Theatre Review “Million Dollar Quartet” Kansas City, Missouri

“Million Dollar Quartet”
Starlight Theater
Kansas City, Missouri
May 22, 2015

Our score: 4.5 out of 5 stars

On December 4, 1956 the stars aligned as they never would again. That day, Carl Perkins and his band walked into Sun Records, located at 706 Union Avenue in Memphis, Tennessee, with the intent on recording a new hit. Carl’s choice of song was a rocking version of a song called “Matchbox.” Sun’s owner, Sam Phillips, had his latest act, a young boy named Jerry Lee Lewis, sit in to play piano during the session. Later that day, Johnny Cash rolled in to see Perkins (though in his autobiography Cash maintains that he was the first one there that day). Even later, the studio is graced by Elvis Presley and his current girl. As the musicians relaxed they began what turned into a (46) song jam session. Rumor is that Phillips called a friend at the newspaper, who came by and captured a legendary photo of the session. The next day that photo appeared in the paper, dubbing the boys the “Million Dollar Quartet.”

Heavy on classic songs and buoyed by the energy of it’s cast, the current touring production of “Million Dollar Quartet,” which played at Starlight this weekend, is a show that will have you out of your seats and into your dancing shoes. The enthusiasm is brought on by the strong performances of the cast. As Carl Perkins, Gabe Bowling carries the bulk of the musical load, with his outstanding guitar playing and vocals. He gives Perkins a small chip on his shoulder, one brought about by Presley having sung “Blue Suede Shoes” (which Perkins wrote and which was his first big hit) on “The Ed Sullivan Show.” Scott Moreau does a fine job mimicking Johnny Cash’s musical style, though his vocals seemed uneven on some spots. As Presley, young Jacob Rowley nails the King’s vocals and mannerisms perfectly. I was shocked to learn that he is only 19 years old. For someone who wasn’t born until almost two decades after Presley passed, his performance was amazing. The highlight performance, for me, Colte Julian as the precocious Jerry Lee Lewis. Playing the piano in Lewis’ patented “let it all hang out” style, Julian hit all the right notes, both musically and with a great sense of humor. In a non-musical role, Bryan Langlitz, as Sam Phillips, keeps the show moving through his narration.

Where as a lot of the music sung during the original get together was Gospel (both Presley and Cash were very spiritual and released several successful albums in their career) the show is made up of familiar songs from all of the artists. That the music is being played live (all of the performers play their own instruments) makes the show even more exciting. The backing band (stand up bass player Chuck Zayas and drummer Patrick Morrow) keep the beat moving throughout. If you’re in the mood for some good, old-fashioned rock and roll, I urge you take in the “Million Dollar Quartet.”

The show heads to Tulsa, Oklahoma for shows beginning on May 26th and then continues throughout the summer. For more information head to http://milliondollarquartetlive.com/tour-info.html

Theatre Review: Original Hedwig’s Final Weeks on Broadway

I’ve never been so cold. I’m standing outside a Broadway theatre on a snowy March night, and I’m from Texas. I can’t feel my face.

“Is this ridiculous?” I ask the fellow fan next to me, referring to the rose I’m holding for the show’s star.

“Nope,” she says.

She gets it. We’re Hedheads, and we’re here getting frostbite for the same reason: to see the queen. John Cameron Mitchell, the co-creator and current star of Hedwig and the Angry Inch, is due to exit the Belasco Theatre stage door any minute.

Diehard fans and critics alike are practically yelling at you to go see this show before his run ends on April 26—and with good reason. Seeing him perform is pure magic, at once vulnerable and sardonic, witty and sexy. He is so genuine and raw on stage that distinguishing new jokes from improvised quips is next to impossible in one viewing. (“You’re seeing the original cast,” referring to Mitchell’s/Hedwig’s knee brace, is my new favorite.) But there’s more to Mitchell’s Hedwig than his brilliantly moving and funny performance and Stephen Trask’s phenomenal music. There’s a reason some fans are crossing continents to see him do this.

I’ve attempted to explain the significance of the queen’s return to people who know nothing about the show: This is different than any other actor playing Hedwig because when you watch the others, you’re watching a performance; when you see Mitchell, you’re seeing Hedwig, the character, in real life. It’s as if the 2001 film was a documentary and now you’re going to a real, live Hedwig and the Angry Inch concert.

For those unfamiliar, the musical is less a traditional play and more a rock concert with monologues in between songs. An overarching theme about the search for one’s missing “other half” is beautifully woven into both the lyrics and Hedwig’s tragicomic backstory. Somewhat paradoxically, watching Mitchell play Hedwig almost undermines the show’s closing message of finding wholeness within oneself, because fans leave feeling like we’ve found our other half—right there, on stage, spitting on us and shouting in German.

The knee brace Mitchell is sporting is starkly apropos, becoming another sad-yet-humorous aspect of Hedwig’s story. Although the sight of it tugs the heartstrings, one of the best things about the brace might be the way it further blurs the line between Mitchell and Hedwig—in a way, she’s realer than she’s ever been.

Basking in the glow of his inimitable performance, I’ve never been happier to freeze my toes off.

John Cameron Mitchell can be seen through April 26th at the Belasco Theatre with Darren Criss scheduled to take over Hedwig on April 29th.

 

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Theatre Review “Slava’s Snowshow” Orlando FL, Dr. Phillips Center for the Performing Arts

Tuesday, February 17, 2015–Sunday, March 1, 2015
Walt Disney Theater
120 minutes (2 hours)

“Slava’s Snowshow” is like nothing I have ever seen before on the stage. I have seen a dozen of the Cirque du Soleil shows and since Slava is the original Cirque du Soleil clown, I knew sort of what to expect. Still I haven’t been to a show that literally it has almost been a week since I saw it and I haven’t stopped thinking about it. This award winning international clown show has been touring for 20 years and I hope it goes for another 20 years. Even though this is a circus show, it is really magical. The set is extremely simple yet so effective. There is so much done with so little. The colors are so vibrant and the use of music blends in so beautifully.

