Starring: Kumail Nanjiani, Zoe Kazan and Holly Hunter
Directed By: Michael Showalter
Rated: R
Running Time: 119 minutes
Lionsgate
“X-Files” fans, like me, will have surely listened to Kumail Nanjiani’s podcast, “The X-Files Files” at some point (and if you haven’t go listen to it). While most of the time, it’s dissecting the series, episode-by-episode, there are very introspective moments, letting viewers take a glimpse into Kumail’s home life. A few of those moments spoiled “The Big Sick” for me, but despite that, the movie is a refreshing and unique relationship romantic comedy that never relies on the genre’s established tropes.
Kumail, playing himself, comes from a traditional Pakistani Muslim family. He hasn’t yet told his parents that he no longer is practicing, but he’s somewhat upfront about his dreams to be a stand-up comedian. The other thing he’s neglected to tell them, is that he’s not game for an arranged marriage. That’s because the last person in the family to ignore the arranged marriage tradition was exiled from the family. That doesn’t stop him from dating who he wants in secret.
After a night of stand-up, Kumail meets Emily (Kazan), an aspiring therapist that immediately takes to Kumail’s awkward advances, meeting them with charms, smiles and tongue-in-cheek humor. The two quickly connect and begin a relationship, that’s secret for Kumail, but open for Emily. While Emily’s parents know of and can’t wait to meet him, Kumail’s parents bring a carousel of wife prospects over for family dinners to make uncomfortable conversations in Kumail’s various passions and hobbies.
Kumail, who’s known for his recurring role on “Silicon Valley” and various deadpan cameos in comedy films, plays himself sincerely as a 30-something who’s unsure in life and allows for that uncertainty to deteriorate his relationship into an inevitable break-up. But he’s brought back into Emily’s life when she’s taken to the hospital, suffering from a mysterious disease, and induced into a coma. This is when “The Big Sick” has cultures collide.
Emily’s parents, played by Ray Romano and Holly Hunter, are like the parents Kumail might wish he had. He learns that they’ve accepted their daughter’s individual quirks, dreams and goals, while his parents continue to force a wife on him. But it’s through those interactions that Kumail learns to be sincere about whom he is, along with being honest. “The Big Sick” spends a lot of time with Kumail during Emily’s coma, with him soul searching. It doesn’t take away from the overall relationship between the two and the power of forgiveness.
The argument could be made that Emily’s character is sidelined, before we truly get to know her, however her parents shed some necessary light about her character. “The Big Sick” modernizes the rom-com genre while blending coming-of-age elements and cultural clashes. Despite knowing how it all plays out, “The Big Sick” kept my interest as it plays with its various themes, respectfully and wholeheartedly. It’s layered messages on love and life are good for the soul and good for the heart.
