CD Review: Gwar “The New Dark Ages”

“The New Dark Ages”

GWAR
Slave Pit Records
Tracks: 15

Our score 3 out of 5 stars

When Earth is threatened by Ancient and unspeakable terrors there is only one group of crack fueled, intergalactic creatures that can help put a stop to the mysterious forces that threaten to bring an End to the Age of Man. The ever-loveable GWAR return with their 15th studio album titled “The New Dark Ages” to take on all those who threaten their home away from home know as Earth. The album is being released via the bands own Slave Pit Records and features fifteen tracks which titillate some and scare other.

Much like the previous few releases from the band “The New Dark Ages” is a concept album which documents the ongoing adventures of everyone’s favorite space aliens. In their latest endeavor the five members must once again save mankind by rediscovering long forgotten powers which are needed to defeat their latest foe. The underlying narrative weaves in and out of tracks like “Berserker Mode” a thrash infused face-melter that goes straight for the throat and “Rise Again” an eerie sonic scape brimming over with instrumentation that is an equal blending of soulfulness and crunch. Tracks like “Completely Fucked” and “Ratcatcher” employ GWAR’s signature tongue and cheek lyricism backed by needling instrumentation which continually pokes at your cortex throughout the duration of the track. Other tracks worth checking out are “The Cutter” which features a guest performance by Halestorm frontwoman Lzzy Hale and “Bored to Death” which has guitarist Pustulus Maximus handling the vocal duties for this classic thrasher which I guarantee will have you banging your head by the first chorus.

GWAR’s latest album “The New Dark Ages” may not be their most cohesive record however it certainly shows the band still is not afraid of trying something different while at the same time not completely reinventing the wheel. “The New Dark Ages” comes packed with plenty of great guitar riffs, pounding drums and side-splitting lyrics that will sit nicely with Bohabs both young and old for many eternities to come.

“The New Dark Ages” Track Listing:

1.) New Dark Age
2.) Blood Libel
3.) Berserker Mode
4.) Mother Fucking Liar
5.) Unto the Breach
6.) Completely Fucked
7.) The Cutter
8.) Rise Again
9.) The Beast Will Eat Itself
10.) Venom of the Platypus
11.) Ratcatcher
12.) Bored to Death
13.) Temple Ascent
14.) Starving Gods
15.) Deus Ex Monstrum

Film Review: “Jurassic World Dominion”

  • JURASSIC WORLD DOMINION
  • Starring:  Chris Pratt, Sam Neil and Jeff Goldblum
  • Directed by:  Colin Trevorrow
  • Rated:  PG 13
  • Running time:  2 hrs 26 mins
  • Universal

REVIEW  by J.R. DEETER

 

IT’S CLASSIC JURASSIC !

 

Jurassic World Dominion (or as I like to call it, It’s a Mad, Mad, Mad, Mad Jurassic World) is the 3rd and supposedly final film of the Jurassic “World” Trilogy.  It’s an All-Star mash up fest of the cast of characters that have driven the storyline for the 6 films in the series.  The JP3,  Dr. Alan Grant (Sam Neill), still digging up bones, and Dr. Ellie Sattler (Laura Dern) the paleobotanist, are back.  Jeff Goldblum returns as the quirky Dr. Ian Malcom. They are joined by the gang from the first two World films, Raptor trainer Owen Grady, played by Chris Pratt, Claire Dearing (Bryce Dallas Howard) and BD Wong as OG Dr. Henry Wu.  Isabella Sermon as Maise Lockwood, and Campbell Scott as Dr. Lewis Dodgson, CEO of Biosyn Genetics.

 

The story takes place 30 years after Jurassic Park introduced Dinosaurs back into existence, and as we learned from JW Fallen Kingdom, they now live among humans, mostly in city neighborhood shadows, or for the Big D’s, in wide open spaces and oceans around the World.

There’s a threat to the food chain, kidnappings, and as always, bad elements seek to profit from the science, under the guise of doing good things for humanity, that doesn’t go well, and you know the rest.

 

Full to the brim with exciting chase sequences, touching romantic moments, and those awesome dinosaurs, Jurassic World Dominion is a good summer fun film for the family.  (Some intense scenes maybe a bit much for littles).   Several not so hidden throwbacks are thrown in throughout…keep an eye open.

 

Overall, a fitting end to the franchise…..maybe ?

CD Review: Mark Tremonti “Tremonti Sings Sinatra”

“Tremonti Sings Sinatra”

Mark Tremonti
Tracks: 14

Our score 4 out of 5 stars

Grammy Award Winning musician, producer, and author Mark Tremonti (Creed, Alter-Bridge) has teamed up with the surviving members of legendary singer Frank Sinatra’s orchestra to release a covers album titled “Tremonti Sings Sinatra”. Consisting of both classic and deeper cuts approved by the Sinatra Estate Tremonti took extra steps to make this release even more special by gifting the album to the National Down Syndrome Society. All proceeds from the album will be going towards bringing the gift of music to children with developmental disabilities.

