Film Review: “Sing”

Starring the Voices of: Matthew McConaughey, Reese Witherspoon and Seth MacFarlane
Directed By: Garth Jennings
Rated: PG
Running Time: 108 minutes
Universal Pictures

Our Score: 3 out of 5 Stars

An Illumination Entertainment movie without any Minions or Gru seems like a risky venture, given their track record when they release a movie that strays away from the “Despicable Me” franchise. But if the masterminds at Illumination are willing to roll the dice more on endeavors like “Sing,” they’re bound to find a diamond in the rough. “Sing” isn’t about to blow the roof off, but its decent escapism.

Buster Moon (McConaughey) is a confident Koala that’s stuck operating a failing musical theater. He’s a visionary looking to make a profit and bring live entertainment to the surrounding city. Moon is also looking to make his deceased father proud because his father worked his tail off washing cars to buy Moon the theater for him (I don’t know how with that profession). But in a world where musical theater is apparently no longer popular, Buster gets the idea to hold a singing competition to bring the masses back to his sinking business.

The competition brings creatures from all walks of life including Rosita (Witherspoon), a pig, is a stay-at-home mom who’s overworked and overloaded with over two dozen children. Then there’s the wise-cracking, street singing mouse, Mike (MacFarlane), who’s a clear pun on Frank Sinatra during his times in the Rat Pack. Ashley (Scarlett Johansson) is a punk rock porcupine who’s trying to find her own voice in her boyfriend’s crappy band. There’s also Meena (Tori Kelly), a teenage elephant, Johnny (Taron Edgerton), a gorilla, and some other throwaway animals that you shouldn’t worry yourself about because the movie doesn’t either.

Luckily “Sing” avoids becoming an animated version of “American Idol,” but it also follows a lot of familiar beats and story tempos. Because the movie seems completely content and forthright with being an unoriginal idea from the get-go, it can be forgiven because of its good-natured spirit and endearing characters. “Sing” really treats these characters as individuals with hopes, dreams and ambitions, instead of caricatures that can carry a tune. It helps make their songs more meaningful and power…but…

…most of the time (if not all) they’re singing contemporary pop-culture hits, or recognizable oldies and classics, which is only irksome if you feel that Nicki Minaj or Crazy Town isn’t appropriate for a kid’s movie. If writer and director Garth Jennings really wanted to tell us that musical theater is deserving of a reboot or our attention again, he should have considered hiring a crew to write some original music. Having animals sing Taylor Swift or Leonard Cohen feels lazy in a year where Disney hired Broadway’s latest darling, Lin-Manuel Miranda, to write lyrics for “Moana.”

Despite its lack of storytelling imagination and original songs, “Sing” is still an adorable movie with an IPod stuck on shuffle soundtrack. It’s made better by the voice actors, who I presume actually sing, which is pretty much an all-star cast of karaoke finalists (except for MacFarlane who really is as good as he sounds). But don’t expect McConaughey to hang his voice acting hat on this one. He’s more likely to gloat about his voice work in “Kubo and the Two Strings.”

Media Mikes 2016 Fall/Holiday Movie Preview

Labor Day has come and gone, and unless you’re dressing up as a ghost, you better not be wearing anything white! With the end of summer comes the beginning of fall and the start of Hollywood’s “Prestige Movie Push!”

We’ll take a look at what the studios hope are their best bets to fill the multiplexes and bring home the Oscars. Once again, a big thank you to our friends at Internet Movie Data Base (IMDB) for some synopsis information. Opening dates noted are subject to change at the whim of the studios. Enjoy!

OCTOBER 7

THE 13th

Documentary
Directed by: Ava DuVernay

The director of “Selma” gives us an in-depth look at the prison system in the United States and how it reveals the nation’s history of racial inequality.

OSCAR CHANCES: Will surely make the short list.

THE BIRTH OF A NATION

Starring: Nate Parker, Armie Hammer
Directed by: Nate Parker

Set against the antebellum South, the film follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates an uprising in the hopes of leading his people to freedom.

OSCAR CHANCES: After last year’s #OSCARSOWHITE controversy, the early buzz on this film almost guaranteed a bounty of nominations. However, it was recently revealed that writer/director/star Nate Parker and his co-writer, Jean McGianni Celestin, were accused of raping a fellow college student in 1999. Though Parker was not found guilty and Celestin had his conviction overturned, their alleged victim committed suicide. Not sure how this news will affect the Academy voters.

