Another Successful Outing for Kansas City Comic Con

A super reunion and the “Comic Book Men” helped fill the halls of Bartle Hall over the weekend. Kansas City Comic Con, now in it’s third year, saw thousands upon thousands of people pass through the entrance between November 10th-12th.

Fans from all walks of life showed up for the weekend gathering. The “Superman: The Movie” 40th anniversary, which featured a two-hour panel and guests like Margot Kidder, Sarah Douglas, and local Jeff East, was the big draw. The other big draw was a visit by Filmmaker/Podcaster Kevin Smith, Jason Mewes, and the men behind the AMC show “Comic Book Men.”

There was plenty to do, including lively panels, events on the main floor, and meeting celebrities, animators, creators, cosplayers and othersw. During the hustle and bustle, the MediaMikes crew met fans of the website and garnished new fans with a booth featuring “Superman” memorabilia and a few free promotional items.

In a city full of cons throughout the year, Kansas City Comic Con has sliced out it’s own piece of the year to entertain and reward those in attendance. MediaMikes looks forward to working with and joining Kansas City Comic Con in 2018.

Photos by Dan Lybarger

“Superman” display at the MediaMikes table Lee Meriwether is all-in for “Justice League” Ron Burgundy setting up for a live shot A couple of Supermen taking in the MediaMikes memorabilia display The “Comic Book Men” enjoying the latest issue of “Good Housekeeping” featuring Deadpool “It” cosplay is in this year A “Ghostbusters” and “TMNT” crossover

NBC’s “Blindspot” Goes Global at NYCC

NBC’s hit show Blindspot returned this week for its third season. The second season finale certainly raised the stakes for this year by launching the story a full two years ahead, scattering the show’s main characters across the globe, and increasing the mysteries of the missing timeline. Not to mention a whole new set of glowing tattoos for main character Jane Doe (Jaimie Alexander) to unlock. In case you missed it, the premiere certainly rose to the challenge set down by that cliffhanger. Friday night’s “Back to the Grind” featured no less than a wedding, a knife fight and a boat chase through Venice while reintroducing Jane’s nemesis brother, Roman (Luke Mitchell).

I spoke to the show’s cast and creator recently at New York Comic Con about what to expect for this new season. If you head on over to the Media Mikes Facebook page you can check out the full video interviews (don’t forget to give us a “Like” while you’re there!)

For Jaimie Alexander, Jane Doe’s new set of tattoos were a complete surprise. “I get to the end of the script,” said Alexander, who hadn’t read ahead, “and I was like ‘What!? More? I have more?!'” As seen on “Back to the Grind” one new tattoo already had Tasha Zapata (Audrey Esparza) on edge, which is right in line with Roman’s schemes. “These tattoos are not only about Roman’s end goal…” said creator and executive producer, Martin Gero “but also exposing truths within the team.” Luke Mitchell was excited to take on the role of The Big Bad saying “it’s nerve-wracking and feels like a lot of responsibility.”

It’s not all about the big bad though, as Gero and crew emphasized the James Bond-like nature this new year is bringing. “The world is kind of a scary place right now and we could all use a little escape,” Gero said, “And the show–the show can be scary and serious at times, but it was really important for us this year to have a lot more fun. To bend towards more of a kind of Bond model. The show is very international this year. We shot a big part of the premiere in Italy and we’re shooting in Australia, in Barcelona, all over Africa. So like the show’s going to have a scope the likes of which you’ve never seen, I think, on a network television show before. But then on top of that it’s also just more fun. the show is a lot of fun this year. And we hope it’ll be kind of addictive and great.”

Adding to the fun is the return of fan favorite character Rich Dotcom (Ennis Esmer), who is now working on the good side, though annoying the team all the while. Esmer, who’d appeared twice last season says his return was “a complete surprise.” He joked “It still feels like someone made a mistake at some point.”

Blindspot airs Friday nights at 8pm on NBC

Full interviews are viewable on our Facebook page:
Jaimie Alexander & Luke Mitchell
Audrey Esparza & Ashley Johnson
Sullivan Stapleton & Rob Brown
Ennis Esmer & Martin Gero

Kansas City Comic Con To Highlight 40th Anniversary of “Superman the Movie” with VIP Ticket Package

2018 marks the 40th Anniversary for one of the most popular and influential films of all time, “Superman the Movie.”

To help celebrate the event this year’s Kansas City Comic Con is bringing six of the film’s stars to Kansas City to help commemorate the milestone. While all of the guests will be available during the convention to meet fans and sign autographs, KCCC is offering an amazing “You’ll Believe a Man Can Fly” VIP ticket package, which includes the following:

*VIP Reserved Seating for BOTH the film panel at the convention AND at a screening of “Superman II: The Richard Donner Cut,” which will be held at the Alamo Drafthouse.

