Kansas City Theater Review: “Kinky Boots”

Starlight Theater
Kansas City, Missouri
September 29, 2017

Review by: JR Deeter

The stage musical “Kinky Boots” is based on the 2005 British film of the same name. I first became aware of this inspiring story while watching the 2013 Tony awards program. I enjoyed the musical numbers like “Sex Is in the Heel,” “Not My Fathers Son,” and “Soul of a Man.” The performance this evening at Starlight really did those songs justice and really, the entire score of songs was great. Lead actors Lance Bordelon and Joseph N. Banks were perfect in there respective rolls of Charlie and Lola/Simon. The supporting cast did an exceptional job as well, especially the ensemble group known as the Angels. For the musical, written by Harvey Fierstein with music & lyrics by Cyndi Lauper, a strong message of inclusion is brought out, promoting the feeling that everyone deserves respect for who they are.

The story tells of a four-generation tradition of proprietors of a men’s shoe factory, Charlie dreams of something more…and his fiancé, Nicola, is dragging him to the big city of London to pursue that dream. The sudden death of Charlie’s father brings him back into the factory to figure out how to tell the staff, who are like family to him, that the company is bankrupt and going to have to close. On a return trip to London, he encounters what he believes to be a woman being beat up by a couple of guys. He intervenes and meets the amazing Lola, the drag queen star of the club Charlie was visiting. Over time a friendship begins to develop and soon, with encouragement from his factory workers, who do not want to see the factory close, Charlie realizes a change is necessary from the old, stodgy men’s shoes to something more….and that is to provid kinky style boots for the transvestites who perform in the club. They are in need of a better designed boot, one that can handle the weight of a man, and still look fabulous and sexy. Lola brings her ideas and a partnership is born. Everything is going great, until an episode of intolerance shows that there are still those in society who do not accept what they cannot understand, or what is different than what they believe is normal. After teaching the misguided few a valuable lesson, by means of a boxing match (yes, turns out in his younger days, Lola, or Simon was trained by his father to be a prize fighter). Lola and Charlie find themselves at odds over designs, models for an upcoming show in Milan, and just their friendship in general. Lola seeks closure from her failed relationship with her father, who has rejected her for the lifestyle she choose. All seems lost, but like most musicals, everything works out in the end. Charlie and Lola realize they need each other to accomplish their goals and even the former bully comes around and admits his misgivings. The fashion show starts out as a disaster, but Lola and her Angels arrive just in time to save the day, and all is right with their world.

A very entertaining show, with a valuable lesson and and musical numbers that are outstanding. Cyndi Lauper has created memorable songs and music that shine bright all the way through. Not bad for a first timer. In 2013 “Kinky Boots” received 13 Tony Award nominations and won six trophys, including Best Musical and, for Cyndi Lauper, Best Score.

Tagsylvania Is Back For It’s 8th Season Featuring “Motel 666”

 

For its eighth consecutive season Tag’s Summer Stage in Big Flats, NY makes a ghastly transformation as it shifts from upbeat concert venue to a dark foreboding home of the undead. Rated as one of the top 31 Must See Haunts by Haunted Attraction Magazine the sprawling facility is home to four different attractions this season. Along with long standing staples “Lectures Layer”, “Psycho Swamp” and “Jerkus Circus” is the newly constructed “Motel 666” a two story dilapidated motel which is said to be the home of long since deceased travelers who checked in but never left. Complete with its own frightfully, comedic desk clerk who welcomes visitors with open arms making the new attraction right at home with the other long standing haunts.

While taking a moment to catch your breath between scares visitors can partake in a variety of activities such as the “Escape the Precinct” escape room experience, a “Dark Shadows Maze”, the “Vortex” or meet with a Psychic or Tarot Card reader. If that still isn’t enough try your hand at a number of Carnival themed games while enjoying some of the fall themed food and beverages. Open weekends during the month of October haunt goers can visit http://tagsylvania.com/ for a complete schedule and to purchase tickets…If they dare.

 

Kansas City Theater Review: “Motown the Musical”

Starlight Theater, Kansas City, MO
August 22, 2017

It is truly part of the soundtrack of my life. In fact, I would bet cash money that if you’re over the age of 16 you’ve heard the sound of Motown. From Smokey Robinson to the Four Tops. Diana Ross to the Jackson 5. Rick James to Rockwell. For almost 60 years we have grooved to the music delivered to us by the great Berry Gordy. If you’ve seen “Dreamgirls” you kind of had an idea of what went on behind the scenes. With “Motown” you know the truth.