Since this show is called “Snowshow”, I also expected the use of snow but never like this. Watch the 30 second clip below to just get a glimpse of what you can expect. You literally have snow exploded at you like a avalanche and it is breathtaking. Before the break, there is also a part with a spider web that takes over the entire theater. Words connect explain how terrifying yet at the same time exhilarating experience it was. to top it off it end with dozens of balls flying into the audience and the kids went crazy for that!

This was the first time that I got to visit the brand new Dr. Phillips Center for the Performing Arts in Orlando, FL and it is a marvel it is own. The parking situation is not great at all though and the staff was also quite nasty and rude. I don’t just mean one person either, I mean every single employee that we encountered was unpleasant. Luckily it got overshadowed by this amazing show. If it comes to your city, I highly recommend.

Theatre Review “The Book of Mormon” Kansas City, Music Hall

When I lived in Baltimore it was easy for me to make the 3-hour drive to New York City to see the next great musical. “Phantom of the Opera.” “Les Miz.” “Miss Saigon.” It opened and I was there. Not so easy to do when you live in Kansas City. Which means I had to wait four years to see “The Book of Mormon.” And it was well worth the wait.

The show tells the story of two young Mormon missionaries who are sent to Uganda to help convert the local population into joining the church. Things are tough in Africa, with the villagers dealing not only with the AIDS crisis but a terrible thug dictator who insists that all women be circumcised. If right about now you’re questioningly thinking to yourself, “this is a BROADWAY musical,” I should point out that the show was created by the team behind “South Park,” Trey Parker and Matt Stone, as well as Robert Lopez, who created the Tony Award winning Best Musical “Avenue Q,” which is best remembered as the show that beat “Wicked” for the award. Mr. Lopez also recently won an Oscar for co-writing the song “Let it Go” from “Frozen.” The book is outrageous, and exactly what you would expect from the three authors. As for the songs…there’s a reason that the animated film “South Park: Bigger, Longer and Uncut” is often referred to as one of the best Broadway musicals that never made it to New York. The tunes are catchy, the lyrics infectiously funny. The audience loved every minute of it, with the highlight coming during the song “I Believe” when the singer exclaims, “And I believe that the Garden of Eden was in Jackson County, Missouri,” which is where Kansas City sits.

The cast was outstanding, with Billy Harrigan Tighe and A.J. Holmes excelling as Elder’s Price and Cunningham. The supporting players were equally good. The show was one of the most original I’ve ever seen, much deserving of the nine Tony Awards it won. Where else can you see Jesus Christ, “Star Trek’s” Lieutenant Uhura and Yoda all in the same musical number? No where else…that’s where! The show is so good that the Church of Jesus Christ of Latter-day Saints actually runs ads in the Playbill. If that’s not a divine blessing from Heavenly Father, I don’t know what is.

“The Book of Mormon” continues in Kansas City at the Music Hall through March 8th.

Upcoming Dates
CHICAGO – now through May 17
MADISON, WISCONSIN – March 10 – 15
SAN FRANCISCO – April 15 – June 27
MILWAUKEE – May 19 – 31
BUFFALO – June 2 – 7
WASHINGTON D.C. – June 16 – August 16

 

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Theatre Review “A Christmas Story, The Musical” Orlando Repertory Theatre

A Christmas Story: The Musical
November 10 – December 28, 2014
Orlando Repertory Theatre
1001 East Princeton Street
Orlando, FL

Our Score: 3.5 out of 5 stars

You know those flyers that you get in the mail and just throw away cause they are usually garage? I think I will be taking a closer look at them now. I received one a few days again and it was holiday themed, my favorite holiday, so I decided to give it a look. In there I found an advertisement for the Orlando Repertory Theatre (The REP) presenting a production of “A Christmas Story, The Musical” based on the story by Jean Shepherd with book by Joseph Robinette, and words and music by Benj Pasek and Justin Paul. I have seen this production before and have been dying to see it again since. Now I had the chance!

Official Premise: A Christmas Story, The Musical is the classic account of Ralphie Parker’s hilariously desperate quest to ensure that the most perfect of gifts ends up under his tree this Christmas – a Red Ryder® Carbine-Action BB Gun! All the cherished moments are here – the Old Man’s leg lamp, the tongue-on-a-flagpole, the bunny suit, the Santa slide, and all of Ralphie’s extravagant daydreams! Enjoy the perennial favorite in a new way with this Tony-nominated Best Musical.

Turning a classic movie like “A Christmas Story” into a musical was definitely a definitely task I am sure. The songs are good. I have to admit though. I have the soundtrack but it has never been a must-listen for me. “Counting Down to Christmas” is a catchy one. “What A Mother Does” is sweet and had the wife sniffing a little bit. “A Major Award” is definitely a real hoot.  The cast for this production was also good. Highlights for me were Clifford Lyons as Jean Shepherd, Candace Neal as Mrs. Shields, and my favorite Sage Starkey as The Old Man. At first I thought that Sage was too young to play the Old Man, to be honest, but once he stepped on stage, I knew he was going to nail it. Gavin would have been proud!

I thought the production itself was very well done. It really represented “A Christmas Story” very well. It also felt very festive. I have seen many plays in my time and they could have gotten away with much less here. They really had great sets and really get design for this one. I also love the range of these actors. The dialogue and songs were perfectly balanced throughout the theater. I was seeing in Row I, if I remember correct, closer to the top of the theater, centered, and we really enjoyed the entire presentation of the play. I have seen shows at Bob Carr Performing Arts Center and sat 10 rows from stage and couldn’t hear them as well as this theatre.

