Film Review “Grown Ups 2”

Starring: Adam Sandler, Kevin James and Chris Rock
Directed by: Dennis Dugan
Rated: PG 13
Running time: 1 hr 41 mins
Columbia

Our Score: 3.5 out of 5 stars

Ah, Adam Sandler. You have amused me for years with your comedy albums and films. You’ve even amazed me with some strong dramatic work (though, to be honest, when you’re working for Paul Thomas Anderson you’re pretty much working for the best). I’ve defended you over the years because, like your audience, I’m a 13 year old boy in an old man’s body. That being said, “Grown Ups 2” is one of your better films in recent years.

When we first met the cast they were assembling to attend the funeral of their childhood basketball coach. Lenny (Sandler) was a successful Hollywood player. Lamansoff (James) and Kurt (Rock) were family men and Marcus (David Spade) was a man-child who would sleep with anything. Some things never change. “Grown Ups 2” finds all four men now living back in their old home town. Where they had to experience the ups and downs of growing up now that rite of childhood goes to their children. Lenny’s kids get teased because of their past life in Hollywood but everyone, as is the fate of teenagers, have their own problems to endure. Those problems, and the lessons learned, form the basis for the majority of the film. A subplot, with an unruly group of college kids, led by a hilarious Taylor Lautner, forces the adults to deal with similar problems as they too are bullied away from their favorite swimming hole. Not a hard plot to deal with, to be sure, but it’s enough to keep the film moving.

Acting wise, the four returning stars (no Rob Schneider to occasionally yell “You can do it!” this time) have a great chemistry, no doubt built on by their personal friendships. Their wives (Salma Hayek, Maria Bello and Maya Rudolph) have learned to accept their mentally under-developed men because, when it comes down to it, they’re excellent fathers. Or at least try to be. As in most Sandler films, the cast is loaded with “regulars:” pals Nick Swardson, Peter Dante, Allen Covert; “Saturday Night Live” vets like Tim Meadows, Jon Lovitz and Colin Quinn. Even some of his sport buddies, including Dan Patrick, Chris Berman and Shaquille O’Neal make an appearance. Enough famous faces to keep the audience buzzing each time a new one popped up. Some of the gags are childish but really, isn’t that why you go to a movie like this in the first place? I know that’s why I do.

TV Film Review “Our Wild Hearts”

Starring: Cambrie Schroder, Ricky Schroder and Cliff Potts
Directed by: Ricky Schroder
Rated: PG
Running time: 1 hr 30 mins
Arc Entertainment

Our Score: 4 out of  5 stars

In this summer of big blockbuster films with robots, monsters and men of steel you may need a break from all of the loud noises and bright lights. May I suggest “Our Wild Hearts,” a quiet family film with a message which will next air on the Hallmark Movie Channel next month?

Willow (Cambrie Schroder) is a 15 year old, Malibu-raised girl. She lives with her single mom and spends her days attending dance class and hanging out at the beach with her friend Zoe (Veronica Dunne). Zoe is the typical spoiled rich kid, constantly complaining about how her father keeps tabs on her but relenting on going to lunch with him because he’s giving her very own credit card. Willow tries to listen like the best friend she is but inside she pines for the father she’s never known. She has tried to talk with her mom Katie (Angela Lindvall) but the conversations never get far. One day she finds a box in her mother’s room containing unsent letters and a picture of a cowboy. Confronting her mother she learns her father worked on a ranch that Katie once visited. His name is Jack and he doesn’t know he has a daughter. Yet.

Beautifully photographed, “Our Wild Hearts” is Ricky Schroder’s strongest work yet from behind the camera. A true family project (director Schroeder produced and co-wrote the film with his wife, Andrea and several of his children have roles in the film), “Our Wild Hearts” is really two stories with the same message: to follow your destiny no matter what. The “hearts” in the title belong to both Willow and a beautiful wild stallion named Bravo. Jack is intent on catching Bravo in order to sell him while Willow wants to let him run free. Father and daughter butt heads often, not only with each other but with nearby rancher Grizz, played by Martin Kove in full “Karate Kid” villain mode. Grizz and his boys (played by Luke and Holden Schroder) try every means necessary, be it horse, jeep or helicopter, to capture Bravo while all Jack has is his lasso and Top (Potts) his partner in the ranch. Once Bravo is captured the film addresses the question of whether wild animals should continue to run free or be broken and sold. This question only leads to more and the answers are what carry the film to a satisfying conclusion.

The cast is solid, with Cambrie Schroder giving a winning performance in what could have been a very cliché’d role. Hers is the spirit that carries the film and it is amazing that this is her first acting gig. I predict many more in her future. Ricky Schroder is equally good and the natural chemistry between he and his on and off-screen daughter is visible. Potts, in his first performance in over a decade, is quick with fatherly advice while Kove is easily the father nobody would want. The scenery is postcard-perfect and the musical score by Michael Lord helps drive the story.

The film next airs on August 2,2013 on the Hallmark Movie Channel. For more screening information go to www.hallmarkmoviechannel.com

Film Review “Stuck In Love”

Starring: Greg Kinnear, Lily Collins and Jennifer Connelly
Directed by: Josh Boone
Rated: R
Running time: 1 hr 37 mins
Informant Media

Our Score: 3.5 out of 5 stars

A young man daydreams in class, staring at the beautiful girl sitting next to him. His thoughts appear on screen. Yes, he is a writer. One day he hopes of achieving the level of his idol, Stephen King. But first he has to write something.

A true ensemble piece, “Stuck In Love” is a well intentioned film that comes across at times more as a novel then a movie. This could be due to the fact that first time writer/director Boone wanted to be a writer. He too has a thing for Stephen King so it’s obvious that the daydreaming young man, Rusty (Nat Wolfe) is his alter ego. Rusty’s father, William (Kinnear) is a successful author and his sister, Samantha (Collins), has just sold her first book. To the same company that publishes King. As Thanksgiving approaches the three begin preparations for their dinner. William sets an extra place for his ex-wife, Erica (Connelly) who left him three years ago and is re-married. William is convinced that she will one day return. Samantha hasn’t spoken with her mother for over a year, fueled by the sadness her father feels. Things aren’t helped by the fact that William will occasionally drop by Erica’s house and peer into the windows. When he sees her fighting with her new husband he’s emboldened, but then quickly deflated as they make up and embrace. Rusty is looking for love, Samantha is dead set on avoiding it. And William is willing to wait for it to return.

