- THE MARKSMAN
- Starring: Liam Neeson, and Teresa Ruiz
- Directed by: Robert Lorenz
- Rated: PG 13
- Running time: 1 hr 48 mins
- Universal Pictures Home Entertainment
Jim (Liam Neeson) s a former Marine who lives a solitary life as a rancher along the Arizona-Mexico border. But his peaceful existence soon comes crashing down when he tries to protect a boy on the run from members of a vicious cartel. And that’s pretty much the story here. Though Neeson gives a solid performance, the story may be a bit too formulaic.
Jim basically has had some rough times. He lost his wife to cancer, and his property is being foreclosed. All of this happens in the beginning of the film, so it’s hardly a spoiler. Jim spends his days sport hunting with his canine companion, Jackson. He’s excellent with a rifle, which earned him a medal in the Marine Corps. Jim reports anything suspicious to his step-daughter, a border patrol agent, whilst hunting on the grounds. A woman and her son are on the run from the Mexican drug cartel and Jim gets involved. What I do appreciate about this film is that it’s a road film. Like Rainman,” most of the film takes place on freeways, highways and small town bi-ways. And with the cartel in hot pursuit, you can rest assured that it’s going to be a helluva commute.
Now Jim’s life has taken a turn. He’s on the run with a kid (Miguel) who is stunned into silence due to his mother being shot by the cartel. Jim makes a promise to the kid’s mother to take him to her sister in Chicago. Unbeknownst to Jim, the cartel can track his whereabouts every time he uses his debit card with a sophisticated computer system. And so what follows is a series of close calls with the cartel and the bonding of Jim and Miguel.
Much of the film is uninspired as we have seen it before and as I previously mentioned, a bit formulaic. Screenplay is weak but the more interesting scenes are when Jim and Miguel are bonding. As I also mentioned, I personally love road films and “The Marksman” is a road film indeed. Here Neeson does put on a good performance with what little he’s been given. It’s just Liam fighting the baddies. They are now calling his films “Your yearly Neesoning”. Overall it’s worth a rental but it comes up short in comparison to “Honest Thief” and “The Commuter.”
Making of “The Marksman” featurette.