“Laurel & Hardy: The Essential Collection” 10-Disc Set Arrives October 25th

TIMELESS SOUND-ERA FILMS FROM THE LEGENDARY HAL ROACH LIBRARY DEBUT IN ONE EXTRAORDINARY DVD SET  FOR THE FIRST TIME IN THE U.S.

LAUREL & HARDY: THE ESSENTIAL COLLECTION

Digitally Remastered And Digitally Restored, Loaded With Over Two Hours Of Special Features, The Spectacular 10-Disc Set Arrives October 25 From RHI Entertainment And Vivendi Entertainment

UNIVERSAL CITY, CA – Celebrating the genius of the most beloved comedy team of all time, LAUREL & HARDY: THE ESSENTIAL COLLECTION debuts in a stunning 10-disc set on October 25, 2011 from RHI Entertainment and Vivendi Entertainment. With a comedic style that defined an era and created a legacy that is still celebrated today, 58 of Stan Laurel and Oliver Hardy’s talking shorts and feature films, produced under legendary movie mogul Hal Roach from 1929 through 1940, are now available for the first time in the U.S. all together in one magnificent collection.

Transferred in high definition for the first time and digitally enhanced for home viewing in the finest quality available to date, the set contains favorites that have been enjoyed for generations including Helpmates, Hog Wild, Another Fine Mess, Sons of the Desert, Way Out West, and the Academy Award® winning film The Music Box.

LAUREL & HARDY: THE ESSENTIAL COLLECTION comes housed in collectible, book-style packaging with an extensive, detailed film guide. The set also boasts over two hours of special features including exclusive, never-before-seen interviews with comedy legends Dick Van Dyke, Jerry Lewis, Tim Conway and more, who discuss the enduring impact and influence of Laurel and Hardy.

Additional features include commentaries by Laurel and Hardy aficionados, along with a virtual location map that allows viewers to take an interactive tour of the iconic places in and around Los Angeles where Laurel and Hardy filmed. Available for the suggested retail price of $99.98, LAUREL & HARDY: THE ESSENTIAL COLLECTION showcases some of the most cherished and hilarious films in cinema history and is a must-have for comedy fans and collectors everywhere.

“The Lucille Ball RKO Comedy Collection Vol. 1” DVD Giveaway [ENDED]

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Celebrate the 100th Birthday of the queen of comedy, Lucille Ball, with MediaMikes as we would like to giveaway ONE  copy of “The Lucille Ball RKO Comedy Collection Vol. 1” DVD. If you would like to win this, please leave us a comment below or send us an email and let us know your favorite female comedian. This giveaway will be open until Monday August 8st at Noon, Eastern Time. Once the giveaway ends, Movie Mikes will randomly pick out winners and alert the winners via email.

THE LUCILLE BALL RKO COMEDY COLLECTION VOL. 1
Long before she was crowned the queen of TV, Lucille Ball reigned as the “Queen of the Bs” for RKO Pictures, appearing in over 43 films in under a decade. Although she had yet to find her niche, Lucy’s prodigious talents, grace and charm as a performer found her much in demand across a wide variety of movies. This collection brings together three rarely seen cinematic treasures from Lucy’s RKO days, giving modern audiences a chance to witness a star on the rise. 3 Films on 2 DVDs.

FILMS INCLUDED:
GO CHASE YOURSELF (1938) Before she hitched her hilarious antics to Vincente Minnelli’s The Long, Long Trailer, Lucy joined Joe Penner and a slightly shorter trailer in this madcap romp. After bank robbers use her husband’s camper to cover their getaway, Carol Meeley (Ball) sets out to prove her hubby is far too dumb to commit a crime.

NEXT TIME I MARRY (1938) Lucy moves up to leading lady in this screwball comedy, served up with inspired humor by Garson Kanin in one of his earliest directorial efforts. In order to claim her inheritance, heiress Nancy Crocker Fleming (Ball) must marry a “plain American Joe.” So she does what any self-respecting debutante would do ­ she hires a husband.

