Rocklahoma 2021: Slipknot, Limp Bizkit, Rob Zombie, Chevelle, Halestorm, Anthrax, and Many More

This Year To Celebrate America’s Biggest Labor Day Weekend Party

Friday, September 3, Saturday, September 4 & Sunday, September 5

At Pryor Creek Music Festival Grounds in Pryor, Oklahoma

Hosted By Eddie Trunk

Early Bird Passes On Sale Friday, June 11 at 10:00 AM CT

Rocklahoma will make its highly anticipated return this year – taking place on Friday, September 3, Saturday, September 4, and Sunday, September 5 at Pryor Creek Music Festival Grounds in Pryor, Oklahoma, just outside of Tulsa. Previously taking place over Memorial Day Weekend, Rocklahoma will celebrate America’s biggest Labor Day Weekend Party in 2021. Now in its 15th year, the three-day camping festival features some of today’s top rock artists, including Slipknot, Limp Bizkit, Rob Zombie, Chevelle, Halestorm, Anthrax, Falling in Reverse, and many more.

Produced by AEG PresentsRocklahoma showcases the best new rock acts and classic artists performing on three stages. With onsite camping amenities and unparalleled VIP packages, Rocklahoma lives up to its motto of “Life, Liberty & the Pursuit of Rock.”

The music lineup for Rocklahoma 2021 is as follows (subject to change):  Slipknot, Limp Bizkit, Rob Zombie, Chevelle, Halestorm, Anthrax, Falling in Reverse, Philip H. Anselmo & The Illegals Perform A Vulgar Display Of Pantera, Sevendust, The Hu, Motionless In White, Pop Evil, Badflower, Grandson, Jelly Roll, Candlebox, Puddle Of Mudd, Stephen Pearcy The Voice Of Ratt, Andrew W.K., Knocked Loose, From Ashes To New, Tremonti, John 5 And The Creatures, Ayron Jones, All Good Things, Light The Torch, Zero 9:36, Bones UK, Butcher Babies, George Lynch & The Electric Freedom, Diamante, Austin Meade, Cory Marks, Jeris Johnson, BulletBoys, Liliac, Another Day Dawns, Dead Metal Society, Color Of Chaos, East Side Gamblers, Budderside, Paralandra, Fist Of Rage, Travis Bond & The Rebel Souls, Outlaw Devils, 90LB Wrench, Severmind, Love Sick Radio, Mind Of Fury, Jessikill, Straight Six, The Rumours, and Chaotic Resemblance.

Slipknot’s M. Shawn “Clown” Crahan says, “Cannot wait until we play Labor Day Weekend in Pryor, Oklahoma. Our first time at a festival is always very special. We all know that this will be one of those days. See you all soon. Stay (sic).”

Passes go on sale at early bird pricing on Friday, June 11 at 10:00 AM CT at www.Rocklahoma.com, and will increase to phase 2 pricing on Friday, June 18 at 5:00 PM CT. Payment plan options are also available, allowing purchasers to split the cost into monthly payments. Fans are encouraged to buy early and save.

Limited quantities of Groupie, Roadie, and Rockstar VIP Packages are also available.

Please visit https://rocklahoma.com/passes.html for details.

Current pass pricing is as follows, while supplies last:

Weekend Admission Passes:

Weekend GA: $144 plus fees

Weekend Military GA: $120 plus fees

Weekend GA 4-Pack: $516 plus fees

Weekend Reserved Admission (comes with food & soft drinks): $399 plus fees

VIP Packages:

Groupie Package: $700 per person for pit / $800 per person for reserved plus fees

Roadie Package: $1,125 per person plus fees

Rockstar Package $2,650 per pair for camping / $3,350 per pair for Hotel plus fees

Note: All Weekend tickets are for Friday, Saturday, and Sunday.

New for 2021, Rocklahoma will offer two new packages to get away from the crowds:

Big Shot Boxes: $3,400 plus fees

Private, shaded, elevated boxes located at the main stage for you and three friends north of the reserved seats. Couches, chairs, and beverage service plus access to the VIP Tent and Stage 2 VIP lounge.

The Garage package: $4,500 plus fees

Private, shaded 10×20 tent near the main stage for up to six people. Couches, chairs, and beverage service for you and your guests.

The campgrounds are a unique part of the Rocklahoma experience, and will be open from Sunday, August 29 at Noon CT through Tuesday, September 7 at Noon CT. New in the campgrounds, Rocklahoma will offer two high end glamping packages. General Admission and VIP camping are available at checkout and are only available with weekend ticket purchases. Information on camping add-ons can be found at https://rocklahoma.com/camping.html.

Fans are invited to kick off the party early at The Roadhouse where local Oklahoma favorites, top tribute acts, and national legends will headline the D&B Concerts Stage each day. The Roadhouse will also feature food trucks, a full-service bar, and a great place to hang with your friends throughout Rocklahoma.

Festival doors open at 2:00 PM daily, and doors for The Roadhouse open at 11:00 AM daily.

Rocklahoma is located just 45 minutes northeast of Tulsa, in Pryor, OK. The Pryor Creek Music Festival Grounds is a premier destination for a multi-day festival and includes onsite camping with access to restrooms and shower house, a general store for campers, VIP reserved seating, hospitality areas and much more.

For more information on Rocklahoma, visit: Website: www.Rocklahoma.com

Book Review: “Confess The Autobiography” Rob Halford

“Confess The Autobiography”

Author: Rob Halford
Hachette Books
Hardcover: 368 pages

Our Score: 4 out of 5 stars

Most priests hear confessions; this one is making his. Rob Halford front-man for the legendary heavy metal band Judas Priest tells his story in “Confess The Autobiography”. From the Walsall council estate to musical fame via alcoholism, addiction, arrests and, personal tragedy through to rehab, coming out and, redemption The Metal God’s story winds through his working-class roots to finding his calling in music, including his experience as a gay man in the macho world of rock.