A little heavy-handed at times, “Stuck in Love” is saved from the maudlin pile by its stellar cast. Kinnear is quite vulnerable here, a man who lost his will for writing when his wife left. As his children, Wolfe and Collins play well off of each other like water and oil, though they have more in than they may want to admit. Both discover, in their own ways, their first loves, and they are changed by the experiences. As Kate, the object of Rusty’s affection, Liana Liberato is often heartbreaking. Her life hasn’t been easy and it’s hard for her to accept the fact that Rusty loves her for HER, not for the ulterior motives others have in the past. Samantha meets a fellow member of one of her writing classes, Louis (Logan Lerman). He is the opposite of Samantha, or so she thinks. But he eventually finds a way to get under the armor she’s put up around her.

Two subplots throw the film off track. One, concerning Louis’ ill mother, feels like an afterthought and really just a way to get the young couple to connect. Another introduces us to Kristen Bell as a married woman who stops by periodically for some “friends with benefits” action with William. I’m sure if this had been a book these points may have been expounded on but, as they are, they’re really mild interruptions of the main story. Maybe Boone will take the time and publish it some day.

Film Review “Despicable Me 2”

Starring the voices of: Steve Carell, Russell Brand and Kristen Wiig
Directed by: Pierre Coffin and Chris Renaud
Rated: PG
Running time: 1 hr 38 mins
Universal

Our Score: 5 out of 5 stars

I have so many great memories of “Despicable Me” that I was almost frightened to see the sequel, which, in a lot of instances, are not as good as the original. Happily I had nothing to worry about!

Now “retired” and raising his new family, adopted daughters Margo (Miranda Cosgrove), Edith (Dana Gaier) and the always adorable Agnes (Elsie Fisher), the once evil Gru (Carell) is recruited by Lucy (Wiig) an agent from the Anti Villain League, to help defeat a new bad guy, voiced well by Benjamin Bratt, subbing for Al Pacino who left the project a few months ago. Aiding Gru in his new mission are the lovable Minions (Kevin, Bob, Stuart), whose constant good humor and quirky language would put a smile on even the most miserable person’s face. The Minions are truly one of the greatest creations in animation history. That Gru can tell one apart from the other only makes them that much more fun! There are also a group of feral Minions, a purple toned band of misfits as equally entertaining as their counterparts.

Like its predecessor, “Despicable Me 2” is full of little bits for both the kids and adults. Think of it as a modern take on the old “Rocky and Bullwinkle” show, which was known for its blend of humor that entertained all ages. The voice cast is perfect, with Carell leading the way with his somewhere-from Europe accent and Uncle Fester appearance. Wiig gives Lucy a sweet quality that jumps off the screen. And good for Benjamin Bratt, for delivering a complete performance and doing it in only a matter of months. I have no idea why Pacino walked but he missed out on being part of a very special film.

The production values are outstanding, with the animation literally jumping off the film. THIS is what 3D should be. In fact, the 3D that accompanies the end credits is better than all of the 3D I’ve seen in other films this summer put together.

A joyful delight for the whole family, to not see this film could very well be considered Despicable!

 

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Media Mikes Heads to Radio in Kansas City and Florida

With the overwhelming success of the weekly “Behind the Mikes” Podcast, it’s only fitting that Media Mikes now represent themselves over the airwaves. This week listeners in Kansas City will get a chance to hear “Movie” Mike Smith as he discusses current and future trends in movie-going on the KMBZ Business Channel (1660 AM). He will appear on The Kansas City Power Lunch program, hosted by Krista Klaus, beginning at 11:45 a.m. (CST) this coming Wednesday, July 3rd.

On Saturday morning, July 6th, he’ll be heard on the inaugural broadcast of Dispatch Radio, which will be broadcast on the following stations in Central Florida: WTAN 1340 AM, WDCF 1350 AM and WZHR 1400 AM in the Clearwater, Lakeland, Zephyrhills and greater Tampa Bay area on the Tan Talk Radio Network. The program begins at 8:00 a.m. (EST). Smith will be a regular contributor to the program, offering reviews and commentary on new film releases.

Steven Bauer talks about “Scarface” and new show “Ray Donovan”

Long before Steven Bauer was a star I was a fan. I caught him on an early 80s HBO program profiling young actors and something about him just stood out. Then and there I made a conscious effort to follow any career he might have. It turns out he’s had a great one.
Born in Cuba, Bauer and his family fled the island in 1960 as Fidel Castro was coming into power. His father was a pilot and later flew missions for the C.I.A., including during the Bay of Pigs crisis. A talented musician, Bauer hoped to pursue a career as a singer. However, he discovered acting in junior college and hasn’t looked back. Best known for his star-making turn in “Scarface,” he has appeared in such films as “Running Scared,” “Primal Fear” and the Oscar-winning “Traffic.” On television he’s had roles in popular shows like “The Rockford Files,” “NYPD Blue,” “Burn Notice” and starred in the fourth season of “Wiseguy.” This coming Sunday you can catch Mr. Bauer in his new project, co-starring alongside Live Schreiber in the new Showtime presentation “Ray Donovan.”

While promoting his new show Mr. Bauer took the time to sit down with Media Mikes to talk about working with his idol, network television and why, three decades later, “Scarface” is still going strong!