*A set of six special 11″x 14″ 40th Anniversary Prints (unsigned) featuring attending cast members Margot Kidder, Sarah Douglas, Jack O’ Halloran, Aaron Smolinski, Jeff East and Diane Sherry Case.

*A special 11″x 14″ 40th Anniversary Print featuring, and pre-signed by, Valerie Perrine, who will not be attending the convention.

*Priority line where VIP ticket holders can also have one item of their choice signed by any (or all) of the attending cast members.

*A professionally shot Group Photo opportunity with all of the attending cast members on site.

*Cool swag bag filled with free Superman and Superhero-related merchandise! Bag merchandise will vary and will include items from show sponsors, including Hallmark, Mezco Toys, Coolwaters Productions, Gentle Giant, DC Comics and Factory Entertainment.

*40th Anniversary poster featuring original and exclusive artwork from Capedwonder.com

For more information or to purchase your VIP Package ticket, click here.

The Kansas City Comic Con runs from Friday, November 10 through Sunday, November 12 at Bartle Hall in Kansas City, Missouri.

2017 New York Comic Con Review: Day 2

2017 New York Comic Con

Friday, October 6th 2017
Jacob K. Javits Center, New York, NY

Our Score: 3 out of 5 Stars

All things pop culture descended on New York City specifically The Jacob K. Javits Center as the sprawling complex once again played host to the annual New York Comic Con held on October 5th-8th. The event now in its 11th year was once again put on by the Connecticut based company Reed Pop a company who organizes some of the largest pop culture events around the country. 2017 proved to be no exception and despite having to deal with a smaller venue space due to construction the event still boasted an over whelming number of vendors and appearances by some of the biggest names in comics, film and television.

Day two of the four day convention this year seemed a bit lacking in the way of panels and events as compared to previous however that did not thwart our attempt to take in the massive show floors and numerous cos-players as the con is always one we look forward to attending each year. Right off the bat we noticed that the entry to the event was much easier than in previous years as there was now two different entries for single/multiple day pass holders. This dramatically cut down the once endless serpent like line which in previous years engulfed the outside areas of the center. Despite a quicker entry once inside you could instantly see that the construction taking place in several key areas of the center such as the section which normally houses artist alley was causing large bottle necks of immovable lines. For those wanting to meet their favorite artist or creator gone was the spacious, well lit corridor which was always a nice break from the hustle and bustle of the main show floors but instead this year creators and artist were relegated to one of the structures basement levels which caused for a less than pleasurable viewing experience complete with cramped/impassible walk ways and a heightened room temperature that at times almost took your breath away.

After a couple escalator rides we made our way on to the main show floors. This area also seemed to take on the brunt of less floor space in other areas as walk ways and vendor spaces seemed much smaller than in previous years. As always the Funko booth commanded a lot of attention as those fortunate enough to be selected in the lottery process waited in endless lines in hopes to purchase one of the sought after convention exclusives. During our time at the booth we had the chance to grab a quick autograph from WWE Superstar and Funko Enthusiast Zach Ryder who had stopped by to check out his NYCC exclusive Pop! figure. Other notable vendors were the Middle Earth “Shadow of War”  booth which featured a life size dragon which convention goers could have their pictures on and Marvel vs. Capcom’s replica Ultron and throne display both of which garnered long wait times just to get a glimpse of.

Before leaving for the day we made quick stop in the autographing area which as always is a popular stop for most attendees. Some of the big names this year included Michael Rooker, Peter Capaldi and Mark Hamill among a long list of others. With prices ranging from $40 to $300 per signature we did not spend a lot of time in this area but there were plenty of others anxiously awaiting to spend their hard earned cash to meet their favorite actors and actresses.

With more and more events/panels being held off site it makes me question just how much longer the Javits center will remain a viable location for the Con. With early attendance figures coming in at around 200,000 for the four days the event shows no signs slowing down. Hopefully the center will be back to full functionality for next year’s event as the lack of space definitely impacted all aspects of the event. Either way, we can not wait for next year.

The View Askew Universe is Coming to Kansas City Comic Con

Snootchie Bootchies! Kansas City Comic Con made three major announcements, all of them encompassing the popular View Askew Universe. First off, fans of the AMC television program “Comic Book Men” will be joining the convention for panels and more. Second, Jay himself, Jason Mewes, will be joining the Comic Book Men. And, finally, you can’t have Jay without Silent Bob! Kevin Smith, the creator of all things View Askew, and Mark Bernardin will be broadcasting their “Fatman on Batman” podcast LIVE from the Kansas City Convention Center.

The Kansas City Comic Con runs from November 10th through 12th this year. Among the already announced highlights will be a special 40th Anniversary Celebration of “Superman the Movie.”

More details can be found on their website here and their Facebook page here.

Our own MovieMike and friend Ben Ryland with Kevin Smith at JAY AND SILENT BOB’S SECRET STASH in Red Bank, New Jersey.

