Jackyl Celebrate Silver Anniversary with “25” and Tour

JACKYL CELEBRATE SILVER ANNIVERSARY WITH ‘25’ AND TOUR

It’s an incredible accomplishment when a rock band has been successful enough to reach the 25-year mark since the release of their first album.

And this year, raunchy southern rockers Jackyl have accomplished this feat, and are celebrating with an appropriately-titled compilation, ’25,’ which drops July 28 via Mighty Loud Records.

The 18-track set (which can be preordered via the band’s official site, jackyl.com) features such Jackyl radio hits as “Down on Me,” “The Lumberjack,” “Push Comes to Shove,” and “Favorite Sin,” as well as two previously unreleased tracks – a live rendition of “Redneck Punk,” as well as a cover of Black Oak Arkansas’ “Hot and Nasty.”

“At the time we first hit the scene, we were told by quite a few interviewers and fans that we sounded like a cross between Black Oak Arkansas and AC/DC,” explains Jackyl. “While we was very familiar with AC/DC, we were not with BOA. We went back and listened, and were blown away – so much so, that we recorded a cover of one of their most kick ass tunes, ‘Hot and Nasty,’ which is now finally getting its release on this comp.”

First bursting upon the scene with their self-titled, platinum-certified debut album in 1992, Jackyl has made a name for themselves as a killer live band that delivers night after night, and has continued to offer up good old fashioned blues boogie over the years, as evidenced on such subsequent albums as 1994’s gold-certified ‘Push Comes to Shove,’ all the way to their most recent release, 2016’s ‘Rowyco.’

“With this compilation, we are celebrating 25 years of Jackyl rock n’ roll – the fundamentals of rock n roll,” adds Jesse. “And beware – we are not slowing down anytime soon.”

‘25’ Tracklisting:
Down on Me
When Will It Rain
The Lumberjack
Push Comes to Shove
Secret of the Bottle
Dumb Ass Country Boy
Cut the Crap
Kill the Sunshine
My Moonshine Kicks Your Cocaine’s Ass
Just Like a Negro (featuring DMC)
Screwdriver
Encore
Favorite Sin
Rally
Just Because I’m Drunk
Redneck Punk (Live) – previously unreleased
Hot and Nasty – previously unreleased

TOUR DATES:
Thursday, August 10, 2017 in Sturgis, SD Full @ Throttle Saloon
Friday, August 25, 2017 in Sterling Heights, MI @ Michigan Lottery Amphitheatre @ Freedom Hill
Saturday, August 26, 2017 in Franklin, OH @ J.D. Legends
Saturday, September 2, 2017 in Milwaukee, WI @ National H.O.G. Rally/Milwaukee Rally
Friday, September 8, 2017 in Hinckley, MN @ Grand Rocktember V Music Festival
Thursday, September 14, 2017 in Ocean City, MD @ Cowboy Coast Country Saloon
Friday, September 15, 2017 in Heath, OH @ Muddy Creek Saloon
Saturday, September 16, 2017 in Sunrise Beach, MO @ Pickleheads Roadhouse (Lake of the Ozarks Bikefest)
Thursday, September 21, 2017 in Augusta, GA @ The Country Club
Friday, September 22, 2017 in Savannah, GA @ The Stage on Bay
Saturday, September 23, 2017 in Cocoa Beach, FL @ 80’s in the Park
Friday, November 17, 2017 in Sioux City, IA @ Anthem at Hard Rock
Saturday, November 18, 2017 in Watseka, IL @ Watseka Theatre
Tuesday, November 21, 2017 in Cincinnati, OH @ Bogart’s
Friday, November 24, 2017 in Indianapolis, IN @ 8 Seconds Saloon
Saturday, November 25, 2017 in Green Bay, WI @ The Green Bay Distillery
Sunday, November 26, 2017 in Dubuque, IA @ Q Casino
Friday, December 1, 2017 in Flint, MI @ The Machine Shop

FOR MORE INFORMATION, PLEASE VISIT:
www.jackyl.com

The 1995 Film Casino Is in the Top 25 Casino Films on IMDB

 

Have you ever seen the 1995 film Casino? If you haven’t, it’s definitely a must see for any film buff. Actually, anyone at all will love this movie. And that is why it is listed on the top 25 movies of all time on IMDb. Nicholas Pileggi and Martin Scorsese worked together to write this film, and Martin Scorsese directed it himself. These two very talented individuals also worked together on the film Goodfellas from 1990. Both of the films are based around the mafia and Italian culture.