Mike Smith: I have to tell you that I was a fan of yours before you even made it big. I caught you on an HBO special that was profiling up and coming actors in the early 80s when you were going by the name Rocky Bauer. It was all about you trying to make it as an actor. I remember going to see “Scarface” and when you first came on screen I leaned over to my wife and said, “Look, it’s Rocky Bauer!”
Steven Bauer: Oh my God, I’d forgotten about that show. It was called “So You Want to Be a Star.” (NOTE: I’m so glad Mr. Bauer remembered this show. I can find no mention of it ANYWHERE on the Internet. The show followed Mr. Bauer, Melanie Griffith and a third person – – I’m assuming they didn’t make it or I’d have remembered them – if I’m wrong and it was someone like Bruce Willis my apologies- – as they went through the rounds of auditions while trying to make a living as an actor. As someone that had those same dreams 30 years ago the show really resonated with me) That’s so funny. I remember the producers approached me…I don’t even know why they approached ME…I had already done a TV movie (“She’s In the Army Now” – a film from 1981 that starred up and coming stars Melanie Griffith, Jamie Lee Curtis and Kathleen Quinlan). That’s where I met Melanie (NOTE: Mr. Bauer and Melanie Griffith were married in 1982 and divorced in 1987 – they have a son, Alexander). I had also done the television series “From Here to Eternity” with William Devane (NOTE: the 1980 series, based on the Oscar-winning film, also gave early roles to such future stars as Kim Basinger, Michael Jeter and Don Johnson). Anyway they asked me if I wanted to be one of the people that they profiled. I said, “sure…I guess.” And I remember…it’s probably hoaky now…that I thought it was kind of cool then. They’d take shots of me studying a script. Doing my lines out loud. Which was weird because I never did stuff like that. Especially in profile. They’d say, “we need you to pose while you’re reading.” Melanie used to get a kick out of it. She’s in it too.

MS: I know. I can’t remember who the third person was but you and Melanie sure fit the bill.
SB: (laughs quite heartily) Wow. That’s funny.

MS: Give us a little info on your new show, “Ray Donovan.”
SB: I think it’s a great show. And I think it’s going to be one of the big ones…I have a pretty good eye for this stuff (laughs). Ray Donovan is a tough guy from Boston – Irish-Catholic – who moves his family to L.A. and goes to work for an agency that “fixes” the problems of celebrities and powerful people. His job is to take care of the situation before something like TMZ can expose it. His method is simple – whatever it takes. He can be brutal and very “take charge” but he can also be very compassionate. And that’s the interesting thing about the character that I think will distinguish him. He’s really complex. To his family he’s also an enigma because he’s not home a lot. His wife wants more out of life. They live in the suburbs and she wants to move to where the action is. So Ray Donovan is a guy with a lot of pressures. But he handles them well. I play Avi, one of his assistants. Avi is the action guy, especially when a situation requires a little “force.” It’s a very complex show…it’s about family and lifestyles…greed and corruption…weakness…betrayal…it’s really interesting. It’s very realistic. Very hard hitting. The writing is brilliant. And we don’t have to hold back because we’re on Showtime. The other actors and I have shared with the writers that we’re in a very fortunate situation to be part of the Showtime family. There isn’t any pressure to be politically correct. We don’t have to stay away from certain themes…we don’t have the restrictions of network television. We also don’t have the pressure of having to shoot for ratings. We don’t have to alter the content in order to garnish ratings. The show is going on the air and it’s going to play. And I know the audience will find it.

MS: Were those reasons part of what attracted you to the project?
SB: Yes! First of all, the writer, Ann Biderman, is an old friend. I was very fortunate to appear in one of her early films…one that was truly one of her shining moments…”Primal Fear” (NOTE: Ms. Biderman has also penned the screenplays for films like “Copycat” and “Public Enemies.” She also won an Emmy for writing an episode of “NYPD Blue”). I was fortunate to be in the film and I got to meet Ann. It turns out she’s also from Miami, as I am. She remembered me and asked me to audition for Avi. He’s not Hispanic, he’s Israeli. I’ve done three films in Israel so she knew I could do the accent. All of that appealed to me. I’ve had opportunities in the past to be on network television and they’ve been very frustrating and very, very sad. I told myself I’d never do that to myself again…take a job that had “conditions.” You put all of your heart and soul into something and then it just ends. It’s a horrible feeling. That happened to me on “Wiseguy.” I did nine shows but after they aired two the boss of the network decided the show wasn’t going to find an audience. HE decided. (NOTE: After three seasons as Vinnie Terranova, an undercover agent infiltrating organized crime, actor Ken Wahl opted to quit “Wiseguy.” When season four started Mr. Bauer starred as a former US Attorney who had been in contact with Terranova). There was no changing his mind. One day they just told us to stop working and go home. That’s just the worse thing in the world to hear. Showtime has some great people.

MS: You made your feature film debut as Manny Riberra in “Scarface.” So for your first movie your being directed by one of the best directors around (Brian De Palma) and acting with, arguably, one of the greatest actors EVER (Al Pacino). What was your first day on the set like?
SB: (laughs) It was an very auspicious debut! On the first day I remember being very, very focused. My training was solid and I was prepared, mentally. I had been in Hollywood…had gone back to New York. I was working for a living. I was three or four years into my acting career and I had no delusions of stardom. But I knew I had to get into a really good, creative situation. I wanted to make my film debut in something really strong…creatively strong. And I was fortunate because I was in the right place at the right time. They were looking for me. They were looking for ME. And I was ready to deliver. And the concept…to be put next to one of my idols…Pacino and Robert DeNiro were my idols…I’d say to myself, “Jesus, I want to be THEM. That’s who I want to be…that’s how good I want to be.” Now all of a sudden I’m working with Al Pacino. He was my partner. And he used me. As I was learning from him he was learning from me. I was able to offer him an insight into that culture. The Cuban culture. And so we would bounce off of each other perfectly. I didn’t have time…I couldn’t afford to be nervous.