If that lead in doesn’t grab your attention then you might want to check your pulse. . “Confess The Autobiography” by Rob Halford takes readers on a unique journey the likes we have never seen. From meeting bassist Ian Hill through his sister to receiving a life time ban from Madison Square Garden and coming out in 1998 “Confess” covers immense territory. Halford is candid and direct with his approach leaving no subject off limits. While “Confess” not only recounts Rob’s success with Judas Priest there is also another storey set just slightly in the background which readers will find quite interesting. How did the singer for one of the biggest heavy metal bands in history deal with being gay? Not only were the times not as accepting of alternative lifestyles but heavy metal certainly was not seen as leading the charge for acceptance during these times. Over the course of the books 368 pages Halford takes readers first hand through his countless struggles and fears over.  “What if it got out he was gay?” forever ruining the bands career. It’s at these times that the book takes a more emotional turn as the author recounts just what it was like to be an apart of Judas Priest becoming the biggest band in the world while at the same time having to live the other part of your life in secrecy. Given the high profile nature of the band talk about a difficult situation!

Through all the highs and lows “Confess” is comes out ahead making for an enjoyable read. You don’t have to be a Judas Priest or heavy metal fan to appreciate the book Rob Halford has put together. Though the story might not be completely relatable on all levels there are certainly points where every reader will be able to think back to a time where their success may have been over shadowed by something else going on internally or out of fear of what others may think you acted one way and not another. “Confess The Autobiography” though it showcases one man’s journey will speak to many.  

ROB HALFORD GETS IN THE HOLIDAY SPIRIT WITH ‘CELESTIAL,’ ANNOUNCES ARIZONA APPEARANCE

Without question, Rob Halford is one of heavy metal’s all-time great vocalists – as heard through his highly influential and groundbreaking work with Judas Priest. But over his career, he has also proven able to master a variety of other styles vocally – including holiday-themed music. And in time for this holiday season, Halford will be releasing an all-new album, entitled Celestial (released October 18th via Legacy Recordings), and a day later, will be signing CD or LP purchases of the album at FYE Arizona Mills at 2:00 P.M (in Tempe, Arizona). Details to follow closer to the event.

The album will also be available for pre-order on Rob’s artist store – with exclusive merchandise and a limited, autographed metallic-gold color version of the vinyl. 

Please visit the Rob Halford store here: https://RobHalford.lnk.to/D2CPR

Credited to Rob Halford with Family and Friends, the album mixes holiday classics with all-new compositions, and will appeal to lovers of traditional holiday music and headbangers alike. “The great thing about heavy metal is it’s got these kinds of multiple dimensions,” explains the man also known as the Metal God. “I think when you look at it from an outside point of view – if you’re not really familiar with the metal scene – it can look pretty intimidating. And it is a very strong, powerful experience. But it comes at different levels. I think the music that we’ve made on Celestial, for example, gives a display of that. Metal maniacs – as we call ourselves – are just as ready for the holidays as everybody else. And what we’ve tried to do with this music is to reach out to as many of those metal dimensions as we possibly can.” 

And judging from the “Rob Halford with Family and Friends” banner, Celestial sees Halford joined by a supporting cast of those very close to him – his brother (Nigel) on drums, his nephew on bass (Alex, son of Priest bassist Ian Hill), has sister (Sue) on bells, and twin guitar tandem of Robert Jones and Jon Blakey. 

Once all the contributors were in place, Halford “went away and listened to a lot holiday music and Christmas carols. Traditional stuff. 12 tracks – including original tracks that I’m particularly excited about. And in that way, because of the dimensions of each song and the messages of each song, I think we cover a really broad platform. To me, more than anything, I wanted it to have its own characteristics and be a little bit more different than the regular rock n’ roll Christmas album.”

Halford has certainly accomplished this goal, as evidenced by such standout originals as the album-opening title track, “Donner and Blitzen,” and “Protected by the Light,” as well as reworkings of such holiday standards as “God Rest Ye Merry Gentlemen,” “Joy to the World,” and “Hark! The Herald Angels Sing,” among other standouts. “‘Donner and Blitzen’ gets the snowball rolling for Celestial – a song full of excitement, love and hope,” says Rob. “You can hear and feel the power of Christmas time – energy roarin’ with rockin’ reindeers haulin’!” The video for ‘Donner and Blitzen’ can be viewed here: https://www.youtube.com/watch?v=pkSYiKHhp0E

“I think the holidays for any family are a mixture of fun and excitement and apprehension of the whole event. The magic of it more than anything else. It’s just a beautiful time of year – which a lot of us wish would be for every day of the year. It’s a beautiful thing as far as bringing families together. So, what better way to celebrate it than with your family, friends…and music. You must have music at Christmas time.”

And with the arrival of Celestial, Rob Halford has certainly done his part.

‘Celestial’ tracklist:
 
Side A

1.       Celestial [new song]
2.       Donner and Blitzen [new song]
3.       God Rest Ye Merry Gentlemen
4.       Away In A Manger
5.       Morning Star [new song]
6.       Deck The Halls

Side B
1.       Joy To The World
2.       O Little Town Of Bethlehem
3.       Hark! The Herald Angels Sing
4.       The First Noel
5.       Good King Wenceslas
6.       Protected By The Light [new song]

FYE in-store details:

Date/time: Saturday, October 19th at 2:00 P.M        
Location: FYE Arizona Mills (5000 Arizona Mills Circle #612 – Tempe, AZ 85282)

FOR MORE INFORMATION, PLEASE VISIT:
 
facebook.com/robhalfordlegacy

Imaginext Designer Rob Hageman Discusses Exlcusive NY Comic Con Bat-Bot Xtreme

New York Comic Con has become the premier East-Coast destination for all things pop culture and 2017 was no different. New to the convention floor this year was Fisher Price’s Imaginext toy  line which features a wide variety of multi-faceted play sets, figures and vehicles taken from the pages of the DC universe. As an exclusive for this year’s convention Imaginext creators brought a special themed version of their DC Bat-Bot Xtreme for a lucky few to purchase. Media Mikes had the chance to speak with designer Rob Hageman about the piece as well as what the brand has in store for this year’s holiday season.

Ian Lawton: How did you come up with the original idea for the original DC Bat-Bot Xtreme?

