Being an Independent Artist or Signing with a Label – Which Option is Better for You?

If you want to get into the music business, two main options are open to you. You can start as an independent artist and build your own name, or sign with a major label. Each option has its pros and cons, and you shouldn’t assume that one is automatically better than the other. For instance, a lot of artists seem to think that record labels are obsolete when they could actually benefit from them. On the other hand, some people think that signing a deal is the only way to go when it could severely hinder their career. Let’s take a look at whether signing a deal or staying independent would be the best option for you.

Record Labels Can Stifle Creativity

If you’re a true artist, you might suffer under a record label contract. This is because the record company will eventually have the final say on what kind of work you can release. Not only that, but they may pressure you to create music when you don’t feel like it or simply aren’t ready.

You have to remember that you will become a commodity once you get signed, and one of the things record labels like to stress is that you have to remain fresh in the public’s mind. This is why you will have to be prepared to release work regularly or they might stop supporting you, and this is when bad things start to happen.

Not being able to release the tracks you want can also be very frustrating. Even if you create an absolute masterpiece, the record label may tell you that they don’t want it on your project. And the worst thing in all of this is that you may never be able to release the song. This is enough to send some artists into a deep depression. So, if creative license is extremely important to you, think twice about signing a deal.

A Record Label Can Give You a Mainstream Push

One thing you have to know, however, is that signing with a major label is still the only way to reach international superstardom. This is because major record labels have a level of access that independent artists and labels will never be able to get.

Some companies are under huge international conglomerates and can get you everything from TV show appearances, to interviews on major radio stations, sponsorship deals, and more. If you feel like you have the total package and the potential to be a big star, staying independent may limit your potential.

Independent Artists Often Make More Money

If your main goal is making money, however, then starting a label could be a much better option. Not only will you be able to release your music when you want and have complete artistic license, but you’ll also keep a much bigger slice of the pie. Not to mention that you’ll be able to sign other artists that you like and feel would fit with your brand.

You have to know that starting a record label is hard work and that you’ll need to have certain things in place first. First of all, you’ll need to hire a good entertainment attorney and an accountant. They are probably the two most important people as one will help you draft and understand contracts while the other will ensure that you always stay on budget.

You will also need to start your search for a good studio. Here, we would suggest that you look at a music studio like PIRATE. They have locations all over the country and offer tons of freedom to independent labels and artists. You can go in for a studio session at any time of the day and bring your own engineers without having to spend on equipment. They also have some of the best prices compared to any professional studio you’ll find out there. If this sounds appealing to you, you can click here to book a session and see what the experience is like firsthand.

Independent Artist Often Struggle with the Business Side of Things

You cannot build a record label and expect it to be successful if you don’t understand business. So, if you don’t have at least a basic formation, you will need to consider getting one right away if this is the path you want to take. You don’t have to get an MBA or anything, but you should at least complete a course that will teach you the basics of the music industry.

These are all things that you will need to consider before making your decision to sign or stay independent. Don’t hesitate to ask for advice from people in the industry and take the time to carefully weigh the advantages and disadvantages of both options.

Seminal Punk Artists CRASS to Release Crassical Collection; Featuring Collectible Editions of Classic Albums via One Little Independent

All Crassical Collection;Releases to Include Remastered Audio, Rare Tracks, New Art and Comprehensive Liner

One Little Independent Records has revealed details on the Crassical Collection, a collection of seminal avant-punk collective CRASS’ legendary albums, restored from the original analogue studio tapes.

Set for release in North America on October 30, the Crassical Collection includes Stations of the Crass (1979), Feeding of the Five Thousand (The Second Sitting) (1981), Penis Envy (1981), Christ – The Album (1982), Yes Sir, I Will (1983), Ten Notes on a Summer’s Day (1986) and Best Before 1984 (1986). Each of the records have been repackaged and bolstered by rare and unreleased tracks, and stunning new artwork from Gee Vaucher, who has lovingly created what could only be considered a true artifact.

The first six albums include two CDs, with the first disc being the main album remastered by Alex Gordon at Abbey Road Studios and the second being a mixture of rare live and remastered studio recordings. Each package also includes a fold-out poster and a high-quality 60-page booklet featuring all lyrics along with extensive liner notes from band members Penny Rimbaud and Steve Ignorant, which shed light on the making of the records.

The Best Before 1984Crassical Collection is brand-new and has also been remastered and features five fold-out posters and a 52-page booklet.

“Number seven – the one that almost got away,” CRASS’ Penny Rimbaud notes. “This final Crassical Collection double CD re-mastered by Alex Gordon and Penny Rimbaud at Abbey Road Studios in 2018 contains the original album plus a further album’s worth of related material; good, bad and indifferent. Half the band want it out, while the other half wanted out, but hey, here it is in all its glory.”

Pre-orders for the seven releases are available now via Amazon (see below for direct links).