MS: “Scarface” will celebrate its 30th Anniversary in December. Why do you think the film is still an important part of popular culture today?
SB: I think it’s because it’s very consistent in its tone. It has a very specific tone that’s humorous as well as heavy. It’s brutal but there is a weird sense of humor that we were able to find that has appealed to each generation. The only people it didn’t appeal to were the critics at the time it came out. But their thoughts were influenced by political correctness. At the time it was released there was a backlash against violence in films. So when “Scarface” was released there was a tremendous backlash from the journalistic corps. The people who saw the movie…the PEOPLE who saw the movie, even our peers…had a tremendously positive response. Put that up against the almost 90% negative response from the film critics. And those reviews killed us. It was such a blow. There was no Internet then. You couldn’t have that instant response from the audience…people blogging that this was an amazing movie. What we had were the newspapers saying “this is a piece of ****! These people should go back to film school and acting school.” It was terrible. It was so vicious and so personal. It’s amazing that it survived those years and now has basically been re-claimed by the Hip-Hop generation. It was brought back to the forefront of pop culture and then people started seeing it without the trappings and limitations…by the thought of the day. They saw that what it was was a really good movie and a really great depiction of the rise and fall of a very bad man. It’s really a very moral picture.

MS: You’ve done a lot of voice work for video games (“Scarface: The World is Yours,” “Behind Enemy Lines: Columbia”). Does that require a different “kind” of acting then film or television?
SB: Video games require a lot of energy and a lot of concentration. It’s not normal acting at all. Plus some of them are motion capture. You have to wear a suit of lights. It’s like nothing else. It’s more like pantomime. Plus it’s a big demand on your voice. I did one where I just worked for 20 minutes. But in those 20 minutes I had to do so much…calling out, shouting…it was redundant. “Get over here! Get over here now!” Having to scream it over and over. And nobody knows it’s me! What’s ironic is that I don’t play video games. But I’ll be out somewhere and someone will recognize my voice and say, “Hey man, you’re in that game!” Yep, that’s me.

MS: Besides “Ray Donovan,” what else do you have coming up?
SB: Well a couple of films that I’ve done recently are beginning to see the light of day. I had a film play at Cannes (“Five Thirteen”) that stars me, Tom Sizemore and Danny Trejo. It’s a great heist movie and I have a cool role in that. I’m also in a film that should get some attention at the Toronto Film Festival called “The Lookalike,” made by an Australian director named Richard Gray. It’s got a great cast – Gina Gershon, John Corbett, Justin Long – it’s really a dark, dark movie. I’ve also got a film coming out August 23rd which deals with MMA fighting called “Chavez Cage of Glory.” And Danny Trejo’s in that one too.

Film Review “The Heat”

Starring: Sandra Bullock, Melissa McCarthy and Jane Curtain
Directed by: Paul Feig
Rated: R
Running time: 1 hr 57 mins
20th Century Fox

Our Score: 4 out of 5 stars

FBI Special Agent Sarah Ashburn (Bullock) is a strictly by-the-book person. Confident in her talents, her demeanor doesn’t win her friends among her fellow agents. She’s such a loner that her only friend is her cat, Pumpkin. Check that. Pumpkin is her neighbor’s cat. With a promotion in mind she heads to Boston to help track down a drug trafficker. There she finds herself saddled with a partner, Shannon Mullins (McCarthy). She’s one of Boston’s finest though she’s about as popular with her co-workers as Ashburn. She also has popularity problems with her family. Sadly, her brother Jason (Michael Rapaport) is in prison. Even sadder? She put him there!

A high octane comedy with plenty of firepower, “The Heat” is a buddy film you’d expect to see a couple of A-list actors in. And you do. Only this time, instead of Sly and Arnold or Chris and Jackie or Mel and Danny (ok, you’re probably not going to see Mel and Danny together again) you get Sandy and Missy! And both are at the top of their comedy game here.

It’s almost fitting that in this season of tornadoes Hollywood releases a new film with Melissa McCarthy in a starring role. Since she hit it big with her Oscar nominated turn in “Bridesmaids” she has blown through multiplexes like the F-5 in “Twister.” She is truly a force of nature. Here she is given the chance to take no prisoners and she doesn’t disappoint. Bullock is just as good, especially Shannon begins to school her on the ways of the street. Supporting work by Rapaport and Marlon Wayans is solid. Look for Tom Wilson (Biff from “Back to the Future”) as Officer Mullins’ boss. And what a treat it is to see Jane Curtain on the big screen. One of the greatest comediennes of the past three-plus decades, it’s almost as if she’s passing the torch to one of the greatest new comediennes on the scene.

The script is sharply funny, with the contrasting styles (what is this, “Training Day?,” Bullock asks as McCarthy attempts to bond with a drug dealer) of both leads front and center. First time feature screenwriter Katie Dippold honed her talent writing for “MAD-tv” and “Parks and Recreation.” She apparently caught the studio’s eye as “The Heat 2” has already been announced. Sorry gentlemen, looks like it’s time for the ladies to rule!

311 to Kick Off Unity Tour 2013 in Kansas City

311, Cypress Hill and G Love & Special Sauce will join forces for Unity Tour 2013, which kicks off this Tuesday, July 2, at the Starlight Amphitheatre in Kansas City. This marks the 11th consecutive summer that 311 has headlined amphitheatres with their summer Unity Tour.

This year’s installment of the annual summertime trek hits amphitheaters nationwide through August 4th. Tickets for select shows are now on sale starting April 12. On-sale dates listed at www.311.com/shows.

After years of incessant touring, 311 have developed a reputation as one of the most entertaining live bands in the U.S. Their celebratory live shows and hybrid sound have earned them a massive grassroots following and a catalog of modern rock hits, including “Down”, “All Mixed Up”, “Amber”, “Come Original” “Beautiful Disaster” and “Sunset in July”.

Asked about this summer’s tour, 311 vocalist Nick Hexum commented, “We’re super excited for Unity Tour 2013! We had a blast touring with Cypress Hill in ’96 and with G Love in ’03…and we’re really glad we can all hit the road together this summer. Will make for a killer show. Lots of sick hip-hop beats and summertime grooves. Gonna be fun!”

Cypress Hill have sold over 18 million albums worldwide. With hits such as “Insane in the Brain”, “(Rock) Superstar” and “Hits from the Bong,” the band has been nominated for three Grammy awards and is heralded as one of the best known and most respected groups in all of Hip-Hop.