Take whatever you may know about Creed/Alter-Bridge guitarist Mark Tremonti and set it aside for 47 minutes. That’s the runtime of the award-winning guitarists latest offering “Tremonti Sings Sinatra”. Backed by some of the same legendary players who made up “Ol Blue Eyes” Orchestra through-out his career Tremonti takes the helm attempting to fill some pretty big shoes, A feet he does with surprising believability. Over the course of the albums 14 tracks Mark shows a different side of his musicality as he croons his way through well know tracks like “I’ve Got The World On A String”, “Fly Me To The Moon” and a classical guitar tinged version of “My Way”. The guitarist turned singer goes one step further in ensuring this isn’t just another interpretation of Sinatra’s greatest hits by digging deep into the Sinatra song catalog with the inclusion of songs like “Wave”, “Nancy (With The Laughing Face)” and “This Song Is You”. Fresh and colorful backing instrumentation (provided by some of the same players heard on the originals) sets a near perfect backdrop for Tremonti to lay down his vocal interpretation.

If you are a Sinatra purist don’t let Tremonti’ s heavy metal guitar roots sway your decision in checking out this record. The guitarist turned crooner in my opinion does a really great job staying true to the original versions of each song while at the same time adding his own elements and style. “Tremonti Sings Sinatra” is like putting a new pair of laces in your favorite pair of old shoes. By doing so you retain that element of comfortability while adding a newness that doesn’t cheapen or change the original. To top things off Mark has donated this release and its proceeds to the National Down Syndrome Society a group very close to the artist (Tremonti has a daughter with Down Syndrome). To assume this was a labor of love project could probably go without saying but I can only think that if this record was as fun to make as it was to listen to then I hope this is only the first and there more albums like this to come from the veteran rocker.

Track Listing:

1.) I’ve Got You Under My Skin
2.) I’ve Got The World On A String
3.) I Fall In Love Too Easily
4.) Wave
5.) Fly Me To The Moon
6.) Nancy (With The Laughing Face)
7.) My Way
8.) You Make Me Feel So Young
9.) Luck Be A Lady
10.) That’s Life
11.) Come Fly With Me
12.) In The Wee Small Hours of the Morning
13.) This Song is You
14.) All Or Nothing At All

Film Review 3: Top Gun: Maverick”

 

  • TOP GUN: MAVERICK
  • Starring: Tom Cruise, Jennifer Connelly
  • Directed by: Joseph Kosinski
  • Rating: PG-13
  • Running Time: 2 hrs 11 mins
  • Paramount Pictures
Pure, blissful summertime entertainment. Over thirty years in the making, “Top Gun: Maverick” lives up to all the hype and box office returns it has garnered over the past few days. It is nothing less than an epic thrill ride as Tom Cruise proves that a film does not need costumed heroes, grandiose special effects, or special cameos to be a great movie experience. In that respect, Cruise is a throwback to when a movie could be carried by the weight of the just one star’s name at the top of the movie poster. “Top Gun: Maverick” is moviemaking at its best and is a guaranteed good time at the theater.
Naval aviator Captain Pete “Maverick” Mitchell (Cruise), whose insubordination has prevented him from ever rising up the ladder in rank, comes close to being kicked out of the military by Rear Admiral Chester “Hammer” Cain (Ed Harris) after he crashes an experimental aircraft. Instead of having to return to civilian life, Maverick’s champion, Admiral Tom “Iceman” Kazansky (Val Kilmer) gets him transferred to the Top Gun school where he first made a name for himself. It’s not an option to his liking, but Maverick is left with little choice.
When he arrives in San Diego, Maverick is told he is to train an elite group of U.S. Navy aviators for a high-risk mission to knock out an underground uranium enrichment facility in an unnamed, rogue state. Complications abound as he not only has to deal with an antagonistic, clearly jealous superior officer in Admiral Beau “Cyclone” Simpson (Jon Hamm), but he also has to be the teacher of Lieutenant Bradley “Rooster” Bradshaw (Miles Teller), the son of his late wingman, Goose. It’s an estranged relationship and Maverick continues to be haunted by the tragic accident that occurred in the original film.
Of course, the film would not be complete without a bit of a love story, which comes in the form of Penny Benjamin (Jennifer Connelly), the bartender of a local drinking establishment. Their relationship is of the on-again, off-again variety and while Penny was not in “Top Gun” she was mentioned by name as being an admiral’s daughter.
Cruise is in top form with a role reprisal that has him dig far deeper into his character than he ever did before. While there is still a reckless abandon about Maverick, Cruise and the script take it to a whole new level. It’s not that he has a death wish, but he is willing to take any risk afforded to him to seemingly fill a void. There is a deep seeded pain in his soul that is nothing less than PTSD from the experience of losing Goose. It haunts him daily and nightly, and the risks appear to be a way to drown it out. Cruise dominates the silver screen with his presence as he pulls off an incredible performance, punctuated in part by a heart-tugging scene with Kilmer.
Director Joseph Kosinski shot some of the greatest fighter jet footage ever put on film. The visuals are jaw droppingly wild with clearly some of the best pilots in the world demonstrating some absolutely insane skills. No greater recruiting film for the U.S. Air Force or Navy has ever been made.
Overall, if you have not seen “Top Gun: Maverick” yet, then why haven’t you?

