughing so hard he fell off the couch and hit his head on the floor. [laughs] It was the craziest thing I have ever seen. I looked at him and said “I have to get this role now, right?” It felt like a bunch of romantics made this film, that is why it came out so nice.

MG: Tell us about you role of Vince in “Devil”?
GA: I have made it this far without saying much. I remember I had to sign this whole thing. M. Night will come and beat the crap out of me. I grew up in New York and I started out doing theater. I got married and the day after I got married, my wife left to do a movie and I went to Toronto. We didn’t see each other for two weeks from the day after we got married. I was in Toronto with these people and it was like the greatest thing that could ever happen to me. The whole movie was setup in one place. All of my scenes, except the entrance into the elevator, everything takes place in one little room. It was like theater. I was trying to figure out how to stand in a tiny room with four other people and how to make my body act in this tiny space. It was the best experience ever. The Dowdle Brothers are absolutely fantastic directors. I haven’t seen it myself but I am very excited to see it.

MG: You have done a lot of comedy, was it hard to switch to horror/thriller mode?
GA: I didn’t find it hard at all. It was one of those challenges you come home from everyday and you’re exhausted but you just wanna sleep because you worked to your highest ability. That was how I felt after that movie. Getting to the question, the comedy-drama thing, I go at it the same way.
You treat whatever situation you’re in realistically and to behave under the given circumstances realistically. I mean it is not any different than “The Ringer”. I can try and say a bunch of things that sound funny or I can sit there and try and figure out how my character’s mind works.

MG: On a scale from 1 to 10, how scary is this movie going to be?
GA: Depends if you are claustrophobic or how you feel about elevators. When we auditioned, we didn’t get the script. I think that is the standard practice with M. Night’s movies. When I read the script, I had the same feeling when I read “500 Days of Summer”. Two totally different movies but I thought it was going to be a really good movie. You never know how it is going to turn out but when I first saw the trailer I think they nailed it. It looked really scary. I think it is going to be up there, around 8 and up, just from the trailer.

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Danny Trejo is the star of the recent film “Machete”.  “Machete” is Trejo’s first starring role and starred off as a faux trailer from “Grindhouse”. Movie Mikes had a chance to chat with Danny about his new movie and his career.

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Mike Gencarelli: How did you originally get involved with Robert Rodriguez?
Danny Trejo: Originally I cast for a movie called “Desperado”. I walked into his office and he told me “You remind me of the bad guys in my high school”.  I told him “I am the bad guys in your high school” and we just hit it off.

Mike Gencarelli: Your character Machete was featured in Robert Rodriguez’ movies going back to first “Spy Kids”, how was that character created?
Danny Trejo: Robert Rodriguez told me about Machete when we were doing Desperado.  Everyone thought I was the star of the movie.  Nobody knew who Antonio Bandaras was.  Everyone was crowding around me and asking for autographs.  Robert came up and said, “Hey they think you are the star of the movie” and I told him “I am, aren’t I? and he cracked up.  He told me about this character Machete and said that I am perfect for it and that was 15 years ago.  He made me Machete as a joke.  He named me Uncle Machete in “Spy Kids”.  When we did the fake trailer for “Grindhouse” he said “At least we did the trailer, just in case we can’t do the movie”. Then the fans demanded we did “Machete”.  We got more response from “Machete”, then we did “Grindhouse”.

Mike Gencarelli: With “Machete” opening up number two in the country, you must be thrilled right?
Danny Trejo: Its awesome.  George Clooney had a bigger budget and his film, “The American”, opened up on a Wednesday.  We opened on Friday like regular and we came close.  Just to be in the room with George clooney is an honor.  I giggle everytime they compare us [laughs], I mean come on its George “Fucking” Clooney.

MG: What has been the hardest film that you worked on?
DT: I think “Machete” because I was there everyday.  Usually I come in two or three days.  I would kill a couple of people and call everyone motherfuckers and leave.  On this one I was there everyday and Texas had 70 days of over 100 degrees. It was pretty brutal.  It was my first lead and also the first Latino action hero.  It was fun but a lot of work.

MG: I hear your son and daughter are also in “Machete”
DT: I got my whole family in the business.  My daughter Danielle, was the machine gun toting mechanic.  When they gave her a machine guy, they asked if she knows how to use it and she said, “Yeah”.  Rodriguez laughed and said “Trejo’s Kid” [laughs]. My son Gilbert played Jorge in the movie but he didn’t have any lines.  It is so unbelieveable, he is 22 years old and putting me in a movie called “Skinny Dip”.