The show opens during the famed “Motown” 25 television special, which was put together to honor the label and it’s artists but it mostly remembered for being the show where Michael Jackson introduced the Moonwalk! While current and former Motown artists (the Temptations, Marvin Gaye, Junior Walker) perform for the audience, we see an assistant trying to persuade Motown founder Gordy (Chester Gregory) to attend the event. Gordy is upset, having lost many of his founding musicians to bigger record labels with bigger budgets. It wasn’t always like this, he notes.

A step back into one of the most important parts of musical history, “Motown” is an amazing homage to the music most of us grew up listening to. But it’s more then just a “greatest hits” variety show. It takes a look inside the famous walls of Hitsville U.S.A. and the struggles that were endured, both musically and personally. Among the main parts of the story line are the budding romance between the married Gordy and Diana Ross (Allison Semmes). Gordy has chosen to mentor Ross to be the best she can and this mentoring has slowly grown into love. In fighting among the groups, choices of songs and the rights of artists to do what they feel is important. Gaye fights to record an album of socially conscious songs and though Gordy resists at first, he relents and the world is given “What’s Going On,” followed by “Mercy, Mercy Me.” You needn’t wonder if the music is timeless, as both of those songs should be mandatory listening today.

As the story progresses into the 1970s, we meet the Jackson 5 (this group was easily the most anticipated of the evening, earning the loudest applause). The 70s slow down until the company faces the prospects of having to sell. But the late 70s and early 80s, with groups like the Commodores and singers like Rick James (btch) keep the company going. All in all you will hear a virtual jukebox of over 50 great songs, all performed by an amazing cast, led by Mr. Gregory, Ms. Semmes and Jarran Muse, who brings the soul and the spirit of the late Marvin Gaye to life. If you love music and the power it has over us, this is the show for you!

“Motown: The Musical” continues in Kansas City through August 27th. Here is the show’s touring schedule through the end of October:

Chicago, IL: Oct. 3 – Oct. 8, 2017 at the Cadillac Palace Theatre
Huntsville, AL: Oct. 10 – Oct. 15, 2017 at the Broadway Theatre League
Peoria, IL: Oct. 17 – Oct. 19, 2017 at the Peoria Civic Center
Lincoln, NE: Oct. 21 – Oct. 22, 2017 at the Lied Center for Performing Arts
Mason City, IA: Oct. 25 – Oct. 26, 2017 at the North Iowa Community Auditorium
Sioux Falls, SD: Oct. 27 – Oct. 29, 2017 at the Washington Pavilion

Enter to Win Tickets to Disney On Ice Presents “Dare to Dream” in Orlando, FL

To celebrate the arrival of Disney On Ice Presents “Dare to Dream” coming to the Amway Center in Orlando from September 8-10, 2016, Media Mikes would like to give our fans a chance to win a family four pack of tickets to this monumental ice skating spectacular. Please leave us a comment below or send us an email with your favorite Disney on Ice memory from when you were younger or with your family. This giveaway will remain open until August 30th. This is open to our readers in Florida only unless you want to travel. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

Here are the available shows that the winner will be able to chose from:
Friday, Sept. 8 at 7:30pm
Saturday, Sept. 9 at 11am.

Amway Center, 400 West Church Street – Suite 200, Orlando, Florida 32801

Save 20% off select seats with code SAVE20. Not valid on premium VIP seating. Hurry for the best available seats! Code expires September 7, 2017.

I am a Feld Entertainment Blogger Ambassador, and in exchange for my time and efforts in attending shows and reporting my opinion within this blog, as well as keeping you advised of the latest discount offers, Feld Entertainment has provided me with complimentary tickets to Feld shows and other exclusive opportunities

Kansas City Theater Review: “The Bodyguard – The Musical”

Starlight Theater
Kansas City, Missouri
August 8, 2017

Bang! The sound of a gunshot fills the theater while, behind the curtain, a voice cautions, “You know what I do!” Whether the other person does or doesn’t is irrelevant. With another shot, he is dead.

The above transpires in the first few minutes of “The Bodyguard: The Musical.” Based on the popular Lawrence Kasdan film, which starred Kevin Costner and Whitney Houston, the show is hoping to recreate it’s huge London success on a tour of the states.

To those familiar with the film, you know that the story involves pop superstar and budding film star Rachel Marron (an outstanding Deborah Cox) and her hate/hate more relationship with Secret Service agent turned personal bodyguard Frank Farmer (Judson Mills), who has been hired by Rachel’s manager to look after the singer after a series of threatening notes are found. Frank is a no-nonsense kind of guy and this rubs Rachel the wrong way. Not only is she worried about her privacy but that of her young son, Fletcher. As the show progresses we are treated to some nice choreography and some amazing Whitney Houston songs. In fact, this show is so full of Houston’s hits that it should have been called “WHITNEY! – The Musical.”