Film Review: “Firestarter”

 

  • FIRESTARTER (2022)
  • Starring: Zac Efron, Ryan Kiera Armstrong
  • Directed by: Keith Thomas
  • Rating: R
  • Running Time: 1 hr 34 mins
  • Universal Pictures
In 1980, one of author Stephen King’s most iconic novels was published – “Firestarter.” The 426-page epic blend of science fiction and horror is just as good of a read now as it was then. As with a lot of King’s works, an inevitable movie adaptation was released in 1984 starring a young Drew Barrymore as the title character with the legendary George C. Scott and Martin Sheen playing her antagonists. While it remained relatively faithful to the book, the film was roundly panned by critics of the day and King himself was dismissive of the effort. Flash forward to present day when someone decided it was a great idea to remake the story with near-total disregard to King’s work. The newest incarnation of “Firestarter,” currently in theaters, is a jaw-droppingly bad film with a bland script, boorish acting and bad direction.
Through an experimental drug known only as Lot 6, college students Andy (Zac Efron) and Vicky (Sydney Lemmon, “Helstrom”) develop supernatural powers – telepathy for the former and telekinesis for the latter. They prove to be the only ones who survive experiment, or at least the only ones who remain sane. When they went on the run from a company known as DSI is unclear, but we are left to assume it started after the baby they had together began to exhibit pyrokinetic abilities.
After Captain Jane Hollister (played with melodramatic zeal by Gloria Reuben) is notified of their possible location, she reinstates cold-blooded assassin Rainbird (played with one dimensional abandon by Michael Greyeyes, “I Know This Much Is True”), who was also a guinea pig for Lot 6, to retrieve Charlie for study at her secret facility. Initially, he fails in his assignment as Andy and his 11-year-old daughter Charlie elude him. However, their freedom is short-lived when Andy is captured after they become separated. Desperate to return to her father, Charlie works to control her powers, which are numerous, over the course of just a few hours in the woods.
The newest incarnation of “Firestarter” should have never been released in theaters. It is not even worth a direct-to-streaming release. Its final destination should have been the scrap heap of horrible ideas. Ideas that involve someone thinking, “Hey, let’s ignore an already perfectly written story and turn it into a trainwreck.” There is nothing redeemable about this film. Period.
Efron’s performance exhibits the same amount of range as a tone-deaf piece of wood. There’s nothing in it to pulls us in and care about his character. However, this can be said of virtually every other bit of acting in the film. Armstrong is unable to shed tears when needed to and when one tragic event occurs, neither she nor Efron react with any sense of loss.
The pacing is boring, and the lack of suspense is palpable. If King didn’t like the 1984 film, which looks like a classic compared to this one, then he must despise this version ten-fold as it bears almost no resemblance to his book. Overall, stay away from “Firestarter” or you may get burned.

Film Review: “Memory”

 

  • MEMORY
  • Starring: Liam Neeson, Guy Pearce
  • Directed by: Martin Campbell
  • Rating: R
  • Running Time: 1 hr 54 mins
  • Open Road Films

 

Liam Neeson’s long career was reinvented in 2008 with the thriller “Taken.” Fifty-six years old at the time of its release, Leeson went on to play in numerous action films including “Cold Pursuit,” “The Grey,” “The Commuter” and, of course, two more “Taken” flicks just to name a few. Now at the age of 69, Neeson stars in yet another action film titled “Memory,” which is about an aging hitman struggling with the onset of dementia. Initially a discombobulated story, “Memory” remains at least interesting throughout simply to watch Neeson navigate his tough guy character through the struggles of a losing war against an unstoppable enemy.
A remake of the 2003 Belgian film “The Memory of a Killer,” “Memory” introduces us to hitman Alex Lewis (Neeson) when he eliminates one of the many targets of his career. Already forgetting small things, which forces him to write notes on his arm as reminders, Alex lets a colleague know that he wants out. Begrudgingly, he accepts a contract that takes him to El Paso, Texas. After he completes his first task, Alex refuses to proceed further when he discovers his second target is a young girl and that she is the victim of a sex trafficking ring. At this point, Alex decides to take justice into his own hands.
Meanwhile, an F.B.I. task force led by Special Agent Vincent Serra (Guy Pearce) is investigating a sex trafficking operation with the assistance of a law enforcement liaison from Mexico, Det. Hugo Marquez (Harold Torres). Serra’s investigation is upended when a sting goes wrong, but a series of killings by an unknown hitman causes his superior to force him to assist local law enforcement with the case. Somehow, Serra and his team are always one step behind Alex, a man you may recall who has dementia. Needless to say, the F.B.I. and police look like Keystone Cops at times. It all leads to a crescendo of violence and “ah-ha” moments that do not take your breath away.
Director Martin Campbell has a history of either making a hit (“Casino Royale”) or a dud (“Green Lantern”), and “Memory” is more on the dud side of the equation. The story is often like a bunch of jigsaw pieces that have been tossed up in the air, the pacing is all over the place, and more focus should have been placed on Neeson’s character. The script is so poor, that Pearce’s Serra and the other supporting F.B.I. characters are irritating distractions without much substance beyond cliches. James Bond alum Monica Bellucci has proven in the past to have the ability to chew up a scene with her skill, but her antagonist character is so badly developed that her performance is sadly underwhelming.
Overall, while Neeson has some good moments on the screen, “Memory” is a film that you may want to forget about after seeing.