G Love & Special Sauce bring their alternative-blues-hip-hop sound back to the Unity Tour – after joining 311 for the summer 2003 tour. G Love’s unique sound has led the group to major festival appearances (Bonnaroo, Lolapalooza, etc) – and to collaborations with artists such as Jack Johnson and the Avett Brothers.

UNITY TOUR 2013
311 with CYPRESS HILL and G LOVE & SPECIAL SAUCE

JULY
7/2 Tues Kansas City, MO Starlight Theatre
7/3 Wed Chicago, IL Charter One Pavilion at Northerly Island
7/5 Fri Cincinnati, OH Riverbend Music Center
7/7 Sun Detroit, MI DTE Energy Music Theatre
7/9 Tues Holmdel, NJ PNC Bank Arts Center
7/10 Wed Philadelphia, PA Penns Landing
7/12 Fri Mansfield, MA Comcast Center
7/13 Sat Wantagh, NY Jones Beach Amphitheatre
7/14 Sun VA Beach, VA Farm Bureau Live Amphitheatre
7/17 Wed Charlotte, NC Verizon Wireless Amphitheatre
7/19 Fri Bristow, VA Jiffy Lube Live Amphitheatre
7/20 Sat Atlanta, GA Aaron’s Amphitheatre at Lakewood
7/21 Sun West Palm, FL Cruzan Amphitheatre **
7/23 Tues Tampa, FL Ask Gary Amphitheatre **
7/24 Wed Pensacola, FL Civic Center
7/26 Fri Austin, TX ACL Live at Moody Theatre
7/27 Sat Woodlands, TX Cynthia Woods Mitchell Pavilion **
7/29 Mon Morrison, CO Red Rocks Amphitheatre
7/30 Tue Salt Lake City, UT USANA Amphitheatre
AUGUST
8/1 Thurs San Francisco, CA American’s Cup Pavilion
8/2 Fri Irvine, CA Verizon Wireless Amphitheatre
8/3 Sat Chula Vista, CA Sleep Train Amphitheatre **
8/4 Sun Las Vegas, NV The Joint @ Hard Rock Hotel

** Sublime with Rome and Pennywise added to lineup.

Elijah Wood talks about Season 3 of FX’s “Wilfred”

Since his film debut in “Back to the Future Part 2,” Elijah Wood has grown up before our eyes. From the young boy dealing with life in films like “North” and “The War” to the adult hobbit Frodo in Peter Jackson’s Academy Award winning “The Lord of the Rings” trilogy, he has never failed to impress an audience. This week he continues the third season of the highly popular television show “Wilfred,” which airs Thursday nights on FX. While promoting the show, Wood took some time to answer some questions.

Media Mikes: Do you sometimes have a hard time just holding it together and keeping a straight face when you film?
Elijah Wood: Oh yeah. I would say even more this season oddly enough than other seasons. For some reason I sort of busted up more this season because of what Jason [Gann] was doing than ever before. I’m so used to seeing him in the dog suit and to a certain degree the context of a lot of the situations I’m very used to but it still definitely serves to make me laugh. It’s a wonderful environment to work in. It’s something that all of us as a crew are kind of constantly laughing so it’s a pretty wonderful thing to go in to work to that every day.

MM: Do you think Wilfred should have a fixed ending point or can it just continue on indefinitely? EW: That’s a very good question. I think that the structure of the show that’s been created is such that it’s about a guy who is essentially in recovery and trying to figure out what his path in life is. This manifestation of ‘Wilfred’ has provided essentially a push for him to kind of figure that out. I think that can only really last for so long to believe that we are dealing with a man who is kind of struggling for answers to these questions and in this sort of existential question period of his life and in recovery. I don’t know that we can believe that for ten seasons. I think to a certain degree there has to be a resolve or a move in a certain direction, so I don’t know. I think…to the fairness of the construction of the show… I think it can only survive for so long. I would hate to make the show kind of carry on for too long and it not necessarily support what we’ve created, if that makes sense.

MM: Definitely. When you play Ryan, do you have in your mind an answer to why he sees Wilfred in order to help you play him?
EW: I do yeah. I have an idea. I’ve kind of made up my mind as to what I think Wilfred is. I don’t know that that’s reflective of what the character has decided though, and to a certain degree I think Ryan—when Ryan meets Wilfred in the first season it’s really within an episode in a way that he sort of accepts Wilfred’s existence. I think from there on out even though there are these questions and he does question what ‘Wilfred’ is—I think there’s a deeper level of acceptance and recognizing that ‘Wilfred’s’ purpose albeit uncertain as to where he’s manifesting from and what it means—his purpose is ultimately positive and that is helping him. I don’t know what Ryan has decided because I think Ryan is clearly questioning, but I have an idea. I think that perspective probably does help me in playing the character, but I think overall there’s just a sense of general acceptance for Ryan.

MM: When you approach a character, as far as developing it, do you take a different approach as opposed to when you’re working on a film and episodic television?
EW: Not really. I mean the only real difference between television and film—I mean there are a few I suppose, but predominantly it’s the pace to which you work. But the development of the character or the process for playing the character isn’t necessarily different. The other main difference between film and television is that you have the opportunity to flush out a character over a longer period of time whereas a film you’re confined to two hours, three hours, whatever it may be. But really it’s very much the same approach that you would take when you play a character in any medium I think.

Paul Sorvino talks about new his film “Precious Mettle”

Paul Sorvino is probably best known for his authoritative heavy roles, most notably mob boss Paul Cicero in “Goodfellas.” But when he started out on his show business career he had dreams of being a famous opera singer. Classically trained he discovered the acting bug while attending the American Musical and Dramatic Academy in New York City. In 1972 he landed a starring role in the Pulitzer Prize and Tony Award winning drama “That Championship Season.” His work here got him noticed by Hollywood and he soon found himself getting small roles in such films as “The Panic in Needle Park,” “A Touch of Class” and “The Day of the Dolphin.” In 1975 he found himself starring in his own television series, “We’ll Get By,” which was created by Alan Alda.