Prior to this, I have never visited the Orlando Repertory Theatre. Following this, this theatre is going to be in my spotlight. From the moment the wife and I stepped into this theatre, we both just looked at each other and said “Wow!” I loved the vibe of the theatre and I love how intimate it felt. I also appreciate that in addition to productions, The REP conducts community engagement initiatives and the REP Youth Academy provides classes and workshops for children, along with professional development opportunities to classroom teachers. I will be returning to this theatre in the very near future. And if you are looking for a way to get into the holiday spirit, you have your answer right here!

A Christmas Story, The Musical runs Saturdays and Sundays from November 10 – December 28, 2014 at 2pm and 5:30pm. Tickets are $18 for adults, $16 for students, seniors (55+), and members of the military with valid ID, and $12 for the youth (ages 3 to 17). All performances of A Christmas Story, The Musical take place at the Orlando Repertory Theatre at 1001 East Princeton Street, Orlando, FL 32803. Tickets may be purchased online, over the phone, or at the Box Office. Please visit www.orlandorep.com or call 407-896-7365 for more information. Don’t miss it or you might shoot your eye out!

 

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“​Sweeney Todd” Kicks off Garden Theatre Season, Starting September 12th


35th Anniversary of Epic Sondheim Musical

WINTER GARDEN, FL (August 22, 2014) – The Garden Theatre is proud to present TheatreWorks Florida’s production of Sweeney Todd: The Demon Barber of Fleet Street showing September 12 – October 5, 2014. Sweeney Todd kicks off the Garden Theatre’s 2014-2015 Season and is sponsored by Joe Worsham and Becky Worsham Farrant at Pacific Global Investment Management Company and by Insight Credit Union.

Sweeney Todd will be the first live play to use the Garden Theatre’s new state-of-the-art lighting system, which includes LED lights programmed on a cutting-edge console with the ability to make lightning-fast adjustments, as easy as from a mobile device. These new elements have been added to intensify the patron experience and immerse them deeper into the story.

The suspenseful, heart-pounding Stephen Sondheim masterpiece, currently in its 35th anniversary year, tells the infamous tale of revenge by an unjustly exiled barber returning to 19th century London. His thirst for blood soon includes his unfortunate customers, while a resourceful owner of a pie shop downstairs has the people of London lining up in droves for a mysterious new meat pie recipe.

Sweeney Todd is directed by Scott A. Cook, the artistic producer of TheatreWorks Florida. It is a definite departure from Cook’s most recent shows at the Garden Theatre – the musical comedies Nunsense and Legally Blonde. Cook has developed show designs and concepts for companies such as Universal Studios Florida and the Walt Disney World Company, and won numerous producers’ honors including the Pierrots Award, Best Musical for Cats at Theatre Winter Haven in 2006 and 10 awards including Best of Fest at the 2012 Orlando International Fringe Festival for Little Shop of Horrors.

As he prepared for Sweeney Todd, Cook researched the history of the character and discovered a debate as to whether a demented barber really existed. The character first appeared in an 1846 “penny dreadful,” a type of horror tale of the era published in serial form. Many of these publications were fictionalized accounts of real crimes, and allegedly the writer who first set down Sweeney Todd’s name in print was known to hunt regularly through newspapers for his story ideas.

“The 19th century London world of Sweeney Todd is a twisted, bizarre, nightmarish puzzle that resonates with the audience’s own senses and experiences, begging the question: what is evil and what is madness?” said Cook. “The message of Sweeney Todd is clear: there is evil and madness afoot and nothing will be served up plain. Be warned…”

The remarkable cast includes:
Sweeney Todd – Nick Kroger
Mrs. Lovett – Candy Heller
Anthony Hope – Robb Ross
Johanna – Jennica McCleary
Beggar Woman – Janine Papin
Judge Turpin – Alexander Mrazek
Beadle Bamford – Nathan Jessee
Adolfo Pirelli – Benjamin Ludwig
Tobias Ragg – Nick Rishel

Ensemble members include Eric Desnoyers, Tony Moreno, Matthew Johnson, Omar Montes, Kristy Barnes, Lindsey Gradwohl, Frida Söderdahl and Desiree Perez.

Those who have previously appeared on the Garden Theatre stage include Janine Papin (Nunsense, 33 Variations), Alexander Mrazek (A Christmas Survival Guide, Alice Lost in Wonderland), Matthew Johnson (Legally Blonde), and Desiree Perez (Hairspray, Nunsense, Little Shop of Horrors).

Tickets to Sweeney Todd are $25 for seniors and students, $29 for adults. Show times are Thursdays through Saturdays at 8pm and Sundays at 2pm. There will be an Industry Night performance on Monday, September 29 at 8pm with $15 tickets for those in the theatre industry.

For tickets, visit gardentheatre.org or contact the Garden Theatre Box Office at 407-877-GRDN (4736). Groups of 10 or more are eligible for discounts of up to 25% by contacting group sales manager Jana Goupil at 407-877-4736 x208.

Remastered Elvis: That’s the Way It Is Set for Special Screening August 16 at Orpheum Theatre in Memphis during Elvis Week followed by a Limited Theatrical Engagement

Burbank, Calif., July 14, 2014 – To celebrate Elvis Week, the historic Orpheum Theatre in downtown Memphis will host the world premiere of Warner Bros. Home Entertainment’s newly-remastered Elvis: That’s The Way It Is on August 16.

This year’s Elvis Week will be held from August 9-August 17 at Elvis Presley’s Graceland in Memphis.  Fans who attend the Elvis That’s The Way It Is screening will be treated to the newly remastered film along with extras such as rehearsal and actual performance footage that were not included when last shown as a feature film. Audiences will also get to experience a special performance by Elvis’ Imperials members Joe Moscheo and Terry Blackwood, along with Darrell Toney and Lynn Royce Taylor.* This will be a special farewell performance by Moscheo who recently retired from the group. Fans can also view “Elvis: That’s The Way It Is” related artifacts direct from the Graceland archives that will be on display in the lobby. This event will be hosted by Tom Brown, Vice President of Original Productions for Turner Classic Movies (TCM).