LOOK WHO’S LAUGHING (1941) An alluring and glamorous Lucy enjoys top billing in this feature length satire based on the long running Fibber McGee and Molly radio series. Joining Lucy and the McGees (Jim and Marion Jordan) in this rollicking satire are Edgar Bergen & Charlie McCarthy, who see Fibber try to persuade an aircraft company to set up shop in the small town of Wistful Vista. James V. Kern, who would later direct I Love Lucy, pens the tale, while screen pioneer Allan Dwan directs.

WarnerArchive.com is thrilled to announce the DVD release of The Lucille Ball RKO Comedy Collection: Vol. 1 in honor of Lucy’s 100th Birthday. You can purchase a copy at: http://bit.ly/WAC_Lucy

“Laurel & Hardy: The Essential Collection” Announced Today!

TIMELESS SOUND-ERA FILMS FROM THE LEGENDARY HAL ROACH LIBRARY DEBUT IN ONE EXTRAORDINARY DVD SET FOR THE FIRST TIME IN THE U.S.

LAUREL & HARDY: THE ESSENTIAL COLLECTION

Digitally Remastered And Digitally Restored, Loaded With Over Two Hours Of Special Features, The Spectacular 10-Disc Set Arrives October 25 From RHI Entertainment And Vivendi Entertainment

UNIVERSAL CITY, CA – Celebrating the genius of the most beloved comedy team of all time, LAUREL & HARDY: THE ESSENTIAL COLLECTION debuts in a stunning 10-disc set on October 25, 2011 from RHI Entertainment and Vivendi Entertainment. With a comedic style that defined an era and created a legacy that is still celebrated today, 58 of Stan Laurel and Oliver Hardy’s talking shorts and feature films, produced under legendary movie mogul Hal Roach from 1929 through 1940, are now available for the first time in the U.S. all together in one magnificent collection.

Transferred in high definition for the first time and digitally enhanced for home viewing in the finest quality available to date, the set contains favorites that have been enjoyed for generations including HelpmatesHog WildAnother Fine MessSons of the DesertWay Out West, and the Academy Award® winning* film The Music Box.

LAUREL & HARDY: THE ESSENTIAL COLLECTION comes housed in collectible, book-style packaging with an extensive, detailed film guide. The set also boasts over two hours of special features including exclusive, never-before-seen interviews with comedy legends Dick Van Dyke, Jerry Lewis, Tim Conway and more, who discuss the enduring impact and influence of Laurel and Hardy.

Additional features include commentaries by Laurel and Hardy aficionados, along with a virtual location map that allows viewers to take an interactive tour of the iconic places in and around Los Angeles where Laurel and Hardy filmed. Available for the suggested retail price of $99.98, LAUREL & HARDY: THE ESSENTIAL COLLECTION showcases some of the most cherished and hilarious films in cinema history and is a must-have for comedy fans and collectors everywhere.

 

Interview with Giselle Fraga

Giselle Fraga is an up and coming Brazilian actress, who is making her American film debut in the upcoming “The River Sorrow”. The film also stars Ray Liotta, Ving Rhames & Christian Slater and will be released this June. Movie Mikes had a chance to chat with Giselle about her role in the film and what is upcoming in her career.

Mike Gencarelli: What made you come back to doing feature films?
Giselle Fraga: First of all, I always wanted to live in the USA and work there. I keep saying that, I have an American soul. When I was 18 years old and I was working as a model, I lived for two years in NYC. Unfortunately, I had to return back to Brazil cause my father was sick. By that time I was starting with my acting career. I obtained my first movie role in Brazil and never stopped working there.  So I had to give up of my dream to act in the US.  Now after ‘’The River Sorrow’’ experience I found a manager in LA., Bob McGowan. I believe in him and I want to work in the U.S. but I have a life back here in Brazil.  So I have to try and juggle both my career and personal life. When I have a chance to go there for auditions he will call me here and I’ll jump on the plane and go. I know it’s not easy but I have a lot faith in my heart that I still will do more films there and have a lot of experiences in my acting life. Also, it’s always a big challenge while acting to speak English, but I learn a lot as a human being.