MG: Tell us about “Skinny Dip”, it also co-star Michelle Rodriguez?
DT: Yeah, It’s me and Michelle Rodriguez so far.  We just started working on it, we are trying to get Eric Roberts and some other people.  We’ll see, they’ll jump aboard.  It is going to be one hell of movie.

MG: You also play Johnny 23 in one of my favorite action films, “Con Air”, must have been a blast to work on?
DT: YEAH!! CON AIR!! [yelling]. Yep, that was the biggest test of testosterone that I have ever had in my life.  EVeryone was in competition.  If you would spit, somebody would spit further.  Pretty soon, 25 guys would be spitting [laughs].

MG: What else are you currently working on?
DT: We are getting ready to sell a movie called “Vengenance” right now, it should be coming out this October.  After this I am flying to New York for a premiere of a movie called “Modus Operandi”.  It was done by my son’s business partner.  He is name is Frankie Latina.  Yeah man, we are doing it all.

MG: You are also involved with some charity work, tell us about it?
DT: My wife and I have a foundation called Canine Compassion.  what we do is we help people that rescue animals.  We put up fundraisers and Jillian (Reynolds) is going to get involved with us from “Good Day LA”. It is great.  I also work with drug addicts at Western Pacific Medical Corp. You got to give back man!

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Electra Avellan is known best for her role of one of the Babysitter Twins in “Grindhouse”. Electra also appears in this year’s “The Black Waters of Echos Pond and “Machete” with her sister Elise Avellan. Movie Mikes had a chance to talk with Electra about her roles and how was is working in Hollywood.

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Mike Gencarelli: Tell us you involved working with Robert Rodriguez?
Electra Avellan: Robert Rodriguez was married to my Aunt Elizabeth and I have always have known him as my Uncle. When I was 16 years old, he thought I was too young for “Sin City” and too old for “Spy Kids”. He told us to work on our English and a few years later when my sister and I were 18, he asked us to come and audition for “Grindhouse”. I auditioned first and the role was originally only for one babysitter. My sister and I started arguing. He wrote down everything that we said and thought it was perfect. He was said he wanted us both in it and wrote the Babysitter Twins based off that.

Mike Gencarelli: You and your sister, Elise Avellan have appeared together in a few movies now together, how do you find it working with your sibling?
Electra Avellan: I love it, it is amazing. I have been working with her for as long as I can remember. My mom is a very well-known actress in Venezuela. She got us in the industry there and that is where we started. When we moved here, we got the opportunity to break into the industry together which was a great opportunity. We are seen as a package deal. Even though my sister is not 100% interested in pursuing the acting career at the moment, she is still open to working with me. She is my best friend.

Mike Gencarelli: We recently interviewed Sean Clark and you worked with him on “The Black Waters of Echos Pond”, can you tell us working on that film?
Electra Avellan: Sean Clark is a good friend of mine, I love him. We met a few years ago right after I finished filming “Grindhouse”. He told me about the convention scene and wanted me to work with him. I went to a couple conventions with him and loved it. He told me he has written a movie and wanted my sister and I to be in it. The movie was so good and the script was phenonomal. Sean is awesome to work with and it was such awesome experience. The director Gabriel Bologna is insanely creative, he has so many great ideas for the film. Sean Clark took all of his ideas and made it into an amazing screenplay and that is what you see in the movie.

MG: Are you a fan of the horror genre?
EA: Yah, tell me about it. I have never liked horror movies. I have though been drawn to “The Exorcist” and the Freddy Kruger movies. I have always liked but never watched all the time. I rather have scary than gorey. “Saw” movies are too much for me. “Hostel” movies are too much for me. I love the horror more now that I am apart of it though. It is not real, but I play with those emotions and I create awareness in different aspects of life. I love it, I just love it.

MG: You recently appeared in “Machete”, how was it working on that film?
EA: Oh my God, it was life changing. It was so incredible and amazing. Working with that cast was so great. Jeff Fahey is a good friend of mine and working again with him was awesome. Danny Trejo has taught me most of the things I know in the American industry. He has taught me so much. Lindsay Lohan is a phenonomal actress, I learned a lot from her. Robert Rodriguez was great, he treated me like a princess. It was a blessing.