THE GIRL ON THE TRAIN

Starring: Emily Blunt, Haley Bennett and Justin Theroux
Directed by: Tate Taylor

In the film, being compared to “Gone Girl,” a recently divorced woman
takes the train to work every day and imagines the lives of a young couple she
sees every day. Things get weird when the young wife disappears.

OSCAR CHANCES: Blunt is already getting raves for her performance.


OCTOBER 13

MASCOTS

Starring: Christopher Guest, Parker Posey and Jane Lynch
Directed by: Christopher Guest

Simply described as “a look into the world of competitive mascots,” this is the latest opus from the great Christopher Guest. Sadly, unless I missed it, this is the first of Guest’s films that does not include Eugene Levy.

OSCAR CHANCES: Possible screenplay nod.

 

OCTOBER 14

THE ACCOUNTANT

Starring: Ben Affleck, J.K. Simmons and Anna Kendrick
Directed by: Gavin O’Connor

A forensic accountant un-cooks the books for illicit clients. What I like about the trailer is that Affleck seems to be a young genius. Maybe this is his chance to play Will Hunting?

OSCAR CHANCES: Maybe.


KEVIN HART: WHAT NOW?

Starring: Kevin Hart
Directed by: Leslie Small and Tim Story

Kevin Hart performs his comedy in front of 50,000 fans.

OSCAR CHANCES: No.


OCTOBER 21

AMERICAN PASTORAL

Starring: Jennifer Connelly, Dakota Fanning and Ewan McGregor
Directed by: Ewan McGregor

In 1968, a hardworking man, who’s been a staple in his quaint community for years, watches his seemingly perfect middle class life fall apart as his daughter’s new radical political affiliation threatens to destroy their family. Based on the novel by Philip Roth.

OSCAR CHANCES: Adapted screenplay?

IN A VALLEY OF VIOLENCE

Starring: John Travolta, Ethan Hawke and Karen Gillan
Directed by: Ti West

A mysterious stranger and a random act of violence drag a town of misfits and nitwits into the bloody cross-hairs of revenge. Ethan Hawke’s second western this season and John Travolta in a cowboy hat for the first time since “Urban Cowboy.” Yee-hah!

OSCAR CHANCES: Sadly Western’s very rarely get recognized.

JACK REACHER: NEVER GO BACK

Starring: Tom Cruise, Cobie Smulders
Directed by: Edward Zwick

Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

OSCAR CHANCES: Director Zwick has helmed three of my favorite films (“About Last Night,” “Glory” and “Legends of the Fall” but only has an Oscar for co-producing “Shakespeare in Love.” It’s about time this man was recognized, though I don’t think it’s going to be for a Jack Reacher film.

A MONSTER CALLS

Starring: Liam Neeson, Felicity Jones and Sigourney Weaver
Directed by: J.A. Bayona

A boy seeks the help of a tree monster to cope with his single mom’s terminal illness.

OSCAR CHANCES: Visual effects.

TYLER PERRY’S BOO! A MADEA HALLOWEEN

Starring: Tyler Perry
Directed by: Tyler Perry

Madea winds up in the middle of mayhem when she spends a haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls and zombies while keeping a watchful eye on a group of misbehaving teens. I’m scared.

OSCAR CHANCES: I’m going to go out on a limb and say “no”

OCTOBER 28

INFERNO

Starring: Tom Hanks, Felicity Jones
Directed by: Ron Howard

When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot. The second Felicity Jones film in as many weeks.

OSCAR CHANCES: Sorry, Tom, but your nomination this year is coming from “Sully”

 

NOVEMBER 4

BLEED FOR THIS

Starring: Miles Teller and Aaron Eckhart
Directed by: Ben Younger

The inspirational story of World Champion Boxer Vinny Pazienza who, after a near fatal car crash, which left him not knowing if he’d ever walk again, made one of sport’s most incredible comebacks.

OSCAR CHANCES: Both Robert DeNiro and Hillary Swank won Oscars for portraying boxers so never say never. Hell, Stallone got nominated…TWICE!