Film Review: “The Innocents”

 

  • THE INNOCENT
  • Starring: Rakel Lenora Flottum, Sam Ashraf
  • Directed by: Eskil Vogt
  • Rating: unrated
  • Running Time: 1 hr 57 mins
  • IFC Films
Once upon a time, there were a plethora of western movies and television shows. Now, decades later after their demise in popularity, the superhero genre has become its replacement. Most films involving people with incredible abilities are generally straightforward. However, there are those that attempt to take a different path. The M. Night Shyamalan trilogy – “Unbreakable,” “Split” and “Glass” – comes to mind or the 2012 film, “Chronicle.” The newest addition to the more offbeat stories involving comic book-like powers comes from Norway in the form of the sci-fi/thriller “The Innocents.” Written and directed by Norwegian filmmaker Eskil Vogt (“Thelma”), “The Innocents” is a spine-tingling, edge-of-your-seat story that lingers long after its final credits have ceased rolling.
“The Innocents” is set entirely in a Norwegian housing complex where nine-year-old Ida (Rakel Lenora Flottum), her nonverbal older sister, Anna (Alva Brynsmo Ramstad) and their parents have recently moved in to. Anna receives a lot of attention from their parents as she has a severe form of autism. This makes Ida jealous, which often causes her to do things that are petty and mean.
Ida soon befriends Ben (Sam Ashraf), a young boy about her age who transforms from being a lonely, sympathetic kid to a burgeoning sociopath who has no problems crushing an animal’s head while it’s still alive. Amid it all, Ben shows Ida his special talent – telekinesis. It starts off with being able to move a bottle cap, but the more he practices the more he can do with it.
Ben turns out to be not the only who has a gift when another little girl, Aisha (Mina Yasmin Brenseth Asheim) begins to play with Anna. The duo demonstrates some type of telepathy and when all four are together, their powers are enhanced. As Ben’s darker side grows, so does the suspense as he becomes increasingly challenged by the girls.
While “The Innocents” could be construed as an origin story, it’s more of a one-off tale with a simmering build-up of suspense with a pinch of horror tossed in for good measure. The four central characters are thrust into a world they don’t quite understand yet as they grasp the concepts of good versus evil. Vogt keeps us in the dark as to how the children got their powers in their first place, which is fine because no knowing is better than trying to be convinced it is the result of touching a weird, glowing crystal in a cave. Nor does Vogt overwhelm us with an overabundance of special effects. Instead, he lets his intelligent, breath-of-fresh-air story do the talking. All four young actors handle themselves well throughout the film, although none of their performances are particularly awe inspiring.
Overall, “The Innocents” is one of the best “superhero” films you can possibly see. Just be prepared to jump in your seat a couple of times and be ready to discuss it long afterwards.

4K Review: “Uncharted”

 

I’ve only excelled at two video games in my entire life: Virtua Fighter by PlayStation and any of the Gran Turismo games for the PS2. Yep, that’s it. That’s not to say that I’m bad at others, I can button mash with the best of them, but I’ve just never really been much of a gamer. Then again I’m sure I’m in the minority. I have, however, heard of the Uncharted game series with its titular star – Nathan Drake. And I suppose it was only a matter of time before some more video games make the leap to the big screen. This is nothing new, of course, we’ve had several video games turned movies with varying degrees of success. However the timing on this one was about as perfect as it could be. Coming off “Spider-Man: No Way Home,” Tom Holland once again headlines this film. And hot on the heels of his MCU efforts certainly couldn’t hurt. But, this isn’t the MCU.  Can Holland work his magic as Nathan Drake or should he stick to web slinging?
 
Nathan Drake (Tom Holland) is a bartender in New York City. He’s also a petty thief. He gets a surprise visit from Victor Sullivan (Mark Wahlberg), a “professional” treasure hunter who claims to have known Nathan’s brother. Victor claims that the two were close to finding a stash of gold, potentially worth billions of dollars, that was lost by Magellan (yes, that one) nearly 500 years earlier. Victor wants Nathan to help him finish what they started, though doing this will require stopping Santiago Moncada (Antonio Banderas), a wealthy businessman looking for the same treasure. Of course, there has to be a woman in the mix and the duo meet up with Chloe Fraser (Sophia Ali), another person in search of the treasure who may or may not be trusted.
 

If movies like “Raiders of the Lost Ark,” ” The DaVinci Code” or “National Treasure” (a personal favorite of mine) are up your alley, then you’ll have a good time with “Uncharted.” I’ve always been curious what hidden treasures are out there just waiting for some key or other object to unlock the goods of the past. And this is where the film excels. If you can put aside most of the logic and have a good time with it, you will. But consider that this is based on a video game and you’ll have to get past the fact that neither Tom Holland nor Mark Wahlberg look a damn thing like their 64 bit counterparts. The only person who really seems to relish his role is Banderas and he doesn’t get enough screen time to make it worthwhile. You’ll know what you’re in for very quickly, so either go with it and have a good time or get ready to check your watch for the next 116 minutes. 

 

As anyone would expect, “Uncharted” certainly sparkles when it comes to how it’s presented on screen. The 2.39:1 AVC HD encode checks all the boxes with amazing contrast, sharp as a tack detail and a wonderful, yet earthy-toned, color palette. The 4K version, no doubt, looks a bit better with a wider color spectrum and the like. Still, it’s hard to fault the way this Blu-ray looks. I found really no evidence of anything I’d consider a flaw. And why should we? Sony consistently puts out some of the best-looking titles I’ve seen. (“Ghostbusters Afterlife” is another example) This is no exception.