MG: What else are you working on?
EA: I have two projects, the first is called “Perfectus” with Danny Trejo, Malcolm McDowell, Sid Haig, Dana Rosendorff and my sister and I. It is a sci-fi action thriller, you will love it. The other is called “Ushers” and it was written by Nicholes Cole and Jeff Tuttle. Lindsay Lohan and Edi Gathergi are in it with me and it is a really cool comedy/action movie about these kids in the 90’s that work in a movie theater and who start a gambling ring in the theater. It is so great. I can’t wait for you to see it. You will love it.

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Denise Nickerson is know most for her role as Violet Beauregarde in 1971’s “Willy Wonka and the Chocolate Factory”. With the 40 anniversary of the film approaching, Movie Mikes had a chance to chat with Denise and travel back in time to visit the set of “Willy Wonka” and talk about her experience on the film.

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Mike Gencarelli: Tell us about your experience working on “Willy Wonka”? Was it a positive experience?
Denise Nickerson: I was one of the few kids that had actually worked as an actor before “Wonka.” I had already been doing “Dark Shadows.” I used to get mobbed every day coming out of the studio. And I was also doing a Broadway show at night so I was getting up at five in the morning, going to the studio and doing “Dark Shadows.” I’d get off at four, go home and eat dinner, then go to the theater. I was getting home every night around eleven. And my schooling was all through correspondence. This was the late sixties so of course there was no FedEx. I would get a week’s worth of school assignments in the mail. And I had no tutor because a tutor wasn’t required in the state of New York. I would have to complete every single assignment and mail it back to the school. And I got straight A’s. I would usually do my work while doing the Broadway show. The more important role you had in a show decided what floor you were on. The stars were always on the first floor. I was on the fifth floor. And the performance is piped into the dressing room. So I’d do my homework while listening to the show and sometimes in the middle of a problem I would stop, run down five flights of stairs and do my three minutes. Then I’d run back upstairs, do some more math problems, listen and when it was my time again, out I’d go. It was an unusual childhood. When it came time for “Wonka,” I was so tickled pink when I went on the first interview because I was going to be able to work with kids. I started in the business when I was 2 ½ and I very rarely got to work with other kids. I worked with Henry Fonda. I worked with Margaret Hamilton. I worked with Lee Grant…Gig Young (note, with the exception of Ms. Hamilton all of these actors won Oscars). These were all adult actors. Very famous actors but still, they were adults. So when I got the script I was like, “Oh my God, there’s going to be kids and chocolate. How cool can that be?”

Then when I heard they were filming in Germany I thought, “Oh my God, a foreign country. I’ve got to get this role.” And when I got it I was over the moon. I went over and met the other kids and it was great. There was never the internal strife that you sometimes see with kid actors…or any actor for that matter. We became good friends and had a wonderful time. It was a great memory for all of us. They flew us back in 2003 for a documentary and we all stayed in the same hotel. You know how they say you can’t go back in time? I kid you not I was 13 again. We all picked up like we had just seen each other yesterday. Even though we were older and having different discussions, we were interacting the same way we did thirty some years earlier….what a legacy. I am so fortunate. What you see on screen does not mirror what I saw in reality. As beautiful as it looks on screen…the chocolate room was one entire building. It was a fantastic experience doing it and, almost forty years later….well I never get tired of it. How lucky was I? And how lucky AM I, to be a part of this legacy.

Mike Gencarelli: Were you familiar with the book “Charlie and the Chocolate Factory” before working on the movie?
Denise Nickerson: I actually read it on the plane over to Germany. I had just finished eight weeks in California doing one of the very first television movies of the week (“The Neon Ceiling”). I flew back to New York. I was there for 36 hours, just enough time for my mother to unpack my summer clothes, pack my winter clothes, and get on a plane to Germany. I arrived the day they were shooting the “I’ve got a Golden Ticket” scene. I arrived on the soundstage and, on a break, Mel Stuart (the director) came over to me and asked what shoes I had brought with me. For whatever reason we had to bring out own shoes. I only had one pair of winter shoes and he went off on my sister, who was my chaperone. “How could you only bring one pair of winter shoes!” But those were the shoes I wore. And during filming one of the shoes broke and new ones had to be ordered from New York. It’s funny how one pair of shoes can stick in your mind for so long. And they were ugly shoes. They looked like something the Pilgrims wore. And I wore them for eight weeks. And when the one broke I remember thinking “you can create a chocolate river but you can’t create a damn shoe?”

Mike Gencarelli: What was it like filming in Germany? Did you get to tour the country at all before/after filming?
Denise Nickerson: On the weekends my sister and I would go to Austria, which wasn’t too far of a drive. We saw some magnificent castles. I wanted to stop in London on the way back but I had another engagement book so there wasn’t enough time between when I left Germany and when I had to start my next arrangement. And I’ve always regretted that…I still want to go to London.