Rob Hageman: We actually started off by making a smaller version of the toy. It had all the same workable features and everything but when we got it all done we realized it would be cooler if we made it a lot bigger. The smaller version was great but once kids got a hold of the larger version that’s the one that everyone really enjoyed.

IL: Can you tell us about some of the feature on the Bat-Bot Xtreme?

RH: I think the best feature is when you turn one of the action discs as it opens up the wings of the robot. Once you do that you have access to the punching power triggers on each hand. You can also fire discs out of the fists as you punch. Across the top are a number of buttons which shoot several rockets. On the opposite foot of the robot is another action disc which opens up the chest of the robot to reveal an elevator which takes figures up into the head of the robot. Also featured is a voice changer which allows you to talk into the back of the toy and transform your voice in to that of a robot. There is a hidden bat cycle in one foot of the robot which can be shot out while the other foot features a jail for locking up any bad guys.

IL: The Comic Con version of the Bat-Bot Xtreme is different from the one in stores. Can you tell us about that?

RH: There is a comic book version of this robot that is much more metallic than the retail one. The retail one is still super cool but it’s done in standard blue plastic where the 300 we did for Comic Con have a special blue metallic paint job that is closer to what is seen in the comic. With this special version I really was trying to make sure it looked as close to the one pictured in the book. The exclusive version also comes with in special packaging featuring some really great art work, magnetic switches and LED lights.

IL: How do you decide which characters you are going to make into a figure?

RH: Each year all the designers get together and draw a bunch of concepts. We will take them to the team and give them our best pitches for each one. From there we work as a team to finalize designs and figure out which look the best, are the most relevant and will help Imaginext flush out the DC Universe.

IL: What other characters/figures are you set to release?

RH: We have Mongul and Green Lantern set to come out along with Black Canary and Night Wing around Christmas time. Also set to come is Steppenwolf as well as Swamp Thing and Survivor Batman. I think that’s probably one of our best packs we have done so far.

IL: How would someone go about becoming a toy designer?

Designer Rob Hageman and Media Mikes Ian Lawton

RH: When I was a kid I loved to draw and it was something I always did. I would draw my toys along with other toys I may have wanted. I also drew a lot of robots as I love robots. When I got to high school a teacher of mine had a friend of his who worked for a toy company come to class. He brought in all the things he had worked on and told us it was his job to make toys. I knew then it was something I wanted to do. I kept drawing more and more and after high school I went to art school and focused on toy design. I am now doing what I wanted to do ever since high school.

IL: What has been your favorite toy that you have created/worked on?

RH: My favorite is the regular Bat-Bot which transforms from a tank to a robot. It was an uphill battle for me to sell that in as I wanted the transformation to be able to happen while the toy was still in the package. I wanted there to be two different forms while making things easy to maneuver and play with. The voice on it is really great as well.

Album Review: Rob Zombie “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”

“The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”
Rob Zombie
Zodiac Swan
Tracks: 12

Our Score: 1.5 out of 5 stars

Master of the macabre Rob Zombie is back with his 6th studio album titled “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser”. As the follow up to his 2013 release “Venomous Rat Regeneration Vendor” the new album features 12 tracks from the former White Zombie front man which blend his unique brand of 70’s tinged rock and roll with eerie b-movie samplings which seem to permeate from every crack and crevice.

With an album title like “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” one would hope for the music to be equally as impressive. Sadly this is not the case as the new album from Rob Zombie is an uneven blend of chaotic, multi layered samples that lack any real musical substance. Over the course of the albums twelve tracks which only clock in at a measly thirty one minutes Zombie’s once unique blend of horror infused rock comes off as stale and tiresome. Despite a few shining moments in the way of tracks like “Well Everybody’s Fucking in a U.F.O.” and “The Hideous Exhibitions of a Dedicated Gore Whore” the album seemed to be absent of any real hook or catchiness and, instead comes off as a scattered mess. Even with such an impressive band behind him consisting of bassist Piggy D, guitarist John 5 and drummer Ginger Fish there still just wasn’t enough musical appeal to warrant a second listen.

Some impressively wordy titles are about all you will find in the latest release from Rob Zombie. With a three year lapse between albums I was certainly hoping for more and, in the case of “The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser” I needed a lot more. The albums lack of focus and its brief runtime really left me unfulfilled. This is easily Zombie’s weakest release however if you’re a long time fan and want it for your collection go for it but, if you are just know checking out Rob’s work I highly recommend skipping this and going to his impressive back catalog.

Track Listing:


1.) The Last of the Demons Defeated
2.) Satanic Cyanide! The Killer Rocks On!
3.) The Life and Times of a Teenage Rock God
4.) Well Everybody’s Fucking in a U.F.O.
5.) A Hearse That Overturns with the Coffin Bursting Open
6.) The Hideous Exhibitions of a Dedicated Gore Whore
7.) Medication for the Melancholy
8.) In the Age of the Consecrated Vampire We All get High
9.) Super-Doom-Hex-Gloom, Pt. 1
10.) In the Bone Pile
11.) Get Your Boots On! That’s the End of Rock and Roll
12.) Wurdalak

 

Related Content

Concert Review: Rob Zombie “Super Monster Sex Action Tour 2015”

“Super Monster Sex Action Tour 2015”
Rob Zombie
Date: Friday, June 19th 2015
Venue: Tag’s Summer Stage, Big Flats, NY

Our Score: 4.5 out of 5 stars

The macabre entity known as Rob Zombie brought his band of merry maniacs to the Tag’s Summer Stage on June 19th as part of his “Super Monster Sex Action Tour” where he performed for a near capacity crowd. Though the front man pointed out that he was a little under the weather you would have never noticed as he and his band blasted through 17 songs which spanned not only Zombie’s solo albums but also some of his work with his previous band White Zombie. Though foreboding skies seem to loom over the head Mother Nature played nice providing a great experience for concert goers.
Flanked by longtime band members Piggy D and guitarist John 5, and basked in glowing red lights amidst a smoke filled stage the man himself Mr. Rob Zombie appeared before the anxious crowd for what would be his first ever appearance at the Tag’s Summer Stage. Not one to disappoint or waste time Zombie and company blasted through songs like “Superbeast” and “Living Dead Girl” which gave way to such classics as “More Human Than Human”, “Meet the Creeper” and the always present “Thunder Kiss ‘65”. In what appeared to be a much more scaled down stage show compared to previous tours the band which was rounded out by former Marilyn Manson drummer Ginger Fish on drums proved that they could perform equally, if not better without the various stage props and gimmicks. The band had a great mix of sound coming through the PA which captured each instruments sonic element pairing nicely with the shows red/blue/green visual elements.