DOCTOR STRANGE

Starring: Benedict Cumberbatch, Rachel McAdams and Mads Mikkelsen
Directed by: Scott Derrickson

A neurosurgeon with a destroyed career sets out to repair his hands only to find himself protecting the world from inter-dimensional threats.

OSCAR CHANCES: Visual effects.

HACKSAW RIDGE

Starring: Andrew Garfield and Sam Worthington
Directed by: Mel Gibson

WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to be awarded the Medal of Honor. Mel doesn’t appear in this one but his dead-ringer son, Milo, does.

OSCAR CHANCES: Gibson (Mel, not Milo) already has an Oscar for directing so you never know. I’m sure people have forgotten what all of the hub-bub was about concerning him a few years ago.

LOVING

Starring: Ruth Negga and Joel Edgerton
Directed by: Jeff Nichols

Back in the dark ages, Richard and Mildred Loving, an interracial couple, are sentenced to prison in Virginia in 1958 for getting married. Apparently they had nothing better to do in Virginia at the time.

OSCAR CHANCES: Acting, picture.

TROLLS

Starring the voices of: Anna Kendrick and Justin Timberlake
Directed by: Mike Mitchell and Walt Dohrn

Remember those little plastic things with long hair that you used to put on the end of your pencil? When I was a kid we called them Kewpies but apparently they are Trolls and they have their own movie. Good for them!

OSCAR CHANCES: Maybe best hairstyling?

NOVEMBER 11

ARRIVAL

Starring: Amy Adams, Jeremy Renner and Forest Whitaker
Directed by: Denis Villeneuve

A linguist is recruited by the military to assist in translating alien communications.

OSCAR CHANCES: Picture, director, acting.

SHUT IN

Starring: Naomi Watts and Jacob Tremblay
Directed by: Farren Blackburn

A heart-pounding thriller about a widowed child psychologist who lives in an isolated existence in rural New England. Caught in a deadly winter storm, she must find a way to rescue a young boy before he disappears forever.

OSCAR CHANCES: Unsure, but young Mr. Tremblay should have been nominated last year for “Room.”

USS INDIANAPOLIS: MEN OF COURAGE

Starring: Nicolas Cage and Tom Sizemore
Directed by: Mario Van Peebles

The harrowing true story of the crew of the USS Indianapolis, who were stranded in the Philippine Sea for five days after delivering the atomic weapons that would eventually end WWII. If you saw “Jaws,” this is the tale that Quint tells. Other “Jaws” related facts: this was the original idea for “Jaws 2.” Also: Mario Van Peebles starred in “Jaws the Revenge.”

OSCAR CHANCES: To me it looks like a “made for TV” movie. How about Emmy chances?


NOVEMBER 18

THE EDGE OF SEVENTEEN

Starring: Hailiee Steinfeld, Blake Jenner and Woody Harrelson
Directed by: Kelly Fremon Craig

High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother. Is that weird? When I was in high-school I wanted to date my best friend’s older sister. Hopefully Stevie Nicks got some money from this.

OSCAR CHANCES: Nada

FANTASTIC BEASTS AND WHERE TO FIND THEM

Starring: Eddie Redmayne, Jon Voight and Ezra Miller
Directed by: David Yates

The adventures of writer Newt Scamander in New York’s secret community of witches and wizards 70 years before Harry Potter reads his book in school. Even though Harry Potter and his pals are less than 20 years old it seems like they’ve been around forever.

OSCAR CHANCES: Visual effects, music (the great James Newton Howard)

MANCHESTER BY THE SEA

Starring: Casey Affleck and Michelle Williams
Directed by: Kenneth Lonergan

An uncle is forced to take care of his teenage nephew after the boy’s father dies.

OSCAR CHANCES: Both Affleck and Williams have been nominated in the past so I’m not ruling anything out.

NOCTURNAL ANIMALS

Starring: Amy Adams and Jake Gyllenhaal
Directed by: Tom Ford

An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale. November is Amy Adams month.

OSCAR CHANCES: Across the board


NOVEMBER 23

ALLIED

Starring: Brad Pitt and Marion Cotillard
Directed by: Robert Zemeckis

In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war. Cotillard isn’t married so maybe we can look forward to reading about “Bradarion” soon.

OSCAR CHANCES: Pitt, Cotilliard and Zemeckis have been there before.