MG: Tell us about your role in the film “The River Sorrow”
GF: Ana is a beautiful character. The writer Steve Anderson told me that she’s the heart of the movie. There’s a lot of violence and in the middle of all those killings, she symbolizes the love. If you see the movie you’ll notice that’s she’s also the light in the end of the tunnel. I had a wonderful experience playing Ana. I think it’s the kind of character that I wanted to portray. I learned a lot with her and I will take this forever with my soul.

MG: What was your biggest challenge while working on the film?
GF: When I read the script, I knew that she was a challenge to go through. Speaking good and understandable English was my biggest challenge. Also to be able to play with my heart and don’t be shy of working with the giants actors from Hollywood. In my humble experience, it was the first time for me as an actress. I left my whole life behind to live this character for real.

MG: How was it working with such a great cast, Ray Liotta, Ving Rhames & Christian Slater?
GF: It was the best experience off my life as an actress. All the cast was amazing to work with. They are all very professional people and it was amazing to see how dedicated they are to their  characters. I learned a lot by watching them everyday.

MG: Tell us about your role in the TV Series “Uma Rosa com Amor”?
GF: It was a great experience. I played a bipolar character. It took me a lot to learn about this subject and how painful it is for someone to leave everyday with no balance in life and taking strong medicines to take control of their own lives. To portray it was really hard and a it is a great experience that helped me to opened my mind and heart to share my love with all those who need a lot of love to keep alive and surviving with this sickness. I love being an actress and having the chance to pretend that I am someone else and to do things that I would have never experienced in my life.

MG: What do you having planned next?
GF: Well for now, I’m waiting for the movie to come out and them I can send my scenes to casting directors. I’ll possible stay in Brazil and act in another soup opera that’s coming up next July.  That is what is amazing about being an actress, is that you never know what comes next.

Interview with Gary Daniels

When you think of actions movies, you should be thinking about Gary Daniels.  He recently co-starred along side Sylvester Stallone in “The Expendables” and Wesley Snipes in “Game of Death”.  Gary took a few minutes to chat with Movie Mikes about working on his films and what he has planned upcoming.

Mike Gencarelli: Tell us how it working with Sylvester Stallone both acting and directing in “The Expendables”?
Gary Daniels: As you can imagine I was kinda excited at the prospect of working with the writer/creator of “Rocky” and the star of “Rambo” and I have to say working with Stallone didn’t disappoint . The man has an incredible energy, whether working out in the gym with him or working on set…the man is full of energy. He is constantly in motion but is very focused.  He knows what he wants, has a clear vision and knows how to get it. As an actor it instills confidence in you when your director is clear about what h e wants and how to go about achieving that result. He is a very intense director but I found him to be very open minded when I had any kind of suggestions about the blocking or the character. I found him to be very inspirational.

MG: What was the most difficult task of working on “The Expendables”?
GD: There wasn’t too much that was difficult about working on “The Expendables”, I have done quite a few action movies now. For me, as someone that has done leads and is used to having a lot of say in the choreography and direction of my fights, I would say the most difficult thing was not having any input in those areas.

MG: Tell us about working on the film “Game of Death”, does Wesley Snipes still have game?
GD: I was hired on “Game of Death” kinda last minute and the script was being re-written as we were shooting…which presented its own challenges. I wasn’t about to turn down the opportunity to work with Wesley Snipes, but I didn’t get to play the character of Zander the way I would have liked to.  But part of being an actor is being mailable and being able to accept direction, so I always give 100% regardless. It’s always fun playing the bad guy, especially one as ruthless as Zander. Plus its always educational when you have a chance to work with such experienced actors as Robert Davi and Wesley Snipes. Wesley was obviously going through turmoil in his life at the time we were shooting, so whether he bought his A game to the film or not I will let the viewers judge for themselves. He is obviously a talented individual or he wouldn’t have reached such heights in his career.