 

Stars of the film

The movie Casino has some of the best known actors and actresses from Hollywood. The leading role is played by Robert De Niro, who seems to be in all of the movies that we see. He has had starring roles in such great movies as the King of Comedy from 1983, Raging Bull from 1980, New York New York from 1977, Mean Streets from 1973, Cape Fear from 1991 and Taxi Driver from 1976.

The movie also stars Sharon Stone and Joe Pesci. Sharon Stone is well known for her role in Basic instinct, and Joe Pesci plays in many other Italian mafia movies also.

 

The plot of the movie

The movie begins and ends up revolving around Robert De Niro’s character, an associate of the mafia. He is being sent to the casino capital of the world in Las Vegas to run a casino there. His name is Sam or Ace Rothestein. The casino features many different games, and it is so utterly realistic. In fact, it was a real casino when the movie was shot, but it got dressed up, and of course no one was actually there gambling in it for real while the movie was being filmed. Instead, actors and extras were called in to be seen in the casino playing slots, blackjack or games that would not be the equivalent to online roulette games. If the movie inspired you to some action, you too can enjoy online casino games, without leaving the comfort your house!

 

How to watch this film

This is a relatively old film, and it is a classic, so it’s not that hard to watch nowadays if you want to. Many websites and classic movie channels will play this film from time to time. One thing to look for when you’re watching is the costumes that Robert Nero’s character has on. He has multiple suits, and as the film progresses, his suits get more and more elaborate. This is a great movie to watch with a friend, a significant other or by yourself for something fun to do on a rainy day.

Monster Energy’s Welcome to Rockville Announces Tequila World and Onsite Sponsor Activites for Florida’s Biggest Rock Festival April 25 & 26

MONSTER ENERGY WELCOME TO ROCKVILLE:
ONSITE SPONSOR ACTIVITIES,
TEQUILA WORLD DETAILS,
AND INTERACTIVE ART INSTALLATION WITH NOTABLE GRAFFITI ARTIST RISK
ANNOUNCED FOR FLORIDA’S BIGGEST ROCK FESTIVAL
APRIL 25 & 26 AT METROPOLITAN PARK IN JACKSONVILLE, FLORIDA
VIP TICKET PRICES INCREASE MARCH 9

Various onsite sponsor activities and an interactive art installation with graffiti artist RISK have been announced for the fifth annual Monster Energy Welcome To Rockville, April 25 & 26 atJacksonville, Florida’s scenic Metropolitan Park along the St. Johns River. In addition, more details have been confirmed for the new Monster Energy Welcome To Rockville Tequila World.

Florida’s biggest rock festival kicks off the World’s Loudest Month festival series and featuresmusic on multiple stages, band autograph signings, interactive experiences, a Monster Energy viewing area with beverage sampling, and a variety of food and beverage options, including local gourmet food trucks and the debut of the new Monster Energy Welcome To Rockville Tequila World.

The new Monster Energy Welcome To Rockville Tequila World, with a Mexican fiesta theme, will feature a wide range of tequilas, extreme margaritas, gourmet tacos, mixologists and more. The expanded list of tequilas that will be offered in the Monster Energy Welcome To Rockville Tequila World is as follows: Cabo Wabo, Corazon, Espolon, El Jimador, Lunazul, Margaritaville, Monte Alban, Pura Vida, Siete Leguas, and more to be announced. Gourmet tacos will be provided by TacoLu Baja Mexicana. Admission to this area is free and open to those 21 and up.

Metalachi–the world’s first and only heavy metal mariachi band (www.metalachi.com)–will keep the party rolling with three performances on the Tequila World stage each day. Check out this hilarious behind-the-scenes video clip with Metalachi as they get the news about playing the festival: http://youtu.be/XSWUcaJlD0E.

Also new in 2015 is the RISK interactive graffiti art installation. Kelly Graval, the multi-talented fine artist, illustrator, and graffiti artist known as RISK (www.riskrock.com), will be curating an interactive art exhibit to be displayed on site. The exhibit will showcase multiple live demonstrations by RISK and will allow festival attendees the chance to interact and add to the exhibit. RISK has been synonymous with the Los Angeles art community for decades. With a career spanning 30 years, RISK has solidified his place in the history books as a world-renowned graffiti legend. He has come a long way since he pioneered the painting of freeway overpasses, signs and billboards, dubbed “heavens.” Although RISK loves aerosol art, he sees it as merely just one genre in his life’s work. From his days as a student at the USC School of Fine Arts to gallery and museum showings around the world, RISK has transformed from a street artist to a rising star in the contemporary art world. Check out a video of RISK in action here: http://youtu.be/0St2Rt9xAN4.

