I’m not a fan of ranking my top movies of the year. I haven’t done it for MediaMikes since 2019. Looking back, I would have switched out like three films on my best of that year, and years before, because, in general, your favorite films will sometimes reveal themselves over time. However, the ones I listed as the worst that year are still pretty damn bad and have aged like Demi Moore towards the end of “The Substance.”
Movies sometimes take a while to resonate. They need to marinate. Sometimes what we loved at the time loses it’s luster. Just ask the Academy how they feel about “Shakespeare in Love,” “Crash,” or “Green Book.” But 2024 has become a different beast entirely. I’m sure there’s various years like this past one, but 2024 has been weird because I’m not sure if I could rank my favorites film, much less condense my favorite films down to 10, which I generally feel like I can do soundly most years. Yes, you can call it a cop out or say I’m not doing my critical duty.
So, when I decided to make a top films of the year list for 2024, I felt like I needed to try and include a muddled mess because overall it was such a good year for film. It really was, I didn’t walk away from too many movies feeling like I had completely wasted my time or wanting to punch the director. The list below is made of films that deserve to be talked about or mentioned, but may not deserve the top spot. But honestly, would any of these films deserve the top spot? Which ones would muscle out others in a duke ’em out battle for the top 10? Seems unfair to me. So, without a futher ado…
Best Films of 2024 in No Particular Order:
“Furiosa”
What the hell happened to this? “Furiosa” came and went, and now it’s not even being mentioned in most critics groups or awards shows. Did we forget that Chris Hemsworth played a perfectly delusional wasteland emperor? Did we forget that George Miller is still an action scene aficionado that speaks volumes in chaos? If you need the perfect prologue to Miller’s magnum opus, “Fury Road,” then you need to sit your butt down and watch “Furiosa.”
“September 5”
In my review (which hasn’t been published yet) I mentioned my bias for this film, being a journalist and reporter. From the opening scene, my eyeballs were absolutely glued to the screen, so much so that I couldn’t pry them off until the credits began to roll. It’s not a film with stellar performances that will leave your jaw on the floor, or a story that you don’t know already, but it’s the riveting nature in which it tells the daily, if not minute-by-minute, ethical choices made in newsrooms everyday.
“Memoirs of a Snail”
I’ve never seen Adam Elliot’s prior films, but now I need to. I didn’t think it was possible for a stop motion animated film to not only spiritually break me, but build me back up again. “Memoirs of a Snail” is for the little guy, the weirdo, the outcast, the person that doesn’t feel like they fit anywhere in society. It speaks to us, and everyone actually, that we will find that person, thing or belief that will keep us going in a cruel world. Easily the most heart felt film of the year.
“Late Night with the Devil”
Part possession horror, part found footage, part late night parody, and part what in the hell just happened, “Late Night with the Devil” is David Dastchmalin’s feather in his cap. Shot like any bad late night talk show in the 70s/80s, this film keeps you guessing and has you biting your nails alongside Dastchmalin’s character. It drew headlines this year for it’s use of AI, but that’s just background noise, check this one out.
“Sing Sing”
I’ll go ahead and spoil something for you, (not the film) you’re not going to see “The Brutalist” on this list. I got what it was going for…art…the artist…humanity…but to me, “Sing Sing” was what “The Brutalist” was going for, with on-par performances and a runtime that didn’t leave me needing to piss twice. “Sing Sing” is compassionate, beautiful, and heartbreaking. Unlike “The Brutalist,” I left “Sing Sing” with a sense of hope that art could truly make the world, even if it’s just our own, a little bit better.
“Cannibal Mukbang”
Did this movie come out this year? Did anyone see this? Hell if I know. I saw it this past year at Kansas City’s Panic Fest this year, so it’s going on the list. You hear about how “no one makes films like this anymore.” That’s become so cliche I roll my eyes, but that is “Cannibal Mukbang.” It’s a genre blend that can make the case for not only being the best cannibal film of the year, but the best film about love this past year. Brave performances, a bold script, and a perfect reason to watch gooey gory schlock.
“The Wild Robot”
Just when you think you know what “The Wild Robot” is, it evolves. Without spoiling a single thing, I wasn’t expecting this movie to morph and shapeshift throughout its brief runtime so much. For a kid’s movie, this is pretty damn intelligent without boring the kiddos. Not only is the animation style incredibly gorgeous, but it’s the kind of film Pixar wishes they could still make. This and “Memoirs of a Snail” would have to duke it out for best animated film of the year.
“Nickel Boys”
In a year of memorable films, “Nickel Boys” carves out its own special place in your brain. Its visual storytelling is unique enough to be memorable, but it’s a story you won’t forget. It’s a tragic film about the human spirit and how optimism and pessimism both have a place in our world view. I do hope that a film like “Nickel Boys” not only reminds of America’s dark past, but how we’re still dealing with and handling those repercussions in our modern landscape.