BAD SANTA 2

Starring: Billy Bob Thornton, Kathy Bates and Tony Cox
Directed by: Mark Waters

Fueled by cheap whiskey, greed and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve.

OSCAR CHANCES: I thought Billy Bob deserved a nod for the first film but I’m going to say no.

MOANA

Starring the voices of: Dwayne Johnson, Alan Tudyk and Nicole Scherzinger
Directed by: Ron Clements, John Musker, Don Hall and Chris Williams

A young woman uses her navigational talents to set sail for a fabled island. Joining her on the adventure is her hero, the legendary demi-god Maui.

OSCAR CHANCES: Animated feature, original song

RULES DON’T APPLY

Starring: Warren Beatty, Lily Collins and Ed Harris
Directed by: Warren Beatty

An unconventional love story of an aspiring actress, her determined driver, and the eccentric billionaire who they work for. Beatty has been wanting to do a Howard Hughes-based film since the 1970s. Not sure if this is what he had in mind back then but, after a 15-year absence, it’s great to see him both in front of and behind the camera.

OSCAR CHANCES: Only two people have been nominated in the same year for acting, directing, writing and producing the best picture: Orson Welles and Warren Beatty. And Beatty did it TWICE!


NOVEMBER 25

LION

Starring: Dev Patel, Rooney Mara and Nicole Kidman
Directed by: Garth Davis

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

OSCAR CHANCES: Many


DECEMBER 2

LA LA LAND

Starring: Ryan Gosling and Emma Stone
Directed by: Damien Chazelle

From the creator of “Whiplash” comes a film about a jazz pianist who falls for an aspiring actress in Los Angeles. And it’s a musical!

OSCAR CHANCES: Early film festival buzz say’s this may be the film to watch (both on screen and at awards time!)


DECEMBER 9

MISS SLOANE

Starring: Jessica Chastain
Directed by: John Madden

An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.

OSCAR CHANCES: Actress. Madden directed the Oscar-winning “Shakespeare in Love.”

OFFICE CHRISTMAS PARTY

Starring: Jason Bateman and Jennifer Anniston
Directed by: Josh Gordon and Will Speck

When his uptight CEO sister threatens to shut down his branch, the branch manager throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand.

OSCAR CHANCES: Zip

DECEMBER 16

COLLATERAL BEAUTY

Starring: Will Smith and Keira Knightley
Directed by: David Frankel

A tragic event sends a New York ad man on a downward spiral.

OSCAR CHANCES: I’ve already had to apologize to Will Smith twice for doubting he’d get nominated for “Ali” and “The Pursuit of Happyness.” There won’t be a third. Good luck Will.

FENCES

Starring: Denzel Washington and Viola Davis
Directed by: Denzel Washington

An African American father struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. Based on the August Wilson play.

OSCAR CHANCES: YES!

THE FOUNDER

Starring: Michael Keaton and Patrick Wilson
Directed by: John Lee Hancock

The story of McDonald’s founder, Ray Kroc. You may look at your next hamburger differently. Keaton is said to be so good that they pulled the film from it’s original release date.

OSCAR CHANCES: Keaton

A KIND OF MURDER

Starring: Patrick Wilson and Jessica Biel
Directed by: Andy Goddard

In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman. This will be a day of decisions for Patrick Wilson fans.

OSCAR CHANCES: Don’t see any

ROGUE ONE: A STAR WARS STORY

Starring: Felicity Jones, Jimmy Smits and Warwick Davis
Directed by: Gareth Edwards

Or, as I like to call it, “Episode 6.5” The Rebellion makes a risky move to steal the plans to the Death Star, setting up the epic saga to follow. Holy crap! The Death Star, Leia’s family, Darth Vader AND Wicket the Ewok? I’m already in line!

OSCAR CHANCES: Visual effects, make up.

DECEMBER 21

20th CENTURY WOMEN

Starring: Annette Bening, Elle Fanning and Laura Wiggins
Directed by: Mike Mills

The story of three women who explore love and freedom in Southern California during the late 1970s.

OSCAR CHANCES: Can anyone tell me why Annette Bening hasn’t won an Oscar yet? Didn’t think so. Keep your fingers crossed.