Tickets are available for purchase via Ticketmaster.com, by calling Ticketmaster at 800-745-3000, at any Ticketmaster outlet or at the Orpheum box office. For more information on this or other Elvis Week events, visit Graceland.com.

Additionally the newly-remastered Elvis: That’s The Way It Is will be shown in almost 300 theaters around the U.S. for a limited engagement. Fans unable to attend the Elvis Week world premiere will still have a chance to see Elvis on the big screen and enjoy an inside look at a cultural icon often labeled the “King” of rock ‘n’ roll. The documentary depicts Elvis as a master showman, following him as he prepares for his big opening-night performance in Las Vegas. Information including a list of dates and locations can be found at www.Graceland.com/events.

Elvis Aaron Presley

(1935 – 1977)

Elvis Presley was one of Hollywood’s top box-office draws, starring in 31 feature films and two theatrically-released concert documentaries over the course of his career. His music was as much a part of his box-office success as his good looks and charisma. In fact, some of his top-selling songs were from the movie soundtracks. Eleven of his soundtrack albums made it into the top ten on the Billboard Album charts and of those, four became number one hits. It is estimated that Elvis has sold over a billion records worldwide, more records than any other artist in record industry history, and even 30 years after his death, Elvis still conquers new legions of fans as even compilations of his RCA recordings, such as “Elvis 30 #1 Hits” and “Elvis 2nd to None,” have both topped the Billboard charts of best-selling albums.

More biographical information is available at the official Elvis Presley Web site, www.elvis.com.

 

New from Warner Bros. Home Entertainment on August 12, 2014

Elvis: That’s The Way It Is – Two Disc Special Edition, which was re-edited and remixed for its acclaimed release in 2001, will now debut on Blu-ray™ as a Premium Digibook.

  • Disc 1(BD) contains the 2001 Special Edition, newly remastered with DTS-HD Master Audio 5.1 soundtrack and Special Features.
  • Disc 2 (DVD) contains the 1970 Original Theatrical Version and Special Features.

 

In celebration of its 50th Anniversary Viva Las Vegas will also be offered as a Premium Blu-ray Digibook. These Premium Digibooks include rare behind-the-scene photos and are available for $27.98 each (SRP).

*Performance appearances subject to change.

Academy Awards® and Oscar® are both registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.

Blu-ray Disc™ and Blu-ray™ and the logos are the trademarks of Blu-ray Disc Association.

Warner Home Video Blu-ray Discs™ offer resolution six times higher than standard definition DVDs, as well as extraordinarily vibrant contrast and color and beautifully crisp sound. The format also provides a higher level of interactivity, with instant access to extra features via a seamless menu bar where viewers can enjoy features without leaving or interrupting the film.

 

About Warner Bros. Home Entertainment Inc.

Warner Bros. Home Entertainment (WBHE) brings together Warner Bros. Entertainment’s home video, digital distribution and interactive entertainment businesses in order to maximize current and next-generation distribution scenarios. An industry leader since its inception, WBHE oversees the global distribution of content through packaged goods (Blu-ray Disc™ and DVD) and digital media in the form of electronic sell-through and video-on-demand via cable, satellite, online and mobile channels, and is a significant developer and publisher for console and online video game titles worldwide. WBHE distributes its product through third party retail partners and licensees, as well as directly to consumers through WBShop.com and WBUltra.

Theatre Review “Jersey Boys” Bob Carr Performing Arts Center – Orlando, FL

“Jersey Boys”
Bob Carr Performing Arts Center
Orlando, FL
April 15 – 27, 2014

Our Score: 5 out of 5 stars

“Jersey Boys” premiered on Broadway back in 2005 and won a Tony for Best Musical the following year. I have seen many Broadway shows growing up and living in New York but I never did see “Jersey Boys”. Luckily living in Orlando, FL now I am still able to see Broadway quality shows at the Bob Carr Performing Arts Center. “Jersey Boys” is the latest show making its limited engagement during its national tour at this theatre.

I have always been a huge Frankie Valli and the Four Seasons fan and have seen them many times live over the years. I thought it was time to catch this show to see what all the fuss was about, especially being a huge fan of the music already. Well I didn’t just enjoy the play I absolutely loved it. I found myself moving my feet along with music and singing under my breath (sometimes louder)…and I wasn’t the only one.

Now obviously, I can’t compare the performances to the Broadway cast since I have never saw it but if I could I am sure that this National tour cast would really give them a very strong run. I was extremely impressed with Hayden Milanes in the role of Frankie Valli, that with an “I” not a “Y” because everyone knows “Y” is a bullshit letter. The guy has a voice of angel (sound familiar?) and really nailed this role. Nicholas Dromard was perfect as Tommy DeVito and really had the audience by the balls like woman type number 1 (or was it number 2?)

Quinn Vanantwerp was funny, charming and very charismatic. I really enjoyed his performance of Bob Gaudio. I am sure Bob himself would be impressed. Last but definitely not least Adam Zelakso playing Nick Massi was the quite one but delivered a surprising end performance and I am glad he didn’t start his own band. Adam will also be appearing in Clint Eastwood’s film adaptation of this play, though in a different role, which comes in this June in theaters (and I will be first in line for this movie). I also never knew that THE Joe Pecsi was involved with crew, you learn something new everyday.

Let’s get back to the music now. Oh the music…so many amazing tracks sung during this show. If you are a Frank Valli and the Four Seasons fan how can you not be screaming along from your seat to hits like “Big Girls Don’t Cry”, “Walk Like A Man”, “Sherry”, “Earth Angel”, “December 1963 (Oh, What A Night)”, “Can’t Take My Eyes Off You”, “My Eyes Adored You”, “Rag Doll” and “Bye Bye Baby”, which like always hits me very hard. Such beautiful music. Such wonderful talent. This is a show that is not to be missed.

“Jersey Boys” will continue at Bob Carr Performing Arts Centre through April 27th, 2014 (click here for tickets) and see below for future dates from the National tour.