“The Substance”
You know a film’s good when it’s lengthy runtime, in this case 141 minutes, feels brisk. “The Substance” isn’t just Demi Moore’s comeback, it’s a wild middle finger to society’s beauty standards. Sure, it’s about a Hollywood starlet, but Moore’s performance and role feels applicable to everyone. Sure, it’s ridiculous body horror in the vein of Cronenberg, but just like “The Fly,” it’s humorous and relatable, even when the guts come spilling out like a viscera volcano.
“Kingdom of the Planet of the Apes”
Just when you think the franchise couldn’t exist without Andy Serkis, a fourth installment comes along and continues its mind boggling effects and pertinent storytelling. While at first, it does feel like it’s missing a vital piece, this new tale with new characters pick up the slack and take us on a journey that’s filled with new moral quandaries, heart and a fresh sense of wanting to see where this story goes.
“Wicked”
Of course this is on here. It’s this year’s “Barbie.” While not as magnificently made as Greta Gerwig’s Mattel vision, “Wicked” is still a magnificent vision. Yes, I’m a sucker for a well-made musical, but this film really found that sweet spot between mainstream likeability and powerful messaging. I wasn’t even sold on the idea of this film, but about 30 minutes in realized I was dead wrong that anyone could bring the story to life in such a fantastic, rich way.
“In a Violent Nature”
As I stated in my review, is it possible to reinvent the slasher genre? It is the wheel of horror. While it doesn’t reinvent said wheel, it comes pretty damn close. It not only tells a great new slasher story, but deconstructs the slasher genre itself in a quiet foreboding way. In those long moments of silence and stalking, we’re able to reflect on the whys of the genre and why it continues to stand the stabbing test of time. Also, we get to watch some incredibly brutal kills.
“A Real Pain”
Me and my partner took away different interpretations of the ending as we left the theater. I’m not sure that was the film’s intention, but I think we both kind of reached the same conclusion without actually reaching that conclusion. This film is about the enduring power of love and humanity, and how it not only rings true in all our hearts, but echoes throughout time and generations. Also, Kieran Culkin is an absolute delight and deserves all the awards.
“I Saw the TV Glow”
Remember how I said time reveals your favorite films? While not initially sold as a great film after completing it, the film creeped into me over time. The aesthetic is a total fast ball pitch to Millennials like myself, but that wasn’t what stuck with me. Just like the main character, the movie poked at my regretfullness and how I perceive my own sense of personal growth. I’m middle aged and should have it all figured out…right? My nostalgia, my prior friendships and my unanswered questions continue to mold and shape me.
“The Apprentice”
I say this as apolitical as I can, but this might be the most glowing film about Donald Trump. Yes, the film still shows the Trump we all know, the adultering degenerate real estate tycoon who bullied his way to the top. But throughout the film’s runtime, we watch as Sebastian Stan becomes the man we all know, implying that Donald may not have always been the asshole we now know him as. It’s a shame Hollywood decided to hide this one because it’s legitimately good and the performances are next level.
“Anora”
Sean Baker, the co-creator of “Greg the Bunny,” has knocked it out of the park again with “Anora.” His slice of life films are some of the best in recent memory and this one ranks right up there with one of my other favorites of his, “The Florida Project.” I don’t know who Baker has for casting, but he’s always finding absolute diamonds in the rough. The cast, led by Mikey Madison, is absolutely flawless and the story is wild and melancholy.
“Joker: Folie à Deux”
I know what you’re thinking, “The shitty Joker sequel is on this list, but not “The Brutalist?”” Yes. Shoutout to John Waters for making me consider watching this film after it was absolutely review-bombed by critics and audiences. However, Joaquim Phoenix remains brilliant and Lady Gaga should probably play my insane ex in a film. Simply put, it’s an audacious toe-tapping middle finger to anti-heroes that makes us reflect on why we like them in the first place.
Honorable Mentions in No Particular Order:
“Didi”
“Alien: Romulus”
“Beetlejuice Beetlejuice”
“Infested”
“Challengers”
“Oddity”
“Hundreds of Beavers”
“Dune: Part Two”
“Azrael”
“Heretic”
“Queer”
“Deadpool and Wolverine”
“Monkey Man”
“Thelma”
“My Old Ass”
“Babygirl”
“Longlegs”
Final Thoughts
Horror is the real winner of 2024. Never have I seen such a quality range of widely released horrors ranging from bodily, slasher, aliens, ghosts and everything in between. Of course there were some stinkers, but that happens every year. It’s a topic for another day, but horror is simply a reflection of where we’re at as a society or culture. We see that horror leaking into other films on this list like “Memoirs of a Snail,” “Real Pain” and even “The Brutalist.” The horrors of reality, the horrors of our past, the horrors of those around us, the horrors of ourselves; the horrors of everything. 2024 is us screaming into the void trying to make sense of it all, just like this year’s best films.
Other than that, I’ll admit, there’s some controversial shit on my list. But you’re going to find that on everyone’s from 2024. It wasn’t necessarily a year where a handful of films rose above the rest to shout “Pick me! Pick me!” There’s films I didn’t watch and films that just didn’t click with me (yes…like “The Brutalist”). I do think 2024 will be a year where the Academy makes a selection that will not stand the test of time. The thing that does stand the test of time though…what resonated with you in these tough times.