The show’s plot consists of every way possible to introduce another classic Whitney Houston to the audience. The songs are classics, but the plot is a dud. It didn’t really work as a film but translated to the stage, especially in musical form, is a gamble that doesn’t quite pay off. On the plus side, both leads are committed to their roles and Ms. Cox’s voice is loud and clear. The choreography is top notch and the direction keeps the show moving. If you’re a fan of the film you may want to skip “The Bodyguard.” If you’re into the music of Whitney Houston, then by all means take it in.

Disney’s Smash Hits Moana and Beauty and the Beast Redefine Heroism as Part of Disney On Ice presents Dare To Dream

Moana, Maui and Friends from Disney’s Moana Take the Ice for the First Time; Tickets On Sale Now for the 2017 Dates

Disney’s Moana voyages onto the ice for the first time as Disney On Ice presents Dare To Dream, produced by Feld Entertainment Inc., brings courage and adventure to hometowns across North America. Hosts Mickey Mouse and Minnie Mouse bring audiences on an expedition across raging seas and snow covered mountains in this action-packed extravaganza featuring Disney’s Beauty and the BeastFrozen, Tangled and Cinderella with other beloved Disney characters to help tell these extraordinary tales. Tickets are on sale today for the 2017 tour dates.

Dare To Dream takes families on a high-sea adventure as Moana sets sail on a life-changing quest to save her island with help from the demigod Maui. With the ice floor transformed into the vast oceanic scape, Disney On Ice allows Moana’s strength and determination to take center stage. This engaging atmosphere lets audiences deepen their existing connection to their favorite wayfinder and discover one’s true identity is never out of reach.

“As parents, we strive to find role models who embolden our children to choose kindness and exhibit the values we aim to impart, and this production of Disney On Ice truly embodies this goal,” said Executive Vice President of Feld Entertainment and Producer of Disney On Ice presents Dare To Dream, Nicole Feld. “With Dare To Dream, I want to inspire the youngest members of our families with the heroic stories of their favorite Disney characters and allow them to discover the hero within themselves.”

Beautiful production numbers invite audiences into the world of Beauty and the Beast, as Belle shows what it means to be fearless. Along with her new friends in the enchanted castle, Belle is encouraged to step outside the ordinary and find joy in the bleakest situation. As she looks beyond the harsh exterior of the Beast to reach his gentle heart, fans learn there are teachable moments in everyday life.

Through the athleticism and grace of Anna and Elsa, Rapunzel and Flynn, and Cinderella, brave heroes from FrozenTangled and Cinderella ignite passions to believe. Showgoers will witness each characters’ unique qualities and talents inspiring children around the world to discover their inner hero.

“One of the most magical things about Disney On Ice is the performers’ ability to authentically showcase the best qualities of Disney characters,” said Director Patty Vincent. “At our shows, moms and dads are able to experience the magic through the eyes of their children, allowing them to reconnect with their favorite characters and once again experience the childlike wonder and hope that inspires us all.”

Visit DisneyOnIce.com for the shows and dates coming to your hometown. Stay current on the latest developments through social media, including instructions on how to access presale codes for future Disney On Ice productions:

Facebook: www.facebook.com/DisneyOnIce
Twitter: @DisneyOnIce #DisneyOnIce #DareToDream @NicoleFeld (Show Producer)
YouTube: www.youtube.com/DisneyOnIce
Instagram: @DisneyOnIce

About Feld Entertainment

Feld Entertainment is the worldwide leader in producing and presenting live touring family entertainment experiences that uplift the human spirit and bring people together. With millions of people in attendance at its shows each year. Feld Entertainment’s productions have appeared in more than 75 countries and on six continents to date and include Monster Jam®, Monster Energy Supercross, AMSOIL Arenacross, Disney On IceDisney Live! and Marvel Universe LIVE! More information about Feld Entertainment is available online at www.feldentertainment.com.

Comedian Margaret Cho Announces “Fresh Off The Bloat” Tour and New TNT Pilot “Highland”

Margaret Cho Set To Introduce Her Newest Stand-Up Comedy Material On Upcoming
“Fresh Off The Bloat Tour”

Tickets Go On Sale July 21 Via http://margaretcho.com/tour/

TNT Order New Comedic Drama “Highlands” Starring Margaret Cho To Pilot.