Orlando, FL
April 15 – 27, 2014

Knoxville, TN
April 29 – May 4, 2014

Cleveland, OH
May 6 – 18, 2014

Sioux Falls, SD
May 21 – 25, 2014

El Paso, TX
May 28 – June 1, 2014

Fort Worth, TX
June 3 – 15, 2014

Tucson, AZ
June 17 – 22, 2014

Costa Mesa, CA
June 24 – July 13, 2014

San Jose, CA
July 15 – 20, 2014

Tempe, AZ
July 22 – August 3, 2014

Los Angeles, CA
October 1 – 19, 2014

San Diego, CA
October 21 – 26, 2014

Sacramento, CA
November 5 – 22, 2014

Reno, NV
November 25 – 30, 2014

Theatre Review “Once” National Tour – Orlando, FL

“Once” National Tour
January 28th – February 2nd
Bob Car Performing Arts Centre
401 West Livingston Street
Orlando, FL 32801-1413

Our Score: 5 out of 5 stars

Before “Once” was such a big deal and became an Academy Award winning film (for Best Song “Falling Slowly” in 2007), I was already a huge fan of the film and its music. When the show was produced as a stage play on Broadway, I thought that it couldn’t have made a better fit for that format. And not surprisingly it ended up winning eight 2012 Tony Awards including Best Musical. Living here in Orlando, FL sometimes it can be harder to catch Broadway’s best but luckily we have the treasure that is Bob Car Performing Arts Centre, which delivers the best of Broadway right in the center of city of Orlando. When the national tour dates were announced for “Once”, I couldn’t have been more excited.

I have had the privilege of interviewing both leads in this touring play, Stuart Ward and Dani de Waal (click on their names for respective interviews). They are really talented and do great justice to this beautiful piece of work. They add something special and unique to each of the songs, which I instantly fell in love with. I have been listening to the “Once” soundtrack consistently since 2007 and only to be slightly replaced with the 2012’s Broadway Original Cast Recording. So I am not only a fan but I feel like this music speaks to me on a much deeper level. When I was listening (and singing along) during this play, I feel like they really nails these tracks and delivered the soul that would be expected from Glen Hansard and Marketa Irglova.

“Once” is quite the stage experience and features a very impressive ensemble of actor/musicians who play their own instruments onstage. The supporting cast to this play are also outstanding and really wrap up the show with a red ribbon. High regards go out to Evan Harrington, who plays Billy, for a particularly great performance. Prior to the show starting, you were able to get up on stage and walk around to feel like you are a part of the show. The cast then came out and started just riffing and playing fun music for the audience to enjoy. Ray Bokhour, who played Da, had a really beautiful and touching go at the song “On Raglan Road” and hang the audience near tears. When the show did start it blended in so well from the pre-show that if you didn’t know the music, you wouldn’t have even realized it started.

The set was extremely simple and has no changes besides the enter/exit of some chairs and music equipment. Pretty much the whole cast is on the cast throughout the whole show playing along with their instruments and adding to each of these wonderful songs. The story itself if you are not familiar follows a Dublin street musician who is about to give up on his dream when he meets a beautiful young woman who encourages him to keep going and do something with his songs. The two get closer overtime and work on their music… but this isn’t your fairy tale romance as events become much more complex in their time together. I cannot recommend this play any higher. It is emotionally gripping and will leave you hanging on to every note of its beautiful music. Congrats to the national tour cast since they simply nailed it.

Click here to purchase tickets during the show’s stop in Orlando and also be sure to check out the schedule for the remainder of the national tour!

Miami, FL (The Adrienne Arsht Center)
Feb. 4 – 9, 2014

Tampa, FL (Straz Center)
Feb. 11 – 16, 201

Fort Myers, FL (Barbara B. Mann Performing Arts Hall)
Feb. 18 – 23, 2014

New Haven, CT (Shubert Theater)
Feb. 26 – March 2, 2014

Atlanta, GA (Fox Theatre)
March 4 – 9, 2014

Pittsburgh, PA (Benedum Center)
March 11 – 16, 2014

Rochester, NY (Auditorium Theatre)
March 18 – 23, 2014

Buffalo, NY (Shea’s Performing Arts Center)
March 25 – 30, 2014

Minneapolis, MN (Orpheum Theatre)
April 1 – 6, 2014

St. Louis, MO (The Fox Theatre)
April 8 – 20, 2014

Des Moines, IA (Civic Center of Greater Des Moines)
April 22 – 27, 2014

Tempe, AZ (ASU Gammage)
April 29 – May 4, 2014

Denver, CO (Buell Theatre)
May 6 – 18, 2014

Las Vegas, NV (Smith Center for the Performing Arts)
May 20 – 25, 2014

Seattle, WA (The Paramount Theatre)
May 27 – June 8, 2014

Portland, OR (Keller Auditorium)
June 10 – 15, 2014

San Francisco, CA (Curran Theatre)
June 17 – July 13, 2014

Los Angeles, CA (Pantages Theatre)
July 15 – Aug. 10, 2014

San Diego, CA (Civic Center)
Aug. 12 – 17, 2014

Costa Mesa, CA (Segerstrom Hall)
Aug. 19 – 31, 2014

Charlotte, NC (Blumenthal Performing Arts Center)
Sept. 30 – Oct. 5, 2014

Theatre Review “Wicked: The Untold Story of the Witches of Oz” Kansas City, Missouri

WICKED: The Untold Story of the Witches of Oz
October 10, 2013
Music Hall
Kansas City, Missouri

Our Score: 5 out of 5 stars

For those not familiar with the story, “Wicked” tells the story of the witches of Oz before they are visited by a certain little girl from Kansas. The two main characters are Glinda the Good Witch (Hayley Podschun) and Elphaba (Jennifer DiNoia) the “Wicked” Witch of the West. The story begins where the well known story of “The Wizard of Oz” ends, Dorothy has just gone back to Kansas and the Munchkins are singing and celebrating now that the Wicked Witch is finally dead. As the celebration and singing continues a question is put to Glinda as to the actual relationship she shared with Elphaba when they were growing up. We are than transported by way of Glinda’s memory to her school days and her first meeting with Elphaba.