MG: You reunited with “Expendables” cast Eric Roberts and Steve Austin, in “Hunt to Kill”, tell us about working working on that film and with them again?
GD: Most of my scenes in “The Expendables” were with Steve and Eric, so we spent a lot of time together.  They are both very down to earth and funny guys, so we had a blast together. It was Steve that called me and asked me to work on “Hunt to Kill”, so it was an easy choice to say “Yes”. I didn’t have any scenes with Eric in “Hunt to Kill” but was with Steve most of the time. For a bloke that looks so big and intimidating he is one of the nicest guys you can hope to work with on and off the set. On this film I got to choreograph and shoot a fight between us. It is always a challenge to choreograph for the different kinds of athletes, actors, martial artists that you work with in films and this was no different trying to highlight both of our strengths as we are obviously from very different backgrounds.

MG: How was it working with Steven Seagal in “Submerged”, any cool set stories?
GD: ‘Submerged’ was not one of my favourite experiences, my character was originally very pivotal , but Mr Seagal had other ideas and in the end.  They might as well of hired a stuntman to play the role as all the dialogue and relationship between his and my character was cut. Well every actor has their own vision for their films and being the star of the film you will usually get your way so for me I just get on with it and do the best I can under the given circumstances. Actually most of the cast and crew were from England,  so we all had a blast on and off the set. Nuff said!

MG: Tell us about playing Kenshirô in “Fist of the North Star” and working with Tony Randel?
GD: I was a fan of the anime before I was asked to do the film. So I knew it was gonna be very difficult to translate the anime to live action, especially back in 94 before CGI had been so developed. But I loved the character that I wasn’t about to turn it down. The first challenge for me was the physical one, Kenshiro (like most anime characters) has an awsome, huge physique. So I began a regime of training lifting heavier weights than I had worked with before and went from 180 to 192 lbs. Trouble is we were working such long hours during the summer in a sweltering sound stage with no air conditioning, that as the shoot progressed I slowly lost all that weight as I couldnt get in the gym to maintain. I think Tony had a good vision for the film but he certainly wasn’t into martial arts and didn’t like to shoot the fights. He felt the heart of the story was the love triangle between Kenshiro, Shin and Julia and that by focusing on that it would elevate the film above being a mere ‘martial arts’ film. Personally I think the fans wanted to see Kenshiro kicking ass. Again different visions, but overall I like the film and the way it turned out. The trouble when making an adaptation of an anime or video game is that you have to try to make a film that appeases the hardcore fans but also makes sense to viewers that have no idea about the original source material…not easy.

MG: What has been the most difficult film that you have work on to date?
GD: Every film presents its own challenges. Coming from a martial arts background my hardest challenge is trying to convince producers/directors to take me seriously as an actor so sometimes I end up trying too hard. Then when I choreograph action its tough getting the powers that be to let me control how it is shot and edited. When I do the lead in smaller films, I  wish I could work on bigger films that get more exposure. When you get on bigger films but playing smaller roles,  I miss being involved in the film making process.  The grass is always greener on the other side. Some films you get along with everybody but some there is a clash with other cast members, as I say every film presents their own challenges.

MG: Tell us about some of your upcoming projects?
GD: I just spent three months in Thailand working on the 1st two parts of a trilogy , “The Mark – Light 777” and “The Mark – Bangkok Rising” with Craig Scheffer and Eric Roberts…yes Eric again. The 3rd part will be shot in Europe this summer. Next up will be the lead in a MMA project called “Forced to Fight”. I am also waiting to hear on a bigger project that goes this summer but its not locked so I don’t wanna say too much right now. I am training hard and reading scripts ,so as always in this business the future is never easy to plan.