ASSASSINS CREED

Starring: Michael Fassbender and Marion Cotillard
Directed by: Justin Kurzel

When Callum Lynch explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society. This synopsis seems so crazy considering the cast. I wonder if the two leads made the same mistake Bill Murray did when he thought “Garfield” had been written by one of the Coen brothers!

OSCAR CHANCES: Fassbender elevates everything he’s in so I’m not saying no!

PASSENGERS

Starring: Jennifer Lawrence and Chris Pratt
Directed by: Morten Tyldum

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early. It’s so weird to see Lawrence in a movie at the end of the year NOT directed by David O. Russell. Oh well, there’s always next year.

OSCAR CHANCES: Visual effects, technical stuff

PATRIOTS DAY

Starring: Mark Wahlberg and Michelle Monaghan
Directed by: Peter Berg

An account of Boston Police Commissioner Ed Davis’s actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Sounds better than what I thought it was – knowing Wahlberg is a huge New England Patriot fan I thought it was about a day with Tom Brady. The third film by Wahlberg and director Berg and second this year.

OSCAR CHANCES: Oh yes.

SING

Starring the voices of: Matthew McConaughey and Scarlett Johansson
Directed by: Garth Jennings

A koala named Buster Moon has one final chance to restore his theater to its former glory by producing the world’s greatest singing competition.

OSCAR CHANCES: Animated film….maybe.

DECEMBER 25

GOLD

Starring: Matthew McConaughey and Bryce Dallas Howard
Directed by: Stephen Gaghan

An unlikely pair venture to the Indonesian jungle in search of gold. When he was outrageously thin in “Dallas Buyer’s Club” McConaughey still looked good. In this one he’s bald and….dammit!

OSCAR CHANCES: No sir.

WHY HIM?

Starring: James Franco and Bryan Cranston
Directed by: John Hamburg.

A dad forms a bitter rivalry with his daughter’s young rich boyfriend. Based on a story by Jonah Hill. Somebody needed money.

OSCAR CHANCES: I’m ashamed that I have to include those words with this film.

DECEMBER 28

PATERSON

Starring: Adam Driver
Directed by: Jim Jarmusch

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet.

OSCAR CHANCES: Love Jarmusch. Maybe a witting nod.

Film Review: “Kubo and the Two Strings”

Starring the Voices of: Charlize Theron, Art Parkinson and Ralph Fiennes
Directed By: Travis Knight
Rated: PG
Running Time: 101 minutes
Focus Features

Our Score: 4 out of 5 Stars

Anymore, I’m shocked when I walk out of a movie after seeing something original. I was almost certain that “Kubo and the Two Strings” was based on a book or short story. I was sure that a movie utilizing origami, ancient traditions, and the mysticism of the Eastern world, was someone else’s idea come to life. Nope. The ambitious nature of the film is all its own and it’s amazing to see the animation studio, Laika, put so much faith behind it.

To say that “Kubo” is a kid’s movie or fun for the whole family would be a disservice. It seems more interested in a mature audience that fancies itself as fans of anime, late 70’s kung fu, or people who watch “Adventure Time”. So if anything, you could say it’s a very mature kid’s movie. It doesn’t have predictable silliness, but seems to find itself bordering on family friendly entertainment early on when we meet our hero, Kubo (Parkinson). He’s forbidden from staying out past dark by his near comatose mother.

Kubo spends his days going into town to make money by plucking the two strings on his shamisen (or guitar). Through his musical talents, he’s able to wield magic that puppets different origami creatures, while spinning tales that are inspired by his father, whom he’s never met. He fascinated with the journey of great samurai warrior, and the beasts and monsters they fight. Inevitably after one of his shows, he stays out past dark, invoking his evil twin aunts (voiced by Rooney Mara), sending him on his own perilous journey.

Kubo joins forces with a talking monkey voiced by Charlize Theron and a beetle warrior voiced by Matthew McConaughey. It took me a while to get on the same page as “Kubo” and a lot of that may be because I wasn’t sure what to expect. The movie’s marketing campaign made it feel like I was in for a Japanese rehash of “James and the Giant Peach”, but there’s a lot more depth and heart to “Kubo” than any Roald Dahl classic.