Amazon Prime ‘Activates’ The Tick and Lore at NYCC

Fans looking to escape the crowded New York Comic Con show floor this past weekend were taken care of by a pair of immersive ‘activations’ presented by Amazon Prime. On site at the Jacob Javits Center, the streaming service introduced two of its newest series, The Tick and Lore, in style. I was fortunate enough to spend time exploring both experiences with some friends over the course of the con weekend and needless to say, they got me hyped to check out the shows.

My first stop was The Tick’s massive Dangerboat installation on the upper level of the con. Dangerboat is not just the headquarters to the Tick’s nemesis, Overkill, but also has a sentient artificial intelligence all its own (on the show he’s played by geek icon Alan Tudyk). In keeping with that, NYCC’s Dangerboat was also talking and fully sentient and began immediately interacting with my crew when we boarded.

Both of Amazon’s experiences were connected to an RFID wrist tag that we registered before entering. In Dangerboat the tag was used to print out our custom Aegis database ID as well as getting our own tin of FO HAM. Thankfully the tin actually contained “NEAT!” Tick pins and not canned meat. Dangerboat concluded with a fun green screen video op that with yet another swipe of wrist tags was emailed or posted wherever we chose. All told, Dangerboat took my group about a half hour to fully interact with due to the level of options on the various screens, not to mention the funny rapport we developed with a sentient boat(!) which was pretty incredible as far as con setups go. Whomever was the mind behind Dangerboat certainly captured the humor and spirit of the show itself and provided some of the best laughs of the weekend.

About The Prime Exclusive Series, The Tick:
“Bursting with scabrous original storylines that turn on a dime, The Tick is a comedy with kinetic action, a wryly inventive visual style and crisply quotable dialogue. Heroes have flown among us for decades but mild-mannered accountant Arthur Everest (GRIFFIN NEWMAN) one day finds out there are also genuine bad guys in this new Amazon Original Series. He believes he has proof that The City, where he was born and raised, is actually controlled by a global super-villain known as the Terror (JACKIE EARLE HALEY). Destiny soon brings Arthur together with an eccentric, tall, blue-suited muscleman with a mysterious past and list of superpowers: The Tick (PETER SERAFINOWICZ). The title character serves as both the conscience and the unchecked id of the story. Citing the call of destiny, the Tick procures for Arthur a moth outfit with retractable wings and insists that he suit up as his sidekick. He and Arthur are the ultimate odd couple, but may just bring out the best in each other. In their quest to take back The City, the unlikely pair of heroes quickly sees just how complex the struggle between good and evil has become.”
The Tick returns to Amazon on February 23rd 2018

Descending down a level into the Museum of Lore was yet another unique RFID experience and definitely welcome this Halloween month. Based on the hit podcast, Lore sets out to retell the true life macabre stories that inspire some of horror’s most notorious tropes. In a series of interactive rooms, my group tromped through haunted dolls, magical mirrors and werewolves as presented by a trio of delightfully over the top actors. Utilizing our RFID bands, we were rewarded with messages from The Other Side and a cool photo souvenir over a pretty twisted werewolf buffet….

About The Prime Exclusive Series, Lore:
“Sometimes the scariest stories are true. Lore is based on the global, award-winning podcast sensation from creator Aaron Mahnke, and executive produced by Ben Silverman (The Office), Howard T. Owens (The Biggest Loser), Gale Anne Hurd (The Walking Dead), Brett-Patrick Jenkins (Face Off), Glen Morgan (X-Files), Jon Halperin and Mark Mannucci (A Year in Space). Lore brings the podcast to life and tells the real life origin stories that have led to our modern day myths and legends, including vampires, changelings, werewolves, séances and possessed dolls.”
Lore is fittingly debuting on Friday October 13th.

 

 

The Americas Cake Fair Returns to Orlando on October 13-15, 2017! Tickets on Sale Now!

“Close Encounters of the Third Kind” – 40 Years Later

Top 5 movie-based online slots

The influence of Hollywood spreads far and wide, including in the form of casino game themes. Online slot machines are very popular, and since competition is fierce, game manufacturers always try to come up with new and innovative ways to vary the games and their designs. To change the theme of the slot is the most common and obvious way to change a game, but it’s hard to keep coming up with ideas that compel people to play them.

At the same time, movie studios are often willing to license out their intellectual properties, for example to create merchandise or to make video games based on films. Thus, they license the rights to make casino slots based on famous blockbuster movies! Since the creators and the movie studio tend to care about their product, it often means the resulting slot machine will be of high quality. Here’s just a few of the best movie-based slot games!

Jurassic World

Even though the original film also got its own slot machine, the newer one based on 2015’s Jurassic World is more exciting. It has flashier graphics, several unique bonus features and lots and lots of dinosaurs. Just don’t be a dino-sore loser and you’ll have plenty of excitement in this Jurassic World slot!