Having seen Rob and his band in a number of different incarnations and venues dating back to some of his early solo performances a lot has changed however one thing seems to always remain a constant. Each time Rob Zombie takes the stage he does not disappoint and this night’s show was no different. A great sound and performance along with the perfect mixture of both new and old material making up the set list made for an enjoyable night of rock and roll.

Set List
1.) Teenage Nosferatu Pussy
2.) Super-Charger Heaven
3.) Superbeast
4.) Get Up (I Feel Like Being a Sex Machine)
5.) Living Dead Girl
6.) Dead City Radio and the New Gods of Supertown
7.) Drum Solo
8.) More Human Than Human
9.) Sick Bubble-Gum
10.) Pussy Liquor
11.) Meet the Creeper
12.) Never Gonna Stop (The Red, Red Kroovy)
13.) Blitzkrieg Bop
14.) Thunder Kiss ‘65
15.) We’re an American Band
16.) The Lords of Salem
17.) Dragula

CD Review: Rob Zombie “Spook Show International Live”

Rob Zombie
“Spook Show International Live”
T-Boy Records
Produced by: Rob Zombie
Tracks: 19

Our Score: 5 out of 5 stars

“Spook Show International Live” is the latest release from Rob Zombie and his make-up clad crew of homicidal maniacs. The first live release from Zombie in 8 years consists of 19 pounding tracks that contain enough power to wake the dead. Recorded during the “Venomous Rat Regeneration Vendor” tour Rob and his band deliver their signature show right to your living room.

This is the way Rob Zombie should be heard! Yes all the studio versions of the songs contained on “Spook Show International Live” good in their own right but this is how they should really be heard. Each of the 19 tracks are vibrant and clear allowing the listener to experience the power of the band as if they are standing in the front row of a live show. Signature RZ tracks like “Living Dead Girl” and “Never Gonna Stop” blend in perfectly with newer tracks such as “Sick Bubblegum” and “Dead City Radio” while White Zombie classics such as “Thunderkiss ‘65” and “More Human Than Human” round out an already impressive set list along with some other really special numbers. Even the background vocals can be heard clearly through the heavy distortion and bombastic drums and bass adding to the albums appeal.

Whether you have seen Rob Zombie multiple times or never had the chance you need to get this album. Very rarely can the true essence of a live performance be captured and then transferred for personal listening however “Spook Show International Live” goes the extra mile and then some giving listeners something they can listen to time and time a again.

Track Listing:
1.) Teenage Nosferatu Pussy
2.) Superbeast
3.) Living Dead Girl
4.) Dead City Radio
5.) Drum Solo
6.) More Human Than Human
7.) Sick Bubblegum
8.) House of 1000 Corpses
9.) Meet the Creeper
10.) Never Gonna Stop
11.) Blitzkrieg Bop
12.) Thunder Kiss ‘65
13.) Jesus Frankenstein
14.) Were An American Band
15.) Dragula
16.) Demonoid Phenomenon
17.) Pussy Liquor
18.) Demon Speeding
19.) Ging Gang Gong De Do Gong De Laga Raga

 

Related Content

STARZ Reteams Sam Raimi, Bruce Campbell and Rob Tapert for a New TV Series Based on Their Classic Horror Film “The Evil Dead”

STARZ RAISES THE DEAD

NETWORK RETEAMS SAM RAIMI, BRUCE CAMPBELL AND ROB TAPERT FOR A NEW TV SERIES BASED ON THEIR CLASSIC HORROR FILM THE EVIL DEAD

RAIMI TO DIRECT FIRST EPISODE OF NEW SERIES, “ASH VS. EVIL DEAD”

BRUCE CAMPBELL TO STAR AS TITLE CHARACTER, ASH

 Beverly Hills, Calif. – November 10, 2014 – Starz announced today the greenlight of the network’s next original series, the long-awaited follow-up to the classic horror film franchise The Evil Dead. The project reteams the original filmmakers, director Sam Raimi, with longtime producing partner Rob Tapert and star Bruce Campbell.

The STARZ Original series officially titled “Ash Vs. Evil Dead” will be 10 half-hour episodes.  Bruce Campbell will be reprising his role as Ash, the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead.  When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons –personal and literal.  Destiny, it turns out, has no plans to release the unlikely hero from its “Evil” grip.

“Starz first worked with Sam and Rob on ‘Spartacus,’ and we are thrilled to be back in business with them,” said Carmi Zlotnik, Managing Director of Starz.  “With Sam writing and directing and Bruce Campbell returning to the screen, we are certain the show will give Evil Dead fans around the world the fix they’ve been craving.”

Evil Dead has always been a blast. Bruce, Rob, and I are thrilled to have the opportunity to tell the next chapter in Ash’s lame, but heroic saga.  With his chainsaw arm and his ‘boomstick,’ Ash is back to kick some monster butt. And brother, this time there’s a truckload of it,” said Sam Raimi.

“I’m really excited to bring this series to the Evil Dead fans worldwide – it’s going to be everything they have been clamoring for: serious deadite ass-kicking and plenty of outrageous humor,” said Bruce Campbell.

“STARZ has always been a great creative partner and we are excited to be working with them on this project,” said Robert Tapert.

Raimi will direct the first episode.  “Ash Vs. Evil Dead” was written by Sam Raimi, Ivan Raimi (Darkman, Army of Darkness, Drag Me to Hell) and Tom Spezialy (“Chuck,” “Reaper,” “Desperate Housewives”).  Sam Raimi will also serve as executive producer, along with Rob Tapert (Evil Dead, “Spartacus,” Xena: Warrior Princess”) and Bruce Campbell (Evil Dead, “Burn Notice”).  Ivan Raimi will Co-Executive Produce and Aaron Lam (“Spartacus”) will serve as producer.