Leading up to the release of the Crassical CollectionCRASS has embarked on the ambitious The Feeding of the Five Thousand Remix Project. Beginning in late 2019, CRASS took the step of making the original separate track stems of their seminal debut album The Feeding of the Five Thousand available as a free download. With a call to take the original 16 track recording in its pre-mix state, the intent was for people to create their own remixes and interpretations and breathe fresh life and ideas into this revolutionary music.

The resulting Normal Never Was series has just released its third installment, featuring remixes by legendary producer Steve Aoki and Japanese outsider musician Mikado Koko. All proceeds from the Normal Never Was series are being donated to the Refuge charity (www.refuge.org.uk).

“Different genre, different world, but common ground,” Rimbaud told Rolling Stone, which premiered Steve Aoki’s remix of “Banned from the Roxy” yesterday. “Steve’s contribution to the remix project defies the divide and rule notions of the governing classes and brings us together in a vibrant scream for liberation.”

Aoki added, “Remixing the legendary band CRASS was a big honor for me, and when they told me the proceeds from the remix would all be donated to a Refuge to help women in need my answer was an immediate yes. There’s a lot of people and problems that need our help and attention in this world, and I only hope that the money raised by this remix project helps to unfuck some of it.”

Watch the video for Aoki’s remix at https://www.rollingstone.com/music/music-news/steve-aoki-crass-banned-from-the-roxy-remix-1046805/.

Mikado Koko is a ground-breaking Japanese artist and musician stretching the boundaries of feminism and the avant-garde,” Rimbaud told Vive le Rock!, which debuted Koko’s “Asylum” remix. “No wonder, then, that she was drawn to remixing ‘Reality Asylum’ and thereby proving the universality of the liberationist cause.”

Check out the video for Koko’s remix at https://vivelerock.net/crass-remix-project-stage-3/.

Normal Never Was III is  available digitally at https://open.spotify.com/artist/0fchjvjsXNVrxJ98kdPxYX. Physical copies of Normal Never Was III will be available October 16. Pre-order now at https://www.olirecords.com/shop/crass/normalneverwas3/.The first two sets of remixes Normal New Was I and Normal Never Was II are available at https://crass.lnk.to/normalneverwas and https://crass.lnk.to/CrassNormalNeverWasII, respectively.

Join Rimbaud and Aoki for a livestream chat via Instagram Live on Monday, August 24 August at 4 p.m. EDT/1 p.m. PDT.

In addition to the CRASS releases, Rimbaud’s latest solo record, HOW?, also dropped last Friday. HOW? is available at https://oli.lnk.to/How.

Pre-order links for the Crassical Collection:Best Before 1984 (Crassical Collection)https://www.amazon.com/Best-Before-1984-Crass/dp/B07NR8KRDJ

Ten Notes on a Summer’s Day (Crassical Collection)https://www.amazon.com/Ten-Notes-Summers-Crassical-Collection/dp/B08FTBNGDN

Yes Sir, I Will (Crassical Collection)https://www.amazon.com/Yes-Sir-Will-Crassical-Collection/dp/B08FTF34ZZ

Christ – The Album (Crassical Collection)https://www.amazon.com/Christ-Album-Crassical-Collection-Crass/dp/B08FTH9KMV

Penis Envyhttps://www.amazon.com/Penis-Envy-Crassical-Collection-Crass/dp/B08FT8X8JK

Stations of the Crasshttps://www.amazon.com/Stations-Crass-Crassical-Collection/dp/B08FTBNGDM

Feeding of the Five Thousand (The Second Sitting)https://www.amazon.com/Feeding-Thousand-Sitting-Crassical-Collection/dp/B08FTHLN95

Patton Oswalt talks about hosting the 29th Annual Independent Spirit Awards

Back in 2006, the Independent Spirit Awards changed up their trophy system. Before 2006, winners at the awards show would receive an acrylic glass pyramid containing suspended shoestrings that symbolized the thin budget that independent movies would typically have to work with. They then changed it up to show a bird sitting atop of a pole with that the pole wrapped in shoestrings. So obviously the next logical step would be giving the winners a living, breathing bird. Right? Well that’s the plan at this year’s 29th annual awards. The host, Patton Oswald, was able to talk with me and other reporters at a press conference, to go over his avian stunt, comedic or not, as well as talk about what an honor it is to host this prestigious event.

Patton Oswalt is very familiar with the awards process. His first hosting duties were at the 39th annual Annie Awards where he was quick on his feet, especially when something went wrong, “I’m gonna be very, very aware if somebody reads the wrong cards. He read the wrong winner and I’ll try once again try to make a screw-up like that be delightful.” Even though he’s well known as a stand-up comedian, Patton has received recognition for his acting abilities throughout the years. Many people will remember him as the voice of Remy in “Ratatouille”, but his most recent portrayal as Matt Freehauf in “Young Adult,” landed him the New York Film Critics award for best supporting actor. So it’s understandable that Patton Oswalt would be ready to host the Independent Spirit Awards, but not a lot of hosts spend their time leading up to the awards preparing themselves for birds. but that’s what he’s been doing.