Terminator 2

Put on your big-boy boots, your clothes and join a cybernetic Arnold Schwarzenegger on the back of his motorcycle in this slot game based on James Cameron’s classic action movie, Terminator 2. Certain symbols have been replaced by clips from the movie, that animate when you win and the iconic theme song plays when you win big.

Bridesmaids

This wacky comedy was a big hit, so of course it got its own slot machine as well. Here, you join the all the characters from the movie as they get ready for the wedding. This time, it’s you who will be smiling when the bells chime, since that means you won!

Dracula

Many classic film monsters have their own slot, but none is more classic than Dracula! Ok, maybe Frankenstein, but luckily, he’s got his own horror-themed slot machine as well. Sink your teeth into this vampiric video slot if you’re ready for some blood-curdling action. Like a lot of movie-based casino games, this one is made by NetEnt.

Justice League

In case you didn’t know, The Justice League is a group of DC superheroes that fight evil together. We chose to include this slot machine on the list, even though it may not be the best one based on DC comics, since it has the most heroes in it. Many of them have their own slots as well, though, such Batman, Superman, Wonder Woman and The Flash!

There are many places to play these movie-based casino games on the net, but we can personally recommend the online casino InstaCasino as a fair and trusted platform. There’s also a lot of games that aren’t based on movies at all, if you prefer to split the pot that way. Just remember to have fun!

MediaMikes attends San Diego Comic-Con for the First Time

It’s a difficult experience to summarize, but upon arrival back home in Kansas City, I’ve told people that it felt like a nerdy rite of passage. MediaMikes has had the pleasure of attending New York and Kansas City’s Comic-Con’s, but for the first time, we can now add the honor of attending San Diego Comic-Con to that list.

There are inevitable growing pains for those who have never attended the San Diego Comic-Con, no matter how much research beforehand is done. And if word on social media was correct, there are continuous growing pains for regular attendees. The first hurdle was the agonizing wait time to see if we would be one of the lucky few to get into Comic-Con and then came the mad dash for available hotel and AirBnB space. Following that whirlwind is the announcement of events, panels, and celebrities. Some of them announce a few weeks out while others pop-up announce their intentions the day of.

However, that overwhelming spectacle aspect is put on the backburner for opening night on Wednesday. For a handful of hours, the massive vendor and exhibit hall was opened for the tens of thousands already in scenic San Diego. For those thousands, some had waited outside all day, while others, like me, walked in after the initial stampede. A sensory explosion of lights, sounds and excitement filled the halls as the talk on the floor was of SDCC specific goodies already being sold out. I spotted folks who already had multiple bags of merchandise in tow while others waited in lines for exhibits like “The Walking Dead” and “Star Wars.”

Despite the giddy joy within the SDCC halls, the 79 degrees and sunny skies made it hard not to enjoy the various outdoor exhibits around the convention center. They may as well be more popular than the convention center itself because you don’t need a pass and it’s free. Netflix, “The Walking Dead,” “Westworld,” SyFy, Adult Swim and others were on point with their outside exhibits. Not only did they offer up swag, ranging from shirts and bandanas, but some offered legitimate exclusive items along with fresh food and a refreshing bottle of water.

While talking with others exploring the sprawling nerdified cityscape outside, I began to understand the behemoth known as Hall H. For those who don’t know, Hall H is where Marvel, FOX, DC, and others unveil previews and have panels focused on the hottest shows and movies for nerdy pop-culture. When you crunch the numbers, around 5% of attendees are only able to squeeze into Hall H for a panel. Some were lucky enough to step inside, including our very own Lauren Damon. But for those on the outside looking in, waiting in a line to wait in a future line seems like pure insanity when there are other panels at smaller venues.

Because Comic-Con has grown so big, it’s hosting panels in a nearby library, while also packing over 15,000 people into the home of the San Diego Padres, PetCo Park. Multiple panels were even jammed into the nearby hotel meeting rooms, while the nightly festivities spilled into the nearby Gaslamp Quarter. My and Lauren’s experiences have their merits, going balls out for Hall H or enjoying nearly every display and participating into those off the beaten path panels. If you were to ask me or Lauren about our experiences, they’d both be positive for widely different, but solid reasons.

With hundreds of thousands in town, there’s an argument over whether or not SDCC is worth the “Hunger Games” dash for tickets and lodging, the long waits, and the sore feet after four days of walking and standing. We at MediaMikes say it is. It’s a one-of-a-kind experience that transcends all ages and turns out to be an unforgettable weekend for all in attendance. There may be times of frustration, but the moments of pure nerdy ecstasy, like watching the latest “Thor: Ragnarok” trailer in a crowd of thousands of screaming people or geeking out over Matt Groening revealing that “The Simpsons” writers have been asked to tone down their criticism of Fox News, make SDCC a lifetime memory.