Five time Grammy & Emmy nominated comedian Margaret Cho has much to celebrate as she was recently named one of Rolling Stone magazine’s 50 Best Stand-Up Comics of All Time and is set to launch what is sure to be her sickest stand-up comedy show to date this fall. A pioneer amongst women in comedy, Margaret doesn’t take anything for granted as she continues to tackle difficult subjects with sensitivity and her razor sharp insight with her takes on addiction, abuse, activism and Asianness. It’s all about the politics of disgust and what is disgusting about politics. Aptly titled, “Fresh Off The Bloat,” Margaret says, ““Fresh Off The Bloat” is my sickest show to date. My grandmother said “You look like bloated as if you’ve been found dead in a lake after several days of searching.” Koreans are the most savage of all the Asians. My new show is all about being fresh off drugs and drinking and suicide and coming back to life – finally fished out of the river Styx. It’s meta. It’s magical. It’s me.”

The initial “Fresh Off The Bloat” tour dates go on sale Friday, July 21 here: http://margaretcho.com/tour/ – Please note that the December 6 show in Belgium will go on sale July 20. Additional dates to be announced in the coming weeks.

Margaret’s new TV project Highland has been picked up for pilot by TNT Network. Highland will chronicle what happens when two extended, dysfunctional Korean-American families who share the same patriarch must come together after tragedy strikes. As it turns out, the most reliable person in both families is the one who just got out of rehab.
“Executive producer Liz Sarnoff (Lost,Barry) and Margaret Cho’s brilliant script exposes Margaret’s warm heart and bracing humor, balancing powerful emotional truths with laugh-out-loud scenes and characters,” said Sarah Aubrey, executive vice president of original programming for TNT. “Highland continues TNT’s commitment to bringing diverse voices and worlds to television. We look forward to making a pilot with such a singular talent as Margaret Cho.”

“Fresh Off The Bloat” Tour Dates
9/23/2017 Chicago Theatre Chicago, IL
9/24/2017 Orpheum Theater – Stage Door Madison, WI
9/29/2017 Sands Bethlehem Events Center Bethlehem, PA
10/5/2017 The Wiltern Theater Los Angeles, CA, USA
10/12/2017 2 SHOWS, Gramercy Theatre New York, NY, USA
10/14/2017 Warner Theatre Washington, DC, USA
10/21/2017 2 SHOWS, Castro Theatre San Francisco, CA, USA
11/5/2017 The Fillmore Philadelphia, PA
11/25/2017 Queens Hall Edinburgh, UK
11/26/2017 Tivoli Theatre Dublin, Ireland
11/28/2017 St. George’s Hall Bristol, UK
11/29/2017 Glee Club Birmingham, UK
11/30/2017 The Lowry Manchester, UK
12/1/2017 Academy Sheffield, UK
12/2/2017 Brighton Concert Hall Brighton, UK
12/4/2017 De Meervaart Amsterdam, Netherlands (ON SALE 20 JULY)
12/6/2017 Zuiderpershuis Antwerp, Belgium
12/8/2017 Bremen Copenhagen, Denmark
12/10/2017 Shepherd’s Bush Empire London, UK
12/12/2017 Latter Oslo, Norway

Kansas City Theater Review: “An American in Paris”

Starlight Theater
Kansas City, Missouri
July 11, 2017

It’s one of the most beloved film musicals of all time, winner of six Academy Awards, including Best Picture, and was often referred to by its star, the great Gene Kelly, as his favorite of his films. I’m talking, of course, about 1951’s “An American in Paris,” which introduced a new generation to the music of George and Ira Gershwin.

Paris. World War II has just ended and American G.I. Jerry Mulligan (McGee Maddox), an aspiring painter, has decided to stay in the City of Lights in hopes of gaining new inspirations to put brush to canvas. He meets fellow soldier Adam (Etai Benson), who delivers the story to the audience. He also meets Henri (Nick Spangler), an aspiring performer. The three men are anxious to remove all memories of the war and begin whatever great adventure life has planned for them. Things go well until they meet the beautiful Lise (Sara Esty), a young ballet dancer. While Adam’s relationship with LIse is professional, both Jerry and Henri fall in love with her, with complications aplenty.

First off my sincere thanks for the marvelous performance turned in by the entire cast on a night where, as the curtain rose, the temperature was near 90 degrees. Thankfully there was a nice breeze all night because the night went by swiftly. Director/choreographer Christopher Wheeldon has embraced the ballet aspect of the story, with much of the on-stage movement based on that form of dance. The graceful movements of those involved were perfect accompaniments with the musical score. No wonder Mr. Wheeldon was nominated for the Tony Award for both his directing and choreography, winning the award for the latter.

The four leads were in fine voice, breathing fresh life into such well known standards as “I Got Rhythm,” “The Man I Love” and “‘S Wonderful.” The costumes were bright and colorful and the set design, though a little dark, evoked Paris in the late 1940’s.

