Theater Review "Hair" Kauffman Center For the Performing Arts – Kansas City, Missouri

Hair
Kauffman Center For the Performing Arts, Kansas City, Missouri
February 5, 2013

Our Score: 5 out of 5 stars

Welcome to the 1960’s, the decade of free love, flower power, psychedelics, the Vietnam War, and long flowing hair! Even though it was written in 1967 and debuted on Broadway in 1968 the story and underlying symbolism of the musical “Hair” holds true even in this decade and for my own generation.

“Hair” is an ensemble/audience interaction event and an experience all in its own. Credited with being the first “Rock Opera,” “Hair” is the story of a group of young adults who are living the life of freedom, drugs, love and no responsibilities or, as they were better known at that time, hippies. Their only job is to live their life and protest the ideas of the conformist government and their conservative parents. Their retaliations range from protesting and draft card burning to something as simple as growing their hair long… the longer the better.

The main characters of the story are two young men: Claude (Noah Plomgren) and Berger (Brian Crawford Scott). They both find themselves attracted to young socialite Sheila (Mary Kate Morrissey). The struggles in conflict arises when Claude is drafted by the U.S. Army to serve his country in Vietnam. He struggles with the life he has led vs the life and path ahead of him.

The cast in this production of “Hair” was downright amazing, with every cast member in stunning form vocally. Unlike some touring productions, this cast is much more than just decent actors with good voices, Plomgren and Scott also show a fantastic gift for comedic timing as well as captivating emotion. Sheila and Woof (Jason Moody) were the two performers who really stood out to me. While many of the songs in the show are so familiar as to encourage the audience to sing along, when those two sang the audience sat silently and took their voices in.

What I enjoyed more than anything else at this performance was watching the audience. You could see the majority of the crowd were the same age as the cast during the”age of Aquarius” Being 28 I really got a kick watching the sixty-somethings with their gray hair and tied ties, now seemingly professional and clean cut, as they filled the auditorium. You could see them having literal flashbacks as the show progressed. A good laugh here at free love, a snicker there at a reference to “getting stoned” and even a whispered conversation between husband and wife during the song “Hashish” (the only lyrics being the various drugs popular in the 1960s) ending with an audible laugh. By the end of the show the audience was captivated by the story, the music and the cast. The show ends with a grand performance of “Let the Sun Shine In” with the cast inviting the audience to join in the fun and dance with them on stage.

The audience consisted of people of all ages, proving that after all these years “Hair” has stayed relevant from generation to generation…passed on from parents to their children (although as a child I never believed my parents were as cool as they said they were). This show offers an opportunity for any parent or grandparent whose kids always doubted their cool stories to introduce them to the life and times that now can only being read about in history books.

This show definitely earned 5 out 5 stars in my opinion, especially taking in the whole experience of the cast, the music, the performances, the venue and the people I shared this show with. It is an experience that I won’t forget and I’m sure in 40 more years the story of “Hair” and its ideals will still hold strong. “Hair” continues in Kansas City through Sunday, February 10. Below is a list of cities the show will visit soon.

For more information or to purchase tickets go to www.hairontour.com

February 19 – Opelika, Alabama
February 20 – Montgomery, Alabama
February 24 – Columbia, Missouri
February 26-27 – Kalamazoo, Michigan
February 28 – Hamilton, Ontario, Canada
March 1 – Toledo, Ohio
March 2-3 – Detroit, Michigan

Nuclear Cowboyz Infiltrate Kansas City

Nuclear Cowboyz
January 12, 2013
Sprint Center, Kansas City, MO

Nuclear Cowboyz is the story of post-apocalyptic Los Angeles set in the year 2150 when two rival freestylemotor gangs (The Soldiers of Havoc & The Metal Mulisha) must team together. Their goal: to defeat the Evil Temptress and her Cyborg Army and to keep their city and the rest of the world free. Of course the only way to win this war is through a series of gravity defying, breath taking tricks, many of which are synchronized to pyrotechnics, lasers and metal and alternative rock.

The story of Nuclear Cowboyz is geared more toward the kids, while the adrenaline fueled high flying action is for every man, woman and child. This show will have even the most extreme sports fan on the edge of their seats and maybe even letting out a “Whoa!” or a “Holy Shit”

The cast includes some X – Games Medalists, including Ronnie Faisst, Mike Mason, Taka Higashino, Colten Moore, Adam Jones and Matt Buyten.

The tour kicked off in Kansas City, MO on January 12 and will travel the country all spring. The last performances are scheduled for April 27 and 28th in Houston, TX

Nuclear Cowboyz Tour Dates:
Jan 19-20- Cincinnati, OH
Jan 26-27- Pittsburgh, PA
Feb 1-2- San Antonio, TX
Feb 9 – Auburn Hills, MI
Feb 15-17- Tampa, FL
Mar 2-3- Atlanta, GA
Mar 8-9- New Orleans, LA
Mar 16-17- East Rutherford, NJ
Apr 5-7- Ontario, CA
Apr 27-28- Houston, TX

Photo credit: Field Entertainment

CD Review: Ernest James Zydeco “3 Steps From La La”

Ernest James Zydeco
3 Steps From La La
Jam Rat Records
11 tracks
Running Time 44 Minutes

Our Score: 3.5 out of 5 stars

Ernest James Zydeco’s 3rd Album “3 Steps From La La” is a rhythm heavy upbeat album that hits on all tracks with its Big Easy Cajun roots music. Ernest James Zydeco is a Kansas City based band that features a true Zydeco accordionist and a skilled band at the top of their game. “3 Steps From La La” is a journey through the progression of early Creole music through time to today’s sound . Pre- Zydeco music was Creole music; this was referred to as La La. This was in the 1930s, 40’s and early 50’s. before people were plugging into amplifiers. It was acoustic only: usually just an accordion, a fiddle, drums and maybe a washboard, as you hear on “Perlie Pearl”. Than, with the addition of amplifiers and the electric guitar, the music took its first step. Some of the songs feature guitar influences born of reggae or funk like on “Lookin”, that is another step. A couple of tracks are just good Kansas City Blues with nothing fancy, just eyes closing, head bobbing blues. That would be the 3rd and farthest step from La La.

The overall feel of this album is just a smooth good time. A 3 track block a third of the way in slows it down just a bit and brings you back to earth. The tracks are “Supposed to Do”, “Zydeco Mother’s Day” and “Man Across the Street”. “Zydeco Mothers Day” is just soaked in Muddy Waters influence, while “Man Across the Street” is not like any other song on the album. That song more than the rest stuck with me after listening to this CD.

The remainder of the album is equally as satisfying, mixing in a few types of southern styles of music while heavily favoring Zydeco as a whole. Creole, Zydeco, R & B, and Electric Blues are tapped into, and “Red Cross People” is a blues shuffle that will get people movin’. That is exactly why this album is so good. It is a journey and when you listen to it you will have a hard time staying put.

Track Listing:
1. Shake It Sugaree
2. Lookin
3. Whoa Sally
4. Supposed to Do
5. Zydeco Mothers’ Day
6. Man Across the Street
7. Hey Mojo
8. Janitor
9. Pearlie Pearl
10. Red Cross People
11. Glory Glory