For those who’ve attended before, you’ve made up your mind about where you stand on attending the world’s largest comic-con. Once may be enough, but from what I gathered from talking with complete strangers on the hall floor, on the street and at the bars, it’s a yearly pilgrimage once you’ve had a taste. But for those who have been on the fence for years about whether or not to attend, just do it. Keep in mind that you have to choose your time wisely because those five days (or fewer) go by quickly. Here at MediaMikes, we’ve gotten our feet wet and can’t wait to dive head first next time.

The Hollywood Show is an Amazing Experience

Meeting Richard Dreyfuss. My lanyard reads “Celebrity” but we know the truth.

I’ve been attending fan conventions since I was 16-years-old. In those 40 years I’ve had the chance to meet so many of my favorite celebrities, from the cast of the original “Star Trek” series to such esteemed filmmakers as Martin Scorsese, John Avildsen, Ron Howard and Brian DePalma. This past weekend I had the experience of seeing a convention from “the other side of the table” when I was a celebrity guest of the Hollywood Show in Los Angeles.

Being a guest at a show like the Hollywood Show is a surreal moment. Instead of standing in line and talking to people about who you are going to meet (favorite roles, etc) there are people standing in line to talk to YOU. The show was very “Jaws”-centric, which means had I lived in LA I would have been the first one in line. Among the guests from my favorite film were Joe Alves, Carl Gottlieb, Roy Arbogast, Ted Grossman and the show’s headliner, Academy Award winner Richard Dreyfuss. As the co-author of the definitive book on “Jaws 2,” I was placed in the same row as a group of “Amity Kids” from the film: Donna Wilkes, Gigi Vorgan, Tom Dunlop, Ben Marley, Billy Van Zandt and Martha Swatek. Both Ann Dusenberry and Gary Springer were hoping to attend but cancelled, Gary having to work and Ann’s father, Bruce, having sadly passed away recently. Another “Jaws” highlight was the amazing sculpture of Robert Shaw as Quint in the fighting chair, which was created by Nick Marra. Mr. Marra also created the amazing sculpture of Roy Scheider, Robert Shaw and Richard Dreyfuss at the back of the ORCA that was featured at the 2012 JAWSFest.

Nick Marra’s amazing Quint sculpture.

But if you weren’t a “Jaws” fan there was someone there for everyone. Fans of classic television had the opportunity to meet Wally and the Beaver (Jerry Mathers and Tony Dow), Mary Ann (Dawn Wells), Barney Miller and Stan Wojciehowicz (Hal Linden and Max Gail) as well as several “Star Trek” stars, including Nichelle Nichols, Fred Williamson and Mariette Hartley. Besides Richard Dreyfuss, film fans got to spend time with such stars as Bruce Dern and Paul Sorvino. Current television was also represented, with many soap opera stars attending on Saturday. I was pleased to find that sitting directly behind me was the cast of “Mike and Molly,” with Billy Gardell’s back often ending up in the photos taken of me.

Not only were the celebrity guests friendly and generous with their time, they weren’t charging an arm and a leg. I’ve been to shows where celebrities charge a minimum of $50 just for an autograph. If you want a photo with them, it’s more. The highest priced signature here was Mr. Dreyfuss’, who was charging $40. But with that signature you could take a photo with him and, of course, chat for a few moments. Most of the guests were signing for $25 or less, meaning you had more celebrity opportunities for your dollar.

Me and the JAWS 2 kids (l-r): Ben Marley, Tom Dunlop, Martha Swatek, yours truly and Billy Van Zandt.

To me, the best part was when a representative of the show came to my table and escorted me to the “Celebrity Lounge,” where Goody Bags were prepared for the guests. I was taken around the room and offered everything from jewelry to bath salts, from wine glasses to hand painted chocolates. I was amused that a few of the gift representatives told me how much they enjoyed my last project and a couple even asked what I had coming up next. “Another book,” I’d reply. They would write down my name and ask to take a photo of me with their product, which I found to be an incredible boost for me ego. And I can’t help but think that somewhere is an advertisement featuring me holding up a bag of snack crackers reading, “Michael Smith LOVES ‘Rice Crisps'” (and I must admit, I did. Especially the pizza flavored ones). The next Hollywood Show in Los Angeles is coming up in October and it’s early guest list looks like it’s filled by the stars of “Hill Street Blues” and the film “The Warriors.” For information please go HERE.

All an all, the entire weekend was an amazing time for me, both as a fan and as a “celebrity.” I’ll be doing the Mid-Atlantic Nostalgia Convention in Baltimore in September. I hope the people with the Pizza Rice Crisps are there!

Planet Comicon remains the best in the Midwest

Rough weather in the Midwest didn’t stop tens of thousands of people from packing into Bartle Hall in Kansas City over the weekend for Planet Comicon. For three days, folks braved monsoon-like rains to meet their favorite stars, socialize and geek out. Nearly every inch of the convention center was brimming with fans, excited to see, meet and hear from celebrities, creators and cosplayers.