 

It’s a bit of a shame when you have to pony up for the 4K disc to get a Dolby Atmos soundtrack. Well, you do. But that’s not to say that the included DTS HD Master Audio mix found on this Blu-ray is by any means bad. It’s not. In fact, I was pretty impressed. Given the genre of the film we can expect an active mix with surrounds adding a warm layer of ambiance through most of the scenes. Some scenes (the airplane one in particular) do engage all of your speakers resulting in a very aggressive and dynamic aural experience. Vocals, of course, are top notch.

 

Technically there’s nothing “wrong” with “Uncharted. ”  It delivers some moderately-entertaining action sequences and for those that like the globe-hopping type of adventure, we’ve got plenty of that. It just seems like so many other films that the video game aspect of it gets lost. Truthfully, it’s probably more fun to simply play the game than watch the film. That said, Sony’s disc looks and sounds good and we’ve got a modest sampling of supplements. So if this is your thing, you could do a lot worse.

 

Film Review: “The French”

  • THE FRENCH
  • Starring: Bjorn Borg
  • Directed by: William Klein
  • Ratied: unrated
  • Running Time: 2 hrs 10 mins
It was the Spring of 1981. A former Hollywood actor was the new president. The Soviet Union was a threat to world peace. (Some things haven’t changed.) Tennis rackets were predominantly wooden, but the sport itself was alive and thriving in what was truly a golden age. Originally released in 1982, “The French” is a re-released documentary that gives us unfettered access to some of the greatest legends of tennis as they make their way through the French Open tournament. Thanks to filmmaker William Klein, who is now 96 years old, tennis enthusiasts can bask in the nostalgia of watching the likes of Bjorn Borg, John McEnroe, Jimmy Connors, Chris Evert, and Ivan Lendl during their peak.
Taking placed from May 25th through June 7th, 1981, the 85th French Open was held per tradition on the outdoor clay courts at Roland Garros in Paris. Klein gives us a backstage pass that allows us to watch private interactions between players as they warm up or as they hang out in the locker room. Better than any “Hard Knocks” episode, “The French” is honest without any frills. We get a true sense of the almost happy-go-lucky nature of Yannick Noah compared to the somber, cool, and determined Borg.
This was an age of tennis when there were all sorts of personalities involved, and the game was played in a much purer form rather than today’s version where titanium rackets smash tennis balls at over 100 mph. The film’s pacing barely hits the speed limit, though, as it often drags along with way too many elongated shots of the crowd rather than focusing more on the players. Furthermore, “The French” focuses most of its time on the men while the female greats are left as almost an afterthought with Evert getting the bulk of the screen time.
The film’s biggest highlight is when McEnroe faces off against Lendl in the quarterfinals. Younger generations have no clue about his legendary tirades on the court and McEnroe does not disappoint during his match. Overall, the lone notable fact about the 1981 tournament is that it was Borg’s 11th Grand Slam title and would ultimately be his last.
Overall, “The French” is a neat look into a time capsule, but will be most enjoyed by tennis fanatics with little appeal beyond that.

Film Review 2: “Top Gun: Maverick”

 

  • TOP GUN: MAVERICK
  • Starring:  Tom Cruise, Miles Teller and Val Kilmer
  • Directed by:  Joseph Kosinski
  • Rated:  PG 13
  • Running time:  2 hrs 11 mins
  • Paramount

 

In April of 1986 I was in the movie theatre business.  I had begged the home office – and convinced them – to give me “Top Gun” as one of my summer pictures.  I displayed the posters and ran the trailers, listening to the audience’s excitement when the preview ended.  I was set.  Then, during the first week of May, our company Vice President visited me in my office.  To get the full picture in your head, I’ll preface his comments by letting you know that he sounded an awful bit like Fozzie Bear.  “Michael,” he said, “I’ve just come from seeing what will be the biggest film of the summer.”  “Top Gun,” I asked.  “No, “Cobra.”  You’ll play it for months!”  “So I’m playing “Cobra” AND “Top Gun?” – my theatre was a twin – “Top Gun”??  That won’t play through June.  Believe me, my friend, you want “Cobra.””  So I played “Cobra,” which fizzled out after 2 weeks.  The other theatre in the area got “Top Gun.”  It played through August!

 

As his jet rockets through the sky, Captain Pete “Maverick” Mitchell (Cruise)begins a difficult maneuver and, as he often does in these situations, quietly whispers “talk to me Goose.”   It’s something he’s done for the past three-plus decades and it’s always seemed to work.  Will it work this time?

 

Packed with wall -to-wall action, “Top Gun: Maverick” finds, well, Maverick, back as an instructor at the Fighter Pilot Training School, where he is asked to get 16 of the best pilots ready for a mission.  He balks at first at the assignment, stating his preference to be a part of the mission itself, but is told in no uncertain terms by his commander (Jon Hamm) that he’s just there to train and evaluate.  However, things get a little more difficult when he learns that one of the students, call sign Rooster (Teller), is the son of Maverick’s late friend Goose, a young man who blames Maverick for many things, including, of course, the death of his father.  Can you say tension?