Tickets for Monster Energy Welcome To Rockville are available now atwww.WelcomeToRockvilleFestival.com. Those looking for a VIP experience are encouraged tobuy now and save. A limited number of VIP tickets are still available for purchase for the following prices: Weekend VIP: $244.50 + fees; Single Day VIP: $129.50 + fees. On March 9 at Midnight ET, VIP ticket prices will increase to: Weekend VIP: $264.50 + fees; Single Day VIP: $139.50 + fees.

As previously announced, the daily band lineups for Monster Energy Welcome To Rockville are as follows (subject to change; more to be announced):

Saturday, April 25: Korn, Marilyn Manson, Slayer, Ministry, Halestorm, Queensrÿche, Testament, Of Mice & Men, Scott Weiland and the Wildabouts, Hollywood Undead, Suicidal Tendencies, The Devil Wears Prada, Periphery, Nonpoint, Exodus, Fozzy, Beartooth, Upon A Burning Body, Like A Storm, Stars In Stereo, Red Sun Rising, World Gone

Sunday, April 26: Slipknot, Godsmack, Slash featuring Myles Kennedy and The Conspirators, Breaking Benjamin, Papa Roach, The Pretty Reckless, In This Moment, All That Remains, In Flames, Tremonti, Motionless In White, Hatebreed, Starset, Butcher Babies, Vamps, Young Guns, We Are Harlot, ’68, Islander, From Ashes To New, Sons Of Texas, and more

General Admission and VIP tickets, as well as hotel packages, are on sale now at www.WelcomeToRockvilleFestival.com. Ticket prices will increase in the coming weeks, so fans are encouraged to buy now and save.

VIP tickets include: a VIP entrance to venue; access to VIP lounge area featuring dedicated bar, beverage and food service; viewing of main stage (seated and standing areas); seated area with shade for dining; private restroom facilities; and a VIP guest laminate.

A limited number of tickets are also available at select MetroPCS and Firehouse Subs locations with no service fees.

Monster Energy Welcome To Rockville is produced by Danny Wimmer Presents and anchors the World’s Loudest Month festival series. The World’s Loudest Month features the biggest names in rock music performing in eight distinct concert atmospheres across the country in April and May.

2015 sponsors for Monster Energy Welcome To Rockville include Monster Energy, Bud Light, Jack Daniel’s, Jägermeister, Firehouse Subs, MetroPCS, Crazy Dave’s Music Experience, f.y.e., Zippo Encore, Yamaha, Fxck Cancer, Corona, ReverbNation, Hundred Handed, Matador Beef Jerky, Victory Records, Another Century Records, Wine Decadence, TacoLu, Al Capone Cigars, Roadrunner Records and more.

Website: www.WelcomeToRockvilleFestival.com

Facebook: www.facebook.com/welcometorockville

Twitter: @RockvilleFest

Instagram: @welcometorockville

Official Video Trailer: www.youtube.com/watch?v=vlWzJp7nV0I

About Danny Wimmer Presents: Since 1995, Danny Wimmer has created, developed and produced events from the club level to some of the largest North American festivals. Founded in 2007 by industry veteran Wimmer, DWP produces some of the largest festivals in the rock and alternative landscapes. Never satisfied with the status quo, Danny Wimmer Presents strives to create memorable and fulfilling concert experiences leaving both consumers and partners with lasting and meaningful impressions.

www.DannyWimmerPresents.com

About Monster Energy: Most companies spend their money on ad agencies, TV commercials, radio spots, and billboards to tell you how good their products are. At Monster Energy, we chose none of the above. Instead we support the scene, our bands, our athletes and our fans. We back athletes so they can make a career out of their passion. We promote concert tours, so our favorite bands can visit your hometown. We celebrate with our fans and riders by throwing parties and making the coolest events we can think of a reality.

www.monsterenergy.com; www.facebook.com/monsterenergy

About Metropolitan Park: Metropolitan Park offers a scenic, spacious site for Monster Energy Welcome To Rockville that’s just a few hours drive from cities including Orlando, Tampa, Gainesville, Savannah and Tallahassee, and is easily accessible by plane from around the country. Metropolitan Park is a premier 27-acre recreational facility along the beautiful St. Johns River in downtown Jacksonville, Florida at 1410 Gator Bowl Blvd.