Like previous years, the 2017 edition of Planet Comicon featured all-stars across the entertainment spectrum. Everyone from Ron Perlman (“Sons of Anarchy” and “Hellboy) and Felicia Day (“The Guild” and “Dr. Horrible’s Sing-Along Blog”) to Jason Aaron (Writer for “Doctor Strange and “Thor”) and Kevin Eastman (Co-creator of “Teenage Mutant Ninja Turtles”) brightened the otherwise gloomy days. Our very own Mike Smith even hosted an informative panel on “Jaws 2” and Hollywood sequels. You’d be hard pressed to find anyone who was disappointed by this year’s line-up and activities.

Saturday, one of the busiest days of the three-day extravaganza, could have been disastrous if it wasn’t for the quick work and social media tools at the disposal of Planet Comicon organizers. A backdrop collapse during John Barrowman, early on in the day, could have thrown a wrench in the organizer’s plans. But a quick reshuffling, along with constant updates on Facebook, Twitter, and Planet Comicon’s new phone app, notified fans about the up-to-the-minute changes. It’s just one of many signs that Planet Comicon is always evolving to become bigger and better. It’s truly a leader of cons in the Midwest and shows the perseverance to become one of the best cons in the U.S.

MediaMikes would be remiss if we didn’t thank Planet Comicon organizers for not only their hard work, but for the opportunity for some of our readers to win three-day passes to the event. We’re already planning to attend and cover next year’s Planet Comicon.

Photo by Dan Lybarger

“Hellboy” himself, Ron Perlman Pikachu on the dance floor at an after party Felicia Day with balloon versions of the “MST3K” robots No-Face from “Spirited Away”

 

Emma Caulfield and Clare Kramer reflect on their roles on “Buffy” Batman’s true weakness Jason Isaacs talks Harry Potter and DC A near-perfect Bob and Linda Belcher The one-man show, John Barrowman No shortage of creativity Tara Reid talks about how she wound up in the “Sharknado” series Ariel delighting children Shannon Elizabeth has been busy since “American Pie” An unlikely duo, the Mad Hatter and Jack Frost

For a Fifth Straight Year, Panic Fest Gets Bigger and Better

The folks behind Panic Fest have a deep passion for horror and it showed all weekend long. Just like the past four years, the event was an absolute blast. While there’s always room for improvements, such as the amount of room there is at the Screenland Armour, it genuinely feels like the movies, the Q&A’s, the vendors, and everything else, were passionately combed over and whittled to near perfection. The efforts behind the creators and sponsors didn’t go unnoticed by those in attendance

The highlight from my first day was the sampling of local horror. Attendees were treated to movies with a local connection. I caught “Tonight She Comes” which was filmed in Missouri, just south of St. Louis, and was not for the faint of heart, squeamish, or those with a working moral compass. The other movie I caught was “Arbor Demon,” which was directed by KU alum, Patrick Rea. Despite his desire to film in his stomping grounds, he filmed his camping trip turned nightmare in South Carolina.

The second day, since I wasn’t hungover, began with an 11 a.m. selection of Saturday morning cartoons. Forever Bogus hosted the screening of late 80’s and early 90’s cartoons. As for the rest of the day, it was an eccentric collection of B-movie horror, nostalgic throwbacks, and psychological horror. The highlight of my night though was “The Last Podcast on the Left.” The trio of hosts, Ben Kissel, Marcus Parks, and Henry Zebrowski, tickled the funny bone throughout with taboo topics like Charles Manson, and absolutely bizarre topics like Batsquatch.

The final day was a rehash of some movies folks may have missed along with some new movies mixed in for flavoring. I feel like I caught the two best films of the festival that day though. Despite my well belief that the “Walking Dead” has ruined the zombie genre, “Train to Busan” and “The Girl with All the Gifts” is evidence to the contrary. And I’d be crazy not to mention “The Void.” Imagine if the creature effects people behind “The Thing” stumbled into a Clive Barker fever dream. That’s what watching “The Void” was like.

For those who attended, I bet you had a blast like I did. For those who didn’t, I hope to see you next year. You can check out the Screenland Armour here since they will be sprinkling some of the films from Panic Fest throughout the year. You can also go to the Panic Fest website here to keep an eye out for next 2018 and check out the movies I mentioned and didn’t mention.