Without revealing too much, the heart and soul of this movie is about the family unit, forgiveness, memory and the damage jealousy can bring upon the human soul. It has some great lessons for kids, but its more heart felt for older audiences who have aging patriarchs and matriarchs at home. “Kubo” is a clash of youth and age, and how families handle the generational divide within their own families. “Kubo” does suffer from an identity crisis, having to balance audience expectations and preventing its mature script from tripping into low-brow kid’s movie pitfalls. I’m sure “Kubo” will get better with age.

The digital stop-motion animation in “Kubo” is next level. A good chunk of scenes are on the same level as most stop-motion movies, but other scenes are breathtaking and groundbreaking. I’m no animator, but I’m sure most out there will have to give pause and wonder how “Kubo” accomplishes many of it’s visual feats. There’s so much for your eyes to feast on, at times the story becomes second nature to everything happening on screen, like a scene where a sailboat made up of Autumn leaves crashes through the waves of a lake during a robust lightning storm.

“Kubo” is clearly a passion project, with a dedicated team behind the camera. It hits deep within the heart for those looking for meaning, but lacks the right amount of force to really do some emotional damage once it’s driven into your soul. There’s a lot of themes, some blatant, some yet undiscovered on my first viewing. “Kubo” will surely be keeping Disney and Pixar on the edge of their seat come award season. Laika Studios is proving to be a worthy adversary and showing that stop-motion can be just as colorfully lively, emotionally heartbreaking and creatively inspiring, than a lost fish in the sea or what your pets do while you’re at work.

Film Review: Free State of Jones

Starring: Matthew McConaughey, Gugu Mbatha-Raw, Mahershala Ali
Directed By: Gary Ross
Rated: R
Running Time: 139 minutes
STX Entertainment

Our Score: 2 out of 5 Stars

American Civil War movies are either critically claimed masterpieces (“Gone with the Wind” or “Glory) or the bane of moviegoers existence (“Gods and Generals” and “Gettysburg”). “Free State of Jones” fall somewhere in between. There’s enough entertainment and magnificent acting to keep it afloat, but too many nauseating history lessons and a lack of narrative to make it watchable. It may get some future use in high schools across the country, but could also be a punishment for a rowdy classroom.

“Free State of Jones” follows Newton Knight (McConaughey) a MacGyver of 19th century America. He’s a nurse as battles wind down, a soldier when war flares up, a farmer at home, a blacksmith and carpenter when the script calls for it, and many other things. Knight watches too many of his friends, family, and countrymen die for a cause he doesn’t believe in. He views the Civil War as a rich man’s war being fought by the poor residents of Mississippi. So he goes AWOL, evading troops on the lookout for the fresh deserter.

Knight goes into hiding in the swamps where he befriends runaway slaves and slowly starts attracting other deserters to his camp. Over time, he collects more slaves and deserters to help form his own militia. Their core belief isn’t anti-Confederate, but more around the belief that no army or government should steal from the people and that the people have a right to what they create with their own bare hands.

The movie takes place from 1862 to 1867, which already has any historian reading that scratching their head. The Civil War ended in 1865. Un-effectively, “Free State of Jones” is like two different movies. One about the small rebellion against Confederate beliefs and the fallout of the Civil War in the South with Knight having to constantly defend the rights of his African American friends.

Narratively, it’s a mess. At no point does the movie blatantly or subliminally promote a unique theme or message. “Free State of Jones” is another; white man comes to save the day for minorities, history lesson from Hollywood. The movie highlights the corrupt system in place after the war, which prevented minorities from voting in the political process. That could be a link or statement of affairs today in this political climate, but I’m not willing to give the creative team behind “Free State of Jones” that much credit.

It’s a well shot movie that captures the essence of war, but McConaughey is the true highlight of the movie. He works well with the emotional and physical toll of war as he progressively becomes older in “Free State of Jones”. But I can’t help but dislike his character for some of the selfish plot points in the movie. It doesn’t help that the movie constantly jumps forward around 80 years into the future where Knight’s relatives are going through a legal battle. It’s another speed bump that slows down the overall pace of the movie.

“Free State of Jones” is definitely a unique tale for the Civil War that highlights the divide in a traditionally proud part of the country. Even today, people still sport Confederate flags and re-enact famous battles. There’s something interesting that can be said about how war can divide even the most patriotic of people. But “Free State of Jones” doesn’t want to talk about that. It seems more obsessed with messages we’ve heard before and reminding us that slavery is still evil.