Colin Wilson reflects on 25 years with the band “The Australian Pink Floyd Show”

Colin Wilson is the bassist for the cover band, “The Australian Pink Floyd Show”.  2012 marks the 25th anniversary with the band, who perform over 100 shows a year all over the world. The band has recently released their  Blu-ray/DVD of their current “Exposed in the Light” and are planning a big tour for  2013 called “Eclipsed By The Moon” to celebrate the 40th anniversary of “Dark Side of the Moon”.  Media Mikes had a chance to chat with Colin about 25 years with the band and the bands work of constantly trying to improve their skill in order to master the work of Pink Floyd.

Mike Gencarelli: This year marks 20 years with “The Australian Pink Floyd Show”; how do you feel the band has evolved in that time?
Colin Wilson: Wow, well it has evolved incredibly. We started off very small, literally getting together on weekends and trying to learn songs. We are just trying to learn how to do Pink Floyd well. We did some small shows around Australia, like pubs and clubs. As the years have gone on, we have constantly re-invested into it. Every time we could we would get two extra lights or a bigger projector screen, things like that. We just kept putting back into the band. Now, as you said 20+ years later, we tour worldwide and doing over 100 shows a year. It is a really big full-scale production and it is the same sort of production now that you would expect to see with a mainstream band.

MG: After all these years, do you still have to put work into mastering the songs?
CW: Some aspects of it come easier just because of how much we are doing it. We don’t have any real long periods off. The longest we have away is two months over Christmas and you don’t forget everything in those two months. As far as playing the music goes, it is definitely getting a bit easier since all the hard work is done. But we never sort of rest on that. We are always trying to fine-tune and improve ourselves. We still listen to the music today and hear little subtleties that we might have missed.

MG: How does it feel to be called “The Best Tribute Band in the World”?
CW: It is funny for us. We are one of the first tribute bands. When we started up in Australia, in the end of the 80’s and early 90’s there were a lot of tribute bands forming mainly because a lot of the mainstream bands weren’t making it out there to tour. So there was definitely a need for people to do this since the fans wanted to hear it and the real band weren’t coming out. So we were one of the first and then definitely one of the first to take it overseas from Australia. When we got to the UK in the early 90’s, there were maybe 2 or 3 other tribute bands around but not many. I would say within the first 2 or 3 years of us being in the UK, the whole scene suddenly blew up and there were tribute bands everywhere. I guess we have stood the test of time since most of those early bands are long-gone. I guess that is due to the fact that we keep trying to improve ourselves every year and why we’re referred to as the best one around. It is incredibly gratifying to us when we get reviews like that and hear things like that.

MG: What is your biggest challenging having to cover two very different styles of Roger Waters and Guy Pratt?
CW: Song by song is not very challenging. The biggest challenge really is doing a song by one of them and then the very next song doing the other. You have to treat each one in a song by song basis and getting into the feel and groove of that song in the blink of an eye between the songs. And because I have been doing it for so long it just sort of happens for me. Hopefully it is working and I am able to do that effectively.

MG: What do you do to keep it fresh when performing these songs live each tour?
CW: Well, there are 10 musicians in the band and every one of them are complete professionals and each one of them approaches this in that way. We also all get on great as well. We are like a team. If one person doesn’t do their job, it sort of lets us all down. In some ways, we try and impress each other every night. It is a challenge but we are the kind of people that like that challenge. We try to do it right every night and send the audience away with big smiles on their faces. That is the mindset that we have and how we keep it fresh. Most importantly, we still enjoy doing it after all these years.

MG: What songs really hits home with you when performing live?
CW: Me personally, I love the songs from the “Animals” album. That’s probably my favorite with “Dark Side of the Moon” in a close second. On “Animals”, the tracks are very deep with a lot of aspects that you have to remember. They are quite long songs with many different passages. You have to be completely absorbed to play them and do them justice. So I really enjoy those. Also it has to be any of the songs that get an amazing reaction from the audience. Like every night we play “Another Brick in the Wall”, we get this fantastic buzz because the audience gets on their feet with that song.