Book Review “The Art of Moana”

Series: Art of
Hardcover: 160 pages
Publisher: Chronicle Books
November 15, 2016

Our Score: 5 out of 5 stars

Let me start with the fact that “Moana” is my favorite film of 2016. It is a beautiful movie with beautiful songs. The colors are just jaw-dropping and the design is a work of art. “The Art of Moana” is the latest title from Chronicle Books that dives into the stunning artwork going behind-the-scenes in “Moana” with some outstanding character designs, storyboards, colorscripts, and much more. If you loved this film then this book will only make you love it more

Official Film Premise: Three thousand years ago, the greatest sailors in the world ventured across the Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped—and no one today knows why. From Walt Disney Animation Studios, Moana is a CG-animated adventure about a spirited teenager who sails out on a daring mission to prove herself a master wayfinder and fulfill her ancestors’ unfinished quest. During her journey, Moana meets the once-mighty demi-god Maui and together they traverse the open ocean on an action-packed adventure, encountering enormous fiery creatures and impossible odds.

When I see that Chronicle is releasing a new Art of Book, I go wild because they really know how to put together an amazing book. I really enjoyed the exploration of what was or could have been in this book and how certain characters and aspects of the film have developed over the years. Other than just the photos, the text in the book delivers a nice story to complement them and educate you on the process as well. This movie is simply beautiful and the book is a perfect companion to the film.

NYCC 2016: Adult Swim’s DREAM CORP LLC

Have you made your appointment with Dream Corp LLC yet? The mind-bending new series from creator Daniel Stessen is currently admitting new patients every Sunday night at 11:45pm on Adult Swim. Starring Jon Gries (Napoleon Dynamite), Stephen Merchant (“The Office”, “Hello Ladies”), Nick Rutherford (Balls Out, “Drunk History”) and a host of guest stars, the series follows a strip mall clinic that uses advanced technology to invade its patients dreams in order to solve their real life problems. At New York Comic Con this year, the Adult Swim panel was treated to the first two episodes of Dream Corp which blend live action sci-fi and trippy rotoscope animation.

Accompanying the new series to NYCC was creator Stessen with stars Gries, Rutherford and Merchant (who also serves as an executive producer on the show). I sat down with them to talk about this new addition to the Adult Swim lineup.

How did you develop Dream Corp?

Daniel Stessen: I had the concept, been developing it for a while, and created this world and kind of came over to Steve for a little guidance as to how to make it more palatable to a larger audience. Being that he has some–

Stephen Merchant and Daniel Stessen

Stephen Merchant: I think he’s being immodest–or he’s being too modest, I should say, that’s not right. Too modest. I was there as just a friend of Danny’s…to do a voice for this robot [T.E.R.R.Y] that’s in the show and inevitably whenever there’s anything creative going on, I like to start meddling, and just offering thoughts. And we started talking more and more. And it was just for me, it was something I would have done as a friend anyway…but I just thought, you know, let’s try to screw these guys for some money. (Both laugh)

Stessen: And the robot, we love the robot, he was built by Jim Henson Studios…That was one of the more validating moments of my last ten years on Earth, just getting that call that they were on board to build Terry the robot.

Merchant: There’s a really strong visual sense to the whole thing, again largely down to Danny. He’s just got an incredible visual imagination. And so you see that both in the real world–where you see this kind of twisted, eccentric sort of laboratory– and then also when you enter that dream world. And that’s done with the rotoscope animation. When you go on the set, it’s you know, it’s bits of cardboard and people with fake cardboard wings and cardboard jaws and things. All of which is going to eventually going to be animated but which only [Danny] can really see. So a lot of people I think are just stood there and like ‘you want me to what? I’m drowning in spaghetti now?’ And he’s like ‘Trust me.’ So it’s sort of extraordinary, an extraordinary kind of vibe there. Wouldn’t you say people were confused [on set]?

Stessen: It’s just, when people would walk on when we were shooting the dream world stuff, people would walk into an empty room and I would just be like ‘this is going to feel super weird, just trust me, it going to look real cool.’

Can you speak about your characters?

Nick Rutherford and Jon Gries

Nick Rutherford: I play patient 88–
Jon Gries: Nick!
Rutherford: Yeah, Nick as well, who comes to the office to work on erectile dysfunction and pretty quickly realizes that the office itself is kind of dysfunctional.
Gries: What happens is that he has to work for us because he can’t pay for his procedure
Rutherford: Yeah I can’t pay for the procedure and you think that it’s a confidence issue and I don’t have a job so you say–
Gries: A job?
Rutherford: Why don’t you work here? And I’m like this is a terrible place, but I kind of go along with the flow.
Gries: So he’s really the eyes of the audience. Because obviously he’s come into this place that is so–well from some perspectives, would be ridiculous and crazy. It’s not from my perspective.
Rutherford: It’s your life’s work.
Gries: It’s my life’s work. Dr. Roberts has this vision that this is the most transforming and necessary procedure but he’s lost his funding. So now he’s working out of a strip mall because he believes and he knows that it’s working. He knows that he’s changing people’s lives. There’s a little problem here and there but–
(Both laugh)
Rutherford: There’s a lot of problems.
Gries: There’s a couple of bugs that get worked out of the system. But it could be because the system’s really old and we haven’t had the money to update it.
Rutherford: And I think Nick, Patient 88, comes into it and kind of sees a family forming. Because everybody trusts and loves each other. Like there’s, Stephanie Allen plays Joey, his protégé–
Gries: My intern for nine years. No pay!
Rutherford: (laughs) Yeah, Nine year intern. Who loves him and obviously thinks he’s the most brilliant guy ever and he just does not give her the time of day. And Mark Proksch plays kind of the navigator of sorts, I don’t know if you know his work–
Gries: He’s amazing. And he doesn’t ever leave the building. For fifteen years he doesn’t leave the building.
Rutherford: So he’s incredible. And then [Ahmed Bharoocha] plays kind of the nurse and he’s just this big stoner who doesn’t even really care. So Everybody relies on each other in a nice way. So the meat of the story is us working together and growing together and me being thrown into this world. And it being very dangerous, but also fun. And then bringing in these amazing guest stars and throwing them into that.
Gries: He gets attacked by June Squibb at one point. She stabs him.
Rutherford: Yeah she stabs me in the neck with a a screw driver. I’m kind of like the Kenny, I get hurt a lot. (both laugh)