The original Evil Dead film followed Ash and his friends who travel to a cabin in the woods, where they unknowingly release demons intent on possessing the living.  The film became an international success and is critically lauded to this day as one of the best horror movies of all time.  It also spawned a media franchise, including two sequels, as well as video games and comic books and a recent reboot that grossed $97 million worldwide.

“Ash Vs. Evil Dead” project was packaged by CAA and Craig Jacobson at Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush & Kaller.  Marta Fernandez will serve as the executive in charge at STARZ.

The series will air on STARZ in 2015.

Starz will retain all domestic and international multiplatform rights including television, home entertainment, and digital.

Rob Zombie talks about his Crowd-Funded Clown Horror Film “31”

Photo Credit: Rob Fenn

Grammy nominated musician, Rob Zombie has written and directed films like “House of 1000 Corpses”, “The Devil Rejects”, “Halloween (2007)”, “Halloween II (2009)” and “The Lords of Salem”. He is currently working on his next film “31”, which is a crown-funded project. The campaign currently ends on Halloween, so if you want to see Rob Zombie’s most brutal film get made head over to RZ-31.com and back it. Media Mikes had a chance to chat again with Rob to discuss the project, fear of clowns and what we can expect.

Mike Gencarelli: Last year, when we spoke you mentioned that “The Broad Street Bullies” would be your next film; what happened?
Rob Zombie: It just kept getting bogged down. “The Broad Street Bullies” is a true story, so unfortunately when you try and branch out and do something like that it is hard. I didn’t own the rights to it and I was working with other people. It is hard enough getting these movies made when you are in total control but when you get other people involved it just sort of drags on. So I worked on it for about two years and I felt like I could spend the next five years working on it and it still might not happen. I like making movies. I don’t like just having meetings and telephone calls. I may go back to it later but I might not since sometimes things just drag on forever. I don’t have forever, you know? I like to work and make movies.

MG: How was the idea for “31” born?
RZ: It came about in a very funny way. Last Halloween, I was in Pomona, CA working on this haunted house attraction I did called, “Great American Nightmare”. I was watching people running around being scared by people dressed as clowns with fake chainsaws and stuff. I saw the true terror on some people’s faces…even though they know it is fake, obviously since it is an amusement park. People just can’t stand clowns. So that was stuck in head. Then I was researching something online and I found out that Halloween was the number one day of the year when people go missing, according to the Missing Persons Bureau. I thought “Hmmmm…missing on Halloween?” Then I thought about the clowns and I ended up concocting this crazy idea about people being kidnapped and forced to battle murderous clowns, sort of like “The Most Dangerous Game” but with disgusting clowns. At the time, I was still working on “Broad Street Bullies” and getting bogged down, so I said to my manager that I was getting frustrated with this movie but I have this other ridiculous idea. I told him the idea and he said “I think I can sell that”. So it’s funny you work on something for years and then come up with this crazy idea off the top of your head and suddenly everyone is excited. That is literally how it happened.

MG: I grew up (and still am) scared of Pennywise from Stephen King’s “IT” but what do you think it about clowns that always scares people?
RZ: Clown makeup is weird and doesn’t hide everything. If you have a gross disgusting face, it almost extenuates it. It does hide your features though. If you just take white clown make up and smear it on your face, it really does make it hard to identify somebody. Think about Cesar Romero as the Joker, he was still so Cesar Romero but at the same time totally not. There is something so subtly disturbing about it. If they have a mask or a hood, they are totally covered but there is something so perverted about grease paint on someone’s face. The funny thing is that as children we are supposed to find these disgusting characters in grease paint adorable? Sorry but they are terrifying.

MG: With sites like Kickstarter and Indiegogo, what made you take your crowd-funding campaign to FanBacked?
RZ: Originally it wasn’t my idea to crowd-fund, my manager came to me with it. We had a few offers from Kickstarter and the others but FanBacked was brand new and they seemed the most enthusiastic. I liked the vibe of how they worked. It was also focused on entertainment and not all over the board. So we thought, let’s give them a shot and it has worked out great.

MG: What can we expect from this game in the film?
RZ: It is going to keep changing since we haven’t shot the movie yet. We start shooting in February. I love claustrophobic self-contained movies. I never make movies like that. I love films like “Dawn of the Dead”, even though in scope it is a big movie but I always loved when they get stuck in the mall. To me it was always so intense. I just love that idea. All my movies haven’t been self-contained but I have always wished that they were. So what can be more terrifying that being locked in this place and people just keep releasing a homicidal maniac to chase you constantly? There is nowhere to go. If you end up killing one of the guys, your only reward is that they release another one. It is like the coliseum, there is no way out. You literally have to kill every lion to survive. What can be worse than that? That was basically the idea. No rest for the wicked.

MG: Any cast in place yet for the film?
RZ: I have lots of people in mind but I haven’t cast anyone yet or spoken to anyone.

MG: You have said that this will be your most brutal film; any fears of it being censored for its theatrical release?
RZ: Sometimes you have different goals with movies. The goals for “The Lords of Salem” was not to be violent, gory and brutal. The goal of it was to make a slow paced, psychedelic head trip. With “31”, I just wanted to make something that is just so dirty and nasty…that is the goal. Then after you worry about the ratings board, because you can’t predict that they are going to do. If you try and censor yourself in advance, they will find something else. I am just going to make it as fucked up as possible and we’ll figure out a way to get it passed the MPAA. The unrated version then will live on forever, so that is all that matters.

MG: We have three days to go before Halloween and the end of the campaign; what can you tell fans who are looking to back this project?
RZ: We can really use everyone’s help. Even if you can’t donate money, just getting word out is very helpful. Anything helps. People twittering about it on their own is just as helpful as somebody backing it with money. That was always the goal from the get-go. Horror movies have always been a very fan driven industry. When the corporate world gets involved, they always ruin it. I wanted this to be fan involved. So if you want to back this go to RZ-31.com and keep spread the word!