MG: Why did you chose to leave acting shortly after Willy Wonka?
DN: True story…I moved out to California when I was sixteen, which was probably the worse career move I could have made because I was close enough in age to 18 year olds, so they would hire 18 year olds instead of me. In New York there weren’t any of the Jackie Coogan/Child Labor laws at the time, so I was able to do soaps during the day, Broadway at night and I was able to work 18 hours a day. But when I moved to California the law there said I had to do four hours of school work, then four hours of work. So at 16 they were hiring the 18 year olds. It was really a bad career move. So I kind of limped along. I did a movie with Melanie Griffith and Bruce Dern (“Smile”)…I did “The Brady Bunch.” I did a few things but it was real sporadic. Which was fine because all I really wanted to do at this stage of the game was be a normal kid. I had been working, usually two jobs at a time, since I was 2 ½, plus going to school. So I hung in there for a few more years. I did my last film (“Zero to Sixty,” which starred Darren McGavin and Lorraine Gary) right before I turned 21. I had the lead role…I repossessed cars. The people at First Artists (the studio that produced it) decided to tinker with it and it was never released. So if you see it on DVD give it a look. It was 1978 and I knew that the average “life” of a television actress was about 10 years, which would have taken me to age 31. I had always wanted to be an attorney. However, because there were no Jackie Coogan laws in New York my parents had spent all of my money. And it was a lot. In a slow year like 1966 I made $46,000. But all of my money was gone and my hopes of being an attorney were dashed. So I’m 21 with no money to go to college. I know I need to get a job. Back then you didn’t need a college degree to get a position. It’s much harder today. But I realized that if I started at the bottom and learned through “on-the-job” training, I might be able to make it. I had decided I didn’t want to act anymore. So the first thing I did was go cut my hair. And my agent just lost his mind…as did my mother. But I went ahead and got a job. I’ve really had two very different lives. I had that life. And now I have this life. And I’m very blessed. I’ve seen both sides of the coin. I’m a very rich person. You know what’s really interesting about us “Wonka” kids? We still get along and we’ve all ended up pretty normal people. And we had a great experience. I mean, nobody got to see what we saw. Even if you see it on the big screen you will never be able to recreate what I saw. And I had the weirdest experience after I was done shooting. I’m back at school in New York and we’re at the Museum of Modern Art. All of a sudden some kids start pointing at me and I turn to my best friend and she says, “Oh my God, you’re turning blue!” I go into the ladies room and look in the mirror and everything…my face, my hands, my neck…is blue. So I was it off and go back out. A few minutes later I’m blue again! This went on for 48 hours. Finally I learned that the “blueberry” make up they had used in Germany had blue food dye in it and it was coming out through my pores!

I remember when I was in the blueberry costume, rather than have me get out and back into the costume Mel Stuart left me in the suit hanging from the rafters while we broke for lunch. He gave a crew member instructions to turn me 180 degrees every five minutes. So for five minutes I’m looking up at the ceiling, the next five minutes I’m looking at the floor.

MG: How long did it take to film that scene?
DN: A whole day of filming. Eight hours. The day before they had me lay down on a piece of paper and they did a tracing of my body. The next day I come in and there is a giant Styrofoam ball with a place for my body in the middle. It was like an Oreo. So they put me inside the ball. And after five hours of flapping my arms, I was pissed off! If you look at my face in the film, I am not acting…I’m pissed. And those damn Oompa Loompas did not have their blueberry drivers license so every time they’d try to push me out the door they’d lose control and I’d slam into the door frame. Every time it would happen I’d hear Mel yell, “Cut! Do it again.” And I’d think to myself, “you sons of bitches!” Watch the film…by the 32nd take I’m looking at these little guys and thinking “look here, ass holes, if we don’t clear that door frame I’m making you shorter then you already are!”

MG: What do you think about the Tim Burton/Johnny Depp remakes for Willy Wonka and now the confirmed “Dark Shadows” remake?
DN: That Johnny Depp is always on my tail. He’s trying to follow my life. He must ask himself what else can I do that Denise Nickerson did? It’s obvious that he’s trying to mirror my career! (laughs) The local television station filmed me going to the theatre to see it and talked to me afterwards. The Denver Post found out that the girl who plays Violet in the remake was also from Denver so they ran a story stating that Denver has cornered the market on blueberries.