The first time I saw Mr. Sorvino on screen was in the film, “Oh, God!” As the Reverend Willie Williams (if you watched religious television programming in the 1970s it’s clear that he was based on Ernest Angley), he is the man behind a lawsuit claiming defamation after John Denver’s character tells him that God wants him to stop ripping people off. The next year he starred in director John Avildsen’s follow-up to “Rocky” entitled “Slow Dancing in the Big City.” As a New York City reporter who falls in love with his neighbor, a ballet dancer, he gives one of his greatest on screen performances. He has continued giving great performances in films such as “Reds,” “Dick Tracy,” “Goodfellas,” “Nixon” and Baz Luhrman’s adaptation of “Romeo and Juliet.” He co-starred in the film version of “That Championship Season,” as well as a later television adaptation that he also directed. Besides “Goodfellas” he is probably best known for his two seasons as Sgt. Phil Cerreta on “Law and Order.” And lest you think he gave up on the singing career, you can hear his amazing voice in such films as “The Cooler,” “Repo! The Generic Opera” and “The Devil’s Carnival.”

While in Chicago filming his latest project, the drama “Precious Mettle,” Mr. Sorvino took time out to speak with Media Mikes about his career, justice at the Oscars and the fine art of slicing garlic.

Mike Smith: Let’s get the important question out of the way first, which comes from my wife. Was that really you slicing the garlic so fine in “Goodfellas?”
Paul Sorvino: That’s an interesting question. A lot of people have asked me that. But I’m curious why she thinks it wouldn’t have been me! (laughs)
MS: I think it’s because she’s a great Italian cook and she remarks every time we watch the film that it takes a certain skill to do that.
PS: Tell her that I’m also a sculptor and a pianist. I also play the guitar. My hands are pretty well educated. Indeed that was me.

MS: Can you give us some insight into the character you’re playing in the film you’re currently shooting, “Precious Mettle?”
PS: It’s a wonderful script. The character is very rich. He’s a strong man…a police commander. But he also has a big heart. Without giving too much away I can tell you that it becomes a father/daughter story…a very, very emotional story. I like it because there’s a lot of emotion in it and a lot of tough guy too. And I like playing parts like that.

MS: Is that what attracted you to the film?
PS: It was the overall quality of the script. As a writer and director myself, I don’t just look at a script from the point of view of the role I’m going to play. I look at the totality of the quality of the script. I know if the script is good then we’ll make a good movie. This script is very good so I know we’re making a very good movie. And, again, the role is excellent.

MS: You trained to be an opera singer and have performed in some of your films. Did you ever release and album or CD?
PS: I have and you can probably get it off eBay. It’s called “Paul Sorvino Sings” and I recorded it with the Seattle Symphony as a PBS special. I can also be heard on the cast albums of “Carmalina” and “The Baker’s Wife.” Those are the three recordings you can hear me on. I’ve sung with the New York City Opera. I’ve sung with the Seattle Opera. I’ve done a gala at the Metropolitan Opera. I’ll also be doing a concert tour in Canada in the fall. We start in Montreal in September.

MS: If you had a choice would you rather be singing or acting?
PS: (laughs) Both!

MS: My two favorite performances of yours are, ironically, the first two films I saw you in: Reverend Willie Williams in “Oh, God!” and Lou Friedlander in “Slow Dancing in the Big City.”
PS: You remember those? (laughs) Wow, you go way back.
MS: They’re also two very different roles. One is played for comedy and the other is quite dramatic. Do you have a preference of doing comedy or drama?
PS: Not really. If I’ve done a couple of comedies I’ll try to follow them up with a couple of dramas. I like to do both. I’ve just shot three very serious movies in a row. I’d love to do a comedy next. In fact my next film will be “The Devil’s Carnival 2.” That’s going to be zany! I probably wouldn’t call it a comedy but it’s a very different style.

MS: Besides that project what else do you have coming up?
PS: There’s a project of my own that I want to do called “Marietta’s Song,” which would star my daughter Mira and I would direct and write. It’s based on the story of my mother and I. I’ve always written. I was a copywriter in advertising and became a creative director. In 1985 I wrote the book “How to Become a Former Asthmatic” (NOTE: Mr. Sorvino has battled asthma his whole life and is the founder of the Sorvino Asthma Foundation in New York City). I’ve written many scripts but this one is a true labor of love.

MS: Speaking of Mira, one of the most genuine emotional moments EVER in Academy Award history came when Mira thanked you from the stage after winning the Oscar for her role in “Mighty Aphrodite.” Can you describe what you were feeling at that moment?
PS: Nothing was going through my mind, I can tell you, but my heart….I was just so happy! Happy that justice had been done. She’s a great actress who gave a great performance. Oscar justice is not always done… as we all know, life is not fair. But that night justice was served. My heart was overflowing with pride and happiness. I wasn’t thinking anything but I was feeling all of that. I couldn’t believe that she said that…it was a wonderful time where a billion people saw the wonderful relationship between a father and a daughter that’s very rare to see on television. I was just so proud of my daughter. I’m proud of all my children.

 

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Antoni Stutz talks about directing his new film “Rushlights”

After a few television appearances and a supporting role opposite Don Johnson in John Frankenheimer’s “Dead Bang,” Antoni Stutz decided to take his talents back behind the camera. He made his feature film directorial debut with the comedy/thriller “You’re Killing Me,” starring Julie Bowen and Traci Lords. This week sees the release of his latest film, the noir-ish drama “Rushlights.” While promoting the film’s release Stutz took the time to sit down with Media Mikes.

Mike Smith: Can you give our readers a brief introduction to “Rushlights?”
Antoni Stutz: “Rushlights” is a story about two young kids from the wrong side of the tracks that travel to a small town in Texas to falsely claim a dead friend’s inheritance. Their claim seems to be going in the right direction at first but it soon turns out that pretty much everybody in this little town has a stake – slash – interest in the estate. It’s also a coming-of-age story, which I think helps separate it from the usual crime story. The choices that you make when you’re in your early 20’s are much more random and impulsive than those of someone who is in their 30’s. They would think things through more. When we got to page 20 while writing the script we had to think, “what would a 20 year old do in this situation?” We’re looking at it from a late-30’s point of view…we had to remember back to when we were 20. It’s a completely different dynamic. And that’s what interested me in the film.