Volbeat’s Rob Caggiano talks about Grammy nominated song “Lonesome Rider”

Rob Caggiano is the former lead guitarist of the thrash metal band Anthrax and current guitarist for the Danish-metal group Volbeat. The group was recently nominated for a Grammy and also put out a new music video for the song “Lonesome Rider”. Media Mikes had the pleasure of speaking with Rob about the group’s nomination, how he came to join the band and what the group has planned for the rest of this year.

Adam Lawton: Can you walk us through your transition from leaving Anthrax, to producing Volbeat and subsequently joining the band?
Rob Caggiano: I first met Volbeat around 2010. They had taken my other band The Damned Things out on tour with them. We all became friends as we hit it off instantly. The first time I really heard the band was on this tour and was just blown away. During the tour they always asked me to come up and play on the Misfits song “Angel Fuck” which was just such a blast. In talking during that tour we all flirted with the idea of working together in the studio with me as a producer. They were fans of the Damned Things album as well as the Anthrax album “Worship Music” which I produced both. It seemed like a cool idea that I was into but it all seemed a bit far-fetched because of our scheduled and the fact that I am in the States and the rest of the band is in Denmark. A few years later when I decided I needed to move on from Anthrax my scheduled had opened up and it was perfect timing because Volbeat was set to go in to the studio. They heard of what was going on with me and Michael called me up to see if I would be interested in producing their album. Things happened all really quickly because a day or two after that phone call I was in Copenhagen and about two weeks after starting work on the album I was asked if I would join the band.

AL: Did you have any reservations about joining a band that you initial only signed on to produce?
RC: I am kind of used to that as I have done that a lot lately. (Laughs) It was similar with The Damned things and Anthrax. I did have to change how I looked at the project from a production stand point because now I was not only trying to get good performances out of the band but I was also trying to figure out how I was going to put my stamp on the music. What we ended up trying worked out perfectly for the record. We put my rhythm guitars on the left and Michaels on the right we put Anders bass in the middle and Jon is everywhere. You get the sound of the band running on all cylinders.

AL: Did you have to rework your sound at all in order to fit with the new band?
RC: My sound is my sound. Coincidentally it works perfect with Volbeat. (Laughs) I really didn’t change anything. There are certainly more stack of amps on the stage now and it’s a lot louder.

AL: What were your first thoughts when your first album with band both as a producer and as a member was nominated for a Grammy?
RC: It was an honor. I have been nominated a couple times before but never was able to go to the Grammy’s. This year I went and it was surreal. It was a very cool night. I think the Grammy’s is sort of misunderstood. For me it’s not a competition of whose better or worse it’s a celebration of the most successful artists of that year. Just to be able to be in that mix for me is a honor.

AL: Can you tell us about the new video for the song “Lonesome Rider”?
RC: I think this is the first Volbeat video not to feature the band. (Laughs) That was the main idea. Michael talked to our video guy and asked him to come up with something cool that didn’t feature the band. That’s exactly what they did. I think the video turned out great and totally compliments the song.

AL: You just returned from this year’s NAMM convention. Are there any new products being released that with have your signature on them?
RC: ESP is continuing with my signature line of guitars. There aren’t any changes to this year’s model as compared to last year’s however I have been thinking about some. I love the guitar the way that it is but I have just been thinking of some stuff. The newest thing I have coming out is a signature guitar pedal. It’s going to be put about by Haden which is part of ESP now. They are originally from the UK and put out boutique amps. They are just killer! I am excited about the pedal as it’s unlike anything that is currently on the market. You should start to see more about it in the coming months.

AL: What other plans do you and the band have planned for this year?
RC: Volbeat will be back touring the States in April. We are bringing Trivium out with us and hitting a lot of B market places this time around. Our last few time out we really only hit the major markets. From there we will be heading overseas for most of the spring and summer. I also have a few other things in the pipe but I can’t talk about those just yet.

“The Lords of Salem” Interview Series with Rob Zombie, Sheri Moon Zombie, Meg Foster & John 5

From the singular mind of horror maestro Rob Zombie comes a chilling plunge into a nightmare world where evil runs in the blood. The Lords of Salem tells the tale of Heidi (Sheri Moon Zombie), a radio station DJ living in Salem, Massachusetts, who receives a strange wooden box containing a record, a “gift from the Lords.” Heidi listens, and the bizarre sounds within the grooves immediately trigger flashbacks of the town’s violent past. Is Heidi going mad, or are the “Lords of Salem” returning for revenge on modern-day Salem?

Media Mikes  had a chance to chat with the writer and director Rob Zombie, his wife and star Sheri Moon Zombie, co-star Meg Foster and composer John 5.  Rob Zombie is a heavy metal musician turned writer/director. His films are “House of 1000 Corpses”, “The Devil’s Rejects”, “Halloween (2007)” and “Halloween II (2009)”. Sheri Moon has appeared in all of his films to date but takes the lead in “The Lords of Salem”, which is her best role yet.  Meg Foster is known for her roles in films like “John Carpenter’s They Live” and “Masters of Universe”. She really experienced a major transformation in order to take on her role in “The Lords of Salem”. Please enjoy the interviews and please spread the word.  Post them on Facebook, Twitter…whatever! We need to get the word out! This  film is a must see!

Click on each photo below for our interviews

 

Related Content

Rob Zombie talks about writing and directing “The Lords of Salem” and new album “Venomous Rat Regeneration Vendor”

Rob Zombie is one of the founding members of the band White Zombie, but is notable for his solo act which spawned hits like “Living Dead Girl” and “Dragula”. While still working in music, he turned his sites over to writing and directing films. He has written and directed films like “House of 1000 Corpses”, “The Devil Rejects”, “Halloween (2007)” and “Halloween II (2009)”. His latest film, “The Lords of Salem”, is his most real and dark film to date. Media Mikes had a chance to chat with Rob about the film and also his newest solo album “Venomous Rat Regeneration Vendor”.