MG: Tell us about your encounters with the actual members of Pink Floyd?
CW: Going way back to 1994/1995, David Gilmour came to see us play and met with us after the show. We got to talk with him for a while and he was really into what we were doing. We had played some songs that he himself haven’t heard, let alone played, in a long time. He was really encouraging and positive about that. He has seen us a few times since then when we come along to London. We sort of got his unofficial endorsement. We played at his 50th birthday party in London, which was incredible. It was amazing for us as a band and gave us that extra bit of credibility that maybe we needed with some of the more skeptical Floyd fans. Also Nick Mason, in the recent years, has said a lot of nice things about us in the press. We have a nice unofficial connection with them. We know that they are sort of watching us through the one eye kind of aspect. It is a nice relationship. We are not out having BBQ’s each weekend but we do have a nice distant relationship with them.

MG: Tell us about the newly released Blu-ray/DVD, “Exposed in the Light”?
CW: This is something that when we started out we weren’t sure if people would be interested in recordings of us doing Floyd stuff. But evidentially they are. Fans were always telling us they want to take something home and watch it and share with friends that couldn’t make it to the shows. We did one last year that was a double DVD that was recorded in Hammersmith in London. The first disc was the show and the second was a documentary on the band, which was really great. This time we released a concert from this year’s tour “Exposed in the Light”. We actually filmed it all ourselves with HD cameras. What we did was set up the cameras in different positions every night, so we ended up with something like 20 different camera angles. Then that was all edited together to make what looks like a huge camera shoot. It has come out absolutely amazing. In between the songs, we have got some great behind-the-scenes footage. It is a nice little package and it has this really great HD quality concert footage with all the different angles. You get to see a lot of the show from various different positions. We are very excited about that.

MG: Tell what we can expect from the 2013 tour “Eclipsed By The Moon”?
CW: It is the 40th anniversary of “Dark Side of the Moon” in 2013, so it is very exciting. 10 years ago, we did the 30th anniversary which was incredibly successful. We are looking this time around to maybe do something different with it. We are not 100% certain just yet how we are going to approach it. Whether we do the whole thing in its entirety or if we mix it up a bit. We are also looking into different things to project on the screen during it and really make it and event. One thing that I can guarantee is that it will be a big celebration of “Dark Side of the Moon”. I think there are a lot of Pink Floyd fans out there that are really on the edge of their seat waiting for this tour. It starts February of next year in the UK. So it is going to be great.

Johnny Van Zant talks about 25 years with Lynyrd Skynyrd and new album “Last of a Dyin’ Breed”

2012 marks the 25th anniversary of Johnny Van Zant taking over as the leader singer of Lynyrd Skynyrd. I have been a fan of this band since I was old enough to speak. There is something special about this band that just really speaks to it’s fans and they are so multi-generational. I am proof of that having a 4 month only daughter that has been listening to their tunes after only being born for 5 minutes. Johnny and the band are celebrating the release of their latest new album “Last of a Dyin’ Breed” and he took out some time to chat with us about the new album and to reflect on 25 years with the band.

Mike Gencarelli: How can you reflect on how Skynyrd is definitely still relevant today?
Johnny Van Zant: My brother was pulling for the common people when he started this band. He was writing songs like “Alabama”, “Curtis Lowe”, “Tuesday’s Gone” and “Simple Man”. To this day man, we try to keep it to things that we lived or our fans have lived or living through. People can relate to that. We like to think we are pretty down to earth people. When I get home, I take out the garbage and drop my kids off at school. I do the same things as everyone else and that keeps us humble to that fact. I always tell people we are no different from our fans.  That is the way that I have always remembered how Lynyrd Skynyrd has been. We are common people and I feel that it lives through the music.

MG: Like I mentioned I already have my 4 month daughter listening to Skynyrd, can you reflect on being so multi-generational?
JVZ: We call it the Skynyrd Nation, Mike. We are three generations old. I got a great place on stage, so I have this bird’s eye view of the audience. It is very mixed and everyone is out there. Young, old and in-between…and younger. [laughs].

MG:“Last of a Dyin’ Breed” is a really fierce follow-up to 2009’s “Gods and Guns”, which was also a hard year for the band. What did you enjoy most about this album and working again with “Gods and Guns” producer Bob Marlette?
JVZ: Bob is really great. I like him not only as a producer but also a friend. We were introduced to him by John5 from Marilyn Manson and Rob Zombie. We wanted to go in the studio and do a few tracks before we signed on for a whole record. But when we went in, everything really clicked. To have Bob back on board for “Last of a Dyin’ Breed” is just really great. We work with him very well. We  also tried to have a lot of fun working on this record. Like you said during the last record, we were going through some hard times, not only personally but as a band. When you lose members of a band, that is actually very personal as well though. There were times during recording “Gods and Guns”, where we asked ourselves if we should hang up our boots and call it a day. But Bob was one of the influences pushing us to get the record done. If Billy (Powell), Ean (Evans) or even my brother were still around, they would be kicking butt and taking names. That is why we are trying to carry this band on. I mean, this is my 25th year with the band now.