Again, the video screens were a little distracting but I will give Starlight credit for using mostly wide-shots of the stage (“Mamma Mia” utilized a lot of close-ups, meaning those watching on the screens were missing a lot of the dancing), giving the audience a complete view of the award-winning choreography.

Theater Review: “Jersey Boys” – Kansas City

Jersey Boys
Starlight Theatre, Kansas City MO
June 27, 2017

Review By: J.R. Deeter

If you are of a certain age, you certainly know the musical history of Frankie Valli and The Four Seasons. From the early 1960’s with breakthrough hits like “Sherry,” “Big Girls Don’t Cry,” and “Walk Like a Man,” the hits just kept coming…..few bands consistently gave their fans hit after hit on the Billboard Pop Chart.

What most people may not have known, and do not realize, is the story of how four boys from Jersey came together, from lowly beginnings and backgrounds while dealing with constant band name changes (they finally settled on The Four Seasons, borrowed from a local bowling alley) to struggle and then soar to the highest levels of success, before falling completely apart. One member removed, one member walked away, with two left to try again….and succeed again. It really is a great American rags to riches story and two and a half hours of pure entertainment.

Starlight Theater is a beautiful outdoor venue in Kansas City and the theater can be a very enjoyable experience, when the weather is nice. For our performance it was “Oh What A Night”!

The cast did a fantastic job, both musically and in portraying their respective roles, picking up after what seemed like a few stumbled moments during the opening scenes. Aaron De Jesus shines as Frankie Castelluccio, soon to become Frankie Valli, with an “i”. His voice was the best part of the show by far leading and hitting the high falsetto notes Valli is most famous for.

Matthew Dailey as Tommy DeVito, Keith Hines as Nick Massi, and Cory Jeacoma as Bob Gaudio were also very entertaining, as each member gets to tell his version of the story. As the show moves through the hit songs and the personal experiences of the guys, you can get a feel for what it was like for them, although I do think there is just enough embellishment for entertainment value. The supporting cast held their own, the female members handling many different roles and pulling it off easily. The Jersey Boys Orchestra was top notch and the music was fresh and crisp.

Note to Starlight: While I can appreciate the offer of the large screens installed this season about mid level up on the left and right side of the stage for the benefit of the folks in the back, I did find myself drawn to keep looking away from the performance on the stage. I feel it is more appropriate for a concert event….let’s keep theater events theater.

Theatre Review “Finding Neverland” @ Dr. Phillips Center for the Performing Arts – Orlando, FL

Finding Neverland
Dr. Phillips Center for the Performing Arts
Orlando, FL
June 6th, 2017

Our Score: 5 out of 5 stars

Finding Neverland is a story about how author and playwright J.M. Barrie overcame creative struggles when four children and their widowed mother came into his life one day in Kensington Park in London, just after the turn of the century in the early 1900’s. Jack, George, Michael, Peter, and their mother Sylvia Llewelyn Davies broke Barrie out of a creative “slump” he was in by helping him to rediscover his inner child, reminding him that sometimes you shouldn’t take life too seriously and should just have some fun.

Barrie draws his inspiration primarily through Peter, who lost his playfulness and imagination following the passing of his father. Although Jack, George, Michael and their mother tried to maintain positivity following their loss, Peter just wasn’t the same. He had seemed to “grow up” too soon. But when Barrie and the Davies’ all met that fateful day in Kensington Gardens, Barrie couldn’t help but feel like he had to somehow restore Peter to the child he was before his father’s passing. In the process of doing so, Barrie ultimately found the child that had been suppressed within himself for far too long. As a result of Barrie finding that child buried deep inside, he remembered Neverland – an imaginary place he had fashioned in his mind when he was a young boy. That imaginary place, combined with inspiration Barrie drew from his various adventures with the Davies family, is what drove Barrie to give life to the story of Peter Pan as we now know it.

Neverland itself can be summed up as a beautiful story… about how we came to know another beautiful story. There’s laughter, joy, a little bit of sadness, and a whole lot of fun. But Neverland, in its Broadway play format – now traveling North America – is truly a masterpiece of the stage. It’s not just the story that made it such an enjoyable experience – but also the fantastic cast that brings the story to life in front of a live audience.

For just a few short hours, I hung on every line and every lyric of the dialogue and song that projected towards me from the stage. I couldn’t wait for the next witty line, silly joke – or even sad twist in an overall whimsical and upbeat storyline. The four young actors that played the Davies children were wonderful. Rory Donovan, who plays the roles of both Charles Frohman, the man who backed Barrie’s plays, as well as Captain James Hook – was fantastic. His Hook was intimidating yet hilarious at the same time. The entire cast worked so well together, was so polished and really seemed like they were having the time of their lives up on the stage.