As you can probably figure, Glinda and Elphaba were very different from the beginning. Glinda grew up in a higher class family, which made it quite simple to achieve any dream she had. She just had to ask and it was given to her. Even though Elphaba’s father is the Mayor she has a little tiny problem that keeps her from making friends… she is green! Her sole purpose in life is to take care of her beautiful and normal looking sister, Nessarose, who is confined to a wheelchair. We follow Elphaba and Glinda to “college,” where their disdain for each other grows. As time progresses we watch them deal with their differences, their disagreements, their shared following of sorcery and their shared love of the same boy, Fiyero.

What’s most enjoyable about “Wicked” is that the story continually works in the story of “The Wizard of Oz,” with some twists involved that make all to much sense to the story that we already know. We learn how the scarecrow, tin man and cowardly lion all come to be. We learn why there must be good to match evil or, in this case, where there must be evil to match good. What we are all lead to do is to accept the thought that we must unlearn what we already know. You will never watch “The Wizard of Oz” again and feel the same way about any of the characters.

Most impressive of “Wicked” was that the story was all new to me, I went in with only expectations of being entertained and satisfied with the production I saw. What I witnessed was something entirely different. It was an emotional experience that left me drained by the end. You’re not sure if you should choose sides; is there a good and evil in this story? Is it all evil? Is it all good? Do I root for just one character or do I just trust that sometimes there can be two right sides to every story? “Wicked” is a top notch production with great music and a fantastic crew currently running in Kansas City through October 27. It’s a story that you should experience at least once. My only regret about the show is that it has taken me ten years to see it!I

The entire cast of “Wicked” in KC was amazing, with special kudos going to DiNoia and Kansas City native Podschun. Many in the cast had played the same roles on Broadway. I could tell from the beginning that this performance would be like nothing I had seen recently at the theater. “Wicked” was nominated for ten Tony Awards, winning three, and boasts a Grammy winning soundtrack of such memorable tunes as the Act 1 finale “Defying Gravity.” If “Wicked” blows your way I suggest you go see it before a house drops on YOU!

There are currently two touring companies of “Wicked” making their way around the United States. This cast can next be seen in Des Moines, Indianapolis and Cleveland. For more tour information http://www.wickedthemusical.com/broadway-tickets

 

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Theatre Review “Alice Lost in Wonderland” Garden Theatre – Winter Garden, FL

“Alice Lost in Wonderland”
Writer/Director: Rob Winn Anderson
Garden Theatre
160 W. Plant St, Winter Garden FL
October 20, 2013

Our Score: 3.5 out of 5 stars

Since I moved from New York (and missing Broadway), the Garden Theatre, located in Winter Garden, FL, has been my answer to fill that void. When I saw they they were going to be presenting a darker take on Lewis Carroll’s “Alice in Wonderland”, I knew I had to see it. The play “Alice Lost in Wonderland” made its world premiere this weekend and I was left quite speechless while leaving the theatre. I am a sucker for this classic story and always jump at the chance to see it portrayed in a difference view. The story was unique and backed with very impressive performances from the cast.

Official Premise: “Alice Lost in Wonderland” uses Lewis Carroll’s classic book to inspire the story of a woman frantically searching for what she has lost. Years of falling in and out of mental institutions have broken her and now she finds herself in a terrifying situation where chances are final and journeys into dark places are both wonderful and haunting.

This show is definitely not for kids. It is quite intense and contains some very mature themes. In terms of visual, the show consisted of only one set. So there wasn’t much of a visual “wow” factor. So the weight of the show rested on our cast of performers…and luckily like I mentioned they all were very impressive. I have seen plenty of local theatre productions and you always have talent that just isn’t quite up to par. Well, not at this theatre, the performers all pulled their weight and gave great performances.

If you are drawn in like myself to see a twisted production of “Alice in Wonderland”, you should be enjoy this quite a bit. The use of light and smoke in the show is very effective and add great atmosphere. It kept my interest the whole production and had me guessing as well to where they were going to take it. I have seen plenty of shows where I lose interest, but not here. Highly recommended to catch this play during its world premiere at the Garden Theatre (just leave the kiddies at home).

Cast of “Alice Lost in Wonderland”
Jane- Becky Eck
Alice/Dr.Alice/Cheshire Kitten- Taylor Anderson
Queen of Spades/Dr. Barb- Meaghan Fenner
White Rabbit/Mr. Gwynn- Alexander Mrazek
Ducky/Duchess/Crumpet/Pigeon- Julie Snyder
Mouse/White Knight- Erik Nelson
Carter/Mad Hatter- Wesley Slade
Louis/Sir Time/Tweedle/Gardener- Mike Deaven
Bill/Caterpillar- Tod Caviness
Campbell/Mock Turtle- Nicholas Bethencourt Neto

When: October 18th-November 3rd
Where: Garden Theatre, 160 W. Plant St., Winter Garden
Tickets: $25; $21 students and seniors
Call: 407-877-4736
Online: gardentheatre.org

Garden Theatre Announces “Alice Lost in Wonderland”

GARDEN THEATRE ANNOUNCES ALICE LOST IN WONDERLAND

Original World Premiere of Psychological Drama

WINTER GARDEN, FL (Oct 2, 2013) – The Garden Theatre announces the original world premiere of Beth Marshall Presents’ production of Alice Lost in Wonderland, written and directed by award-winning playwright Rob Winn Anderson with producing artistic direction by Beth Marshall, October 18 – November 3, 2013, at the Garden Theatre (160 West Plant Street, Winter Garden). Alice Lost In Wonderland is sponsored by Insight Credit Union. The Garden Theatre’s 2013-2014 Season is presented by CenturyLink.