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Paige O’ Hara is known for voicing the character of Belle in Disney’s “Beauty and the Beast”. She has since reprised that role numerous times for Disney. Paige is also a veteran of the New York stage, she made her Broadway debut playing Ellie May Chipley in the 1983 Broadway revival of “Showboat”. Since that she has been in numerous production including Broadway’s “Les Misérables”. With Disney releasing its timeless classic “Beauty and the Beast” on Diamond Collection Blu-Ray/DVD Combo pack release of on October 5th, Movie Mikes had a chance to chat with Paige about her career and her work for Disney.

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Mike Gencarelli: How did you originally get involved with Disney and become to wonderful character voice of Belle from “Beauty and the Beast”?
Paige O’ Hara: Well you know, I was working in New York as a Broadway actress for many years. I read about the movie in the New York Times and asked my agent to get me an audition. I went in and auditioned several times. It was odd because they would close their eyes when we would audition, then send the tapes back to the producers in in LA. Eventually the directors and producers came in and I auditioned in front of them and they would close their eyes again. So out of 500 actresses I was the lucky one to get the part.

Mike Gencarelli: You also have reprised your role as Belle numerous time in other Disney projects, how have you become connected to the character?
Paige O’ Hara: It is a lifelong effort. I am constantly recording different project for the CD-ROMs, the sequels and whatever comes up. It is kind of great because I made my voice higher when we started to record and Howard Ashman said “No no no no, we want that womanly sound”. That is why now as I get older I can still do Belle.

Mike Gencarelli: Are you excited about the release of “Beauty and the Beast” coming to Disney Bu-Ray?
Paige O’ Hara: Yes, I didn’t even have a Blu-Ray player. My husband went out and bought one. We watched it and after seeing the movie a few times, I was absolutely blown away by it. The clarity, the depth, the detail was just remarkable. It was something I had never seen before with the original. The technology has improved so much. What was so wonderful and as an artist, I also paint for Disney as well, I could look at the characters that were hand drawn and see details and little things like Belle blushing. These are little things you couldn’t see in the original DVD. It was remarkable. I really got goosebumps watching it.

MG: Was it fun having a cameo for Disney’s live action “Enchanted”?
PO: Oh I loved it! Wasn’t that fun?. I thought It was so great that the director Kevin (Lima), brought myself and Jodi Benson and Judy Kunn and we did little cameos. Actually Jodi’s part ended up being pretty big. It was great fun. I really enjoyed it. I got a lot of fan mail from it.

MG: Tell us about playing the role of Fantine in Les Misérables on Broadway for almost 10 years?
PO: It is amazing. It was a tough part to play. You were exhausted by the end of that play. Mostly when I was in New York for the first 15-20 years, most of the roles I did were comedic roles. Elle in “Showboat” and Ado Annie in “Oklahoma”. I did a whole series of Jerome Kern’s Princess Theatre shows before “Showboat”. We did those at Carnegie Hall. I kind of switched over and got to play “Evita” for quite a long time off and on at different companies. I changed over to being leading lady then.

MG: How did you realize you have such a beautiful voice, have you sang your whole life?
PO: Yes, pretty much so. As little kid, I was in acting class. I would sing and dance around the living room with my mom to show records, in particular Judy Garland, Barbara Streisand and Ella Fitzgerald. I probably realized around 10 or 11 years old that I actually had a voice. I had been already studying acting so then I started studying signing with an ex-New York opera performer who had retired in Fort Lauderdale. I worked with her and then went to a performing arts high school my mom was the director of in Florida, then went back to New York at 17.

MG: You just realized a new CD correct?
PO: Yes the CD is actually one that I revised. It is a lullaby CD for children. It is so funny, I have a lot of girlfriend that I work with at the Luxor that have children and little babies. They say that that CD just does the trick. One little boy that screams all the time teething, she put on the Merry-Go-Round song and she said it’s a miracle, it puts him right to sleep. That is a good thing. It is an easy listening CD.

MG: What else are you currently working on?
PO: I am currently working at the Luxor in Las Vegas, we are in our fifth year of “Menopause: The Musical”. I play the aging soap star. It is great. It is a great empowering point for women, it makes them feel great about themselves, makes them laugh a lot. It is really fun.