“I feel pretty ready. I’ve been down to the park a lot, chasing them around, yelling at them, so we’ll see,” Patton said jokingly. There should be no worries among animal activists or organizations. Patton says the birds will be well taken care of. The real challenge for him however, may actually be having to be around a bird, “I probably shouldn’t say this, but I have a paralyzing fears of birds…I don’t think it’ll affect my performance.” Patton says he wasn’t sure what kind of birds they would have though. Or even if they would be different for each nomination. He was sure that the winners would actually be able to keep their feathered prize, “They can keep them, they can set them free. Trust me, I know actors, I know directors, there’s all kinds of things they could do with birds, some I would rather not go into.” Patton said the birds will be cage free and actually be handled by the presenters and winners. With fears extinguished, Patton returned to the jokes by reassuring everyone that if anyone’s award…I mean bird…died days, months, or years later, the contingency plan would be to give the winner a baby cougar as a replacement.

It’s not odd for a comedian to host the Independent Spirit Awards. Previous hosts have included, Sarah Silverman, Steve Coogan and Eddie Izzard. When putting the jokes aside and getting to the meat of the night, anyone would gladly tell you they really look at the Independent Spirit Awards as a venue to see some great future filmmakers and actors as well as those who are deserving of some praise. Patton was no different. He really divulged a deep passion and appreciation for the awards, “For me, being the kind of film buff I am, this award show digs pretty deep into trying to find movies that took risks and rolled the dice. It rewards people that are clearly emerging that are going to be doing great stuff with their careers. What I also love is that they keep an eye open for veterans like Robert Redford and Bruce Dern who continue to take risks and seek out challenging, different material.”

Patton further proved his love for movies by rattling off some of his favorites at this year’s awards and he was not short of praise, “The crop of films they sent me was pretty stunning. ‘The Spectacular Now’ I thought was fantastic. I hope ‘Enough Said’ wins everything it gets nominated for. The documentary ‘The Act of Killing,’ I thought it was crucial. Hard to watch, but crucial. I really hope that Bruce Dern wins for ‘Nebraska’ because I thought he was just amazing. That guy’s had awards coming for a long time in my opinion, so that would be great.” Patton says he’s spent plenty of time catching up on movies and says that he was able to catch other award nominees like “Dallas Buyer’s Club,” “Short Term 12,” and the documentary “Computer Chess.”

With millions of viewers still choosing to watch the Oscars this year, it only seemed fitting that the last question for Patton Oswalt would be if the Independent Spirit Awards is a good predictor for the Academy. He didn’t shy away from the question, “I think it goes beyond that. I think that the Independent Spirit Awards are an important predictor of who you’re going to be rooting for in the Oscars, like ten years down the road. That’s what makes it so exciting for me, that this is like giving an award to Martin Scorsese in 1971 for ‘Who’s Knocking On My Door.’ You’re seeing people at the beginning of their, I’m going to use the word journey, but it really is. These are the future masters that you’re watching when they’re young and it makes it that much more crucial and stressful for me. I really want to do well by these guys because these are the people that are going to be making movies down the road that we’re going to be fighting over at the Oscars.”

For those interested (and how can you not be?), you can catch the 29th Annual Independent Spirit Awards on IFC, Sunday, March 1st. The fun begins at 10 p.m. EST/PST.

Demian Bichir Receives Nomination for 2012 Film Independent Spirit Award

DEMIÁN BICHIR RECEIVES NOMINATION

FOR 2012 FILM INDEPENDENT SPIRIT AWARD

Mexican Actor Up For Best Male Lead In “A Better Life”

LOS ANGELES, CA –   Mexican Actor Demián Bichir has been nominated for Best Male Lead for his role in A Better Life” at the 2012 Film Independent Spirit Awards. This is the first nomination for a Spirit Award for the actor.

A Better Life,  from Oscar nominated director Chris Weitz (“About a Boy), tells the story of an undocumented immigrant and hardworking single dad Carlos Galindo (Demián Bichir), who embarks on a physical and spiritual journey in order to reconnect with his teenage son and keep him from getting pulled into the local gang life.  “A Better Life” is a touching, poignant, multi-generational story that critics call “compelling”, “intelligent” and “heartfelt”.

The film was written by Eric Eason based on a story by Roger L. Simon.  Set in a Hispanic community and shot entirely in Los Angeles, the film features an almost entirely Hispanic cast and explores the culture and geography of Los Angeles.  “I feel honored to be a part of this movie, and to be nominated for this award. I am in debt to Chris Weitz, for having trusted me with this amazing character.  Nothing that is on the screen could have been done without Chris’s direction”, stated Demián Bichir.

Chris Weitz, also known for directing “Twilight: New Moon”, and “American Pie”, stated “Demián gave his heart and soul to give a voice to the voiceless, and I am delighted that the independent film community is recognizing his performance for this film.”

Winners will be announced at the Film Independent Spirit Awards on Saturday, February 25, 2012.  The 27th annual awards ceremony will be held as a daytime luncheon in a tent on the beach in Santa Monica, and the premiere broadcast will air later that evening at 10:00 p.m. ET/PT on IMedia.