In this original world premiere, Alice Lost in Wonderland uses Lewis Carroll’s classic book to inspire the story of a woman frantically searching for what she has lost. Years of falling in and out of mental institutions have broken her and now she finds herself in a terrifying situation where chances are final and journeys into dark places are both wonderful and haunting. This whimsical psychological thriller steps out of reality and into a shattered mind to create a classically creepy and intriguingly creative journey through wonderland.

Since the Garden Theatre re-opened in 2008, there were talks about Beth Marshall Presents producing an adaptation of Alice In Wonderland, and so the idea shifted. “The concept of the show morphed into numerous forms throughout the years,” said producer Beth Marshall. “But I always knew that it would be from a strong female view point, giving the production an even darker and more adult feel. At this point the play went from being an adaptation to more of an original take.”

This play is written and directed by Rob Winn Anderson, an Orlando resident and nationally acclaimed director and playwright who’s other plays have been featured at Kennedy Center Playwrighting Intensive. Anderson is a member of the Dramatists Guild of America Inc., Chicago Dramatists, SAG, and many more.  Anderson most recently directed Neil Simon’s Biloxi Blues and his fresh take on The Wizard of Oz at the Garden Theatre last season. During Biloxi Blues, Marshall presented him with her vision of Alice Lost In Wonderland and asked if he would write and direct the show. The next six months were brainstorming ideas, sharing images, songs, writings, research. “It feels like we’ve been through a million rewrites,” says Marshall. “Now here we are in our own wonderland.”

Beth Marshall plans to get two tattoos inspired by the show. The first tattoo, which she intends to get before opening night, will be the White Rabbit mask, and right below it the line from the play, “Even nonsense has sense in it.”  The second tattoo is an original design by set designer Tom Mangieri, a playing card of The Queen of Spades, which Marshall intends to get before the show closes.

Show times are Fridays at 8pm, Saturdays at 2pm & 8pm, and Sundays at 2pm. Tickets are $25 for adults ($21 for seniors/students).  There will also be an Industry Night on Monday, October 28 at 8pm.  This show is open to the public, with $15 ticket for those in the theatre industry.  Note: This show contains mild drug and mental illness references, and mild language. For tickets, visit gardentheatre.org or call the Garden Theatre Box Office at 407-877-GRDN (4736).

ABOUT BETH MARSHALL PRESENTS

Beth Marshall Presents is an independent production company based out of Orlando, Florida, producing theatrical, dance, music, multi-media performance art and all things creative in arts & entertainment with a special focus on original works and touring festival circuits. This is Beth Marshall Present’s ninth show produced at the Garden Theatre, including previous shows L’Ange Avec Les FleursOur TownCrimes of the HeartDriving Miss Daisy, A Christmas CarolThe Diviners, Biloxi Blues, and Children of a Lesser God. Visit bethmarshallpresents.com for more information.

ABOUT THE GARDEN THEATRE 

Located in the heart of historic downtown Winter Garden on Plant Street, the Garden Theatre is a not-for-profit community organization committed to enriching, engaging, and entertaining through creative experiences. The theatre, which reopened 2008, showcases an atmospheric theatre in a Mediterranean Revival style venue. The Garden Theatre hosts live plays, concerts, movies, and more to the residents of and visitors to the city of Winter Garden. For tickets or additional information, contact the Garden Theatre Box Office at 407-877-GRDN (4736) or visit the new Garden Theatre website at gardentheatre.org.

Theatre Review: “Miss Saigon” Starlight Theater – Kansas City, Missouri

Miss Saigon
Starlight Theater
Kansas City, Missouri
September 7, 2013

Our Score: 5 out of 5 stars

In April 1991 one of the great “spectacle” musicals opened on Broadway. The show was “Miss Saigon,” which I had the privilege to see shortly after its opening. The show was nominated for 11 Tony Awards, winning three for Lead Actor in a Musical (Jonathan Pryce), Lead Actress in a Musical (Lea Salonga) and Featured Actor in a Musical (Hinton Battle). “The Will Rogers Follies” took home the bulk of the awards that year, including Best Musical. But “Miss Saigon” had the last laugh. While “The Will Rogers Follies” ran for two years, “Miss Saigon” ran for almost ten. In fact, as I write this, it is the 12th longest running show in Broadway history. The current touring production opened this week at the Starlight Theater in Kansas City and it proved a fitting end to a successful season under the stars.

Saigon. 1975. As the war in Vietnam comes to a close we meet Chris (Charlie Brady) and John (Nkrumah Gatling) as they pay a visit to Dreamland, the local club where you can find ANYTHING you desire, courtesy of the club’s owner, who calls himself The Engineer (Orville Mendoza). The club is buzzing with the heat of a steamy night as well as the heat coming off the girls who work there. New to the club is Kim (Manna Nichols), who has just lost her family and now finds herself homeless and alone. As the girls gyrate and compete to win the nightly crown of “Miss Saigon,” Chris spots Kim from across the room. In this terrible place torn apart by war he has discovered an angel. John arranges with the Engineer that Kim and Chris spend the night together and, when morning comes, they are in love. But any plans they make for the future come to a halt when Chris, his fellow Marines and the US Ambassador evacuate Saigon.

Brilliantly staged, this production of “Miss Saigon” is equal in scope to the one I took in more than two decades ago at the Broadway Theater (that is the name of the theater…it’s actually on 53rd Street and is currently hosting the revival of “Cinderella”). I’ve always been impressed with Starlight’s ability to reproduce the scale of Broadway on their stage and they do it again with this show. The cast is well voiced and bring an emotional quality needed to the subject matter. I must give special attention to both Mendoza and Nichols who were, in my opinion, as good as their Tony Award winning predecessors. On an unseasonably hot September night their voices soared high and clear over the audience. Technically the show is also first rate, from the direction to the new choreography by Baayork Lee. Theatre fans may recognize Miss Lee as the original Connie in “A Chorus Line.” She has done an outstanding job or translating the show in her own way.