MS: We’re informed at the beginning that the film is based on a true story. How did you come across the tale?
AS: My co-writer (Ashley Scott Meyers) approached me with a story she had seen in a newspaper that took place in Alabama. These two young people went to a small town in Alabama and tried to pull a similar stunt…impersonating someone else and claiming an inheritance. And I realized that ONLY a teenager would come up with an idea like that and think it would work. I also realized that maybe what they did didn’t make them idiots. Maybe what they did made them desperate. And desperate people do desperate things.

MS: You had some success early on as an actor. What made you take your talents behind the camera?
AS: I actually started out behind the camera. I made short films…VHS, digital, High-8, Super-8. I started when I was 14. I came to Los Angeles and I guess I had the right look at the time. I did some commercials, some television. But that wasn’t where my drive was. I was up in Canada for three months with John Frankenheimer and Don Johnson doing “Dead Bang.” It wasn’t a big role but they decided to keep me there even when I wasn’t shooting. So I basically had a three month crash course in filmmaking. To the despair of John Frankenheimer, I should add. I know I got on his nerves. I kept asking “why are you putting the camera there?” Finally he said, “listen, kid, we’re paying you to be in FRONT of the camera, not behind the camera.” I was so naïve that I didn’t really know who he was or what a legend he was (among his films, Frankenheimer directed “Black Sunday,” “Birdman of Alcatraz” and the original “Manchurian Candidate”). He told me that if I shut up and didn’t bother him I could stay on set and watch him. So I basically went to film school for two and a half months. I had also worked with Bob Giraldi and Michael Mann so I had some great exposure. The only problem was that it was a studio environment. Making independent films is a completely different environment.

MS: Have you ever thought about acting again?
To pick up an acting career in my early 40’s…not really. I really enjoy working WITH actors. I think I can bring what experience I have acting to the directing job. But at the same time I’m not excluding it.

MS: You pull double duty on “Rushlights,” as both co-writer and director. Do you prefer one job over the other?
AT: Directing by far. That is where my passion lies in the creative process. Not that I don’t enjoy writing. You have to understand that filmmaking is a little bit like a modern day operetta. You have all of these different art forms. Photography. Acting. Writing. Production design. You name it. And you put it all under one umbrella. There are some things you’re going to be good at and some things you’re not going to be good at. You make sure you take advantage of the things you shine at and you also make sure that you have people that do shine on the things you don’t. It’s a great learning experience to put your ego in the drawer.

MS: Now that “Rushlights” is being released what do you have coming up?
AT: I have two thrillers on my desk. They’re both finished scripts but one is a little more developed than the other. That’s the one I’m favoring. It’s really a hair-raising original story written with bravura and balls. It’s really outside of the box. With a little bit of luck we should be shooting it the middle on next year.

MS: That’s really all I had. Thank you for your time.
AT: And thank you for taking the time to watch the film. I don’t make films for myself. I don’t put it on a shelf and just show it to my friends. I make them for an audience. The most enjoyable time for me on a film is the moment between “action” and “cut.” Second thing is a good Q&A, either with the audience or a critic. I’ve talked with people that really enjoyed the film and I’ve talked with people that were angry with me…”this doesn’t make sense…that doesn’t make sense!” And I’ve realized that this is part of being an artist. If a film I make generates this kind of emotion than I’ve done my job. It’s a dialogue like this that inspires me to get up in the morning, get on the horn, raise money…all of the crazy, insane stuff you have to do to get a film off the ground. When you’re a film buff you’re stuck with an incurable disease. I don’t recommend it for everybody!

 

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Film Review “Monsters University”

Starring the voices of: Billy Crystal, John Goodman and Steve Buscemi
Directed by: Dan Scanlon
Rated: G
Running time: 1 hr 50 mins
Walt Disney Pictures

Our Score: 5 out of 5 stars

If you’re a kid over ten you’re certainly familiar with the story of “Monster’s Inc.” Best friends Mike Wazowski (Crystal) and James “Sulley” Sullivan (Goodman) work together to scare human children while they sleep, harvesting their screams to power their home city of Monstropolis. But did you know that, though they are cousins, Mike and Sulley were anything but friends when they were younger. This secret, and others, are revealed when the boys become college men at Monster’s University.

Directed by Dan Scanlon, whose PIXAR association includes stints working on “Cars,” “Brave” and the short film “Mater and the Ghostlights,” “Monster’s University” is a worthy prequel to what is arguably one of PIXAR’s greatest achievements. The story follows Mike and Sulley as they take different paths to what they hope is the same ending. Both want to be “scarers” and Sulley has a leg up because his father was renowned in the field. Big and hairy, Sulley seems to have his future set for him. Smooth and round, not to mention short, Mike knows he has his work cut out for him. While Sulley is recruited by the school’s top fraternities Mike finds himself in the freshmen dorm, rooming with another potential student, one Randy Boggs (Buscemi). After some preliminary scare classes Randy finds himself in a popular fraternity while Mike is left to join the only house that will have him: Oozema Kappa. Here he learns that not every dream has to come true in order to reach your goals.

What made “Monster’s Inc” such a success was the true and genuine bond between Mike and Sulley. As voiced by Crystal and Goodman they were best friends that you know would remain that way forever. Knowing what the future holds for both of them does not distract from the story here. The film lovingly parodies such popular college comedies as “Animal House” and “Revenge of the Nerds.” Crystal and Goodman lead a great vocal cast which includes returning “Monster’s Inc” alum Steve Buscemi. They are joined by Helen Mirren, Sean Hayes, Alfred Molina and Joel Murray. The script, co-written by Scanlon, Daniel Gerson and Robert Baird, is clever without being cute, which is an incredible achievement for a G rated film. And, as always, the visuals are outstanding.