It has been 36-years since “Top Gun” hit theatres, and I’ll have to admit that I was a little wary when I heard they were making a sequel.  Anticipation grew as COVID delayed the film’s release – originally scheduled for May 2019 – for almost two years.  Let me just say, it was well worth the wait.  Combining several familiar themes from the first film, with an amazing amount of aerial action, “Top Gun: Maverick” delivers the goods.  Cruise is his usual cocky self, and that self-assurance is multiplied several times by the assortment of hot shot pilots he is given to mentor.  Teller, who bears an uncanny resemblance to the young Goose, plays a young man who should be confident of his skills but isn’t, causing him to hesitate at times he shouldn’t.  Jennifer Connelly is Maverick’s love interest this time around, playing – if my memory serves me – the daughter of a former Admiral – a daughter that Maverick may or may not have taken advantage of.  Jon Hamm and Ed Harris are well cast as the authority figures that just don’t seem to understand Maverick’s ways and it’s a genuine treat to see Val Kilmer back on the big screen.    Director Kosinski keeps the film moving at a rapid pace, while the aerial action is downright dizzying.

 

The film is lovingly dedicated to the late Tony Scott, who directed “Top Gun.”  I’d like to think that he would give a thumbs up and a salute to “Top Gun: Maverick.”

Film Review “The Bob’s Burgers Movie”

Directed by: Loren Bouchard, Bernard Derriman
Starring: H. Jon Benjamin, Dan Mintz, Eugene Mirman, Larry Murphy, John Roberts, Kristen Schaal
Distributed by: 20th Century Studios
Release date: May 27, 2022
Running time: 102 minutes

Our Score: 3.5 out of 5 stars

It’s crazy to this that “Bob’s Burgers” has been on the air is 2011. 11 years this show has been on Fox spanning 12 seasons and over 230 episodes. If you haven’t watched this show, I highly recommend it. It is one of those shows that you will watch and not want to miss a single line of dialogue because literally each word is gold! “The Bob’s Burgers Movie” works as a long episode of the show and delivers some great laughs. I got to admit, I was nervous if the show would hold up as a feature length film but the jokes don’t get tired and the musical acts in the film carry along everything together.

Official Premise: A ruptured water main creates an enormous sinkhole right in front of Bob’s Burgers, blocking the entrance indefinitely and ruining the Belchers’ plans for a successful summer. While Bob and Linda struggle to keep the business afloat, the kids try to solve a mystery that could save their family’s restaurant. As the dangers mount, these underdogs help each other find hope as they try to get back behind the counter.

If you are wondering how can I see “The Bob’s Burgers Movie” if I have never seen “Bob’s Burgers” the TV show, well you definitely can that’s for sure. My wife came along to the screening, who has many seen a few clips of the show and had an excellent time throughout laughing and enjoying this movie. Also all the original cast is back for the movie, which is great because they all crack me up. If you are looking for something alternative to see this summer, this film is a great option since it is fairly family friendly and packs some fun songs and non-stop jokes.

Film Review “Top Gun: Maverick”

Director: Joseph Kosinski
Cast: Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Charles Parnell, Bashir Salahuddin, Monica Barbaro, Jay Ellis, Danny Ramirez, Greg Tarzan Davis with Ed Harris
Paramount Pictures
Release Date: May 27, 2022
Running time: 131 minutes

Our Score: 4 out of 5 stars

“Top Gun” is one of the essentially movies to watch of the 80’s. I have seen it MANY times and even on 3D Blu-ray, which is an incredible way to view it. So here we are 36 years later and we have “Top Gun: Maverick”. You got to be a little nervous revisiting such an important film as this but this sequel stands up on its on and even surpasses the first film in some areas. “Top Gun: Maverick” also packs a punch of nostalgia and is surprising funny…I mean like belly laughing funny. This was a pleasant surprise as well. The most shocking factor of this sequel is the fact that Tom Cruise hasn’t aged in the last 36 years and delivers one of his best performances. I see this film having a very healthy run at the box office. A must see for sure this summer season!

Before we get too deep into the movie, I need to provide y’all with three important reasons to experience this film in IMAX!!! The first reason is an easy one…with IMAX you get to experience 26% more picture that in standard theaters. A lot of films these days are shooting with these specific IMAX cameras and it’s no joke you get to see more of the movie, so it’s a no brainer. Second, is that you literally fear the roar with IMAX sound. The sound easily rumbled the entire theater. The last one I didn’t know till after I saw the film, which is that there was six IMAX cameras located in each of the cockpits. This was why the aerial shots were so stunning and heart-pounding for sure.

Official Premise: After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of TOPGUN graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose”. Facing an uncertain future and confronting the ghosts of his past, Maverick is drawn into a confrontation with his own deepest fears, culminating in a mission that demands the ultimate sacrifice from those who will be chosen to fly it.

I have to give Jennifer Connelly props for nearly taking my breath away…she looks stunning in this movie (and she is another one that doesn’t age). Her and Cruise have great chemistry and I loved their love storyline that they had together. It was cool getting to see Val Kilmer show up again as Ice Man. The aerial scenes were absolutely stunning, like I mentioned above about the sound, the seats were literally shaking in the theater. I don’t know how Tom Cruise continues to out due himself with these films but the guy is a legend and literally wins you over even if your not a fan. Looking forward to a second viewing of this film because I feel like there is so much happening that you could benefit from multiple viewings.