Throughout the play I didn’t look at my watch, check my phone, or even have a single thought about anything else in the world outside of that theatre – not even once. When the play broke for intermission I was annoyed; I didn’t want the fun to stop. When it finally ended, I wanted it to start from the beginning all over again. If you have a chance to catch this play while it’s on tour do yourself a favor, and anyone else who you might consider bringing along, and go buy some tickets right now. I promise you that you’ll have a blast, and for at least a few short hours you’ll forget about everything else in the world and do nothing by laugh and smile. And we could all use more of that in our lives.

Theater Review: Disney’s “The Little Mermaid” – Kansas City, MO

Starlight Theater
Kansas City, MO
June 3, 2017

Our Score: 3 out of 5 Stars

Under the Sea. That is where the new production of Disney’s “The Little Mermaid,” which made it’s debut performance this past Saturday – the show will be leaving KC to embark on an 18-city tour – intends to take theatre-goers. And it largely delivers on that promise, though not without a few questions.

If you are familiar with the animated film, and judging from a full-house which was easily 60% children, you know the story concerns young mermaid Ariel, the youngest daughter of Triton, falling in love with the very human Eric. Also along are the evil Ursula, the over-protective Sebastian and the goofy best pal Flounder. Young love, evil squids and great songs usually make for a fun night at the theater. However, there were a few things that distracted not only me during the performance but, if the fidgety children all around me were any indication, others as well. The problem with going to a show based on something familiar (book, movie, etc) is that any changes – and there are several plot/character changes here) or, in the case of a musical, new songs, have a tendency to throw viewers off, especially the little ones. If you’re hoping to see Max the dog or are hoping to see a cool shark chase on stage, you may be a little disappointed.

The production was directed by Glenn Casale, who also directed the original Broadway production. It is full of bright lights, bubbly performances and (mostly) familiar songs. Yet it didn’t really hold my full attention. I attribute this, in part, to the fact that this year Starlight has decided to utilize it’s large video screens above the stage, usually reserved for concerts, to “broadcast” the show to the audience. Meant to give the people in the rear of the theater a better, close-up view of the action on stage, if you are in the plaza seat area, watching the stage, you can’t help but have your attention drawn to the flickering images above the stage, which totally draws you out of the show. Also, for the first time in my years of attending shows here, the performance didn’t start on time. It was almost 8:30 before the curtain went up on the scheduled 8:00 show. Which means that the fidgety children were extra fidgety by the time it started. I do understand that this was, literally, the first show of this tour and that there may have been technical issues that needed to be worked out. A quick announcement to the audience would have been nice, especially with a show that runs almost two and a half hours.

Now on to the good stuff. The cast was first rate, with Diana Huey bright and energetic as Ariel. Eric Kunze was in fine voice as Prince Eric while Melvin Abston was truly the crowd favorite as Sebastian the Crab. Connor Russell earned some laughs as Flounder while Jennifer Allen oozed evil while belting out “Poor Unfortunate Souls” as Ursula. The production design was well conceived, and a scene where the creatures of the deep, including some impressive jelly fish, go by was a treat for the eyes. The one question I had, and maybe it’s because I’m an adult, was why, when everyone is in the water, why is Ariel the only one that has to move around CONSTANTLY while Flounder and other creatures just get to stay in place? Poor Ms. Huey’s arms must be dead tired after a show!

Disney’s “The Little Mermaid” runs in Kansas City through Sunday, June 11. For tickets head here.

PAW Patrol Live! Lands in Orlando June 24 & 25th

PAW Patrol is on a roll with the first-ever live tour! It’s the day of the Great Adventure Bay Race between Adventure Bay’s Mayor Goodway and Foggy Bottom’s Mayor Humdinger, but Mayor Goodway is nowhere to be found.  PAW Patrol to the rescue!   For the mission, Ryder summons Chase, Marshall, Skye, Zuma, Rubble, Rocky, and the newest pup, Everest.  Their mission is to rescue Mayor Goodway and run the race in her place.  Using each of their unique skills and teamwork, the pups make several heroic rescues on their race to the finish line.

Show date: June 24 & 25, 2017
Show time: Show times vary
Tickets start at $21.75
Walt Disney Theater

CLICK HERE TO PURCHASE TICKETS

A VStar Entertainment Production. Presented by Pedigree

Be a VIP – Very Important Pup!

VIP package includes:

  • Premium seat
  • Special Gift
  • Exclusive access to a Meet & Greet with Chase, Ryder and Skye after the show

Each adult & child in a group must have a VIP ticket. Pick up your VIP Packet at the VIP Check in table prior to the show. One adult may accompany up to 4 children. For any remaining questions, please contact info@vstarentertainment.com.