MG:The new album charted at #14 on the Billboard Charts, which is the best debut for Skynyrd since “Street Survivors”, can you reflect on that?
JVZ: I am just glad – it’s like Skynyrd was nominated seven times for Rock ‘n Roll Hall of Fame and it became a joke within the band. We used to say “Do we have to die to get into it”. But when it finally happened, I was just so happy for Ronnie (Van Zant), Gary (Rossington), Allen (Collins), Leon (Wilkeson) and Billy (Powell), the guys that started this band. I was overwhelmed with happiness for them. The thing that it comes back to is that is it great to debut at #14, but for me though it makes me happy that the fans like it. Numbers are great but to know the fans appreciate it what it is all about. We had a great time doing it and thought it was the best thing to biscuits and gravy [laughs]. But when the fans start liking it and to hear folks like you liking it, that is real payoff for me.

MG:I like that the band is continuing to produce new tunes. When I spoke with Rickey Medlocke, he said that “I guess we could sit back and rely on our classic tracks but if we can put out new music and material, it will keep things from getting stale.”
JVZ: It does. That would be the wrong thing and my brother would be coming down and kicking all of our asses. [laughs] He would say “What the hell, go out there and make some new music”. It is refreshing, it really is. We all know what made this band what it is. People have told us “Well why don’t you right another ‘Sweet Home Alabama'”? It has already been done right the first time. We don’t need to do it again.

MG:I got it Johnny, “Sweet Home Alabama 2”?
JVZ: Yeah that’s it! [singing] “Sweet Home Alabama…2”. Yeah, it doesn’t work. [laughs].

MG:Like you said 2012 marks your 25 years with the band, how do you feel that the music has changed throughout the years?
JVZ: I am not sure really. We have always been sticking with things we know about, like I said before, or things that have touched people around us. Lyrically, I don’t think we tried to change at all. I think we have tried to put some new guitar work. But I think that is more progress, you know? Believe me, I was a Lynyrd Skynyrd fan before I was in the band and if I wasn’t a part of Skynyrd and the albums came out and all sounded the same as in the old days. I would be like “Oh, it just sounds like the old stuff”. So we try to take a step forward. Someone people gonna like, some people gonna love it and some people gonna hate it. That’s the way life is.

MG:For me it would be “Simple Man” and those opening cords. What is the one track that when it goes on you completely jam into it?
JVZ: OH GOD! Hell yeah! It has to be “Simple Man”. That is just timeless. It just tells it like it is about being a simple man. The old saying is “If you gain the world, but lose your soul…what do you have?” That is basically what the song is saying: “Forget your lust, for the rich man’s gold. All that you need, is in your soul”. What a great song!

MG:Which tracks from the new album do foresee becoming part of a must play list during touring?
JVZ: Right now, we are playing “Good Teacher”, “Last of a Dyin’ Breed”, “One Day at a Time” and trying to work up “Homegrown”. The problem is [laughs], we love making new music but putting everything in the set [laughs] is one hard chore to do. You don’t want to take away an old classic. You want to be able to play the old songs that people love and cherish. So to put a new one is…you kind of have to sneak them in when you can [laughs].

MG:What do you do to keep it fresh constantly touring all around the world?
JVZ: I enjoy seeing the fans. Each night is a different night. Any member of Lynyrd Skynyrd will tell you the same. Every night is a different situation, a different part of the country or different part of the world. And it thrills me to get out there and play songs for people. There are nights where you may be tired or your voice isn’t up to par though. A friend of mine said they say a particular artist not too long ago and said that their voice wasn’t that good. I asked them if they checked their website to see how many shows they had before that [laughs]. You can tune a piano…but you can’t tune a voice! [laughs].

MG:You think The Van Zants will ever get in the studio again?
JVZ: We got to a point – we did a couple of country albums. The first one which we really worked hard on was “Get Right with the Man”. Then we got to the second one, “My Kind of Country”, which we also put a lot of time into. We finally looked at each other and just said that we were killing ourselves. He is still going with .38 Special and I am with Skynyrd, then you throw in this project into the mix. It has been a few years now…and we are definitely both getting a little antsy now. So let’s see what’s going to happen in the near future.