- Starring: Emma Stone, Emma Thompson
- Directed by: Craig Gillespie
- Rating: PG-13
- Running Time: 2 hrs 14 mins
- Walt Disney
There is nothing cruel about watching the new Walt Disney prequel “Cruella,” starring former Academy Award winner Emma Stone in a role she absolutely nails. Unlike 1996’s “101 Dalmatians,” in which Glenn Close played Cruella with over-the-top, maniacal behavior, Stone infuses Cruella with emotional complexities that draw us into a character who becomes much more than a punchline. Ultimately, there is an almost Joaquin Phoenix-as-Joker vibe to Stone’s performance, just not nearly as dark. However, do not be worried, “Cruella” is not all doom-and-gloom as there are enough light-hearted and even tender moments to keep it from falling too far down the rabbit hole.
As a little girl, Cruella goes by Estella (Tipper Seifert-Cleveland, “Krypton”). Raised by her loving mother, Catherine (Emily Beecham, “Daphne”), Estella manages to get into a private boarding school. Her mother warns her, though, to not be rebellious and cruel, but the fashion curious Estella cannot prevent herself from getting into continuous trouble. Eventually, Estella wears out her welcome and is expelled.
Estella’s expulsion does not turn her world upside down. In fact, she views it as a new adventure complete with a new puppy she finds. However, reality of how cruel the world can be takes place when Catherine dies and Estella becomes homeless in London’s city streets when she encounters two young boys who are always up to no good.
Flash forward ten years later when the trio of Estella, Jasper (Joel Fry, “Game of Thrones”) and Horace (Paul Walter Hauser, “Richard Jewell”) are busy stealing from anyone they can. Yet Estella still has her eyes set on the world of fashion and a series of lucky events puts her into the employment of the most powerful fashion designer in London – The Baroness (Emma Thompson). At the pinnacle of her happiness, Estella learns a dark secret and Cruella begins to take over.
Stone has all the appearances of being born to play this role in what is an overall terrific origin story. Her portrayal never becomes too unhinged, and she even manages to do the previously unthinkable – make Cruella De Vil a sympathetic character. Of course, she was guided with the steady direction of Craig Gillespie (“I, Tonya”), had a fresh and inventive script to work with, and shared the screen with the equally fantastic Thompson who makes The Baroness about as unsympathetic and diabolical as they come. What should also be mentioned are the film’s fantastic costume designs which will hopefully not be forgotten about when Oscar season rolls again, not that more than 10 or 12 people will be watching it anyway.
Overall, “Cruella” is probably not for small children. Let them watch the 1961 animated version instead. Otherwise, “Cruella” is a wonderful, two-plus hour escape.