Recent rumors of a “Miss Saigon” film are running rampant, based on a comment producer Cameron MacIntosh made regarding the success of the recent “Les Miserables.” Since that film made almost $150 million in the US alone, I’m betting that the heat will soon be on at a theatre near you!

“Miss Saigon” continues at Starlight through September 13.
Additional Dates
Hartford September 16
Detroit September 24
St. Paul October 8

Theatre Review “The Accomplice: The Village” New York City

I glance up and down the street surreptitiously, hoping that we haven’t been followed. My group is huddled behind me; they’re counting on me. Taking a deep breath, I duck inside the storefront and grab the hairspray bottle, before sprinting back outside to the rest of the group. We quickly walk the rest of the way down the road, trying our best to blend in with the NYC crowd.

I think I may have just gotten away with it.

My heist isn’t actually a heist at all, of course. It’s part of Accomplice: The Village- a show that is part theatre and part game; a bit of drama and a bit of spy-thriller; a walking tour and an escapade into the interactive theatre genre.

The day started out normally enough. I met up with a group of people in the West Village at a pre-determined destination that was told to me only one day prior. The group was a nice mix of local New York residents and tourists, and our tour guide began leading us through the streets, pointing out landmarks as we went along. Soon though, our placid tour group was involved in an epic mystery, with us needing to solve clues to get to the next step. Suddenly, we had a mission and a lively cast of characters (played by talented actors), answering our questions and perpetuating the story. Somehow, we had become accomplices.

The Accomplice operates two shows out of New York City- The Village, which runs through Greenwich Village, and New York, which runs through the downtown area. The show is currently in its ninth season and is the creation of Betsy and Tom Salamon. It runs approximately two and a half hours, and during that time participants will mostly be walking. Groups are limited to ten people, and the show operates rain or shine, running from late March to early November. Tickets are $65 and include drinks.

 

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Theatre Review “Footloose: The Musical” Starlight Theatre – Kansas City, Missouri

Footloose: The Musical
Starlight Theatre
Kansas City, Missouri
August 5th, 2013

Our Score: 2 out of 5 stars

On a muggy night in the Heartland, it seemed fitting that the production of “Footloose” would be sweat inducing and, for female attendees, steamy. As the title song belted out and a company of extras began to dance to the iconic pop-rock beat of the 80’s, my ears perked up. I’m well versed and cultured enough to know about previous generations, but I’ve never seen the movie “Footloose,” nor had I ever a care to. In that moment of cutting loose and kicking off the Sunday shoes, I found myself interested. I was ready for this glimpse into the 80’s. My expectations jumped up to the par with everyone else that night as the cast showed off their best moves during the opening number. Boy did those hopes fizzle out.

Ren McCormack (Max Clayton) and his single mom, Ethel (Paula Leggett Chase), are heading from the city lights of Chicago to the humble countryside of Beaummont. A stereotypical middle-American small country town. The kind that is drenched from hillside to hillside in golden wheat and pristine corn fields. The residents are set in their ways and are already weary and gossiping about Ren and his mom the morning they arrive at church. Despite the police and other community leaders, Reverend Shaw Moore (George Dvorsky) is the overriding moral, spiritual and political leader of this town. Years ago, a tragic accident took the life of four teens, including Shaw Moore’s son. Since then, the Reverend has imposed a strict no-dancing law in the town. As absurd as this sounds, this has actually happened in the U.S. (the town of Elmore City, Oklahoma banned dancing for over 100 years and was Dean Pitchford’s inspiration for his script for “Footloose”). For the energetic Ren, who expresses his emotions through dance, this is a nightmare. He manages, though, with the help of classmate and friend, Willard Hewitt (Matthew Dorsey Moore) and the pastor’s daughter, Ariel (Taylor Louderman).

For a musical called “Footloose”, it really seems like the big dance numbers are kept to a minimum and dancing in general through the middle part of this story is stifled. It seems like the dance choreographer is playing the part of Reverend Moore during half these songs. If there were more songs like “On Any Sunday”, “Footloose” and “Let’s Hear it for the Boy”, this would have been a grand dance and song musical on par with other greats. That doesn’t mean the other songs aren’t good. When you have Kenny Loggins, Sammy Hagar and Jim Steinman sharing the writing credits, you can’t go wrong with some rockin’ songs and love soaked ballads.

The show has a problem settling on a main idea. On one hand it could be a time capsule of an aging era. On another it’s the story of young vs. adult and traditional vs. new. It also tries to be a sexy, hip look at the lives of teenagers in a small town. Some of those ideas will grab hold and really stick with a viewer. But as for me, I was a bit overwhelmed by all three together and underwhelmed by each on their own. My personal preference would have been a time capsule. Every generation has the conflict of “parents just don’t understand” and very few stories actually have a whiff of creativity when it comes to exaggerated teen comedy/dramas. If these two ideas took a seat back to fun dance numbers and this musical’s catchy 80’s music, “Footloose” would have been a memorable evening at Starlight.

As I stated with Starlight’s previous iconic 80’s musical “Flashdance”, I may have been created in the 80’s, but I’m a product of the 90’s. I haven’t seen the 1984 movie, nor its 2011 remake. Some of the older people in the audience seemed to really dig it, but this is not my cup of tea. I loved the music, the dancing (when it happened) and the creative set pieces by Robert A. Kovach. My view of the 80’s is that it was the last generation with a true rebellious nature. The music struck a nerve in an era of growing morality and Reaganomics. Genres like punk rock, grunge and some sultry pop icons like Madonna festered and spoke to a confused and rambunctious generation. I wasn’t hoping for that style of music or any blatant liberal ideology. I was simply hoping for it to touch upon these ideas in a sentimental manner and sometime comical fashion.

“Footloose” will be at the Starlight Theatre in Kansas City until August 11th.