And while I’m speaking of visuals, make sure you get to the theatre early so you can catch an amazing short film called “The Blue Umbrella.”

Film Review “World War Z”

Starring: Brad Pitt, David Morse and James Badge Dale
Directed by: Marc Forster
Rated: PG 13
Running time: 1 hr 56 mins
Paramount

Our Score: 3.5 out of 5 stars

Out on a drive with his family, Gerry Lane (Pitt) suddenly finds himself in gridlocked traffic. For an unknown reason, not a car in Philadelphia is moving. As he gets out to investigate he is greeted by a series of explosions. When the smoke clears the screams begin.

Carried by Pitt’s performance, “World War Z” is a sometimes intense story of the rise of the undead. Having recently retired from his job as a “fixer” for the United Nations, Gerry is recruited by his old boss (Fana Mokoena) to accompany a novice scientist on a journey to hopefully find a cure for what seems to be ailing the flesh eating monsters that now roam the earth freely. The only clue Gerry is given is a cryptic Japanese email, sent a few days before, which included the word “zombie.” Reluctant to leave his family, Gerry is assured that they will be looked after as long as he’s away. If he doesn’t help, he and his family will be removed from their safe zone and left to fend for themselves. Not much of a choice, is it?

It seemed an odd choice to have the director of “Monster’s Ball” and “Finding Neverland” direct a film about the zombie apocalypse. But director Forster also has the Bond film “Quantum of Silence” on his resume so he also knows his way around an action piece. There are some nice jolts mixed in with humor. There is also an amazing sequence set aboard a plane that will have you gripping the armrests. Like the zombies of Zack Snyder’s remake of “Dawn of the Dead,” these are not the plodding creatures we are used to. These zombies strike quickly, often in groups. When they’re not happy they let out a screech that sounds like an angry chicken. The premise is fine. It’s the presentation that falters. Shown in a very unnecessary 3D, the film is actually hurt by the process. Action scenes are too dark and many foreground objects are blurred when the focus is pulled to capture the action being featured.

Based on a novel by Max Brooks (Mel’s son…go figure), the story moves across the world as Gerry and his team attempt to find a way to beat the zombies. Pitt is strong and determined, yet vulnerable when it comes to his wife and daughters. Mireille Enos (“The Killing”) is equally strong in the face of her family’s separation. Supporting turns by Morse, Dale and Pierfrancesco Favino, among others, keep the film interesting. Technically, I must give a shout out to the more than 100 makeup artists that helped create the various zombies.

 

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James Gandolfini, award winning star of “The Sopranos,” dead at 51

James Gandolfini, whose performance as mob boss Tony Soprano in HBO’s seminal series “The Sopranos” earned him multiple Emmy Awards, has passed away in Rome after an apparent heart attack. He was 51.

The New Jersey born actor first made an impression when he made his Broadway debut in the revival of “A Streetcar Named Desire” in 1992. I was fortunate to see the show during it’s limited run and Gandolfini more than held his own against top billed stars Alec Baldwin and Jessica Lange. Film fans will remember him as the hit man assigned to kill Patricia Arquette in Tony Scott’s adaptation of Quentin Tarantino’s “True Romance.”

Memorable supporting performances in films like “Get Shorty,” “A Civil Action” and “Fallen” led him to what would be the role he will most be associated with, Tony Soprano. His work earned him six Emmy nominations (and three awards) as well as four Golden Globe nods (with one win). He took advantage of his new popularity by getting lead roles in such films as “The Last Castle,” “The Taking of Pelham One, Two Three” and last year’s Best Picture nominee “Zero Dark Thirty.” He also gave an amazing performance (my words) giving voice to the character of Carol in the film adaptation of “Where the Wild Things Are.” He also returned to Broadway in 2009, earning a Best Actor in a Play Tony Award nomination for “Gods of Carnage.”

He was seen on screen earlier this year in the Steve Carell comedy “The Incredible Burt Wonderstone” and, according to the Internet Movie Data Base, has two more film projects being released posthumously.

 

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Film Review “Rushlights”

Starring: Beau Bridges, Josh Henderson and Aidan Quinn
Directed by: Antoni Stutz
Rated: R
Running time: 1 hr 36 mins
Vertical Entertainment

Our Score: 4 out of 5 stars

It seems so easy. You learn you bear a strong resemblance to someone who has just inherited a boatload of money. Realizing nobody but the dead person has ever met you, you decide to claim the inheritance yourself. See. Easy.

Such is the premise of the new thriller “Rushlights,” the sophomore directorial effort of Antoni Stutz, who has also added “co-writer” to his resume’. Billy (Henderson) and Sarah (Haley Webb) meet cute. She’s a waitress at a diner he frequents. After constant hours of flirting Billy gets up the nerve to ask Sarah out. Fireworks ensue. Sarah is burdened by a drug addicted roommate who, sadly meets a sad demise. While going through her things Sarah finds a letter from a lawyer in Texas explaining that the roommate’s uncle, who she hadn’t seen in decades, has passed away and left you everything. Commenting that Sarah and her roomie could pass for twins Billy convinces her to head to Texas with the dead girls ID, claim the inheritance for herself and then she and Billy can split town before anyone becomes the wiser. But when you’re not the sharpest (or, for lack of a better word, most scrupulous) knife in the drawer you’re bound to run into problems.

Based on a true story, “Rushlights” could have been a very standard, by the book imitation noir film. Instead, Stutz packs it with genuine surprises and emotion. He is helped out by a strong cast, led by Henderson and Webb. Aidan Quinn shows up as the deceased man’s lawyer while Beau Bridges tries to solve the mysteries as the local sheriff. Bridges character is also brother to Quinn’s lawyer, meaning these two will turn out to be as corrupt as you’ve ever seen a legal representative. But top marks go to Crispian Belfrage, so creepy as a man with ties to both Sarah and her dead friend.

Stutz’s direction is clear and sharp, taking the audience into Billy and Sarah’s lives, showing that everything is not always greener on the richer side of the fence.