Film Review: “Dr. Strange in the Multiverse of Madness” – REVIEW 2

 

  • DR. STRANGE IN THE MULTIVERSE OF MADNESS
  • Starring: Benedict Cumberbatch, Elizabeth Olson
  • Directed by: Sam Raimi
  • Ratied: PG-13
  • Running Time: 2 hrs 6 mins
  • Walt Disney Studios
Second only to the Oscar-nominated “Black Panther” of 2018, “Doctor Strange in the Multiverse of Madness” is the best Marvel film to be released to date. Having made over $230 million domestically in its first seven days of release (Box Office Mojo), the Sam Raimi-helmed story about everyone’s favorite doctor of mystical arts is a visual spectacular with plenty of excitement, great acting, and a complicated story that demands your full attention. It is nothing short of marvelous and easily the finest since “Avengers: End Game.”
(For those who have yet to see the newest “Doctor Strange” don’t worry, you won’t find any spoilers here.) We are instantly thrust to a weird place in between universes where a pony-tailed version of Stephen Strange (Benedict Cumberbatch) and a teenager named America Chavez (Xochitil Gomez) are chased by a demon as they try to reach a powerful spell book. The incredible situation goes from bad to worse before America, who has the ability to travel across the multiverse, ends up in “our” universe where she is saved by Strange and Sorcerer Supreme Wong (Benedict Wong).
After realizing there were witchcraft runes on the demon that chased America, Stephen finds Wanda Maximoff (Elizabeth Olson) to request her help. He soon discovers, though, that what transpired during the events of “WandaVision” have left Wanda psychologically imbalanced. In fact, she reveals her full embracement of her dark alter ego – The Scarlet Witch. She demands Stephen turn America over to her so she can be with her children in an alternate universe. This leads to an epic magical showdown at Kamar-Taj from which Stephen and America flee across the multiverse to another Earth that is governed by a powerful group named the Illuminati.
Stephen does not receive a warm welcome from the Illuminati council despite his grave warnings about the impending arrival of the Scarlet Witch. Ultimately, he must rely upon his ex-romantic partner Dr. Christine Palmer (Rachel McAdams), who on this version of Earth is an expert on the multi-verse, to help him and America defeat the increasingly unhinged Scarlet Witch.
Cumberbatch gets to explore many more facets of a character who when first introduced to us was an egotistical narcissist on the same level as Tony Stark. However, Stephen grows significantly in this newest story and becomes a hero that can be fully embraced and understood. (A stark contrast to Peter Parker who never seems to mature past be a mistake prone, bumbling stumbling man child.) Stephen Strange may still have elements of over-confidence, but with Cumberbatch’s undeniable skill and some solid writing, he becomes fully developed hero in this second film devoted to the Master of Mystic Arts.
“Doctor Strange in the Multiverse of Madness” easily has some of the best eye candy of the entire Marvel collection with dazzling special effects and colorful imagery. It is also has some moments of brutal violence, hence the PG-13 rating, as it alternates between dark moments of despair and flashes of levity that we have come to expect in all of the Marvel flicks. The assembled cast is nothing less than fantastic with particularly stand-out supporting performances from Olson and McAdams.
In the end, “Doctor Strange and Multiverse of Madness” is the best entertainment you will find currently at any cinema.

Film Review: “The Northman”

 

Starring: Alexander Skarsgard, Anna Taylor-Joy
Directed by: Robert Eggers
Rated: R
Running Time: 2 hrs 17 mins
Focus Features

If you have not seen the Viking action/drama “The Northman” yet, then you are missing out on a classic work of historical fiction by director Robert Eggers (“The Lighthouse,” “The Witch”). Headlined by a superb performance from Alexander Skarsgard, “The Northman” is based upon a Scandinavian folktale written by Danish historian Saxo Grammaticus (c. 1150-c. 1220), which served to later influence William Shakespeare’s writing of “Hamlet.” Eggers’s glorious cinematic take on the ancient story of Amleth is violent to the core with an emphasis on historical detail and Viking mythology.

The story, which is a tad slow occasionally, begins in the year AD 895 when King Aurvandil War-Raven (Ethan Hawke) returns to his island kingdom of Hrafnsey. A celebration, organized by his wife, Queen Gudrun (Nicole Kidman) is held to honor his triumphant return. However, King Aurvandil, who bears a terrible wound, refrains from too much revelry as he is focused on preparing young Amleth to be his successor. As such, they participate in an ancient ritual overseen by the king’s jester, Heimir the Fool (Willem Dafoe).

During the morning after the king’s return, he is betrayed by his brother, Fjolnir the Brotherless (Claes Bang, “The Square”) and Amleth must flee the island to stay alive, but not before he vows repeatedly to get his revenge. This fire within serves him well as he is taken in by Vikings who raise him as a berserker. During one of their forays into the lands of the Rus people, which encompasses parts of modern-day Belarus, Russia, and Ukraine, Amleth (Skarsgard) learns that his uncle was overthrown by King Harald of Norway and lives in banishment in Iceland.