Have you ever had a weird celebrity dream like with [episode one guest star] Dave Coulier?

Rutherford: Yeah that was really surreal.
Gries: I did, I had a weird celebrity dream. I was very nervous, I was about to do a movie years ago and I dreamt that I was in a barbershop. And I was sitting and the man sitting in the next chair was Fred Astaire.
Rutherford: Really?
Gries: True story. And he looks at me and he goes, “Are you worried about something?” And I said “I’m just a little uncomfortable” And he said “Have fun. Just have fun.” I swear to god! And that was like two days before I started shooting Fright Night Part 2.
Rutherford: Have fun out there.

What was it like working with the rotoscope animation?

Dream Corp LLC/Adult Swim

Rutherford: It’s really fun because everything is so grand. You know it’s like now you’re falling off of a hot air balloon, or now you’re running away from your bullies in high school. So you’re playing these large characters, so you just kind of jump into it. Like, I remember thinking when I was very young and being an actor, how it must be really hard to shoot like Jurassic Park when you’re in front of a green screen and then they’re like “and THAT’S a velociraptor” and you’re like “ahhh!” I didn’t feel that at all during the production that that those scenes were difficult thing to do. Because they’re just so silly and fun and you’re wearing kind of a half costume so they can animate it later. Like I’m dressed up like Legolas–
Gries: And literally it was sometimes it was pieces of cardboard, you have cardboard on you almost like a really bad–
Rutherford: Like a play
Gries: Like a kid’s play. But you know it’s all for reference and they’re gonna draw on top of it. And the thing is, knowing how beautiful the animation is also gives you the impetus that when you’re in it, you understand what it’s going to look like, so it helps, it augments. Whatever decision or choice you’re going to make, you can go further with it because you just have that confidence behind that animation. It’s almost like ‘pay no attention to me, it wont be the real me, it will be a better me.’

Stessen: The inspiration came from working with his name’s Michael Garza [of Artbelly Productions] out of Austin, Texas. He worked on A Scanner Darkly, and then a couple other guys on the crew are Scanner Darkly. And one of the woman who was an animator on Waking Life. Which I’m a huge fan of. I saw Waking Life a while back and watched it over and over and over again. Huge inspiration. And we made a short film together that did well in festivals and kind of, we started developing that style in trying to evolve it and I think we’re pushing it forward a little bit and figuring out that we can build things out of cardboard. And make a dragon face. Because all he has to do is draw what’s there. Not that’s all he has to do–his job is to draw what’s there. So we could draw you [all] here and now you’re on a volcano, you know what I mean? So it gives us a lot of flexibility and the fact that with where we are, with little funds, we could do a ton.

What can viewers expect for the rest of the series?

Gries: Surprise after surprise after surprise. I’m not kidding you, it’s different every time!
Rutherford: Yeah it really is. I mean there’s this kind of thread of these different guest stars coming in and getting their therapy as our relationship progresses and as the interrelationships between Joey and Ahmed and…Randy–Randy’s arm gets cut off (laughs)–
Gries: There are things that happen, there’s a continuity within the core group and yet at the same time it’s absolutely ridiculous what happens–but it still stays, it still answers that continuity. And yet the people that come, the patients that come, their stories individually are so different from week to week that it just gives us a whole other area to run through.
Rutherford: yeah There’s like a couples therapy–a gay couple comes in to get like couples therapy. June squibb comes in to quit smoking but then finds out that really just she just wants to have sex.
Gries: And have a baby–and she’s never had sex in her life.
Rutherford: So Roberts appeases that in the dream world–
Gries: You know he says, it’s been a while!

Dream Corp LLC is on tonight and every Sunday on Adult Swim at 11:45pm, with the premiere episode currently streaming at AdultSwim.com

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