Mike Gencarelli: Tell us about what or who were you major influences when you were written “The Lords of Salem”?
Rob Zombie: There wasn’t really one thing in particular. Truthfully, the biggest influence for me is that I wanted to make the type of midnight film I remember watching when I was in high school. Back in the day before you can get your hands on everything, I used to have these film books. I used to look at photos from movies like “Suspiria” or “Eraserhead”. I used to say “Fuck, I got to see these movies!” The feeling I would get when I would watch these movies was so special since they were so unique, odd and unlike anything mainstream. I wanted to make a movie that was like that. If you go to see “Lords of Salem” you are going to see something that isn’t what you wouldn’t typical expect to see at the movies. It takes it you to a whole other place. On a grand scale, that was really the inspiration that I wanted to make something like that.

MG: In terms of directing, did you learn any new tricks on this film?
RZ: Well I learned more patience, I think. It is very easy to be impatient when you are making a movie. I learned to just slow the camera down, slow the actors down and let the movie breathe. I wasn’t worried about the audience getting bored or restless, those qualities sometimes can help a movie. It is very easy to make a movie fast paced and keep people interested but sometimes that detracts from the certain mood you are trying to create. Sometimes you need the movie to drag in order to pull people down with it. That was something that I learned on this movie.

MG: The budget was $1.5 million; what was your biggest challenge working with that?
RZ: Everything! [laughs]. Everything was huge challenge. We had no money for anything. The cheapest movie that I have ever made in my life cost $7 million (which was “House of 1000 Corpses”). I was not used to be down in the no budget range. So as we were shooting, I was constantly re-writing the script and constantly changing things. So every second of the day was a challenge.

MG: The witch burning scene was very intense; tell us about shooting that scene?
RZ: We shot that whole scene very quickly, in fact it was done in one night. We had no time. Once again, I had come up with this great plan for shooting the witch burning scene but then I realized that we only had an hour to shoot. I set up one grand shot that I thought would have the most impact and then just went for it. My big goal was to not make it ever look like we didn’t have any time or money. That was what I was always trying to hide.

MG: How did you get genre legends like Patricia Quinn and Meg Foster, who had quite the transformation, on board?
RZ: It was fantastic. I have always loved Patricia Quinn because I was a huge “Rocky Horror” fan. I loved her in everything that she has done but she also hasn’t done a lot. She also hasn’t done a lot recently. But I always wanted to work with her. I had met her over dinner about 15 years ago talking about a movie that never happened, so I had always had her in my mind from day one. Meg Foster was someone who I always thought was cool and very beautiful with those piercing eyes, but I didn’t know if she would be right of this film. I wasn’t sure at first. So I got her on the phone and after talking for about an hour, I know that she would be perfect. She totally understood and got the film.

MG: Being a musician yourself; tell us about working with John 5 on the score?
RZ: He was great to work with on this film and obviously I have been working with John now for over eight years. I know how talented he is, not just as a guitar player but also a musician. It was very easy. I conveyed my ideas and what I was thinking and he executed them perfectly. He was great on this film.

MG: Tell us about the composition of The Lords music track?
RZ: That one was tricky trying to figure out what that track would be. John had worked on a few things and it wasn’t just right. I remember one day we were on the phone together, I was on the east coast and John was on the west, and we were just humming little weird melodies back and forth to each other on the phone. It was then that we found the sound that we were looking for. Neither of us can remember who came up with it first but we just knew we had it when we heard it.

MG: Horror fans are the toughest of any genre fan; what do you think they will appreciate the most within “The Lords of Salem”?
RZ: What I would appreciate most about the film is that it is different. I think that horror fans are tricky. They are all different kinds of people. Sometimes they are not the first ones to embrace something different. But again all of those films that I spoke love as a kid, those weren’t embraced at the time either. So I purposely made a film that would be a tough sell to people…but that is why I made it. I think it will be split. Some people will love it to death and some people just won’t get it.  But that is ok with me since everybody cannot get everything!

MG: Your new album “Venomous Rat Regeneration Vendor” is heavy and dark; tell us about the inspiration behind this album?
RZ: Well I think the movie and album sort of played into each other. I was doing them both around the same time. I had an editing room in my house were we edited the movie. Then we moved the editing room out and moved in a recording studio. I went right from one to the other. I think the vibe of the two projects sort of melded together. I wanted both of them to be weird and unique and that was the goal for me.

MG: Where do you find time to tour, making films and also new music?
RZ: That is all I do man! Where do I find time for anything else is more the question…[laughs].

MG: Do you still plan on directing “Tyrannosaurus Rex” next? What else is in the cards?
RZ: No, that project isn’t happening anymore. What is happening next besides the two we just spoke about is that I will be doing a lot of touring. I headline the Mayhem Fest 2013 tour, which is starting in June and that will go for a while. But the next film project I got is called “The Broad Street Bullies”, which is a true life sports film about the Philadelphia Flyers… which is totally different!

Meg Foster talks about her transformation in Rob Zombie’s “The Lords of Salem”

Meg Foster is known best for her roles in films like “They Live” and “Masters of the Universe”. She goes under a complete transformation for her latest role in Rob Zombie’s “The Lords of Salem”. Media Mikes had a chance to chat with her about her role in the film and how she got into her character.

Mike Gencarelli: How did you get involved with Rob Zombie’s “The Lords of Salem”?
Meg Foster: My manager phoned me and told me about the part. I was very interested in the role after reading it. I grew up in New England and something about it just reminded me of my childhood. I thought the words were just so beautiful. I think Morgan had some wonderful things to say. I had know about Rob Zombie’s work. Rob and I had a telephone conversation and I just keep relating back being a child in New England. I spent a lot of time in the woods and I had all of these wonderful childhood memories. Rob creates so much space for his actors. He expands everything. He is so generous in spirit and so very talented. It is like being a part of a painting. You are not just another color. You are YOUR color.