FAIRWINDS Broadway in Orlando presents “Finding Neverland” Starting June 6th

FAIRWINDS  Broadway in Orlando presents Finding Neverland

This breathtaking smash “captures the kid-at-heart” (Time Magazine). Vogue cheers, “it’s a must-see you’ll remember for years to come!” Directed by visionary Tony winner Diane Paulus, Finding Neverland tells the incredible story behind one of the world’s most beloved characters: Peter Pan. Playwright J.M. Barrie struggles to find inspiration until he meets four young brothers and their beautiful widowed mother. Spellbound by the boys’ enchanting make-believe adventures, he sets out to write a play that will astound London theatergoers. With a little bit of pixie dust and a lot of faith, Barrie takes this monumental leap, leaving his old world behind for Neverland where nothing is impossible and the wonder of childhood lasts forever.

Show dates: Tuesday-Sunday, June 6-11, 2017
Show times vary
Tickets start at $33.75
Walt Disney Theater

CLICK HERE TO PURCHASE TICKETS

Chris Gethard: Career Suicide

Chris Gethard is a multi-talented comedian and actor (Don’t Think Twice, “Broad City”) who’s worked extensively in NYC’s improv scene at the Upright Citizens Brigade Theater as well as having his own successful public access show, aptly titled “The Chris Gethard Show”. This weekend Gethard premiered a much more personal type of special on HBO with Chris Gethard: Career Suicide. In this touching, and darkly hilarious special, Chris uses comedy to detail his lifelong struggles with depression and anxiety including his brushes with suicide. The show held a special screening and talk-back at New York’s Tribeca Film Fest, featuring Chris, fellow comedian Pete Holmes (HBO’s “Crashing”), and moderator Ira Glass (NPR’s “This American Life”). I spoke with them on the red carpet about the development of the show and using comedy to cope with more difficult issues.

Besides hosting NPR’s “This American Life” podcast (which Gethard has appeared on), Ira Glass produced Don’t Think Twice.

Lauren Damon: Working with Chris on Don’t Think Twice, did you see the development of his show at all?

Ira Glass

Ira Glass: I mean, it’s funny, Don’t Think Twice…Chris is such an amazing actor. He’s so for-real in Don’t Think Twice, and that character does have a lot of overlap with who he is in real life. And who he is in this special. My main thing with the special is I’ve seen him develop it. I saw like a super early version in the basement in Union Hall, and then saw when it was up on stage. So I’m really curious how it translates to video.

LD: With the heavier themes, I feel like we have a need for that in comedy because things seem sort of dire in general…

Glass: It’s true…But I feel like the whole trend in comedy has been comedians getting super real about stuff that’s going on, you know. And I feel like when you look at the people…who are doing the most work right now, it’s like Louis CK and Tig Notaro and Mike Birbiglia, Aziz [Ansari]…You know that’s people talking about stuff that’s pretty real. Which I like because I like a real story. I think when somebody can tell a story that’s super funny but also is really a real thing, and emotional, it’s just like what could be more entertaining? That’s everything a person could want.

LD: That’s basically the best episodes of “This American Life”…

Glass: On a good day, yeah. On a good day. The formula on “This American Life” is we want it to be really funny, with a lot of plot at the beginning, then it will get kind of sad and sort of wistful at the end, then like throw a little music under it, you’re done!

In Don’t Think Twice, Gethard played Bill, a comedian coping with a hospitalized father on top of dealing with general anxieties of where he fits into his shifting improv group.

LD: In Don’t Think Twice, your character did a lot of the heavy emotional lifting, was your show already developing kind of around that time?

Chris Gethard: It’s funny because [Don’t Think Twice director] Mike Birbiglia was the one who kind of threw down the gauntlet and said ‘You should do a show about this side of yourself.’ I would talk about it to a degree in my work, but he was the one who was like ‘You got something here, go for it.’ So the experience of Don’t Think Twice and this show kind of went hand in hand. I was opening for Mike on the road, he developed the film on the road [and] during that process is when he really said ‘You should really go for it, I promise you, give it a shot.’ Really the first time I attempted the show was in an effort to sort of prove Birbiglia wrong and say like I don’t know if people are going to laugh at this. But I have learned never to doubt Mike. And those things really did dovetail nicely and springboard off of each other.

Chris Gethard

LD: How did Mike respond to it?

Gethard: Oh he’s been so supportive and I think he was–he also, as far as these off Broadway shows that are kind of comedy but that go serious, I think he really has helped pioneer that in the past few years. So I think he was very proud and flattered. I always give him a lot of credit as far as walking in his footsteps. So I think he was very psyched that I went for it. i think he also had a little bit of glee that his instincts were correct and mine were not. So thank god for that.