Seizing the opportunity to get his vengeance and rescue his mother, Amleth disguises himself as a slave before slipping onto a ship bound for Iceland. It is during the voyage that he meets a Slavic slave named Olga (Anya Taylor-Joy, “The Queen’s Gambit,” “The Witch”) who claims she is a sorceress, something she proves later. A connection develops between them as Amleth bides his time while continuing his ruse under his uncle’s nose.

Skarsgard, a native of Sweden who had long wanted to do a film about Vikings, is a powerful, physically imposing presence on the screen. He makes Thor the God of Thunder look weak and insignificant and could have possibly been a better choice for that role as he immerses himself into Amleth as seamlessly as Daniel Day Lewis on his best day. The one quibble with his performance is that sometimes it is a little difficult to understand his dialogue.

While Hawke is delightful in his role, his performance is all too brief, and it feels like he was underused. Kidman enjoys a little more screentime, but her presence is overshadowed by Taylor-Joy’s who is enchanting. While Olga may have some magical abilities, Taylor-Joy doesn’t let it be the defining characteristic of her pivotal role.

Eggers’s work is genuine homage to Viking culture and lore without losing itself in special effects-generated magic. Sure, you can sense a pinch of “Conan the Barbarian” and even “Lord of the Rings” in parts of “The Northman,” but in the end it remains true to itself and retains its own special identity.

Concert Review: “New York United 2022” Agnostic Front, Sick of It All, Crown of Thornz. Syracuse, NY

“New York United 2022”

Agnostic Front, Sick of It All, Crown of Thornz
Friday, May 6th, 2022
The Lost Horizon, Syracuse, NY

Our Score: 4 out of 5 Stars

Veteran NY hardcore bands Agnostic Front, Sick of It All and Crown of Thornz made a stop at the intimate Lost Horizon in Syracuse, NY on May 6th as part of the co-headlining “New York United” tour. Originally slated for Spring 2021 but cancelled due to the Covid-19 Pandemic the tour brings together three of the biggest names in hardcore music.

Taking the stage first were Queens NY natives Crown of Thornz. The Danny Diablo (Skarhead) fronted group wasted no time letting the audience know that they were taking no prisoners as the band ripped through songs like “Head Check”, “Icepick”, “Mental Masquerade” and “Juggernaut”. Diablo and company worked the crowd to a steaming simmer often taking time to share the mic with fans (many of whom didn’t miss a beat filling in the correct lyrics) energizing the room further before bringing their set to a close. Sick of It All would be tasked next with keeping the nights energy going and they quickly got to it by launching into the tracks “Injustice System” and “Clobberin’ Time” both from the band’s debut 1989 release “Blood, Sweat and No Tears” before taking a brief pause which allowed vocalist Lou Koller to catch his breath and to address the Syracuse crowd. As the set stretched on through songs like “Good Lookin’ Out”, “World Full of Hate” and “Pushed Too Far” Bassist Craig Setari, guitarist Pete Koller and drummer Armand Majidi pummeled the audience song after song with impressive cohesiveness and a percussive attack which obliterated your senses.

Hardcore legends Agnostic Front would close out the evening in signature NYHC style kicking off their twenty plus song set with the title track from their 1984 debut “Victim in Pain”. Vocalist Roger Miret fresh off a bout with cancer in late 2021 commanded the audience’s attention over the course of the night pausing only briefly to share his thanks for the support during recent health troubles and to announce the start of tracks like “New Jack”, “For My Family” and “Crucified”. Guitarist and founding member Vinnie Stigma sneered, snarled, and smiled at the crowd as he made his way around the cramped stage pausing from time to time to address the crowd in his thick NY accent which garnered loud applause and cheers of “STIGMA, STIGMA”. The band closed out the evening with a spot-on rendition of the classic Ramones song “Blitzkrieg Bop”. The punk staple had those in the crowd expelling any energy they may have had left before being basked in the grow on the house lights which signaled the end of the evening.

Despite reschedules, cancelations and a very serious medical scare the power of hardcore persevered as fans are now able to see some of the biggest names in the genre back up where they belong. All three bands give their all to make sure no one goes away unhappy. With East Coast dates running through May and a West Coast leg of the tour kicking off in September do yourself a favor and grab a ticket to one of these shows and get in the pit!

Sick of It All Set List:
1.) Injustice System
2.) Clobberin’ Time
3.) Take the Night Off
4.) Rat Pack
5.) Us vs. Them
6.) Inner Vision
7.) Good Lookin’ Out
8.) World Full of Hate
9.) Pushed Too Far
10.) Friends Like You
11.) Sanctuary
12.) Uprising Nation
13.) My Life
14.) Road Less Traveled
15.) Machete
16.) Bull’s Anthem
17.) Busted
18.) Scratch the Surface
19.) Step Down

Agnostic Front Setlist:
1.) Victim in Pain
2.) Your Mistake
3.) Blind Justice
4.) Last Warning
5.) With Time
6.) The Eliminator
7.) New Jack
8.) Strength
9.) For My Family
10.) Friend or Foe
11.) Discriminate Me
12.) Crucified
13.) United Blood
14.) Fascist Attitudes
15.) Peace
16.) United & Strong
17.) Power
18.) Gotta Go
19.) Police State
20.) Hiding Inside
21.) Society Sucker
22.) Blitzkrieg Bop