MG: Let’s talk about your transformation in this film; how did you get into character?
MF: Rob had his hands in creating everything. He worked with all the department heads. He had extraordinary effects, wardrobe, hair and make-up. They all worked together. The coven of witches from 1692 was quite amazing. I am not sure if you can actually see in the movie how amazing the costumes were. I was wearing wolf skin. It was like actually being one of them. You said transformation…that is really what it was. We actually didn’t have much makeup on, it was in fact dirt. I loved it. It made me feel like being a part of the earth. With the wardrobe, Julia Gombert used bones to hold pieces together. It was so well done and beautiful though. So this is how I got into the role.

MG: What was your the most challenging aspect of the role?
MF: I didn’t really do any planning for the role. I went through hair and make-up and just let the character develop on her own. The space that Rob developed for us actors made me feel so safe. I didn’t feel like there were any real challenges, but this is in retrospect. When I went in front of the camera and I just wanted to be as present as I could in the moment and let whatever was going to happen, just happen. The words that I had were very special. I like letting it just flow with the moment and follow the environment that was created. I don’t even know if I have words for this film! It is so multi-layered. It is like a labyrinth, a very visual labyrinth.

MG: What is it about the horror genre that interests you?
MF: It is always different. I like working in any genre. But I think that horror and sci-fi has always been popular and relevant. I remember watching Bela Lugosi in “Dracula”, when I was a child on “The Early Show”. It never frightened me but it terrified by brother. He was three or four at the time. He wouldn’t go to sleep that night without a crucifix in this bed [laughs]. So horror is the real deal.

MG: One of my favorites in the genre is “They Live”, can you reflect on the continued fan base surrounding this film still today?
MF: It is amazing. I have been so fortunate. I have worked with some of the most wonderful directors. John Carpenter was really great to work with on this film. When “They Live” came out and it wasn’t big at first but then it came back on Betamax and then got another life on DVD. Ever since doing “They Live” people always recognize me for the film. If I am in a market and I just hear them say “They Live” and I turn around and say “John Carpenter” and then say “Roddy Pipper” [laughs]. I absolutely love this film. It is quite extraordinary and the film itself is just timeless.

CD Review: Rob Zombie "Venomous Rat Regeneration Vendor"

Rob Zombie
“Venomous Rat Regeneration Vendor”
T-Boy Records/UMe
Producers: Rob Zombie
Tracks: 12

Our Score: 3.5 out of 5 stars

Rob Zombie is back with a brand new solo album titled “Venomous Rat Regeneration Vendor”. This is the veteran shock rockers 5th solo album and the follow up to his 2010 album “Hellbilly Deluxe 2”. The album features 11 original tracks and 1 off the wall cover produced by Zombie himself that contain his signature over the top horror fueled sound.

Though the title “Venomous Rat Regeneration Vendor” is quite a mouth full the album continues the long tradition of Zombie albums that date back to the late 80’s.  Sonically “Venomous Rat Regeneration Vendor” is pushed to the very edge of sanity and at times boils over in to insanity. Every conceivable sound layer seems to be utilized providing a different listening experience almost every time you here it. Songs such as “Lucifer Rising” feature driving guitars and thunderous drums while tracks like “Teenage Nosferatu Pussy” feature haunting vocals and lingering samples that permeate in the airiness of the track. The album also features an interesting rendition of the Grand Funk Rail Road classic “We’re an American Band” which I found to be quite entertaining.

Though “Venomous Rat Regeneration Vendor” may not measure up to some of Zombie’s previous work, it is still a pretty impressive piece seeing that both Zombie and guitarist John 5 were splitting time between working on this album and Zombies next film “The Lords of Salem”. A must have for hardcore fans however if you are looking to get in Zombie’s music this is not the album to start with. Fans wanting to pick up a copy of “Venomous Rat Regeneration Vendor” will be able to do so starting on April 23rd.

Track Listing:
1.)    Teenage Nosferatu Pussy
2.)    Dead City Radio and The New Gods of Supertown
3.)    Revelation Revolution
4.)    Theme For the Rat Vendor
5.)    Ging Gang Gong De Do Gong De Laga Raga
6.)    Rock and Roll (In a Black Hole)
7.)    Behold the Pretty Filthy Creatures
8.)    White Trash Freaks
9.)    We’re an American Band**(Grand Funk Railroad cover)
10.)  Lucifer Rising
11.)  The Girl Who Loved The Monster
12.)  Trade in Your Guns for a Coffin

Win Code to Watch "Knife Fight" starring Rob Lowe & Julie Bowen on SundanceNOW [ENDED]

THIS GIVEAWAY HAS ENDED AND WINNERS HAVE BEEN NOTIFIED VIA EMAIL. PLEASE CHECK BACK EACH WEEK FOR NEW GIVEAWAYS!

In conjunction with the theatrical release of “Knight Fight”, Media Mikes is excited to to give two readers a chance to win a code to watch “Knife Fight” starring Rob Lowe & Julie Bowen right now on SundanceNOW. All you have to do is let us know, in a few sentences, your favorite film about politics. The giveaway will be open until February 8th. One entry per person, per household. All other entries will be considered invalid. Once the giveaway ends, Media Mikes will randomly pick out winners and alert the winners via email. The film is currently in theaters and is also available on the platform at: https://www.sundancenow.com/film/knife-fight/1040

About KNIFE FIGHT:
If a political candidate is personally flawed, but stands to make a positive difference in millions of lives, would you help him win? That question looms over the life of “true believer” Paul Turner (Rob Lowe), a savvy strategist sharply maneuvering politicians out of scandal and into public office. With the help of a bright young assistant (Jamie Chung) and a seedy operative (Richard Schiff), Turner spins every news cycle and a shrewd reporter (Julie Bowen) on behalf of his clients: a philandering Kentucky governor (Eric McCormick), a blackmailed California senator (David Harbour), and an idealistic doctor turned gubernatorial candidate (Carrie-Anne Moss). When the ugly side of Turner’s work begins to haunt him, he learns that even in the bloodiest of battles, sometimes you have to fight clean.

KNIFE FIGHT is a smart, crackling, comedic “inside look” at what happens behind closed doors in modern American politics. Two-time Academy Award-winning director Bill Guttentag teamed with renowned political consultant Chris Lehane to create this political story for the new century. As the November election approaches, KNIFE FIGHT pulls back the curtain on the “real truth” of the political process.