Pete Holmes had his own hilarious HBO comedy special (Faces and Sounds) as well as starring in their series, “Crashing”

LD: How do you know Chris?

Pete Holmes: It’s funny, I thought more people would ask, but here we are at the end of the line and you’re only the second person to ask, so it’s still fresh! It’s still a fresh answer. I was a fan of Chris, I would see him at UCB –actually not far from here, right around the corner. And then I took improv classes at UCB and Chris was actually my level 3 teacher because I had heard that he was so wonderful. And he was. I actually think Chris likes to downplay what a wonderful improv teacher he is because obviously he loves to perform more. But it’s almost a shame that we can’t clone him, because he’s such a great improv teacher.

LD: Your stand-up is a lot more silly and irreverent in contrast to the work Chris is doing in this special and I love that there’s space for both

Holmes: That’s nice, there is space for both! And I really love this show. It’s not the sort of stand-up I do but I also on my podcast [“You Made it Weird”] love to get very deep and weird and uncomfortable so I love seeing it in the live version with the laughs.

Pete Holmes

LD: On “You Made it Weird”, have you had any especially surprising guests?

Holmes: That happens all the time actually. For example The Lucas Brothers, the twin guys from 21 Jump Street movie…I [didn’t] know them that well either and they’re kind of low energy [in the film] and then they came on and were like the most high-energy, introspective, eloquent amazing guests. And you know, I didn’t really know them that well. So one of the things that I love about the podcast is that happens over and over. Your expectations just get completely blown out of the water.

The better answer would be Aaron Rogers, the quarterback for the Greenbay Packers…I didn’t know him either, but here comes a quarterback. And J.J. Redick who’s a basketball player just did it. And whenever these athletes come on and just kill it just as hard as the comedians, it makes me happy.

LD: With Chris being your teacher and then you had an HBO special and series first, is that kind of funny to you?

Pete Holmes: [laughs] I beat my teacher! It’s so funny, Chris and I had another thing where I did a talk show for Conan–he talked to me about this on his episode of my podcast. [Chris] was like when they gave you the talk show after Conan–which lasted about a year–he was like they were talking to me about [doing it] Like we’ve been competing in ways we didn’t even know! So I’m happy that now we’ve both landed at HBO, it’s not one or the other, but we can both be here. [laughs]

Chris Gethard: Career Suicide is now available on HBO, HBO Now & HBOGo

Stage Review: “42nd Street” – Kansas City

“42nd Street”
Kauffman Center for the Performing Arts, Kansas City, MO
May 2, 2017

Our Score: 5 out of 5 Stars

In the summer of 1981, Uncle Sam decided to send me to Germany. I used a couple days before I left to visit New York City. I got there on a Sunday night and was amazed that, at three in the morning, I could get Kentucky Fried Chicken. I had planned on seeing “The Elephant Man” but sadly learned that it had actually closed the night I hit town. Wanting to say I had seen a Broadway show I remembered an article I had read on the plane about a show called “42nd Street.” I wasn’t intrigued by the plot, which is basically the story of a Broadway musical inside an actual Broadway musical, but by the story of how the show itself was a bit of theatrical folklore. It seems that the show’s director/choreographer, Gower Champion, had actually passed away just before the curtain went up on opening night. While the audience is giving the cast a rousing and much deserved standing ovation, the show’s producer comes out on stage and breaks the news. Now THAT’S theater.

“42nd Street” tells the story of director Julian Marsh (Matthew J. Taylor) preparing for his next Broadway hit. He is surrounded by many fresh-faced youngsters who want to get their big break alongside his “star,” Dorothy Brock (Kara Gibson Slocum). Also along to audition is Miss Peggy Sawyer (Clara Cox), a young lady from Allentown, Pennsylvania with stars in her eyes. Peggy is clearly talented but her exuberance becomes a pain in the rear for Brock. An accident with Brock leads to Peggy being fired. But, when Brock is injured, It’s discovered that the only way for the show to go on is to hire Peggy back. Will she go out on stage a youngster but come back as a star? What do you think?

I have many fine memories of the Broadway show, including the performances of the late and great Jerry Orbach and the amazingly talented Tammy Grimes. And while those two are revered as Broadway legends, the performances of Mr. Taylor and Ms. Slocum are equally strong. The entire cast kicks back and tap dances their butts off. This is what you might call an old fashioned musical, with classic songs and some of the greatest hoofing you will ever see on stage. So take my advice and “Come and meet those dancing feet, on the avenue I’m taking you to, 42nd Street!”