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Akihiro Kitamura has written, directed, and starred in two feature films, “Porno” and “I’ll Be There With You” (starring Daniel Baldwin). He was featured in TV shows such as VH1’s “New York Goes to Hollywood” and MTV’s “From Gs to Gents” and also NBC’s “Heroes”. His most recent role was in the horror film “The Human Centipede (First Sequence)”. Thanks to the beauty of Skype, Movie Mikes was able to get a chance to chat with Akihiro about his role in “The Human Centipede” and his career.

Click here to purchase “The Human Centipede” on DVD or Blu-Ray

Click here to purchase “The Human Centipede” on DVD or Blu-Ray

Richard de Klerk stars in the film “Repeaters” which is a gritty mind-bending thriller about three twenty-somethings living in a mandatory rehab who find themselves waking up to the same day over and over. The film will premiere at the Toronto Film Festival on Sept. 13th. Richard was last seen in the award winning film “Cole” and received a 2010 Leo Award nomination for “Best Lead Performance by a Male in a Feature Length Drama” for his portrayal of the title role. The film is being distributed by IFC Films and will be available on September 15th via their Sundance Selects label which is currently available in over 50 million homes across the United States. Movie Mikes had a chance to talk with Richard while he was attending the Toronto Film Festival to talk about his films and his love for movies.

Mike Gencarelli: You are in the “Repeaters”, opposite Dustin Milligan and Amanda Crew, tell me about the film and your role?
RK: “Repeaters” is a story about choice. It is framed in a rehab institute. Myself, Dustin Milligan and Amanda Crew are in a rehab facility and we are about try our step nine, which is about the people that we hurt. The day goes horribly and we are all in a horrible place.  That night we all get a shock of electricity. We wake up the next morning in bed, no memory of how we got there. We realize the day has started to repeat. The film takes a turn since we were unable to get away with things in the past, maybe we can get away with things now. I take kinda that a little too far at one point in the film. It becomes more about if you slate is wiped clean, do the consequences even matter? It is a thriller but it has that nice little drama element too. I think it will play really well.

Mike Gencarelli: You also server as producer on the film?
RK: I did yes, my sister and I took the reign on it. We actually have a production company that we formed a few years ago. The first film that we did together as a whole family, my mom, dad, sister and I was “Cole”. We did “Cole” with Carl (Bessai) as well. Carl and I were talking and we really enjoyed working together on that film and we said why don’t we do it again. He had a script optioned and we decided to do “Repeaters”. It was a really good experience producing. It was really cool playing the actor as well because it was something so different. “Cole” was such a heartfelt beautiful film and “Repeaters” is a great and dark but also beautiful film. So my producing role on both of them kind of took charge more so when the film was wrapped. For example finding deals in Vancouver for special effects or finding composers. It is really cool and I think it also makes you a better actor.

Mike Gencarelli: Are you exciting about the premiere at the Toronto Film Festival next week?
RK: I am very very excited and a little nervous. I do not think that is every going to go away. I was nervous last year when “Cole” premiered too. I think that is a natural reaction. I am very at ease now but I think that once the film starts I will be very nervous.

MG: Tell us about your film “Cole”, in which you play the lead?
RK: I play Cole in “Cole”. “Cole” takes place in Lytton, British Columbia, Canada. It is about three hours north east of Vancouver. He is a small town guy, a really good guy who has aspirations of becoming a writer. He drives three hours to the city every day and takes a writing course, under the objection of his sister who wants him to run the family gas station. Cole also helps his sister take care of their mother.  While following his ambition and taking the class he falls in love with an African American girl played by Kandyse McClure. It really becomes about balancing your life with your obligations, your family, your ambitions and your love.

MG: Has the film been released worldwide yet?
RK: “Cole” has played all over the world now. People in Moscow really responded to it. That is the power of film to me.  That is why I am in this business because if you can make a film that is so blatantly set in one location and it speaks to people on the other side of the world, that is really cool. Even though it was subtitled, all the laughs and emotions came through at the right time. Everywhere in the world, you have people who have ambition and who move to the big city against their family wishes who want them to stay in the small town. It is all about balance. Some people came up to me and said I went through that exact same thing. Hopefully people will say the same thing about “Repeaters”, I do not know about the day repeating but it would be kind of cool. It comes out on Sundance Select video on demand on September 15th.

MG: Do you plan on doing any more producing or perhaps directing?
RK: Yeah, I working right now on a documentary that I started shooting last year. It is about a charity based out of Holland, they are called Miles 4 Justice. They are a sailing team and every mile that they sail they raise money from pledges. I was just there recently and I had the kids filming interviews of each other. I am going to go through that footage pretty soon. It will be kind of an on going project. I am really excited.